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Monthly Archives: October 2009

I did it! I went to see Bright Star, the movie I blogged about a month ago, the movie about John Keats’s love affair with his neighbor, Fanny Brawne . It finally came to two local theaters so Sunday night I finally got to see it.

I liked it very much for many reasons.

It was wonderfully acted. Abbie Cornish as Fanny definitely should be nominated for an Oscar. She had the most expressive face; you could almost tell what she was thinking. Ben Whishaw as Keats was also very good, although I can’t figure out why he was always unshaven. Was that supposed to show he was poor? Anyway, he managed to be masculinely appealing while still sensitive and poetic and sick. Paul Schneider played Brown, Keats’s friend and roommate. He also is said to be Oscar worthy. I was surprised to discover he is an American actor, from South Carolina, no less. He spoke with a very authentic-sounding Scottish accent. In addition to these main characters, even the minor roles were very well done.

The costumes were spectacular, especially Fanny’s dresses. Fanny Brawne designed and sewed her own dresses, so her costumes were beautiful creations. All the costumes were well done, though. I loved the hats and lace caps! I think the costumes in this movie were the most beautiful depiction of Regency era fashion that I have ever seen. Even the shoes were fascinating.

In addition to the costumes, the settings were wonderful. The four seasons were beautifully represented. The snow really looked like snow; the rain, like rain. Details were attended to. Stacks of books in Keats and Brown’s rooms, tea cups and dishes at dinner, the kitchen pots.

I had not expected the movie to be as emotional as it was. It had me trying to hold in sobs!

I thought there were some weaknesses in the movie. It was sometimes difficult to tell what was going on, who some of the people were, and why the scenes skipped from one to the other. If I had not read up on this part of Keats’s life, I would not have understood as much as I did.

The pace was slow. (One of my friends said she started thinking, “Die already, Keats!”) But because the film was so beautiful to look at, I didn’t mind so much.

If I wanted someone who knew nothing about the Regency period to fall in love with it, I’d probably recommend the BBC/Colin Firth version of Pride & Prejudice. But if someone is already in love with the time period, I’d definitely recommend Bright Star.

Have you seen Bright Star? What did you think of it?
Of movies set in the Regency era, which do you think best would make someone new fall in love with it?


I’m hoping my December book, Gallant Officer, Forbidden Lady, evokes a rich Regency setting, a great love story, and lots of emotion. The excerpt is now up on my website. And a new contest.

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This month, I feel like a happy midwife, since two of my dearest writing friends have debut books out. Neither is a Regency, but I think you’ll all forgive me for going a bit off topic to tell you about them.

I met fellow mommy-writers Kathleen Bolton and Therese Walsh through a local writers’ group. I can’t remember exactly when, but I think it’s been around nine years with Kathleen and perhaps seven with Teri. We’ve supported each other in our writing while struggling through children’s illnesses, battles with our muses, a sometimes less-than-helpful critique group, rejections and all the ups and downs of the writing industry. At about the time we Riskies were starting our blog, Teri and Kathleen founded Writer Unboxed, one of Writers’ Digest’s 101 Best Websites for Writers. We’ve pushed each other through week long writers’ challenges, nurtured our spirits and pumped our productivity with weekend retreats in the Finger Lakes, and never allowed each other to give up.

Teri’s debut, THE LAST WILL OF MOIRA LEAHY, started out as a romance novel, but during its evolution it became clear that the relationship between the heroine and her sister was the true heart of the story. Teri received long, detailed and complimentary rejections for that first version and had the courage and wisdom to learn from them. She reinvented the story as a women’s fiction novel and persevered through several more major rewrites. Her efforts were rewarded when she landed her dream agent and a major deal with Shaye Areheart Books, an imprint of Random House. It is a beautiful, beautiful story.

Here’s an excerpt:

I lost my twin to a harsh November nine years ago. Ever since, I’ve felt the span of that month like no other, as if each of the calendar’s thirty perfect little squares split in two on the page. I wished they’d just disappear. Bring on winter. I had bags of rock salt, a shovel, and a strong back. I wasn’t afraid of ice and snow. November always lingered, though, crackling under the foot of my memory like dead leaves.

It was no wonder then that I gave in to impulse one November evening, left papers piled high on my desk and went to where I’d lost myself in the past with a friend. I thought I might evade memory for a while at the auction house, but I slammed into it anyhow. It was just November’s way.

Only this time, November surprised me.

Kathleen’s release, CONFESSIONS OF A FIRST DAUGHTER, under the pseudonym Cassidy Calloway, shows how delightfully versatile she is as a writer. I know Kathleen’s work best from critiquing her amazingly dark and inventive paranormal historicals, so it was a surprise (but a happy one) when she landed the contract to write a young adult novel featuring the teenaged daughter of the first woman president. I can’t claim I helped Kathleen with this one, except for cheering her on and getting my copy as soon as I could. It’s a fast, funny read with an endearingly clever/gawky heroine. I enjoyed it hugely and now my daughter is clamoring for it.

Here’s the hook:

I wonder if my mother ever feels like throwing up before she delivers an important speech.

Breathe. Swallow nausea.

Just. Breathe.

I clutched the stage curtain to steady myself and poked my head out so I could scan the empty auditorium. I wasn’t prepared to take center stage just yet. I pulled back, telling myself that I wasn’t making the State of the Union address beamed by satellite to seventy-four countries including the Antarctic Research Station (annual budget $17.5 million to study the effects of global warming on penguin migratory patterns). Nor was I laying the equivalent of a diplomatic smackdown to a terrorist warlord. My speech before the Academy of the Potomac’s student body wouldn’t be enshrined in the Smithsonian Institution next to Lincoln’s top hat and Prince’s electric guitar. I’m not running for the president of the United States. My mom already has that job.

