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Monthly Archives: February 2009

While Elena’s away, the members of the UK Historical Romance Blog bravely offered to cross the Atlantic and take over on a Wednesday–in fact, there are so many of them, and they’re such a talkative lot, they’ll be visiting again on March 4. So, a warm welcome ladies, and take it away…

Hi! It’s great to be here on the Risky Regencies blog. We’re a group of British Regency writers and we got together a few years ago to chat about our favourite genre. We run the Historical Romance UK blog so please drop by and visit us! And if you sign up for our monthly email newsletter, you can enter more competitions to win books and goodies. Just send a blank e-mail here and we’ll do the rest!

Ever since the Riskies invited us to blog we’ve been thinking about the differences between Regencies in the US and in the motherland, which largely depend on which publisher we’re with. Here are our thoughts, together with some information about us and our books, and of course there are plenty of competitions for you to enter, too! What better for February than some Regencies to win?! Unless otherwise stated, the closing date for our competitions on this Risky blog is 28th February.

Amanda Grange: I write a lot of Jane Austen inspired novels – Mr Darcy’s Diary, Mr Knightley’s Diary, Captain Wentworth’s Diary, Edmund Bertram’s Diary and Colonel Brandon’s Diary – which retell Jane Austen’s stories from the heroes’ point of view. This kind of book is very popular on both sides of the Atlantic, but the UK books tend to stay closer to Austen in style and tone. A lot of the US books take Jane Austen’s characters into new territory, exploring their sex lives, and giving them more dramatic storylines, whereas my books aim to be as close to Austen as I can get them. I particularly liked writing the backstories for Wentworth and Brandon, whereas the US books tend to focus more on continuations.

Visit Amanda’s website to enter a competition to win a hardback copy of Colonel Brandon’s Diary and a trade paperback of Lord Deverill’s Secret. Just email Amanda with the answer to these questions, which can be found on her site: What is the name of the heroine in Lord Deverill’s Secret? And what is the name of Colonel Brandon’s first love?

Jane Odiwe: It’s lovely to be invited over to the Risky Regencies Blog!I’m an English author with an American publisher, Sourcebooks Inc. and find my inspiration from the wonderful novels of Jane Austen. Lydia Bennet’s Story, a sequel to Pride and Prejudice, appealed to me because I saw a challenge in developing a secondary character. I like the idea of telling the stories that Jane Austen didn’t relate and it was during a trip to Brighton that I started to wonder how Lydia and George Wickham came together before eloping. As I walked along the seafront I could imagine the balls and the promenades against the backdrop of fashion, scandal and frivolous living at the Marine Pavilion. I wanted to write a comic novel,and I thought with Lydia there would be plenty of opportunity for laughs.

Willoughby’s Return is my next sequel. I wanted to know how Marianne would fare in her marriage to the much older Colonel Brandon and how she might react if a former love, Mr Willoughby, returned to the neighbourhood. Margaret, another secondary character from Sense and Sensibility, is eighteen in this novel and I wanted to give her more of a heroine’s role,intertwining her story with that of her sister’s. Some of the story takes place in London with several of Austen’s characters like Mrs Jennings and Lucy Steele reappearing. I love to write scenes with these wonderfully humorous characters.

Having an American publisher means they are very open to scenes which Austen might not have written herself; and there are a range of sequels that Sourcebooks produce from those with no sex to the very steamy! My books have mild references to love-making and contain double entendres, but remain true to the Austen spirit. I am writing for a British and American audience, some of whom are Austen experts and some not, but I like to be meticulous in research and detail, reflecting the themes that Austen wrote about herself.

Monica Fairview: Yes, I think the expectations of Jane Austen fans in the US and the UK are quite different. I recently read a quote from Virginia Woolf which I loved. She says “anyone who has the temerity to write about Jane Austen is aware… that there are twenty-five elderly gentlemen living in the neighbourhood of London who resent any slight upon her genius as if it were an insult to the chastity of their aunts.”
Of course, no one thinks that way today, but a hint of Jane Austen as untouchable still lingers in the UK. I think US Austen fans demand a lot, too, but they are willing to tolerate more creative licence.

My Austen-inspired novel, The Other Mr. Darcy, is coming out in June 2009 in the UK, and will be published later in the US by Sourcebooks. The Other Mr. Darcy deals with cross-cultural issues. It features an American main character along with the woman everyone loves to hate in Pride and Prejudice, Miss Caroline Bingley. My hero, Robert Darcy, is a Boston Brahmin, (though the term wasn’t used until after the Regency) so he has his own ideas of what constitutes a “gentleman.” Obviously his ideas are going to clash with Miss Bingley’s. I had great fun writing the novel, which I hope is in the spirit of Jane Austen, if not in the letter.

