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Monthly Archives: April 2009


Today I pose the semi-facetious question:

Is it really a Good Friday if you’re headed to your in-laws?

Not that they’re not lovely, and all, but the Spouse and I have both had a tough week, and what we would really like to do is not be actors in the Passive Aggressive Theatre this weekend.

So probably one can guess that I have not been able to write much this week, but I did have an epiphany regarding a current WIP. And I finished reading the third book in the Clare Fergusson/Russ Van Alstyne mystery series, penned by Julia Spencer-Fleming, which was incredible. Plus I watched the season finale of Life, starring Damian Lewis, which was just amazing.

Maybe it’s a Good Friday after all?

In doing a smidge of research (look! Megan does research!), I discovered that Easter in the Regency was when a lot of folks did traveling; for example, in Pride & Prejudice, Darcy visits his aunt at this time, and other of Austen’s books mention Easter travel as well.

The first recorded instance of egg-shaped candy is 1820, so we have our period to thank for that as well. Yay! One source mentions Austen herself would likely have had a quiet Easter, dyeing eggs and observing the religious significance.

Are you traveling this weekend? Do you have any unique Easter traditions? If you celebrate Passover, how were your seders? Did that Elijah ever show up?

Thanks! And have a Good Friday!

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First, in the interests of encouraging others to waste time online, you can now find me on Twitter, not that I have anything particularly interesting to say there.

Today is the birthday of Isambard Kingdom Brunel, born 1806, possibly England’s greatest engineer, whose masterpieces like the Great Western Railway, the Thames Tunnel and the Clifton Suspension Bridge are still in use today. He was the inventor of the first propellor-driven ocean going iron ship, the SS Great Britain.

It is also–and I hope Megan wasn’t planning to blog about this exceptionally important date–almost the anniversary of another important date, April 10, when, in 1633, bananas first went on sale in London.

You can imagine–or at least, I can–the bemused discussions that took place regarding the fruit. I think we should throw the squishy part away, it’s probably gone bad…Too bloody expensive–quick, they’re not looking, put one in your codpiece…

The banana was first introduced to North American in the 1870s and an early, helpful publication, A Domestic Cyclopaedia of Practical Information stated: Bananas are eaten raw, either alone or cut in slices with sugar and cream, or wine and orange juice. They are also roasted, fried or boiled, and are made into fritters, preserves, and marmalades.

Banana marmalade? Jam? And it still doesn’t explain if you’re meant to consume the whole thing, the inside, or the outside, which I’d think would be the most helpful hint of all.

And now, I have decided to do an about face. I was wrong, I admit it. Jane Austen is a romance writer. I’ve been thinking about this for some time, and here are the points which made me change my mind:

Secret babies. Willoughby (Sense & Sensibility) has a secret baby.

Cowboys. There are many rural settings. Harriet Smith, in Emma, has a beau who owns at least one cow, (we know because it’s Harriet’s favorite). Therefore, Robert Martin is a cowboy. Yeehah. And Knightley himself, a powerful alpha male landowner, has to be a ranch owner. Pam Rosenthal blogged persuasively over at the History Hoydens that most of Knightley’s land has to be enclosed and is therefore grazing land.

Navy Seals. Close and almost a cigar–Persuasion is rife with manly men in uniforms, the cream of the Royal Navy, muscles rippling beneath their skin tight uniforms.

Sex. Who can forget the torrid sex on page 47 of Mansfield Park?

Alpha males. Yes… the glowering simmer of Mr. Darcy (Pride & Prejudice), the sinuous grace of Edward Ferrars (S&S), the riveting description of Mr. Collins as he masterfully handles the English Book of Common Prayer (P&P), Captain Wentworth’s mainmast, and Knightley, see above.

TSTL Heroines. Catherine Morland (Northanger Abbey, with the added bonus of being a TSTL heroine in her nightgown).

Can you think of any other examples? Let us know!

Last week I mentioned Lord Byron’s weight loss diet, and the week before that I said you could find anything on YouTube. This week I’m merging the two.

