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Monthly Archives: November 2009

Guest Lori Brighton

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A great big Risky welcome today to debut author Lori Brighton who will give away two signed copies of her book today! Your comment or question enter you into the drawing.

Like a breath of fresh, rain-washed air after a thunderstorm, Wild Heart awakens the senses and speeds up the heart rate…. A great read! Long and Short Romance Reviews

Lori, tell us the story behind the story: what inspired this book?

This is going to sound odd, but the Disney Cartoon Tarzan. My son was watching the movie a few years back. Around the same time, I saw a documentary on Discovery or some equally educational channel about feral children. I’d seen them both rather close together and thought, hmm, what it would it be like if my hero had been lost in the wild during his childhood? I also tend to like more alpha males and you couldn’t get a male more alpha than one who had survived on his own in a foreign country.

How easy did you find it to build paranormal elements into your setting and what makes your paranormal elements stand out?

I didn’t set out to make it paranormal but it just kept bugging me, insisting to be let in. I’ve had reviewers say that the paranormal element is subtle and blends well, which is exactly what I wanted.

Leo, the hero, lived a sort of animalistic life in the wilds of India. At first Ella, my heroine, was merely going to be an animal lover, but then I realized, why not make it paranormal? What if Ella had powers to control and sense the feeling of animals? Since Leo is more animalistic than most humans, she would be able to sense his emotions. I thought it would make the story more unique and connect Leo and Ella in a way they wouldn’t have been.

I’ve started calling the book “Heroes set in the Victorian Era.”

Did you discover anything particularly unusual in your research that you’d like to share?

Hmmm, I wrote the book such a long time ago, it’s hard to remember! I’ve had to do a lot of research into the Indian culture and history for this first book and even more so for the second book. So the entire culture as a whole was interesting and new to me.

As for Wild Heart, the one thing that sticks out was how hard it was to take away a person’s title. Leo’s cousin is out to get Leo’s rightful title and the fortune that come with it. The problem was how to get that title from Leo without having him die. Come to find out, it was pretty much impossible to get a title taken away from someone, even if they’d done horrible things. The closest I came was my understanding that if someone was insane, a board might be appointed to take on the responsibilities.

Whom did you identify with most closely when you wrote this book–your hero or your heroine? Why?

Leo, my hero, is very alpha, very blunt very much a left brain sort of man and so very different from me. But I’ve also thrown in some unique qualities to soften him, such as his love of art. Art is definitely something I’ve always enjoyed.

But overall, Ella is more like me. I think in most instances the author associates with the same sex character. Not always, but in most instances. And so far I associate more with my heroines than heroes. Ella loves nature and travel, like me. And like most women, Ella is caring, often at the expense of herself.

What drew you to the Victorian era?

I’ve always loved the Victorian era, probably because it’s the era most noticeable in the United States, especially the Midwest where I grew up. Big, old Victorian homes and those gorgeous dresses and ornate furniture. It was a very elegant time period, but also an era when people were expanding on their knowledge and environment. It was a big era of travel, antiquities and natural science. It’s also the first time period in which you have women leaving the home to work, so in that way there’s more freedom. Everything about it intrigues me.

And as I said in another interview—corsets and tight riding breeches, can’t get much sexier than that!

(Mmmm. Ahem.) Is there anything about the Victorian era you don’t like or that you have trouble incorporating in your writing?

The truth about general hygiene at the time would certainly take the romance away from the story. So it’s always nice to leave out the fact that they probably only took a bath once a week. Let’s not even discuss women and their lack of shaving their legs and underarms. And can you imagine dental hygiene? Have I ruined it for you yet, because I can keep going…lol.

I think one of the most interesting aspects of the Victorian era is the fact that women were suddenly working outside the home, you have a rise of the middle class. There’s a lack of romances novels that focus upon these working women and the long hours and horrible jobs they had to do just to survive. Perhaps that will be my next heroine!

What is there in Wild Heart that you consider risky? (the Risky question!)

Definitely having the paranormal element is a little risky. I’ve tried combining two of the most popular genres- historical and paranormal. I know most readers want either straight historical, or straight paranormal but I had to take that risk because it felt right and I’m hoping it worked, that lovers of both genres will give their nod of approval.

As for the story itself…there’s also a rather risky scene in a Greek folly and then later in a carriage…but I won’t go into detail 😉

What’s next for you?

I have ideas for three new series that I can’t wait to get started on! The problem is deciding which to start first.

As for the next book that will be released, it will be a spin off of Wild Heart. The book isn’t titled yet but it will be out near the beginning of 2011 and will feature a secondary character from Wild Heart as the hero. It takes place in India; it’s very much an action adventure and still contains that paranormal and romance. I’m really excited about it.

Lori will drop by today to chat more about her book, the naughty Victorians, and paranormal romance, so please ask away and your comment or question will enter you into the drawing for a prize.

