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Monthly Archives: December 2009

My interview went up a bit late yesterday so today I thought I would just do a commercial (Ha! bet you thought it would be an Addendum!)

Like Sarah Palin, I’m going on a book tour, but my tour is virtual, my schedule less demanding, and my visitors, undoubtedly, fewer.

Here’s my schedule:

Dec 9 Interview on Harlequin Historical Authors Facebook page
Dec 9 Article on Regency Art on Harlequin Historical Authors MySpace page

Dec 11 Article on Regency Theatre at Romance Dish
Dec 16 eHarlequin’s Holiday Open House
Dec 27 Interview at Romantic Crush Junkies

I hope you all stop by!


I was lucky enough to have Megan and Carolyn come up with questions for my interview yesterday. Weren’t they creative asking how many research books I own? I really think they thought I would go upstairs, trip over the boxes and other junk, and count every last one of those books. Not me! I did Math. I estimated.

When I have to make up questions I lack such creativity, though. So my challenge for you today is to tell us what questions you want us to ask our guest authors. If you want me to answer any of these questions I will, but mostly I want to know what you want to know!

Don’t forget to leave a comment on yesterday’s interview blog for a chance to win an autographed copy of Gallan Officer, Forbidden Lady. I’ll choose a winner after midnight tonight.

Today, the Riskies are delighted to present an interview with one of our own, Diane Gaston. Her newest book Gallant Officer, Forbidden Lady is out now. A random commenter on today’s post will win a copy of Diane’s new book!

Welcome, Diane! Tell us about Gallant Officer, Forbidden Lady:

Gallant Officer, Forbidden Lady is the first book in my Soldiers Trilogy. Three soldiers—an ensign, a lieutenant, and a captain—share a ghastly and distressing experience after the battle of Badajoz, an experience they agree to keep secret. It affects the rest of their lives.
Battle-weary soldier turned brooding artist, Jack Vernon, is hired to paint London theatre’s newest sensation, Ariana Blane. As this stunningly beautiful actress ignites feelings Jack thought destroyed in battle, another man has Ariana in his sights.

You’ve got such a deft touch with your historical details; just how many research books do you have?
Omigosh, I’ve never counted them. I estimate I have about 700. I would love to catalogue them and organize them better. For Christmas I want this BOOKCOLLECTOR software!

What inspired the story?
When I was groping for story ideas my friend Julie suggested I watch the 1935 Gary Cooper, Franchot Tone movie, Lives of the Bengal Lancers, a story about three soldiers who go through hardships and adventures together in British India (Julie loves watching old movies!). What I took from the movie was the idea of three soldiers sharing an experience during the war, something that affects the rest of their lives. I also took from the film a tough Colonel (although I made him a General) who has a weak son under his command. This formed the basis of the trilogy.

What did your editor say when you said you wanted to write about two people, neither of whom had titles?
This is my niche at Harlequin Historical. They want me to write about the seamier side of the Regency, or, as they wrote on the back cover copy of my first book, The Mysterious Miss M, “The Regency Underworld- sex, scandal and redeeming love.”

How hard was it to be a virtuous actress at that time? How many actresses went on to get titles and make their way into Society?
I think it must have been very hard to be a virtuous actress during the Regency. I imagine women in the theatre would expect to become some man’s mistress. They’d hope to attract the attention of a wealthy man to supplement their income, so to speak.
One actress managed to marry a man with a title. Elizabeth Farren, who has a lovely portrait by Sir Thomas Lawrence in the Metropolitan Museum, married the Earl of Derby in 1797. Because she had the patronage of the Duke of York (one of the king’s sons), she managed some sort of acceptance in Society. There may have been other actresses who made good, but I can’t think of any at the moment.

It’s easy to really feel for what Jack went through; what true accounts, if any, did you read to get the feel of Badajoz and Jack’s subsequent PTSD?
I bought a book (to add to the 700), Badajoz 1812: Wellington’s Bloodiest Battle by Ian Fletcher, and pored through the brazillion Napoleonic War books I already own, as well as looking online. As for Jack’s PTSD, I just transferred what I knew about the diagnosis into how a soldier during the Regency would experience it.

