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Monthly Archives: June 2006

To continue this week of updates on what we Riskies have been up to…

CARA PROJECT #1: A light-hearted Regency romance that’s a bit of a Cinderella story. My heroine Ruth (yes, she’s a poor parson’s daughter!) is clever and witty and quite underappreciated. She’s also stuck in the middle of the most lonesome part of Norfolk (full of pretty flint churches, like the Norfolk church pictured here). As she’s a proper young lady, she can’t escape except through marriage:

She could not travel without a husband, and she was not likely to find a husband while living in a nowhere part of England known only as “take the smaller road north from Little Ellingham, pass the village of Ipsham, and stop before you reach a large herd of sheep.”

There were few men in this corner of the world, and most of them owned more canes than teeth. And even if eligible gentlemen ever appeared–if they were lost, for instance–she knew they still wouldn’t want to marry her.

She had sense enough to know that men wanted more than just sense in a wife. They wanted a pretty face and a docile spirit, sparkling conversation and at least some semblance of a bosom.

This project is currently being considered by an editor at a publisher that will remain nameless, lest I jinx myself. (Knock wood, fingers crossed, et cetera.)

CARA PROJECT #2: Another Regency, this novel borders on farce, and is set in Bath, beautiful Bath. (My heroine will of course visit the Upper Rooms, pictured here — the photo’s from the movie of “Persuasion.”) My youthful heroine, Essie, has far more enthusiasm than prudence:

“I shall be so good, you will not even know me! I promise not to gossip, or get into scrapes, or complain about anything. That is, I shall certainly try,” she amended, recalling that she was also not to make promises she could not keep.

If the aforementioned publisher buys Project 1, then they will hopefully want Project 2 as well — which will be a lot of fun to write. (It’s only just begun, as the song says…)

CARA PROJECT #3: I have a young adult novel — partly a romance — that I am currently shopping about. This is about the adventures of a high school student who starts dating a college guy — and not just your average college guy, but an engineering student at a nearby technical college.

You could hardly call me cute. Stick-figure skinny is more like it. You ever heard of those things called breasts? Yeah, me too. Unfortunately, my knowledge is entirely theoretical. It’s not like I’ve ever actually owned a pair.

( You may notice that this heroine has a similar problem to Ruth in Project #1! Ah, the concerns that span the ages…)

CARA PROJECT #4: I have begun a new young adult novel, this one with a paranormal twist. I can’t say any more — my muse has sworn me to secrecy…

Well, that’s (most of) what I’m up to, barring a few science fiction short stories, and a play I want to write. (What was that? Did someone say I’m writing in too many genres? No, surely not.) 🙂

Well, here’s a question for those of you who’ve actually read this far (or just skipped to the end): what young adult novels (if any) did you love when you were a teen? (Or which do you love now, if you are a teen, or if you’re still reading YA, as I am?)

Cara
Cara Kingwww.caraking.com
MY LADY GAMESTER — Booksellers’ Best Finalist for Best Regency of 2005!

Posted in Risky Book Talk | Tagged | 14 Replies

Santa asked a great question last week–what’s next for the Riskies? Being Monday’s Riskie, I get to go first! Or perhaps I’ll let my alter ego, Diane Gaston go first. She has the next thing out from the Dianes.


Next up for Diane Gaston is a novella in a Christmas anthology from Harlequin Historical, due out in October 2006. Although the anthology is as yet untitled, my novella is called A Twelfth Night Tale:
One impulsive Twelfth Night of passion blights the lives of Zachary Weston, the new Earl of Bolting, and governess Elizabeth Arrington, until this Christmas season finds her stranded at his estate with her charge, a young unwed girl about to give birth. Together Zak and Elizabeth witness the miracle of new life, and with it a rebirth of their love. Just as happiness is within their reach, the pain of the past comes back to haunt them. Will this new Twelfth Night unite them forever or doom them to life apart?

In 2007 (date to be arranged) Innocence and Impropriety by Diane Gaston will be released by Mills & Boon. This book tells the story of Rose from A Reputable Rake:
When Jameson Flynn, secretary to the Marquess of Tannerton, hears Rose O’Keefe sing in Vauxhall Gardens, he is powerfully aroused, both sensually and emotionally, but the marquess wants Rose for himself and charges Flynn with making the arrangements. Rose desires love not a business arrangement, and the man she loves is Flynn. Into this triangle comes Lord Greythorne (from the Harlequin Daily Read, The Diamond), and Greythorne wants Rose for more sadistic pleasures.


Diane Perkins has not been sitting on her duff, either. Do you remember Blake from The Marriage Bargain? Blake’s story is coming in 2007. Still untitled and the month unscheduled, but coming nonetheless:
After Spence’s reunion with his wife, Blake and Wolfe go to Brighton and soon learn they must try to thwart a con artist attempting to swindle Blake’s parents into total ruin. There Blake meets the lady-of-the-night who, two years before in Paris, stole his money and his heart. Mariella has reappeared now as cousin to Lord Caufield (Harry and Tess from The Improper Wife) and may or may not be part of the scheme to swindle Blake’s parents. Whatever and whoever she is, the passion between Mariella and Blake is hot enough to consume them both.

Still to come from Diane Perkins is Wolfe’s story, and from Diane Gaston, The Marquess of Tannerton’s story. Both of me will be hard at work on both from now to 2007.

Cheers!
Diane

PS The pictures are details of fashion prints from 1815 La Belle Assemblee- I own the whole 12 months!

Ah, writing. Not always the smoothest-sailing of careers, but one that has many perks — such as an excuse to put a picture of Wentworth in one’s blog post, because he’s writing, and therefore not off-topic at all.