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Ladies Day at Riversdale

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I know I should be writing something erudite about the latest Harlequin-RWA debacle but I’m also reading Terry Pratchett and I think it’s coloring my perception. Truly, this is something that belongs in Discworld. I am also in the thick of deadline hell and am about to behead Jane Austen so you can see I’m rather distracted.

So I’ll tell you instead what I did last weekend, which was to attend the Ladies Day at the federal-era Riversdale House Museum, a wonderful day of activities centered around Rosalie Stier Calvert‘s love of gardening and typical flower-related activities. Here are all the ladies in costume (once again my maid neglected to clean and iron my gown in time), with a rather beautiful golden glow that looks like candlelight but is in fact a result of the failing battery in the camera.

We made perfume using essential oils and yes, vodka, and mine has a bergamot base because I like the name rather than the smell, but I hope it improves over the next couple of weeks.

One very exciting part of the day was a lecture by Stacey Hampton, an expert on nineteenth-century hairstyles and hair ornaments. She gave us a terrific list of resources, including the website Timely Tresses.

She brought in a selection of Regency hair ornaments from her collection which we were allowed to touch, and she also gave a demonstration, on fake heads, of how to build a Regency hair style.

Also on display where these three beautiful bonnets decorated with flowers, constructed by Riversdale’s historian Dr. Ann Wass. You can see in the background the original front doors of the house, a source of great pride for Rosalie Calvert, who boasted that not even Tommy Jeff in the White House had real solid mahogany doors.

In the afternoon we had afternoon tea with scones, neither of which are period, but are just plain good; we made the scones and we also attempted to sugar petals as decorations for the cupcakes, for which we made very runny icing (those egg whites would not stiffen. I spent a long time outside in the cool air with a bowl and a whisk). Sorry about the pic blurred with greed. We had spiced pear compote made with Riversdale’s own pears and an interesting Swedish carrot marmalade for the scones.

So that’s what I’ve been up to. What are you up to? And, aargh, it’s Thanksgiving next week. Are you ready? I’m off the hook since I don’t have a working oven…

Another bit of news. You can buy my next Regency chicklit book IMPROPER RELATIONS in advance at 55% off at bookdepository.com! Still no final cover but I know it will be pretty. The release date is February, 2010.

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When Heroes Age

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Last Friday Nov 13 was (gasp!) Gerard Butler’s 40th birthday. If you’ve read this blog for any length of time you’ll know I’m a card-carrying Gerry Butler fan. My first reaction to news that he turned 40 was, “Gee, he’s getting old.”

I came late to being a Gerard Butler fan, only catching The Phantom Of the Opera on cable about two years after it was released. Read here (scroll down) to see my reaction. I quickly went on to see Dear Frankie, Timeline, even Dracula 2000.

Gerry’s film debut was in Mrs. Brown, playing Billy Connolly’s younger brother. The role was small but memorable, perhaps because Gerry and Billy ran naked into the sea.


I think lots of women became fans after the movie Timeline. In that movie Gerry played a major role as archeologist, Andre Marek. Or from the TV miniseries, Attila the Hun. It was Phantom of the Opera, though, that really brought in fans in droves. Fan websites sprang up and Gerard Butler conventions were planned. These have become a fairly regular occurance, including a birthday bash this year in Glasgow. Through the conventions and other events Gerry’s fans have raised over a quarter of a million dollars for charity. (See the convention I attended here)


But, still, Gerry did not really achieve star status until the movie 300, where playing the Spartan, Leonidis, he showed himself to be a fine figure of a man. That was in 2006 when he was only 37. Somehow 37 doesn’t sound nearly as old as 40.

This year Gerry appeared in three movies: The Ugly Truth, Gamer, and, just out, Law Abiding Citizen. Already in the works is the much anticipated movie Burns (tying this in to our time period–or fairly close to it), in which Gerry will play Robert Burns. It is a real labor of love to make this movie of the national poet of Scotland. One wonders, though, will he be too old for the role? Burns only lived to age 37.

All this got me wondering. Is 40 to old to be a romantic hero–in our books, I mean. I know Janet’s Dedication featured an older hero, and my favorite Georgette Heyer hero, Demerel from Venetia, was older. But the heroes I write about are usually in their 30s, and most I read about are about the same age.

So, my questions are: What age is too young to be a hero? What age is too old? What age is your favorite for a hero? And the big question, is Gerard Butler now too old?

(p.s. I’m still a card-carrying Gerard Butler fan and always will be. He’s my favorite actor, an awesome actor, even if he is 40!)

******* All photos courtesy of GerardButlerDotNet, the officially non-official fan website

Check my website for new stuff and my ongoing contest.

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Plodding Along

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Recently, I returned to writing a story that is just so much fun, way sillier and more delicious than my usual stuff (closer to my posts here, I suppose). The thing is, I am trying a new way of writing, working with a relatively final synopsis as a plot guidepost as I write rather than flying into the mist.

