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Monthly Archives: February 2009

Nash’s vibrant, fresh storytelling sparkles as she tells the tale of a woman’s secret desires and the man who can make them all come true. Here’s a fantastic story you’ll want to go on forever! –Romantic Time BOOKreviews 4 1/2 stars for Love With A Proper Scoundrel

Let’s give a warm Riskies’ welcome to my friend, Sophia Nash. I knew Sophia even before she became an award-winning Regency Romance author, and I’m delighted she’s visiting us today. Sophia writes for AVON and she’s here to talk about Book 3 in her Widows Club series. Sophia is also giving away a signed copy of Love With A Proper Scoundrel to one lucky commenter.—Diane

1. Tell us about Love With A Perfect Scoundrel.
This is the third book in the series I’ve had a wickedly fun time creating for Avon.
Here is the back cover blurb:
Twice jilted in the last two years, the achingly beautiful yet stoic Grace, Countess of Sheffield has given up on love. Now she’s no longer capable of maintaining the elegant, serene facade with the members of the Duchess of Helston’s secret circle of friends. And so she flees… only to encounter wretched disaster during the carriage ride north.
But little does Grace know that once she faces all fate has tossed her way, she will find a new life…with a tall, rugged stranger who not only saves her life but forces her to dig deep into her hidden reserves of desire and fortitude to blossom into the woman she was destined to become—a lady willing to sacrifice all for a mysterious, yet powerful man who insists he is nothing more than a perfect scoundrel.

2. How did you think of writing this particular book? Did it start with a character, a setting, or some other element?

It started with a character–Grace Sheffey. Many readers wrote in and demanded that this poor woman have her own happily ever after after the first two books. She was a challenge to write because after horrid endings for her in the first two books, she was very unsure of herself. So right away I put her in a situation where she had no choice but to prove how strong she was under her elegant facade. And the hero? Well, Michael Ranier is my very favorite hero I’ve ever created–enough said.

3. Did you run across anything new and unusual while researching this book?

Absolutely– the plot! While the characters were firmly fixed in my head early on, the overall plot was more elusive. Luckily I had planned a research trip to England months before. After driving 1,200 miles through a gazillion hair-raising roundabouts, I arrived in Derbyshire–right into the teeth of a freak snowstorm. And I wondered….what if Grace Sheffey got caught in a blizzard in Derbyshire? A hundred scenes popped into my head and a story was born.

4. What do you think is the greatest creative risk you’ve taken in this book? How do you feel about it?

I remember one of my favorite authors suggesting a long time ago that it was very difficult to have only two characters in a story. And she was right. But I wanted to delve deep into the psyches of two strangers cocooned in the middle of nowhere together. I have to say that I really loved writing this part of the book. The extraordinary chemistry between the hero/heroine made it easier than I had imagined. The tricky part was weaving in bits and pieces of the mysteries and secrets of Grace and Michael along the way.
Can you tell I loved writing this book? It’s not always that way. I will admit that The Kiss gave me ALOT of sleepless nights!

5. Your books have won an incredible number of awards in the relatively few years (in publishing years) that you’ve been writing, including the biggest of all, the RITA. What has this been like for you?

Well, while the initial glow of winning an award is lovely, I’ve also learned not to take any of it seriously. Author Anne Lamott wrote something like, “whenever the world throws rose petals at you, beware the cosmic banana peel right behind.” I’ve found this to be dead on. Right after the RITA and having a book named “Top Ten Romance of the Year” by Booklist the Signet Regency line closed, I struggled with a proposal that flopped, changed agents, wrote a new proposal, etc. ad nauseum before FINALLY, my stories found a new home.
And of course the opposit is true re my Banana Peel View on winning awards: All the writers watching the winners crying on stage are the ones with the last laugh since they’re the ones being offered the “significant” deals, right?

5. You’ve also had a variety of exciting careers, from news producer to Capitol Hill speech writer to Executive Director of the Washington International Horse Show. Why in the world did you become a Romance Writer? And how does writing Regency Romance compare?