With the demise of Signet and Zebra’s traditional Regency lines, most of their Regency authors had decisions to make regarding their futures. (Certain course changes were made, some large, some small). Santa recently asked what we Riskies were each working on now, and what certain other Regency authors were currently writing. (Answers are coming, Santa!)

This made me wonder — are there any other particular Signet or Zebra Regency authors that any of you are curious about? We Riskies are exceedingly well-connected — we all have vouchers for Almack’s, after all (although I’m not sure how certain persons got one — I suspect blackmail was involved). So if you all let us know which traditional Regency authors you want updates on, we can use our extensive networks of spies and informants to obtain this information for you.

So — which authors do you want updates on? Please share!

Cara


So, tomorrow is Father’s Day, and I still haven’t found a gift for my dad. He is the hardest person in the world to shop for–he already owns every electronic gizmo there is, plus every DVD and CD he might want he’s already bought for himself. I wonder if people in the Regency had this problem? Oh, yeah–they didn’t HAVE Father’s Day then. Lucky them. 🙂

Besides scanning the Internet for possible gifts, I’ve been trying to decide on a good theme for this post. In college, I once wrote a paper on fathers and daughters in Shakespeare. To borrow from that idea, here is a selection of fathers from Jane Austen:

From Mansfield Park, there is the uncle/father figure Sir Thomas Bertram. Now, he benevolently takes Fanny in and raises her alongside his own offspring, but Sir Thomas is really pretty distant in her life, a fearsome figure of authority. He is not outwardly affectionate, and is definitely highly concerned with outward appearances, but in the end he does acknowledge that he should have really spent more time overseeing his children and not left them to his lax wife and crazy Mrs. Norris.

From Pride and Prejudice, of course there is Mr. Bennet. He spends most of his time reading and hiding out in his study, which really who can blame him, but he also comes across as a bit careless to his family’s ultimate fate. With Elizabeth he is concerned and loving, but with his three younger daughters he lumps them together as the “silliest girls in England” (and again, who can totally argue with him?)

From Sense and Sensibility, I guess you can say there is Mr. Dahswood, who dies at the beginning. Yet it appears he loves his wife and daughters and wants to provide for them, hence he makes his son promise to take care of them. That the son breaks that promise isn’t really his fault, I guess…

From Emma, there is Mr. Woodhouse, the invalid. It’s said “she loved her father, but he was no companion to her.” He sees no fault in his daughter, and they spend a comfortable life together indulging each other in their whims and self-delusions.

From Northanger Abbey, we see Mr. Morland, a respectable, well-enough-off clergyman, with “considerable independence, besides two good livings.” But he is not much of a presence, probably because he has two livings and ten children. His wife appears equally distracted, leaving Catherine lots of time to do stuff like roll down hills and read horrid novels.

There is also General Tilney. He is very wealth-obsessed, boasting, annoying, and preoccupied with himself (when not meddling in his children’s lives). I sometimes wonder how Catherine is going to handle having him for an in-law…

And, from Persuasion, Sir Walter Elliott. He spends all his time reading the peerage and probably looking in the mirror. He loves his daughter Elizabeth, who is like a reflection of him in female form, but is quite indifferent to Anne and probably to Mary. “Vanity was the beginning and end of his character.”

And that is my thumbnail sketch of fathers to be found in Austen. They’re kind of a pitiful lot when looked at like that, aren’t they? 🙂 I thought of many other things that could go into this post–fathers in romance novels, fathers in the real-life Regency (btw, the picture is George III, Queen Charlotte, and their Six Eldest Children by Johann Zoffany. Thanks for the tips on uploading pics to Blogger!). But I really do need to get to the shops and find a gift for my own dad, who luckily is no Mr. Elliott or General Tilney. What are some of your favorite examples of fathers in books or histories? Or comments on Austen fathers, either fictional or Rev. Austen himself?

Happy Father’s Day!


First off, may I just be so bold as to say “great minds think alike?” Amanda has a post on her blog about Bloomsday, also, although the smarty-pants actually finished the darn thing.

Me, I made it to the second page.

Elena had a post awhile back about giving up on books–I think most of us agreed that we didn’t used to, but time was too short, and there were too many books to read, to waste time on a book that wasn’t grabbing you. I think Joyce’s Ulysses is just too smart for me (I really admire, however, the premise behind Bloomsday: Ulysses recounts a modern-day traveler’s odyssey through Dublin on June 16, so Bloomsday celebrants relive Ulysses’s progress. Here in New York City, Symphony Space hosts a 12+-hour event to celebrate. So happy Bloomsday, everyone!)

But back to where I was attempting to go with this, albeit in a most Framptonian circuitous manner. I gave up on a book recently, one much less erudite (with less crudity) than Joyce’s because it was too slow. Was it me, or the book? The book was published in 2002, which means the author wrote it sometime in 2000 or so. I think that in that time, readers have come to want a different style in their romances. Instead of long, descriptive narrative, now most top-of-the-charts romances have tons of dialogue. Instead of love stories that take at least six months to begin and culminate, we’ve got stories that can take place over the course of a few days to a month. Is our attention span that much shorter?

Personally, I like the dialogue-heavy books. And I have a theory about how this sea-change happened: Julia Quinn. Julia Quinn writes amazing dialogue, light, witty banter that reveals loads about the character speaking, and she doesn’t spend a lot of time on description. Her books are a breath of fresh air.

Are the newer romances an improvement over the slower ones? Do you value dialogue over narrative? Which authors would you like to see stretch out their prose? What do you think of my theory?

And is this post itself too long?

Megan
www.meganframpton.com

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