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Monthly Archives: April 2006

It’s been a rough week or so. The kids have been sick. I won’t bore anyone with the gory details, but they were . . . gory. It’s pretty sad when going to the mailbox feels like an outing.

I need a real one now.

I’ve managed to eke out a bit of writing time, but it’s been tough. It’s a bit like having sex—you can deal with a few interruptions, but too many and it’s really, really hard to recapture the mood. Like a couple who need to get away for a weekend, I need to get away with my muse (inner artist child, Girls in the Basement, subconscious mind, whatever you call the place ideas come from) and get her to stop sulking.

The little darlings are both in school today. If all goes well, I don’t get a call from the school nurse, and they continue to do well tomorrow, I’m heading out to the Corning Museum of Glass. I’m going to do a leisurely tour of the galleries (for fun, not research except in the laziest way), have lunch at the café and go make a sun-catcher at the Walk In Studio. Last summer my kids made projects there and as I was helping them I decided I’d like to try my hand at one myself. It’s time.

Whether you’re a writer or not, getting out and doing something fun and creative helps keep the juices flowing for other parts of your life. It’s what Julia Cameron calls an “Artist’s Date”. You go out to the movies, to a concert, bake, paint, take a walk in the woods or anything you think is fun and NOT directly related to your job. Anything that makes you feel like a kid with a brand new 64-count box of Crayolas.

Do any of you (writers or not) do Artist’s Dates (whether you call them that or not)? What do you do to keep your mojo? To get it back when it’s deserted you?

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice Award nominee
www.elenagreene.com



Look at them up there, glaring! The Miss Bingleys definitely want to duke it out. They’re both fierce and cruel. They’ve both been educated by the best instructors. Who do YOU think would win in a fight? Would one win at boxing, and the other at wrestling, or would one wipe the floor with the other in any form of combat?

Or how about the Lady Catherines??? Which one of these would beat the other at mudwrestling? At boxing? At sumo wrestling?


Would they pull hair and bite??? Would they gouge each others’ eyes out?

Who would you wager your hard-earned money on?

Inquiring minds want to know!

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — Holt Medallion Finalist!


Last week, my father (who also doubles as my Regency research partner) was in Brooklyn for a visit. Friday night, he poked around my DVD collection and found the BBC version of Pride & Prejudice; he had just visited my aunt, his sister, and seen the 2005 version, and wanted to compare with the one he’d heard was truer to the text (my dad wrote a paper on Emma in college, so he’s up on Austen).
It was 8:30 by the time we sat down to watch, and I warned him this version was at least five hours long, and I knew neither of us would be up that late. We stopped watching at the end of the first DVD (of the two-disc set), right when Elizabeth refuses Darcy’s first offer of marriage.
Whew. It was really, really hard to stop watching right there, right at the emotional black moment of the film. But how perfect its placement was–right as you’re realizing Darcy has feelings for Elizabeth (courtesy of Colin Firth’s guardedly melting glances), and Elizabeth is piqued by Darcy, although not yet willing to admit it, even to herself, he proposes in his characteristic blunt Darcy way.
The scene closes with her telling him that he would be the last man on earth she would ever contemplate marrying, and he tells her he understands perfectly, and will never bother her again. They separate, leaving behind our palpitating hearts.
Austen’s build-up to that moment is magnificent, as is her gradual threading together of our hero and heroine’s lives. It’s hard to believe, only one DVD disc later, that Elizabeth and Darcy will ever get to a place where they can be together.

Pride & Prejudice is one of the best examples of the Big Misunderstanding ever–yes, Elizabeth could have asked Darcy about Wickham, but there are ever so many reasons why she would not; and he could have discerned her embarrassment about her family, and possibly discussed it with her without blurting it out so baldly, but there are ever so many reasons why he would not.

Do you agree with my analysis of P&P as having a Big Misunderstanding?
What examples of a GOOD use of a Big Misunderstanding can you think of? Do you mind them in your novels? Can you envision any situation with a Big Mis that would make as much sense as the ones in P&P? And don’t you feel sorry for my dad, who had to return to Cape Cod without seeing the second half?

Megan
www.meganframpton.com

The boddynge flourettes bloshes atte the lyghte;
The mees be sprenged wyth the yellowe hue;
Ynn daiseyd mantels ys the mountayne dyghte;
The nesh yonge coweslepe bendethe wyth the dewe;
The trees enlefed, yntoe Heavenne straughte,
Whenn gentle wyndes doe blowe to whestlyng dynne ys broughte.

Thomas Chatterton, the anguished teenage poet, was one of the great fakers of the Romantic period–his short-lived and unsuccessful career, which started with him faking medieval poetry, ended with his suicide in an attic at the tender age of eighteen.

And plagiarization is something fiction writers are too often accused of…after all, all regencies are about fresh-faced ingenues and rakes, right?…aren’t they? Even though academic story analyses have proposed that all story-telling is derivative, and derive from a handful of basic plots, it’s something we are accused of far too often.

As a living example of how different writers can take a simple plot premise and work it into something different, visit Diana Peterfreund’s Great Blog Voice Experiment. Diana invited twelve writers for their contribution, and each is different and interesting. Why? It’s a question of individual imagination and individual voice–whatever voice is. It’s one of those difficult-to-define elements that distinguishes a writer’s work, and I hold the theory that the stronger the voice, the more extreme the reader’s reaction.

Can you define voice? Which writers have a strong voice, and what do you like/dislike about their work?

Janet

Posted in Reading, Writing | Tagged | 5 Replies

Dreadfully Important Survey here. Much more important than that census nonsense. The fate of the world hangs in the balance.

And the pictures here of handsome men are entirely relevant, and not there for any superficial, oh-aren’t-they-cute sort of reason.

1. If Horatio Hornblower (as played by Ioan Gruffudd) had a fistfight with Jack Aubrey (as played by Russell Crowe), who would win? And how much would you pay to watch them fight? How much more would you pay if they fought without their shirts on?

2. How about Jack Aubrey versus Captain Wentworth (as played by Ciaran Hinds)? Or would you be too afraid that Anne (as played by Amanda Root) would beat you to death with her umbrella for watching?

3. How about Wentworth versus Hornblower?

4. If the three captains actually fought, would that be like Regency mudwrestling?

5. Would Richard Sharpe (as played by Sean Bean) be able to wipe the floor with any of them?

Inquiring minds want to know.

Cara