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Monthly Archives: June 2008


So my new agent has the latest version of edits for my Regency-set historical, Road To Passion (the title of which she says, as others have, that she is reminded of Bob Hope. Bob Hope = Not Sexy. New Title being brainstormed now), and she will be submitting it to editors soon.

Meanwhile, I have begun Road To Desire (I know! Still Bob Hope! But that’s the title in my head!), and it is so much fun to start writing NEW stuff after laboring so long over the old.

My hero this time is a low-born soldier, raised on London streets and out for revenge after returning from the wars. He’s got a crazy-hot temper, is aggressive, bold, confident and super-sexy.

My heroine is an Earl’s daughter, on the run from a controlling uncle and his leering son, off to find her fiance, who’s just come home from the battlefield.

(Note to readers: The hero is not her fiance. Really, how boring would that be?)

Whether you’re starting to write or to read a new book, the beginning is so crucial:

(Some of the) 100 Best First Lines from Novels

1. Call me Ishmael. —Herman Melville, Moby-Dick (1851)

2. It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. —Jane Austen, Pride and Prejudice (1813)

3. A screaming comes across the sky. —Thomas Pynchon, Gravity’s Rainbow (1973)

4. Many years later, as he faced the firing squad, Colonel Aureliano Buendía was to remember that distant afternoon when his father took him to discover ice. —Gabriel García Márquez, One Hundred Years of Solitude (1967; trans. Gregory Rabassa)

5. Lolita, light of my life, fire of my loins. —Vladimir Nabokov, Lolita (1955)

6. Happy families are all alike; every unhappy family is unhappy in its own way. —Leo Tolstoy, Anna Karenina (1877; trans. Constance Garnett)

7. riverrun, past Eve and Adam’s, from swerve of shore to bend of bay, brings us by a commodius vicus of recirculation back to Howth Castle and Environs. —James Joyce, Finnegans Wake (1939)

8. It was a bright cold day in April, and the clocks were striking thirteen. —George Orwell, 1984 (1949)

9. It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair. —Charles Dickens, A Tale of Two Cities (1859)

10. I am an invisible man. —Ralph Ellison, Invisible Man (1952)

11. The Miss Lonelyhearts of the New York Post-Dispatch (Are you in trouble?—Do-you-need-advice?—Write-to-Miss-Lonelyhearts-and-she-will-help-you) sat at his desk and stared at a piece of white cardboard. —Nathanael West, Miss Lonelyhearts (1933)

12. You don’t know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain’t no matter. —Mark Twain, Adventures of Huckleberry Finn (1885)

13. Someone must have slandered Josef K., for one morning, without having done anything truly wrong, he was arrested. —Franz Kafka, The Trial (1925; trans. Breon Mitchell)

14. You are about to begin reading Italo Calvino’s new novel, If on a winter’s night a traveler. —Italo Calvino, If on a winter’s night a traveler (1979; trans. William Weaver)

15. The sun shone, having no alternative, on the nothing new. —Samuel Beckett, Murphy (1938)

16. If you really want to hear about it, the first thing you’ll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don’t feel like going into it, if you want to know the truth. —J. D. Salinger, The Catcher in the Rye (1951)

17. Once upon a time and a very good time it was there was a moocow coming down along the road and this moocow that was coming down along the road met a nicens little boy named baby tuckoo. —James Joyce, A Portrait of the Artist as a Young Man (1916)

18. This is the saddest story I have ever heard. —Ford Madox Ford, The Good Soldier (1915)

19. I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me; had they duly considered how much depended upon what they were then doing;—that not only the production of a rational Being was concerned in it, but that possibly the happy formation and temperature of his body, perhaps his genius and the very cast of his mind;—and, for aught they knew to the contrary, even the fortunes of his whole house might take their turn from the humours and dispositions which were then uppermost:—Had they duly weighed and considered all this, and proceeded accordingly,—I am verily persuaded I should have made a quite different figure in the world, from that, in which the reader is likely to see me. —Laurence Sterne, Tristram Shandy (1759–1767)

20. Whether I shall turn out to be the hero of my own life, or whether that station will be held by anybody else, these pages must show. —Charles Dickens, David Copperfield (1850)

My first lines, as they stand now, are these:

“Get your stinking farmers’ hands off me.”

The words were spoken in a furious rumble that left no doubt as to the speaker’s feelings. His accent wasn’t the ones she was used to hearing here; he spoke much more quickly, his vowels broader than the usual Northern mumble.

What are your favorite first lines?

Megan

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I’m guest blogging today over at Loveisanexplodingcigar.com (don’t you love that blog name?) on what makes a hot book hot–please come on over and visit. You have to register, but Riskies’ readers are the smartest, so you can do it…and you could win a copy of one of my books, including the now hard-to-find Dedication, the only Signet Regency with bondage.