Here is Richard Chamberlain as Byron in the movie Lady Caroline Lamb (Sarah Miles)
I think he looks very Byronic!

When We Two Parted is a lovely poem about lovers breaking up, as relevant to young lovers today as it was when Byron wrote it. I could not discover who Byron was writing about, but I like to think it was some true love now lost to the ages.

The poem endures, even on YouTube.

Here is the version that I think channels Byron the closest:

Here is the version as I would have recited in my youth, when in pain over a lost love.

Here is an animated version:

The moog synthesizer-jellyfish version (I kid you not)

And the most mind-boggling of them all, the I-cannot-believe-this version:

Vote for your favorite! And what do you think of Richard Chamberlain as Lord Byron?

(Thanks to Nebula whose comment last week about the Jonny Lee Miller miniseries of Byron got me started on YouTube)

Take a look at my website, all updated for April. A new contest, too.
Don’t forget, you can order The Diamonds of Welbourne Manor from eHarlequin right now. And The Unlacing of Miss Leigh is instantly available from eHarlequin and other ebook vendors.


Last week, I talked about the importance of connecting with a character to make a story compelling.

This week, I’d like to continue the discussion, but move it more into the storyline. What if the characters are fine, you like them, you connect with them, but the stakes just aren’t high enough to compel you to keep reading?

Not so much in a DNF way, but in an ‘I’ll finish when I remember to, where did I put it, oh, here’s a good recipe for Brussels sprouts, lemme read that’ way.

I am currently editing a book that has that issue, and I have to figure out how to address it. My characters are interesting, multi-faceted and dynamic, but their stakes are simply not high enough.

Stakes need to be high to compel readers to move onto the next chapter. Like a movie or a TV show that has a deadline–House has to save a life before the unknown virus eats a life, Harry needs to quash Voldemort before he gets enough bad wizards backing him, Edward has to keep Bella safe without turning her into a vampire–books need that kind of compelling plot point, an external one, to reinforce the inner turmoil. I don’t think inner turmoil is enough. I want there to be an actual threat of death, or ruination, or irrevocable life change, for those characters. Something to make me read, even though it’s midnight and 7:04am (yeah, weird, but whatev) comes quickly.

For this book, then, I am going to make it so the hero realizes that if he and the heroine are together, they will be under a constant threat of death because of their respective circumstances (it’s an interracial nineteenth century romance).

What are your favorite time deadline stories? What book surprised you with its solution because you never thought the characters could get out of their situation?

Megan

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Late again!

I thought I’d tell you about the writerly things I’ve been doing over the last couple of weeks; and isn’t it funny how writerly things so often don’t include actually doing any writing? Although I did manage to squeeze some out. I’m so proud of myself.

Weekend before last I attended a writers’ retreat in Gettysburg, sponsored by my local chapter Maryland Romance Writers, led by the wonderful and inspiring Alicia Raisley.

Have you ever been to Gettysburg? It’s a town that was the center of a Civil War war zone, so as you approach or leave the town you drive through open country dotted with monuments; humbling and startling to see the extent of the battle and get an idea of the slaughter.

Our retreat was in the historic Gettysburg hotel. It’s haunted of course–everything in Gettysburg is haunted, and no wonder. I didn’t see any ghosts, though some of the other writers took a ghost tour.

I ploughed on through my novella which is to be published in an anthology with Mary Balogh, Susan Krinard and Colleen Gleason. We’re all doing paranormal takes on Jane Austen, and I’m doing Emma as a contemporary; lots of fun.

I finally finished the novella last weekend when I was at the Let Your Imagination Take Flight conference sponsored by New England Romance Writers. It rained all the time (it is mud season!) but I was cheered by meeting up with old friends and making new ones, like Miranda Neville who was a guest at the Riskies recently. And I ate like a pig. There was lots of food. Yum. I gave my servant workshop there, galloping through scads of material in record time.

So now I’m catching up. Taxes (ugh), laundry, books to read, and oh yes, one to write. And in a couple of weeks I’ll be in England, visiting my father and spending a weekend in London with my best friend. More on that later. What are you up to?

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