Thanks for letting me share!

Elena
www.elenagreene.com


What was your first ‘dirty’ book? Mine was likely Kathleen Winsor‘s Forever Amber, which I read when I was way too young to have done so. That combination of history–the rich Restoration period–and a wayward woman in the person of Amber St. Clare proved an irresistible combination for me.

In honor of Ms. Winsor’s birthday, today, several bloggers–especially Jessica from Racy Romance Reviews–and Twitter friends decided to celebrate by posting their 16 favorite romances of all time–or for right now, if the perpetuity thing is too daunting.

I thought it sounded fun, and one of my all-time favorite never-met-her-in-person-but-love-her-online people, Maili, thought of it, so I had to do it. So here goes; please submit yours in comments!


Amanda Quick, Deception

Anne Stuart, Black Ice

Anne Stuart, To Love A Dark Lord


Carla Kelly, Reforming Lord Ragsdale

Carolyn Jewel, My Wicked Enemy

Connie Brockway, As You Desire

Edith Layton, The Devil’s Bargain

J.R. Ward, Lover Eternal

Liz Carlyle, The Devil You Know

Loretta Chase, Lord of Scoundrels

Loretta Chase, Mr. Impossible

Mary Balogh, The Notorious Rake

Mary Balogh, The Temporary Wife


Meljean Brook, Demon Angel

Robin Schone, The Lady’s Tutor

Stephenie Meyer, Twilight


Of course, having written these 16 down, there are literally hundreds more I could say are my favorites (I read a lot. Explains my lack of productivity in the writing way sometimes. Ahem). Are any of these your favorites also? Did you hate any of these? Let’s talk about books!

Megan

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Two things are real today. One is that summer is quite definitely over and instead of toughing it out until November 1 (I made the rule and by golly I can break it) I turned on the heating and am wearing strange layers of clothes, necessitated by what’s clean or what can pass for clean.

The other reality is my next book from Little Black Dress. It’s real because I have revisions and a release date–February 2010–and, huzzah, the title I chose, Improper Relations.

I wrote this scene, where the heroine and her sister-in-law visit their aunt Lady Hortense Renbourn, one night when I had insomnia and decided to write at 2 a.m. I think I was more asleep than I realized, because this is what I came up with, and quite a surprise when I read it later. Although the character had appeared earlier in the book I wasn’t quite sure why she was there. I still wasn’t quite sure after this scene either, although she turned out to be very important to the plot. It was the invention of Lady Renbourn that confirmed my belief that (sometimes) I know what I’m doing even when I think I’m not (as far as writing goes, anyway).

Lady Renbourn’s drawing room is infested with cats and a handful of decorative young men, all dewy eyes and careful curls. She is apparently fashionable in a strange sort of way—the young men hang upon her every word and seem grateful when picked out for any particular insult.
A cat climbs into my lap and proceeds to shed, purring with delight.
“I see Cleopatra likes you,” Aunt Renbourn says. “Tom, show the lady what Cleopatra did to you.”
Obligingly the young man turns back his velvet cuff to display a collection of livid scratches.
“Love tokens!” screeches Aunt Renbourn. “We’ll have claret, now. Johnny—damn the boy, where is he?—you’ll pour. I won’t have the footmen bothered; they’re cleaning the silver. So, miss, give us the news. I hear you and Shad spurn the town to bill and coo at home. Most unfashionable, you’ll regret it.”
“I trust your ladyship is in good health,” Marianne comments. She wipes cat hair from her glass.
“I’m at death’s door, you hussy.” Aunt Renbourn, immune to polite conversation, takes a swallow of claret and belches. “Those onions will be the death of me. Francis will play the spinet for us now. None of this newfangled stuff by foreigners, Francis—give us some Playford tunes.”
One of the young men shoos a couple of cats from the instruments and wipes the keys with a handkerchief. The spinet is ancient, like its owner, and sadly out of tune and missing a few notes. Aunt Renbourn listens with avid delight, thumping her ebony cane in time (mostly) to the music and occasionally humming along.
“Has Shad found himself a mistress yet?” she shouts across the room, apropos of nothing.
“I believe not, ma’am,” I bellow back.
“He will. And what think you of the Bastards?”
“They are charming children,” I respond.
She stands, scattering a cat or two from her lap, and hobbles behind a screen set in a corner of the room, where I suspect a chamber pot resides.
One of the decorative young men rouses himself to make a comment on the weather. Johnny pours everyone more claret, Francis and the spinet continue to abuse Playford, and Tom extricates himself from fashionable lethargy to tell me he admires my hairstyle.
Aunt Renbourn emerges from behind the screen. She proceeds to entertain us for a good half hour with an extraordinary narration of vice, dissipation, and depravity involving virtually every wellborn family in England. Even Marianne looks taken aback at the revelation of young Lord L—’s indiscretion with his valet, the valet’s sister, two military officers and a luckless goat.
“And they had to completely replace the wallpaper!” Aunt Renbourn concludes.

Question of the day: What have you learned about trusting your instincts?

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This summer we Harlequin Historical authors heard that our books would be shelved with the single title books at the Barnes and Noble stores. This was terrific information, because we often feel that some readers would never think to find us at the Harlequin displays, usually separate from the alphabetical shelving.

Last week I checked at my local Barnes and Noble. Harlequin Historicals were, indeed, not to be found with the other Harlequin books. Instead, they were shelved at the very end of the alphabetical single titles, down on the bottom shelf.

I’m not sure if this is an improvement….

So my questions are:

1. Where do you buy Harlequin Historicals and where are they shelved in your stores?
2. If you couldn’t find them in your store, would you ask for them?
3. Where do you think is the best place for them?

Inquiring minds want to know!

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