Our apologies. If you are on our newsletter list, you’ll know that today we had scheduled Seth Grahame-Smith, author of Pride & Prejudice & Zombies (the other author, a Miss Jane Austen, is not doing media currently). We believe Mr. Grahame-Smith to be unavoidably detained beheading an infestation of Unmentionables that broke out near our blog, but he will be gracing our presence next month.
And now, some GOOD news:
According to the New York Times, sales of romance novels are outselling other categories and are, in fact, keeping the publishing market somewhat stable even in these difficult economic times. The romance category was up 7 percent after holding fairly steady for the previous four years.
The New York Times observes, “Romance readers are considered among the most loyal fans, sticking to a series or an author once they have grown attached to one. ‘It’s a very dedicated audience who doesn’t see it as a luxury as much as a necessity,’ said Liate Stehlik, publisher of William Morrow and Avon, imprints of HarperCollins Publishers.”
Instead of the lipstick index, then, should we be keeping track of the romance novel index?
For my part, I came into a few extra bucks (no thanks to the IRS!), and immediately bought Amanda and Diane (and Deb‘s) anthology, Lilith Saintcrow‘s The Demon Librarian, Alisa Sheckley‘s The Better To Hold You and Elizabeth Hoyt‘s To Beguile A Beast. Plus I’m already waiting for Carolyn Jewel‘s My Forbidden Desire, Anne Stuart‘s Silver Falls and J.R. Ward‘s Lover Avenged.
How about you? What books are you treating yourself to while you’re scrimping on everything else?
Greetings from England, where I arrived abnormally early yesterday morning for a visit to the Old Man Who Is Not a Tree, and spent the rest of the day reminding him who I was and drinking tea.
So absolutely no nuggets of interesting English stuff–yet. I’m off to London today and plan to take the trip up the river to Greenwich from Westminster. I remembered to pack the camera and IF I remember to take it with me, remember that I have it, and take some photos… well, there may be pix. No promises and probably not as good as this.
Other activities–trying to get together with various people, at least one more trip to London to meet my lovely editor and my lovely new editor who’s inheriting me, meeting up with friends and who knows what… oh, and the British Museum and the V&A and possibly a couple of guided walking tours (I claim tourism status–I’m qualified).
And I really recommend a book I started reading on the plane and possibly left there–Author Author by David Lodge–a novel about Henry James.
What are you up to?
First, let me start with a grovelling apology to all the Riskies. This blog was meant to be posted on April 1st. You know; All Fools Day. Also my wedding anniversary, but let’s not go there! Anyway, when I flagged it to give me a reminder on the computer I must have been low on coffee or something because I flagged it for the wrong date. And of course when Diane emailed to remind me about it I was having a very virtuous off-line day keeping away from the evil distractions of the internet. Mea culpa. My bad.
Harlequin is celebrating its 60th Anniversary this year. As part of the celebrations they giving away 16 books for free download. (www.harlequincelebrates.com ) His Lady Mistress is one of them.
I hadn’t thought about His Lady Mistress in quite a while and when Diane asked me if I’d like to blog I wondered what on earth I was going to say about it after all this time.
A day or so later someone asked me where I get my ideas from . . . If a dollar was donated every time an author is asked that question world hunger would be history! I’m always tempted to reply; “The ideas department of K-Mart – they’re on special this week!” Of course, the reason writers are tempted to sarcasm with this question is that we really have no clue where our ideas come from and feel stupid admitting as much. Anyway, being asked made me remember, if not where the spark for His Lady Mistress had come from, at least what that spark, or sparks, had been.
The thing is we don’t know where the ideas come from, but if we think about it hard, we may actually come up with something that seems as though it has been there forever, just waiting to be used. It’s as though somewhere inside us there is a supply, a well if you like, of seemingly useless tidbits of information, that left to brew for long enough with the right ingredients will eventually bubble up with an idea.
Sometimes tossing in one extra vital ingredient at the right time is all that’s needed to bring forth . . . the premise. At least that’s how it worked with His Lady Mistress. I was reading a research book, Kristine Hughes’s Everyday Life in Regency and Victorian England. Near the end Ms Hughes very kindly reminded me of the details of something I’d forgotten; that until 1823 in England, a suicide was buried at the crossroads at night with a stake through the heart to prevent the ghost from walking. Until 1832 it was required that the burial could only take place between the hours of 9pm and midnight. Until 1870 all personal possessions were forfeited to the Crown.
Ouch. Barbaric.
At least that’s how any nice-minded person would react before turning the page quickly with a lady-like shudder. Not me. I’m a writer. My first thought was: ‘Oh, GROSS . . . but how would it be . . . ? What if . . . ?’ Several practice what-ifs slid through my mind and back into the brew before I had the real thing . . . what if my heroine, aged fifteen, was orphaned by her father’s suicide? Hmm. Potential there. But why did the guy commit suicide? Why does his death haunt Verity? Why does she feel responsible?
Still, I had my opening. Dark, wild night. Orphaned 15 year old creeping out to follow the cart to her father’s grave and being rescued by the hero. It’s the only time my original opening has EVER made it right through to the final draft. But I still didn’t know why the guy had committed suicide.
And this is the point where something I’d been interested in academically for years floated up from the depths: opium. At which point I realised that Verity’s father was addicted to opium. Okay, there were a few more, make that a lot more, questions that I had to answer before I had the whole thing worked out. (After that I still had to write it!) But those were the two snippets that bonded in my mind to provide the spark for His Lady Mistress.
Opium and suicide.
These days we are well aware of the dangers of opium and its derivatives. In the early 19th century the dangers were not so well understood. Opium acts on the brain, changing chemical balances to cause addiction. It could be bought over the counter with no questions asked and was widely used as a painkiller. Generally it was dissolved in alcohol and was known as laudanum. Mothers and nurses gave it to teething babies and plenty of people took it in small doses without ever becoming addicted. Yet for those who became dependent on it hell waited. But I still didn’t know why Verity’s father, William Scott, committed suicide over it, let alone why Verity blamed herself.
Opium and the Romantic Imagination by Alethea Hayter was an interesting source. Hayter gives a fascinating account of the English Romantic poets and their opium taking. Perhaps the most striking use of opium in literature, though, is the novel, The Moonstone by Wilkie Collins. Not only does the whole plot turn on the effects of the drug, but Collins, himself an addict, gives us the minor character of Ezra Jennings as both warning and plea for understanding. But I still needed a reason for William Scott’s suicide . . .
Finally I read a description of going “cold turkey”. The physical consequences for an addict in missing a dose sounded about as grim as a suicide’s burial. Excruciating abdominal pain as the bowels cramp causing extreme vomiting and diarrhoea, muscular cramps, constant discharge from nose and eyes, sweating and shivering all at once. The victim can neither eat nor sleep and this can go on for up to a week. After that the symptoms will abate of themselves, but very few people have the strength to go through all that. I’ve drawn these details from Martin Booth’s Opium: A History where he quotes Dr Robert S, de Ropp’s 1958 study Drugs and the Mind.
Suffice it to say that by the time I’d finished reading Booth and Hayter I had nothing but pity for William Scott and I knew why he committed suicide. If he ran out of laudanum the effects of being denied his dose would have been so physically and mentally agonising that suicide was perfectly believable. But why would Verity have blamed herself for what happened? If you’ve already read His Lady Mistress then you’ll know the answer. And if you haven’t, well, what are you waiting for? Harlequin has your free download waiting.
Best,
Elizabeth