Louise Allen: my last book was the final title in my six part Those Scandalous Ravenhursts series, out along with numbers four and five this year. I thought I had got to grips with writing a series, but I soon discovered I had a lot to learn when I embarked on my current project – writing two stories as part of a, yet untitled, eight-part Regency continuity for HMB. My fellow authors for that project are Christine Merrill, Gayle Wilson and Julia Justiss from the States and Margaret McPhee and Annie Burroughs from the UK.

Thank goodness for email, is all I can say, I don’t know how we could have created all our intertwining plots and characters without it. I’m lucky enough to be close enough to London to go and check out oak trees in Hyde Park (for kissing behind) or whether a certain square is just right for someone’s hero’s town house while the others contribute fascinating research on Romany life and curses, Cornish smugglers, the American navy or keep our tangled stories straight.

It doesn’t matter which country you’re in, I’ve decided – historical romance writers are all sisters under the skin. My aim is to create heroes and heroines who will reach out to a 21st century reader while staying true to their Regency world: find out more at my website.

To win signed copies of the first 3 Ravenhurst titles e-mail me and tell me why you love Regencies to be entered into my prize draw. Passion… from the past into the present.

Amanda: I write other types of Regency as well as Austen inspired novels. Books like Lord Deverill’s Secret and Harstairs House are closer to Georgette Heyer in feel, with an adventure as well as a romance.

Lord Deverill’s Secret takes place in Brighton, with visits to the races and the Pavilion, and Harstairs House is set on the Cornish coast. I think the closest equivalent in the US would be the trad Regency, although US trads don’t seem to have as much adventure as the UK trads.


Jane Jackson: My books have never been traditional regencies – mainly because my stories are set in Cornwall – or at least begin there before travelling to countries served by the Packet Ships, and few young ladies would ever have managed to get to London for the Season. That said, Truro and Penzance had their own Assembly Rooms, their own circulating libraries and gentlemen’s clubs.


We had our own mini-Season here in Cornwall, where the daughters of the gentry would attend parties, balls and suppers with the express purpose of meeting eligible gentlemen. It was simply done on a smaller scale. My stories are adventure romance. We have such a rich and dramatic heritage here in Cornwall that I will run out of time before I run out of inspiration.

Visit Jane’s website to enter a competition to win a copy of either of my most recent books, Devil’s Prize or Bonded Heart (you choose). Just answer this question: What is the name of the village featured in both stories? Send your answer to me via the Get in Touch link on my website. Good Luck!


Kate Tremayne: Like Jane Jackson’s the Loveday series of novels are set in Cornwall where the family have their estate at Trevowan and a shipyard on an inlet of the River Fowey. Again they are not standard regencies as I am now writing book ten in the series that covers the lives, romances, conflicts, rivalry and adventures of four sets of Loveday cousins. The series has been reviewed as being a sweeping family drama in the tradition of Poldark with the mystery and suspense of Daphne du Maurier and an emotional intensity that transcends time. The novels weave through adventures and drama involving the French Revolution to the Napoleonic wars, smuggling, highway robbery, the criminal underworld and theatrical world of London, transportation to Botany Bay and a visit to Virginia involving a scandal involving their American kin.

Adam Loveday, the first book in the series, is rich in drama and passion, filled with memorable and feisty characters, with the atmosphere and flavour of Georgian England. The childhood rivalry between Adam and his elder twin St John continues to govern their fated passions and chequered fortunes. St John has become a dissolute wastrel but Adam, with a talent for ship design and a thirst for adventure, has fierce family pride in the family estate and yard. He will never accept St John as the rightful heir. St John is equally determined that Adam will never get his heart’s desire: the estate, the shipyard – and Meriel Sawle, the seductive daughter of the local innkeeper. whose violent family are infamous in the smuggling trade.

I can’t think of an American equivalent but if any of you know of something similar in the US, please let me know!

Visit Kate’s website to enter a competition to win a copy of Adam Loveday. Just email Kate with the answer to this question, which can be found on her site: What is the name of the Loveday estate in Cornwall?

Kate Allan: After writing Perfidy and Perfection, a Jane Austen inspired Regency rom com, I have been interested to see a handful of Regency rom coms appearing in the US and hope this is a trend that will continue. My other Regencies are all romantic adventures. I like setting my stories in different parts of the UK and making sure the local detail is correct as possible. One difference between Regencies published in the UK and those in the US is the level of historical realism that is required by publishers here. My next novel, which should be out at the end of this year, is set in Cornwall and the hero is a ex-smuggler back for revenge of those who betrayed him. It is a little darker in tone than my previous books. It is grey and raining throughout the whole novel and the sun only comes out at the very end.

