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Monthly Archives: June 2010

My husband the music expert is currently amusing himself with this book, Lexicon of Musical Invective: Critical Assaults on Composers Since Beethoven’s Time, by Nicholas Slonimsky. On the cover, GB Shaw wields his mighty weapon and Beethoven receives a direct hit.

It makes for some fascinating and cringeworthy reading. Here, for instance, is a Viennese critic’s comment from 1804:

Beethoven’s Second Symphony is a crass monser, a hideous writhing, wounded dragon, that refuses to expire, and though bleeding in the Finale, furiously beats about with its tail erect.

More animal symbolism from a Paris critic of 1810:

Beethoven, who is often bizarre and baroque, takes at times the majestic flight of an eagle, and then creeps in rocky pathways… He seems to harbor together doves and crocodiles.

Whereas The Harmonium, London, in 1823, took this no-nonsense approach:

Opinions are much divided concerning the merits of the Pastoral Symphony of Beethoven, though very few venture to deny that it is much too long.

And moving right along, in my Internet search for more music criticism articles, I ended up here, which is appropriate in a way:

By 1815 London had expanded beyond its medieval walls and the populace had grown to 1.4 million. People began to generate waste at an unprecedented rate. [italics mine]

Now I don’t believe the author of the article, Night-Soil Men, the Human Waste Collectors of Georgian London, meant that, uh, personal production increased, although that was certainly the first thought that came to my mind. Anyway, read the article for everything you always wanted to know on this topic. Isn’t the internet a wonder?

I’d also like to direct you to a fabulous site, Georgian London, a terrific, smart, well-researched resource. I was thrilled to learn that the site owner, Lucy Inglis, will be speaking at the RNA Conference in July, on “Trades for 18th-century women.” Can’t wait! And I’m speaking on a panel about writing for UK and US markets.

I expect you’ve seen the news about the discovery of the world’s oldest shoe (5,500 years old, found in Armenia).

And since I’m encouraging explorations online, please drop by my website to read an excerpt from Jane and the Damned.

What strange internet searches have you performed recently? Where did you start? Where did you end up?

I had a great idea for a blog today, to blog about one of my favorite paintings, Watson and The Shark, which hangs in the National Gallery of Art. I remember first seeing the painting when I was a child and never forgetting it.


Turns out, though, I wrote that blog already. See it here!

So I thought I would write about another favorite painting, one later than the Regency, dated 1896.

This painting is called Peace by William Strutt, an English history painter who studied in Paris but moved to Australia and lived and painted there from 1850 to 1862. He moved back to England but continued to paint images of Australia. He also painted religious art, like this one.

Peace depicts a biblical verse:

The wolf shall dwell with the lamb, and the leopard shall lie down with the kid, and the calf and the lion and the fatling together, and a little child shall lead them.
The cow and the bear shall feed; their young shall lie down together; and the lion shall eat straw like the ox.
Isaiah 11:6-7

An 1896 print of this painting has been with me all my life. In my childhood it was in an old wooden frame painted gold. My mother had the print reframed and, sadly, replaced what might have been the original frame. What is worse, the reframing nearly destroyed the print. My friend Tony Wallace (to whom Justine and The Noble Viscount in The Diamonds of Welbourne Manor is dedicated) arranged to have the print professionally restored. The print safely hangs in my living room now. It is the first item I point out to new visitors.

I love the images of the animals and the child. The print always made me feel hopeful, even when I was little, because every creature was co-existing in peace with the other. The lion and the wolf were no longer scary. The leopard was curled up exactly like my pet cat, Snoopy.

The painting’s message is such a lovely one–We can all live together in peace no matter what our differences.

Do you have some family heirlooms that hold a special meaning for you? Tell us!

Don’t forget to visit me at Diane’s blog on Thursday when I’ll give away another signed copy of Gallant Officer, Forbidden Lady. I’ll announce last week’s winner there tomorrow.

Blogging at DianeGaston.com

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When I was researching my novella “Innocent in the Harem,” I’ll admit it came out of my own fascination with the secret world of the harem. What sort of world allowed a man to keep hundreds of odalisques, and what would it be like within the forbidden interior?

