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Monthly Archives: October 2008

To begin with, a little scheduling:

Next Tuesday, join us when (through the Jane Austen Movie Club) we’ll talk about our favorite heroines in Jane Austen movies.

And the following Tuesday, I’ll finally unveil JANE AUSTEN’S “PHANTOM OF THE OPERA.”

(I meant to have it ready for today, but I was kidnapped by a masked man who kept me busy with vocal warmups all evening…)

Now, the topic of the day:

Gateway Regencies!

After all, if a gateway drug is something that lures the inexperienced on to using more and more drugs…

then a Gateway Regency is clearly a Regency that gets a reader hooked on the genre.

So…what Regencies were your Gateway Regencies?

Which ones lured you to try more, and more, and more…

until reading Regencies was…

more than just a terrific means of entertainment…

more than just a great way to relax…

more than just a window on the past…

more than just a mentally stimulating pastime…

but became a way of life.

(Or a great fantasy life!)

Have you gotten anyone else hooked on Regencies?

If so, what Gateway Regencies did you supply them with…

or recommend to them?

Which books, which authors?

Did you ever recommend a fabulous book, which ended up being not the best book to hook someone with?

If a friend came to you today, and said she (or he) wanted to give the Regency genre a try…

and asked you what Regency to start with…

which book or books, or author or authors, would you recommend?

What sort of books in general would you recommend? (New, old, short, long, mostly history, mostly romance, mostly comedy, or what?)

Or are you of the opinion that Regencies are your private little world, and you don’t want your friends and family to read them too?

All answers welcome!

Cara
Cara King, who could be crushed under the weight of the Regencies she owns if there’s a big enough earthquake

The Risky Regencies welcome New York Times bestselling and two time RITA-winning author, Julia Quinn. On Oct 19, Julia’s latest, Mr. Cavendish, I Presume, was number one on the New York Times bestseller list and this week remains in the top ten. Today Julia will be talking about Mr. Cavendish, I Presume and its simultaneous story, The Lost Duke of Wyndham.

Julia’s journey to number one has included stops at Harvard and a brief stint in medical school before she decided writing Regency Historical Romance was what she was meant to do. Her books have been lauded for their wit and humor, and none other than Time Magazine said she has “a smart, funny touch.” We are so happy to have Julia here, especially because she’s been traveling a lot this month and spent yesterday traveling back home.

Listen to this! To one lucky commenter chosen at random, Julia is going to give away a set of The Lost Duke of Wyndham AND Mr. Cavendish, I Presume!

Heeeeerrrrree’s Julia!

1. Tell us about Mr. Cavendish, I Presume? How it is connected to The Lost Duke of Wyndham?

Some time ago I was humming an old Dire Straits song called “Industrial Disease,” and I got to the line: “Two men say they’re Jesus. One of them must be wrong.” Being the historical romance writer I am, I immediately change that to: “Two men say they’re the Duke of Something. One of them must be wrong.” The trick there, though, was to figure out how on earth the succession to a Dukedom could be in doubt, because that sort of thing was generally well-documented.

Once I came up with a way to make the plot work, I started thinking about the characters. Which would be the bad guy–the current duke or the long-lost duke? Then I thought–wouldn’t it be so much more interesting if they were both good guys?

At that point I realized I’d need two books, since if both were hero material, both would need to their own love stories. At first I thought I would write them sequentially, with one picking up where the other ended, but as I delved into the plotting, I realized that there were so many scenes that were crucial to both sets of characters. I couldn’t bear, for example, to show the big reveal scene (when the characters learn who is the real duke) from only one hero’s point of view. So I ended up with two novels that took place at the same time.

2. We’re all about taking risks here at Risky Regencies. What do you think is the greatest creative risk you’ve taken in this book?

Running the stories simultaneously. This meant I was going to have to write them simultaneously as well. It was a tremendous creative challenge for me–and one that I found very exciting and energizing. I loved weaving two separate and distinct love stories through one set of external events. But at the same time, I risked alienating some readers, who might not like this approach. If you’ve read Lost Duke, for example, you know who the real duke is before you start Cavendish. I personally don’t think this detracts from the novel in any way; the real heart of the story is in the characters and how they adjust to and learn from the events. But some readers didn’t like this; they felt they’d started the story already “spoiled.”

3. With Mr. Cavendish and The Lost Duke so intertwined, did you have to do anything different than your usual plotting process?

Absolutely! In fact, this was the hardest part of the process. I wrote a joint outline for the two books, which was far more daunting than I’d envisioned. Normally when I’m plotting I can make my secondary characters do whatever is best for the main story, but this time I had to consider the other book as well. It took forever. I’m not kidding when I say I went through seventeen versions. (Okay, many of the versions were somewhat truncated, but still.) And I kept switching who would end up with whom!

4. What is it about the Regency that keeps you writing in that time period?

I’m not sure exactly. It just seems to work for me. The witty repartee, probably.