The reason I turned to writing is a very sad story. My father, a WWII war hero and the most avid reader I’ve ever known, had always talked about the idea of one of us writing a novel. During the last stage of an illness, he made me promise to write a book because he said life was too short and he knew I secretly wanted to write. So I I forced myself to write a terrifyingly bad first draft of A Secret Passion. My father edited the first few chapters and I gave him my word before he died that I would see it through. Needless to say it is dedicated to him. Which of my jobs did I like best? Writing will always be my first love, although the nightly adreneline rush of the Miami newsroom was great. It was kind of like boot camp with alot of hairspray and duct tape.

6. What’s next for you?

An anthology: Four Dukes and a Devil arrives on book shelves this coming July. And then the final book in the Widows Club quartet, which I’m currently writing. Although…there might be another widow or other liar lurking about in mourning if the powers that be have a say…

Here’s your chance to ask Sophia a question. Or simply make a comment. You’ll be in the running for her prize, Love With A Proper Scoundrel
Thanks for blogging with us today, Sophia!

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Is everybody in the world sick with the flu? Or does it only seem like that?

Anyhoo, when our house hasn’t been running through tissues like a bunch of softies watching Terms of Endearment, I’ve been revising my super-racy, not-quite-erotic novella. It takes place in Paris in 1831, and its hero is a Free Person of Color.

The first inspiration for him was Barbara Hambly‘s Benjamin January, a free man of color in New Orleans around the same era. January spent many years in Paris, enjoying freedoms unknown to persons of color in America. But in figuring out how my guy ended up in France, I had to research how persons of color became freed in the slave era. Like January, Fortune–my hero–had been freed by his owner. Unlike January, however, he was freed only at his owner’s death, a former placee [a woman of color who entered into a legal contract with a white man to be his official mistress] who had a sizeable fortune and owned property in New Orleans.

[I originally wanted my hero’s former owner to be Haitian, but it was a more direct route from New Orleans to Paris; but do check out the history of the first successful slave revolt in Haiti here. Really cool.]

There are a few examples of such a woman, including Eulalie de Mandeville, whose white lover married her at his deathbed and left her his entire fortune, which was upheld even though his white relatives contested the will. Another such example is Rosette Rochon, who took what her various white lovers bestowed upon her and speculated in real estate, entered in money-lending and bought and sold mortgages, among other things. She died at age 96, still illiterate, with a fortune valued at about a million dollars in current valuation.

It’s been interesting, as a white twentieth century woman, to navigate the delicate balance of race relations in France in the nineteenth century. I have to admit, moreover, that my first draft didn’t take that into account, so I am revising with an eye to that.

Hambly describes January’s constant concern that he be taken and sold as a slave, despite being freed. He carries one set of papers at all times showing his status, but keeps another set in a secure spot in case the first set doesn’t suffice. My hero is equally uncertain as to how he will be treated, and he carries that awareness of race with him, no matter how much money is in his pocket.

One of my favorite themes, both in reading and in writing, is the outsider, and Fortune is the epitome of that: An educated, dark person of color living in a white world with resources but without ever quite belonging.

Do you like reading outsider stories? Do you have favorite outsider heroes or heroines? And would you think this kind of story too risky for a romance?

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So what is Prussian blue?

You can read a fairly technical description at Wikipedia or a slightly less daunting description at painting.about.com, but briefly it was a synthetic pigment first discovered by accident in Berlin in 1704 by the chemist and paintmaker Heinrich Diesbach and alchemist Johann Konrad Dippel; it was Dippel who was responsible for providing Diesbach with contaminated potash while he was trying to create a red pigment. Dippel, I guess, was probably trying to turn some unlikely substance into gold.

Previously, the only way to get a vivid blue was to use ground lapis lazuli, expensive and rare, which is one of the reasons the color blue has powerful religious symbolism, the color of the sky and of the Virgin Mary’s robes. Prussian blue quickly became the first, easily available commercial blue color, used in paint and fabric, the “greatest hit” color of the eighteenth century, and one of its first commercial uses was for the uniforms of the Prussian army.