I used the Topkapi Palace in Istanbul, Turkey, as my setting, and when researching potential sultans, I found that Suleiman the Magnificent (also spelled Süleyman, 1494-1566) was the best candidate. He had several sons, whom he sent off to various provinces within his kingdom, in order to avoid rivalry between the heirs. When one of his sons posed a threat by allying with an enemy, Suleiman had him killed. Palace life was not for the faint of the heart, and sons of royal blood could easily be caught within intrigues and murder plots. The blood of princes could not be spilled, so poisoning and strangling were the preferred methods of execution. I created a fictional son for Suleiman, based on what I learned about the princes (in reality, Suleiman had eight sons by his wives).

In “Innocent in the Harem,” Prince Khadin’s life is in danger because Suleiman sees him as a threat to his heir. When Khadin rescues the beautiful Laila Binte Nur Hamidah from a slave market, he knows he may only have days left before his own execution. He takes her within the world of the harem, and Laila is awakened to the sensual environment.

Within the harem, bathing within the hamam was a popular pastime. The walls and floors were made of tile, and women would wear special sandals called pattens to prevent their feet from being burned from the heated marble. Body hair was considered sinful, and depilatory creams were used, the hair being scraped away with sharp shells. Slaves scrubbed the odalisques with loofahs and rinsed them off with water poured from gold and silver bowls. The women were massaged and perfumed daily, and after bathing, the women would recline in the tepidarium, where they would drink coffee and listen to stories.

The harem was strictly governed by the valide sultana, who was typically the sultan’s mother. The valide sultana would choose which women would share the sultan’s bed, and the women took turns. One unfortunate woman tried to trade her turn on the royal couch and was executed for it. And yet, the harem environment was one where women were treated as valuable, exquisite creatures. The concubines were well-educated, versed in music, languages, writing, sewing, and other arts. If an odalisque pleased the sultan, and particularly if she became pregnant, he might elevate her to the status of his wife.

Eunuchs protected the women and held valuable positions within the harem. Although they were castrated, some would still risk having illicit affairs with the women. The chief black eunuch, the kizlar ağasi held a political position and was often the foreign minister.

“Innocent in the Harem” follows the journey of Laila, a Bedouin horse whisperer, after she enters the harem and is brought to Prince Khadin. They share sensual nights together, even knowing that each night may be their last. And though Laila longs for her freedom, the longer she remains with her prince, the more she longs for both of them to escape the dangers of the palace.

(photographs courtesy of Michelle Styles)

You can read an excerpt from “Innocent in the Harem” at http://www.michellewillingham.com/books/innocent-in-the-harem/ . I’ll be giving away a free download of “Innocent in the Harem” to one lucky commenter.

Any questions about life within the harem? I’ll do my best to answer!

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Okay, so things are at a static spot right now, so I can return to my usual blather, last week’s joyous grab bag of news notwithstanding.

So–last weekend my friend came to visit, and we headed to the Met to see, among other things, the American Woman exhibit (Oh. My. God. Amazing).

When we were done with that, we headed to the Picasso exhibit; the exhibit features 300 works by Picasso (!), and shows his work changing through the years. I know I’m not uttering anything profound, but man, Picasso was one talented-ass dude.

Which led me to this epiphany: There aren’t very many artists who can continue to grow and change as they develop and master their art. Usually, an artist comes out of the box with a bang and then does the same piece of art, only watered down, for his or her ensuing career (see: Paul McCartney, Eric Clapton, Gang of Four, James Ellroy, Patricia Cornwell, ER, Scooby-Doo with Scrappy, Transformers, etc.).

BUT when you find someone who continues to grow, and change, and develop? Incredible. For example, this week I am reading Jim Butcher‘s Turn Coat, the 11th book in the Dresden Files series. Wow. It is way more complex and intriguing than Storm Front, the first book, which was recommended to me by a book blogger reviewer a gazillion years ago (she is on hiatus for the best reason: A new addition to her family! Yay!).

There are other authors who improve and grow as they “hone their craft” (which, as a romance writer, sounds vaguely dirty). I’d like to think–and hope–that I will be better in a few years than I am now, and I think I’m better now than I used to be.

The essential element, for me, is never being too vain or confident to think I can’t learn something. Apparently Picasso was vain and confident, but also observed and incorporated other artists’ trends and talents into his own work. Like a shark, an artist has to keep moving to stay alive. Or will end up watered down (or, in the shark’s case, a watery grave).

Who has gotten better with age? What other artists jumped the shark (so to speak–completely accidental punnage, I promise!)

Megan

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