Monica: Like Kate, I’m very fond of Regency romantic comedy. In my opinion, a comic touch is important to Regency. If you look at both Jane Austen and Georgette Heyer, who laid the foundation for Regency romance, comedy is at the heart of both. I think of my novel An Improper Suitor as a comedy of manners, though it also has an element of suspense and adventure to it. Generally in the UK there is still a hearty tradition of adventure attached to Regency romances, following Heyer, whereas in the US there’s been a drift towards longer historicals that are more spicy and more relationship-focused.

Well, that’s all from us for now. We’ll be back again in March, when the rest of Historical Romance UK will be talking about their take on the similarities and differences between UK and US Regencies.

If you’d like to buy any of the UK published books and can’t find them in the US, The Book Depository delivers them free worldwide.

I thought I’d try to write some Regency limericks…and so here goes!

Scientific discussions at White’s,
All too frequently ended in fights.
Until one gloomy day
When Beau Brummell did say:
“Far better invent brighter lights!”

Tom Belcher yelled “Miserable brat!
He’s splattered mud on my cravat!”
But Brummell looked glad,
And said “Don’t hit the lad,
You’ll be famous for looking like that.”

This world lit by candle and lamp,
Which all bears the Regency stamp,
Seems quite free and easy
In flicks from the BBC,
But the real thing was cold and too damp.

Anyone else want to give it a try? Or revise my limericks?

Cara
Cara King, who is hoping Bertie will write one in a comment…

This quote from E.L. Doctorow seemed appropriate. I’m into my final week of revising my next book, which now has an early release date of early 2010.

Oddly enough my editor never mentioned a word about adjectives and adverbs. I kinda like adjectives and adverbs, and I’ve never had an editor, reviewer or reader complain about my use of them.

Revising has me thinking about–revising. How do we go about it, whether it be at our editor’s request or our own polishing of a finished manuscript?

Here’s how I do it.

First, I fix the easy things. These are often:

Repeated Words – I used “flamed” an awful lot and this story is not about fire.
Spelling and Grammar mistakes – although I often find these as I read through the manuscript
Factual Errors – mixing up names, mixing up dates, historical errors (my English editors are good at catching historical errors)

Then I really just plod through the manuscript, starting at page one.

Here are things that often need fixing in my manuscript:

Character – one or more characters need tweaking, for example, in this book, my hero needed to show his strength sooner; my heroine needed to be not so jaded; my villain needed to be more villanous.
Story threads – some work but some don’t. I sometimes have to delete whole scenes that involve a story thread that isn’t working and add scenes from elements of the story that I didn’t focus on enough.
Telling vs Showing – we all have a tendency to explain our stories rather than to use words that show what the POV character is experiencing. I always find places in the ms where I’ve done this.
Awkward phrases – Some of those word gems I thought were so clever just don’t work when reading with a critical mind-set.
Dialogue tags – how many “he saids” and “she saids” can I eliminate by inserting some action or thought instead?

I have done a little skipping around during this revision process. I’ve needed to add or change some scenes, so I’m constantly going back and forth to be sure I’m not adding more inconsistencies. (Do you ever find that you can’t remember what you wrote before or what comes next?)

My friend MJ Frederick (whose Samhain book Hot Shot is available in paperback this month) told me about a book, Revision and Self-Editing by James Scott Bell. Naturally I had to buy it.

The Bell book looks very good! Take a look at the Table of Contents including that great 34 page checklist!
Trouble is, I don’t have time to make the best use of it.

How do you go about revising? Are you systematic? Or do you just plod through, starting with page one? Any good tips out there? (Before it is too late?)

Diane’s website has been updated. Take a look! Diane’s contest ends Feb 10. Hurry and enter to win one of her backlist books.

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A big Riskies welcome to Eliza Knight, who’s offering a free copy of her e-novella Her Captain Returns to one lucky commentor today. Eliza is the author of multiple sizzling historical romances and Highlander time travel erotic romance novellas published by The Wild Rose Press. She is a freelance copy editor, Newsletter Editor for Hearts Through History Romance Writers, and President of the Celtic Hearts Romance Writers. Eliza is the author of the award-winning blog History Undressed and has published numerous articles in various newsletters. She presents workshops on history, researching techniques and writing craft, to writing groups online.

How could anything considered sinful feel so good?

That is what Miss Corinne Claymore asked herself as she gave into the titillating suggestions of Captain Ryder Montgomery. Corinne never knew what she was getting into with her innocent flirtations with Ryder. Scandal ensues as they are discovered in an amorous embrace in the gardens at Lady Covington’s ball. Corinne finds herself not only married to Ryder, but abandoned. A short letter tells her he will be gone for several years …

Thank you Risky Regencies for having me today!