It quickly caught on as a popular color for house interiors. The bright blue showed off elaborate plaster ceilings to great effect. This is the drawing room at Kenmore in Fredericksburg, VA, where George Washington’s sister Betty lived (and which reopens after restoration on March 1). This is Prussian blue mixed with yellow ochre, to give the “in your face” shade so popular at that time.

Here’s painting underway at Montpelier, VA, the home of James Madison, which reopened after major restoration last year. The original Prussian Blue, applied in 1775, lasted until 1844, when the last of the Madison line sold the house–the durability and resistance to staining or fading of the color was another reason for its popularity. I blogged about visiting Montpelier while it was under restoration in 2007 and I’m hoping to go back and see the finished product soon (and blog about it!).

These gorgeous, restored blue doors are from the Temple of Concord and Victory at Stowe House, UK. The building of the temple was started by Lord Cobham in the mid eighteenth century, with James Gibbs, architect of St-Martin-in-the-Fields and other famous buildings. In the great tradition of aristocrat dabblers, Cobham’s descendants messed with the design. Below, left, is Stowe, and the restored temple to the right.

For more about the color blue, read this wonderful book by Michel Pastoureau.

If you’re interested in historic interior design or restoration, visit adelphipaperhangings.com where you can look at before and after restoration pictures of early wallpapers. Wallpapers deserve their very own post, which I’ll probably do at some time.

Have you visited any historic sites recently, or any sites where restoration is underway? Or what places would you like to visit?

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This Wednesday, we welcome guest blogger Elizabeth K. Mahon, who writes the Scandalous Women blog, covering women of repute throughout the ages. In addition to that, Elizabeth is the past President of RWA-NYC, a former actress, the consummate New Yorker, and a woman who wears the most incredible shoes.

Welcome, Elizabeth!


I’m thrilled and excited to be here at the Risky Regencies today. I write about Scandalous Women, and one of my favorites is Emma Hamilton and her love affair with Horatio Nelson. The film That Hamilton Woman, starring real life lovers Laurence Olivier and Vivien Leigh at the height of their beauty and fame, was my first introduction to their story (How crushed was I when I realized that the real Lord Nelson looked nothing like Olivier). Nelson and Emma’s rise to fame neatly coincided with the rise of the tabloid press in Britain. Their affair was not just the talk of Britain, but France and Italy as well. England’s Hero and England’s Mistress coming together seemed designed to sell newspapers and magazines. Not since Antony and Cleopatra had the world seen anything like it. Their romance was a publicist’s dream come true.

Maid, wardrobe mistress, celestial goddess, courtesan, artist’s model, fashion icon, and ambassadress, Emma Hamilton had lived more lives by the time she met Nelson than most women do in a lifetime. Born to a dirt poor family, she started life as plain Amy Lyon on April 26, 1765 in Ness, a small village twelve miles from Liverpool. By the time she was twelve, young Amy was on her way to London to find work as a maid.

By the age of seventeen, Emma had found her first protector–Sir Harry Fetherstonhaugh, a spoiled young squire. The relationship lasted until Emma found herself pregnant with his child whom she named Emma. Sir Harry refused to acknowledge the child as his, kicking Emma to the curb. But she had already met her next protector, Charles Greville. Now calling herself Emma Hart, she began to pose for the great artists of the day including George Romney and Sir Joshua Reynolds. Soon prints of her portraits were available everywhere, making her an 18th century sex symbol. Emma had the type of beauty that transcends time and fashion. Looking at her portraits, one sees a young woman who radiates on the surface an innocent sensuality but with a slightly knowing look in her eye. When Greville began to tire of her, he passed her on to his uncle Sir William Hamilton who had long been the ambassador to the Kingdom of Naples.

At first upset to learn that she was being treated like a hand-me down sweater, Emma soon realized the opportunity she had been given. Always anxious to please, she made herself indispensable to Sir William, fussing over him when he was sick, learning to speak French and Italian, and taking singing and dancing lessons. Entertaining English visitors and foreign guests with her ‘Attitudes,’ Emma soon found herself the toast of Naples. She became a confidante of the Queen, Maria Carolina, and cultivated the friendship of celebrities like the Duchess of Devonshire. After several years as his mistress, Sir William and Emma were secretly married, probably around 1791.