What risks did you take with this book?
I thought the artist hero was a risk, because it was a challenge to keep him “hunky.” For the whole series, I think it is a risk to begin each book with the same scene. The challenge is to make the same scene different in each of the books.

Did you learn anything new?
I learned a lot about paint! (I bought a book about that, too – Techniques of the World’s Great Painters by Waldemar Januszczak). I learned to paint in oils while still in elementary school, but that was a long time ago. Not long enough to be similar to the Regency, so I had to learn about paint before it came in tubes. For example, I learned that Gainsborough used a pure white pigment called Cremora White. So Jack did, too.

Thanks, Diane! And congratulations on Gallant Officer, Forbidden Lady‘s release. What questions do you have for Diane? And don’t forget to visit her website at DianeGaston.com.


As if December weren’t busy enough, what with the gift-buying, early gift-returning, holiday decorating, partying, etc., this year the Framptons have been engrossed in the NYC middle school process; it’s like applying to college, only the kids are shorter and there’s no money involved.

So I haven’t done any writing.

I have been reading, however, and finding time to get coffee with friends. This morning, I was with a friend who happened to mention–not knowing what it would do to my psyche–that his wife often picks up books HE’S reading, with bookmarks and everything, and starts reading them herself. And then he proceeded to laugh at me as I noticeably freaked out at even the thought.

I accept that having to have a bookmark is my own idiosyncrasy that is not a dealbreaker for most people. But this one? OMG, I can’t BELIEVE it’s not cause for divorce (it doesn’t bother my friend, but oddly enough, it bothers his wife, because her dad does the same thing. She can’t help herself, though). If my husband did that to me–hoo boy. And it’s not just because I’m an only child! Is it?

Some people are end-readers; they have to know how the story finishes even before they’ve finished with the story. Some people have to read in order of a series (me!); others feel as though they have to finish reading a series, even if the author has swerved from what made them love the series in the first place along the way (Diana Gabaldon often comes up in this discussion). Some won’t stop reading a book, even if they don’t like it, because they feel compelled to finish. Some will give a book a certain amount of pages, or chapters, to prove itself or they’ll put it down.

What are your reading quirks? Does it bug you when people dog-ear pages, or crack the spines?

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Are you tired of spoiled celebrities and nouveau riche wannabes behaving badly in the news? Yes, I know they’d fit right in with the Regency, but I’ve had enough. I can find better things to do online and I have just discovered some major timesucks that I hope you’ll enjoy too.

First, since we’re heading for Christmas, here’s a fabulous opportunity to take a look at Dickens’ editing process and enter a contest. The original manuscript of A Christmas Carol, owned by the Morgan Library and Museum, usually has one page at a time on display, but has entered into an agreement with the New York Times to photograph and display the entire manuscript, side by side with the final version, so you can compare the two.

City Blog is sponsoring a contest for readers to choose what they think is the most interesting edit and the winner will be invited to tea at the Morgan with blogger Alison Leigh Cowan (but you’ll have to get yourself up to NYC!). You can see the manuscript here.

Dickens wrote A Christmas Carol in six weeks in 1843. He needed the cash, with six children and an expensive lifestyle to maintain, and his current serialized novel Martin Chuzzlewit was not selling well. The first printing of six thousand copies sold out, but Dickens made no money on it, having decided to splurge on hand-colored drawings by John Leech, a well-known illustrator.

If you’re planning a trip to the Morgan, there’s an exhibit A Woman’s Wit: Jane Austen’s Life and Legacy now through March 14, 2010 which includes manuscripts, personal letters, and related materials.

And back to Dickens–if you care to splurge on a Christmas present to yourself Sothebys is auctioning off a complete set of his Christmas books in original cloth bindings. I’ll be blogging tomorrow at History Hoydens about auctions of writers’ manuscripts and possessions, so I hope you’ll come on over and say hello.

Has anyone seen the Austen exhibit yet or visited any other museum recently? Tell us what you’ve seen! I’m planning to go to Written in Bone at the Natural History Museum in Washington DC this weekend. I visited the exhibit very briefly last summer but want to go back and linger over the bones.