In light of my recent Regency release, Her Captain Returns, part of my Men of the Sea series, I thought I would take today to talk about Royal Navy Captains in the Regency era. Let us travel through the hero of my novella, Captain Ryder Montgomery’s training, and life at sea.

Ryder was born the second son of an earl, and from his earliest days, had a penchant for the sea. It was only natural for him to join the navy at the age of thirteen as a mid-shipman. He certainly did his share of scrubbing the deck and tying knots, but when he was a little older he was allowed to take care of the log line, and sometimes delegate sailing duties. By the age of twenty, he was promoted to Lieutenant, and by 23, was Captain of his own ship, HMS Conqueror.

Ryder himself was only flogged once, but several of his shipmates were flogged regularly. What for, you ask? Ryder himself was given ten lashes for neglect of duty. Ever hear the term poor salt on a wound? Well that’s exactly what the ship’s surgeon did when he was taken there after his punishment… We must remember, poor Ryder was only fourteen at the time, and he wasn’t exactly neglecting on purpose, he was in fact heaving his guts out from dinner the night before.

Food on the ship wasn’t exactly appetizing, although, most sailors were excited to have regular meals, as when they were on land, eating three times a day wasn’t always a guarantee. The main staples of a navy diet, included salted meat, which was sometimes so rancid it was inedible by some, and even when boiled for hours the meat could still be as hard as a rock, unless they hadn’t been at sea very long and “fresh meat” in the form of livestock was onboard. This would be made into a stew with whatever fresh or dried veggies were available and rice or oats. Instead of bread, they had ships biscuits that were either filled with weevils. Sounds tasty! For breakfast it was porridge sweetened with molasses. To drink, if the fresh water had already turned a slimy green, they had watered down ale, watered down wine or watered down rum.

As a member of the crew, Ryder slept in a hammock twenty inches from the next hammock. When he became a captain he got his own room aboard the ship, but had a hammock placed inside, as he found after ten years at sea, it was much easier to sleep on.

The life of a Naval Officer wasn’t all pomp and squalor. While most of them lived privileged lives, they had to earn it. Some were second or third sons of the nobility, and some were sons of well to do merchants. And there were even those who were born at the bottom of the barrel and made their way to the top.

During the Regency era, a ship’s captain could become quite wealthy. How? Was the king paying well? The salary for a seaman was meager, and for a captain also wasn’t opulent—most would try to marry for money. No, most captain’s made their riches from other captains, especially during the Napoleonic campaigns. When a ship’s captain commandeered another ship, the whole crew shared in the spoils.

Officers in the military were well respected by the people, and since most came from well to-do families, they often hob-nobbed with the rich and the aristocrats.

In Her Captain Returns, Ryder ends up going away on a mission for several years, and isn’t allowed contact with anyone outside, including his wife. One of the things I wanted to illustrate in this story, was how hard it was for the wife of a man of the sea. Just as it is today with a military wife, it was much the same back then, except they didn’t have television to see what was happening, and their news stories were a lot more delayed. A wife may have still been receiving correspondence from her husband, only to learn he’d been dead for two months.

To end this blog, I leave you with a couple of fun naval terms:

Bitter End – Have you heard the phrase “faithful to the bitter end”? Well, it is a naval term! The wooden or iron posts sticking through a ships deck were called a bitt. Turning a line around them was called, the bitter end.

Chewing the Fat – Remember my description of the nasty meat? Well some men would chew on it for hours, and referred to it as, chewing the fat.

He knows the ropes – Nowadays this means someone is pretty skilled at what they’re doing. Back in the day though, it meant literally, novice and that all he knew were the ropes.

Took the wind out of his sails – this originally described a battle move where one ship would get so close to the other it would take the wind away, and slow down the opposing ship.

Your comment or question will enter you into a drawing to win a copy of Her Captain Returns, so come and chat with Eliza!

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We are featuring an interview with Carolyn Jewel soon, but due to some technical difficulties [curse you, Yahoo!], we won’t be posting the interview today.

[Edited to add: Look for the interview NEXT Friday]

So, sorry for the no-post post, but let’s just start some chatter, shall we?

Do you Twitter? Amanda and I do. If you do, come find us!

Do you think Clive Owen will be plausible in a romantic comedy (as it seems to be advertised) with Julia Roberts? Last time they were together, it was in Closer, where he had some pretty harsh words for her. Not a romantic comedy (as you can tell, I am skeptical).

I am about to start watching Cranford; is it awesome, or not so much?

Are you watching the Grammys this Sunday? If so, keep an eye out for my gal Adele, who’s nominated, and who’ll be performing.

Anything else on your mind this frigid (in New York, at least) Friday?

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