In late 1798 Emma and Nelson met again. They had met briefly in 1793 when he was plain Captain Nelson. Now he was the hero of the Battle of the Nile and Emma was determined that Nelson would fall in love with her. Not only would it be her crowning achievement but it would catapult her onto the world stage. Before he’d even arrived, she’d primed him by writing a passionate fan letter to him. ‘How shall I begin? It is impossible to write….I am delirious with joy and assure I have a fervour caused by agitation and pleasure.’ When he arrived at the docks to a hero’s welcome, Emma threw herself into his one arm, weeping. She flattered him; threw huge parties in his honor, and went out of her way to make friends with his step-son Josiah. Not exactly a dreamboat, Nelson was less than five foot six, scrawny, weather-beaten, with one good eye and arm. It was a dream come true that this beautiful woman found him exciting.

In Emma, it seemed he’d found his ideal woman. Like her, Nelson was a self-made man, ambitious, headstrong, longing for fame and riches. Born to a country rector, he joined the navy at the age of 12 as a midshipman. Married to a widow with a young son, the marriage floundered when it became apparent that there would be no children and that she wasn’t the great heiress he’d assumed she was. Before Emma and Nelson were lovers in truth, everyone was gossiping about the two. Nelson was so in love that he was soon neglecting his duties, reluctant to leave his mistress. Sir William turned a blind eye to the relationship between Nelson and his wife. He was fond of him, and was probably happy to have someone else entertain his energetic young wife. All of London was buzzing about the scandalous affair; caricatures soon appeared in the print shops depicting the relationship.

Emma determined to give Nelson the one thing that his wife couldn’t give him, a child, preferably a son. During her pregnancy, she started a fashion craze for what was essentially a maternity dress. In January 1801, she was granted her wish, when she gave birth to Nelson’s daughter whom she named Horatia. The idyll ended with Nelson’s death in 1805 at the Battle of Trafalgar. Emma had already lost Sir William in 1803, but Nelson’s death sent her into despair.

She was also deeply in debt. Emma had always lived beyond her means, and now with limited funds from Sir William’s estate, she was hard pressed. Despite Nelson’s dying wish that the nation should take care of his mistress, no money was ever forthcoming. For the next several years Emma tried to keep up appearances, giving lavish parties for her friends. She was also supporting several of Nelson’s relatives as well as her own poor relations. Three years after his death, she owed thousands of pounds to a host of creditors. Soon she was forced to sell Merton, the home she had shared with Nelson and many other mementoes of their life together.

A wiser woman would have quickly tried to find another husband or at least a protector. But when one has been the beloved of one of the greatest heroes England had ever known, how could any mortal man compete? Emma finally fled to Calais in 1814 to escape her creditors. By now her health was ruined from too much rich wine and food, and she also might have caught a parasite. Racked with pain, and tended by her teenage daughter Horatia, Emma died on January 15, 1815. She is buried in Calais, far from her lover Nelson. Their daughter Horatia married a clergyman and had eight children. Although she was happy to claim Lord Nelson as her father, until her death, Horatia refused to believe that Emma was her mother.

Emma’s story continues to fascinate because it is a story about ambition and heartbreak, love and pain. She rose from the depths of poverty to the heights of fame and fortune, only to end up back where she started. Her childhood had left her ambitious, and hungry for the limelight, but it was a hunger that could never be appeased. Emma always wanted more. Like Icarus in the Greek myth, perhaps she flew too high.

Thanks, Elizabeth! Please visit Elizabeth’s blog Scandalous Women to read more about other fascinating ladies.

What’s your favorite historical true-life romances? What movie or book got you first intrigued about the period, like That Hamilton Woman did for Elizabeth?

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Sorry for the late post!

My brain has been offline since sometime yesterday evening.

I need a massive reboot.

Any suggestions? So far I’ve tried sleep and tea…

(Hence the picture here of tea! I’m massively creative today. Obviously.)

And don’t forget…

on the first Tuesday of March…

we’ll be discussing the Anthony Andrews SCARLET PIMPERNEL!

So please join us…

Cara
Cara King, who can’t think up anything clever for her sig line either