Have I mentioned I am a curmudgeon when it comes to change? A long time ago, I had this quote hung up in my kitchen, just to remind myself:

“Change is, by definition, unsettling.”

So anyway. Changing my process is deeply disturbing to me, yet necessary.

I’ve got a sort-of working synopsis now, and a first chapter, but am stumped as to where to go from here. Let me lay out my options:

1. Heroine spies totally foxy hero from across the ballroom.
2. Totally Foxy Hero (TFH) is unimpressed with heroine. But bored. And doesn’t like it when someone else makes fun of her. So decides, maybe, to make her his project for the Season.
3. Heroine has secret identity. TFH will not discover secret identity until way later in the book, causing the all-important black moment.
4. Heroine has to work on secret identity work.
5. TFH and Heroine have to run into each other, even though he is Man About Town and she is a girl on her third Season.

So what do I do? How do I get them together? I don’t want to lay out all the mundane details of her secret identity life–it involves writing, of all boring to describe things–and I want to get them all hot and bothered as soon as possible. I wrote a scene where her Horrid Mother demands Heroine at least try to get betrothed, but it’s not sitting right in my brain.

Got any ideas? Apologies for the lackluster post, this and the state of my kitchen floor is about all that’s in my head right now. And you didn’t need to read about mopping.

Megan

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Flying through the air

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A first.

I post Mantitty on the blog.

This is none other than Jules Leotard, who on this day in 1859 performed the first flying trapeze act in Paris, thus revolutionizing the circus. His act lasted twelve minutes in which he turned a somersault in mid-air and jumped from one trapeze to another. A pile of mattresses served as a safety net.

Although he’s not wearing it here, the leotard, which he invented, is named after him. Not a whole lot is known about his life; he was born in Toulouse, France, around 1839, the son of a gymnastics instructor, and as a baby was calmed by being hung upside down. Although his father wanted him to enter the law, young Jules ran away to the circus. He made his debut at the Alhambra Music Hall, London, in 1861, and his New York debut in 1868. He died in 1870 in Spain of smallpox or cholera.

Inspired by Carolyn’s Googlebooks adventures, I went searching for references to Jules Leotard, and found this from Chambers’ 1891 Journal of Popular Literature, Science and Arts:

Jules Leotard was a splendid specimen of manly beauty—a perfect figure united to a strikingly handsome face, always grave and reposeful.

The story of the great gymnast’s career has seldom been told. A native of Toulouse, in the south of France, young Leotard passed many of his earliest years in the beautiful city of the sunny south. His father kept a swimming-bath, having several skylights that were opened and closed by long ropea. It was young Leotard’s office to open and shut these skylights, and he was in the habit of swinging from one rope to the other, doing so with so much grace and skill as to attract much attention from the visitors to the establishment. His first public appearance was as an amateur at the Municipal Fete. It so happened that among the people who witnessed the performance was the director of the Cirque d’Iimperatrice at Paris. This gentleman was astonished at the skill and grace of the young athlete, and also at the novelty of the performance; and the next morning he made his way to the Leotard swimming baths and had an interview with the father. A few days hence and Jules Leotard set out for Paris. On his arrival in the gay city he was taken to a theatrical costumier, and a gay doublet of crimson velvet and gold spangles was fitted over the snow-white tights he had brought from the country.

“Take it off!” he said to the costumier. “I am not going to play the clown.”

“Take it off ! mon petit, the beautiful doublet ? See how well you look in it—grand, magnificent, superb!”

“Think you so? I’ll never wear spangles like a harlequin.”

“Ah ! mon Dieu ! Eh bien ! mon petit, what is it, then, you will wear? You must have a doublet of some kind.”

“Have you any black velvet?”

A roll of plain black velvet was produced, and out of this material was made the young aspirant’s doublet. And subsequently M. Leotard always wore the simple and elegant dress of a black velvet doublet over snow-white tights ; a dress that served admirably to display the magnificent form of the gymnast. The debut of the young athlete in the Paris arena was a veritable triumph, which was renewed on his first appearance in London. The flying trapeze became the rage, and a whole host of flying trapezists appeared at the music halls, none of whom, however, had the skill and marvellous ease of the master.

And yes, Leotard inspired the song The Daring Young Man on the Flying Trapeze, recorded by, among others, Bruce Springsteen.

I think this nineteenth century circus illustration explains why female trapeze acts were so popular.

Have you ever fancied running away to the circus or flying through the air with the greatest of ease, which you can learn to do at Trapeze School in Washington DC or other major cities?

Do you think that facing up to a physical fear–like flinging yourself into the air on a trapeze–will help you overcome other fears? Have you ever done anything like that?

And do you think Manhaunch will ever replace the popular Mantitty on romance covers?

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