5. You’ve won the RITA two years in a row, 2008 for The Secret Diaries of Miss Miranda Cheever, and 2007 for On the Way to the Wedding. Can you tell us what this has meant to you?
It’s indescribable. There is something so special about validation and praise from one’s peers. And I had reached the finals so many times that when I finally won, I couldn’t stop laughing. I was giddy, absolutely giddy.

6. I’ve heard your excellent workshop on writing dialogue. What is your greatest weakness in writing dialogue, the one thing you find yourself having to fix before turning in that final draft? (Mine is overuse of dialogue tags)

I find myself deleting dialogue tags, too. But weirdly, I also find that I have to add action tags and emotional tags to flesh things out.

7. What is next for you?

I’m writing a spin-off of The Secret Diaries of Miss Miranda Cheever. It’s about Lady Olivia Bevelstoke. I’ve paired her up with an all-new character named Harry Valentine. Olivia is such a great character. I think it’ll be a lot of fun!
♥♥♥♥♥
What is your favorite Julia Quinn book and why? Do you have any questions for Julia? Now’s your chance.
Remember, if you comment, you have a chance to win the set of The Lost Duke of Wyndham AND Mr. Cavendish, I Presume.

No, I didn’t “duke” it out with Julia over cover models. I did a nice thing. It turns out Julia is traveling today and would have had to come online to comment late and after she just returned home. So I gave her my Monday.
Wasn’t that nice of me?
So tell everyone to stop by tomorrow, October 27, for the interview with Julia Quinn!

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Oh, yikes, it’s Friday again.

Today I am heading to New Jersey for their fabulous conference. I will be the sole Risky in attendance (and yes, I am bringing buttons, fellow Rs!), and I look forward to hanging with old friends and making some new ones. Oh, and attending a few workshops, of course.

But this week, in personal terms, has been a dud. First off, although I wrote–and wrote well–this week, I only managed one day of writing. And one day of exercising. And I regained the two pounds I had lost the week before (to which I say, WTF?). So last night I made some Bad Choices and should have done some things and did others instead. I have to run around like a crazy person packing for Jersey and stressing because there’s just never enough time, except for when I waste it.

So now I hate myself.

Which means you all have to suffer, too.

No, not really.

Yes, you do.

No, not really.

Ye–anyway, I am always up for a resolution, especially if it is public, so I am resolving to make Good Choices and try to write, even though sometimes it seems as though I am writing only for me (can you tell I haven’t heard anything yet from my agent about my submission? Yeah, like that.).

And exercise, because it’s good for my heart and stuff.

And I do feel good about going to Jersey, and I hope not to be a ninny, and get some benefit out of going. I am looking forward to Halloween (my son is going as Kiss’s Gene Simmons, his idea, not ours!), and pumpkin ale, and cute sweaters, and getting to 25,000 words, and visiting with relatives, and lots and lots of tea.

Okay. Hold onto those good thoughts, Megan.

What is your surefire way for getting out of the doldrums?

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Yes, I’m having a grouchy day.

I’ve already vented my spleen over at History Hoydens today about The Great Scone Infiltration, which, as may or may not be obvious, is about food anachronisms in Romancelandia, in particular the humble scone.

It’s difficult to present oneself publicly as a grouchy romance writer. I’m supposed to be a purveyor of sweetness and light, aren’t I? Never mind that the economy is collapsing, and we have the possibility of a grouchy old man and his accompanying albatross with glasses (not my definition, but the brilliant Graham Norton’s) taking us down the path to … well, I hate to think where. I spring out of bed these days with a song on my lips, but unfortunately it’s a song that goes along the lines of things aren’t going at all well…

So is it true that in these troubling times we need Romance? Will people flock to buy books–or borrow them from the libraries (when they can get there and if the books are there–ever noticed how library budgets suffer at the drop of a dollar hat?)? I wonder if books will become the equivalent of movies during the 1930s–rather than going out for an evening for a relatively small amount of money (and let the theater’s heating and the press of bodies warm you), we’ll stay at home and read.

The movies of the Golden Age of Hollywood offered fantasy, escapism, and a glimpse into the lives of the rich, famous, and fashionable. Now we see altogether too much of the lives of the rich, famous, and fashionable, but we still crave fantasy and glamor.

I wonder if romance will fill that void.

The reason it might not is that reading is a solitary pursuit. I think in particular that romance is isolating in that it answers your fantasies–whether your particular fantasy is tea in a Regency drawing room or sex with three werewolves (at once)–and a shared fantasy becomes something else. It requires an act of trust to share the need for fantasy, or the fantasies themselves, with others, and I think that’s why the internet provides so many discussion boards and other safe environments for readers who want to talk about romance. But I’m wondering whether we need human contact–and that’s what going to the movies represented during the Depression. The experience would continue long after leaving the movie theater, providing common ground for discussion about the movie and its stars.

So, a couple of questions for you.

Do you think reading romance will get us through hard times?

Do you find online friends and community as satisfying as “real-life” friends?

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