Pimping over, I thought I might do a complementary post today on what makes a Regency regency.

Think about it. Consider your favorite Regency reads and what makes them successful as giving a feel for the age. Which books float your boat, rock your curricle and make you think, yes, this is what it must have been like. This rings true.

And why? Or how? I entered a contest once where a judge gravely told me that I should have the characters mention Prinny and Hessian boots to give it a period feel.

I tend to like writers whose work is full of careful details (although not necessarily the Hessians and Prinny) and who can include, but go beyond, the life of the ton in London. I like dialogue that flows and characters who have real concerns, passions, and occupations. I like the history to be right but not obtrusive. I like a world that I can immerse myself in, and am sad to leave once the book is over

Off the top of my head, The Slightest Provocation by Pam Rosenthal, An Accomplished Woman by Jude Morgan, and anything by Naomi Novik (whose history is certainly right in her own worldview!).

How about you?

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I have a confession to make. With the Sharpe series, I broke my own rule about reading the book before seeing the film adaptation. I started out by reading SHARPE’S RIFLES, saw the film and then just continued watching the series. Just couldn’t help myself, I guess! 🙂

Now I’m making reparation by reading all the books, starting with the earliest. I just finished the first three which are set in India: SHARPE’S TIGER, SHARPE’S TRIUMPH and SHARPE’S FORTRESS. I just loved these books. I find the military history fascinating and Cornwell does a brilliant job recreating scenes I’d read about in WELLINGTON IN INDIA by Jac Weller. But most of all I love the character development. Sharpe starts out as an ex-thief, pretty much a knuckle-dragging, musket-toting goon with few aspirations and even fewer morals. But you also see his potential. These books show the early stages of transformation from the sort of soldier Wellington called the scum of the earth into a hero. I also enjoyed the depictions of Wellington (which felt very real to me) and the fictional character of Colonel McCandless, a mentor in Sharpe’s “hero’s journey”, a grown-up version of Jiminy Cricket helping to keep Sharpe on the path of honor.

I also watched SHARPE’S CHALLENGE, the film in which Sharpe returns to India several years after Waterloo on a mission to find his missing buddy Sergeant Harper. Elements of the three India books were recast to fit the new time frame. For that very reason, I found the film disappointing. I missed the early character development and also didn’t appreciate that they killed off Lucille to allow Sharpe this last adventure. The romantic elements were scanty, after all. I don’t know why Sharpe could not have completed his mission and returned to Lucille. But that’s why I’m a romance writer, I guess!

Pluses of the film: evocative views of India, another chance to see Sharpe and Harper in action and a truly horrible villain played by Toby Stephens.

Has anyone read these books or seen the film? What did you think?

And if all this talk of India and Sharpe make you feel hot for any reason, do go ahead and refresh yourselves with a visit to Candice Hern’s new collection of Regency era fans. They are very lovely!

Elena
www.elenagreene.com

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Welcome to the Risky Regencies Jane Austen Movie Club!

The first Tuesday of every month, we talk about a different Jane Austen adaptation…or sometimes another movie or miniseries of particular interest to Regency fans.

This week: Clueless!

Clueless, of course, was based on Jane Austen’s Emma…so we can talk about how it interprets (and diverges from) Austen’s novel…or we can just talk about the movie on its own terms. As you wish!

The major credits, to aid the discussion, are as follows:

SCREENWRITER: Amy Heckerling

DIRECTOR: Amy Heckerling

CAST:

Alicia Silverstone: Cher Horowitz

Stacey Dash: Dionne

Brittany Murphy: Tai

Paul Rudd: Josh

Donald Faison: Murray

Elisa Donovan: Amber

Breckin Meyer: Travis

Jeremy Sisto: Elton

Dan Hedaya: Mel Horowitz

Wallace Shawn: Mr. Wendell Hall

Twink Caplan: Miss Toby Geist

Justin Walker: Christian

Herb Hall: Principal

Julie Brown: Ms. Stoeger

So: what did you think about what Heckerling did with the characters? With Harriet, Frank Churchill, her father? Or any of the others?

And is being a friendly stoner really the modern equivalent of being a lowly farmer? 🙂

All comments welcome!

Next month we’ll talk about the 1980 BBC miniseries of PRIDE AND PREJUDICE, starring David Rintoul and Elizabeth Garvie! So please join us on July 1 — always the first Tuesday of the month!

Cara
Cara King, who’s getting two perfect kittens later today…hurrah!

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My kittens are here!

Naturally, I’d say more, but the orange kitty has already figured out that walking on the keyboard is the MOST FUN EVER.

And as you can see from the picture, he also likes to read my Regency research books.

I wonder if E. Beresford Chancellor ever pictured the uses his book would be put to?

(Although if he had cats, I bet he did.)

Have to run now…cat eating my shoelaces!

(Actually, that was my idea…it has temporarily distracted him from the function keys…)

Cara