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Monthly Archives: August 2010

Today, the Riskies are honored to welcome author Hope Tarr, a lovely person and a great writer. Hope lives in New York City, where she always looks fabulous (at least when I see her), is very involved in animal rescue projects and is one of the founders of Lady Jane’s Salon, a monthly romance novel gathering. Read the official deets at the bottom of the interview, and comment to win a signed copy of Hope’s Vanquished. Two commenters will be chosen for the prize!

Hope has two books out for your pleasure; the first is the Victorian-set The Tutor, which is out now, and the other is a reissue of her novel A Rogue’s Pleasure, out in just a few days.
What inspired you to write The Tutor?
When I concluded my “Men of Roxbury House” Victorian trilogy a few years ago, it occurred to me I’d left some loose ends dangling, two loose ends, to be exact. At the end of the final book in the series, UNTAMED, two secondary characters Lady Beatrice—Bea—Lindsey and former East London street rogue turned semi-respectable private secretary, Ralph Sylvester had begun falling for one another, landing squarely in the shadow land between lust and love. Only there hadn’t been time, or in my case, pages for me to devote to unfolding their story. And I thought that was rather a shame.

In THE TUTOR, Bea is all grown up and about to wed a decent but dull fellow whom she knows needs a map when it comes to taking a woman to bed. Determined to have decent sex if not love in her marriage, she turns to her secret crush, Ralph Sylvester for seven sexy nights of private lessons.


What intrigues you about the late Victorian period?

The short answer is: everything! If I had to focus on one aspect, I’d have to say the cultural contrasts, the glorious almost black-and-white differences between public morality and private behavior, the not always easy balance struck between innovation—the telegram, the typewriter, and even the telephone—and centuries’ old standards and conventions, and last but not least, the clothes!

We love risky writing; share some of what makes your book so unusual.
In life as well as fiction I’m a big fan of not only self-made men but also self-made people in general, so even though British set historical romance is my first love, I rarely write heroes who are members of the peerage or even middle class by birth. In THE TUTOR, Ralph has a checkered past, to say the least. He’s the son of a prostitute. After his mother abandons him, he joins a “flash house,” a thieving den for young boys, and earns his keep by picking pockets and running street scams. That he manages to better himself, to become not only respectable but self-sufficient in a society where class distinctions bordered on a caste system, isn’t just laudable to me. It’s damn sexy.
Did you come across any interesting research when you were writing the book?
Always. ☺ In this case, I had a lot of fun perusing The Kama Sutra, the original translated text by Sir Richard Burton (note: not the late actor). In THE TUTOR, Ralph uses the centuries’ old Indian sexual advice manual as a teaching…tool for his seven lessons with Bea. In keeping with that theme, I have each chapter start out by introducing the “lesson” along with a quote from Burton’s text.
You and a couple other authors founded the highly successful Lady Jane’s Salon; tell us about it, and what its purpose is.
Thank you for asking! I’m enormously proud of Lady Jane’s and so any opportunity to brag about m/our brain child is most welcome.

Launched in February 2009, Lady Jane’s Salon is New York City’s first and so far only monthly reading series for romance fiction and like most “firsts” it was born in response to a need. One night in November 2008, I was sitting in Hudson Bar and Books in the West Village with romance authors Leanna Renee Hieber and Maya Rodale and book blogger, Ron Hogan. We’d just returned from a “literary fiction” reading and were lamenting the lack of any literary forum in the city where romance writers and readers could come together and share the books we love. Amidst scotch and cigars, we mapped out the Salon, which in the sober light of the next day still seemed like a really good idea. ☺

Lady Jane’s meets on the first Monday of the month (unless otherwise noted) from 7-9 PM at Madame X (94 West Houston Street, Soho, New York). Admission is $5 or one gently-used paperback romance novel. Net proceeds support an end-of-the-year donation to a New York City women’s charity. With two articles in TIME OUT New York, a feature article in The New York Post, and author bookings through mid-2011, Lady Jane is going strong and ramping up for Her second birthday on Monday, February 7th. It promises to be quite a party.

Please check out our web site at www.LadyJaneSalon.com and chat with us on Twitter and Facebook.

What are you working on next?
My very first novella, Victorian-set, of course! “Tomorrow’s Destiny” is in A HARLEQUIN CHRISTMAS CAROL (November 10, 2010), a Christmas anthology based on the Dickens’ classic, with bestselling authors Betina Krahn and Jacquie D’Alessandro. It’s a very sweet trio of stories that I think readers of the genre as well as anyone who loves the winter holidays will both really enjoy.

Thanks so much for having me as a guest at the Riskies. What an honor! I hope visitors today will enjoy VANQUISHED and perhaps try out my two single-title historical romances out this summer: A ROGUE’S PLEASURE and MY LORD JACK, both originally published with Berkley and reissued as digital-first releases with Carina Press.

Hope Tarr is the award-winning author of thirteen historical and contemporary romance novels, one novella and numerous nonfiction articles on health and relationships, fashion, travel and leisure. Visit Hope online at www.HopeTarr.com where you can read her weekly blog and enter her regular and special contests. Photo by BizUrban.com.

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I’m very excited to introduce Mrs. Rosalie Calvert, who in her twenty-first century existence is Katherine Spivey. Katherine has read everything I’ve read, and more (and Katherine, I still have one of your books. Sorry about that). This Saturday, Mrs. Calvert, dressed to the nines, will appear at Riversdale House Museum, MD, when we celebrate the Battle of Bladensburg, an inglorious defeat at the hands of the British that took place just a couple of miles from the mansion.

Mrs. Calvert is graciously receiving callers at her splendid house. Come on in and have a nice cup of tea and enjoy some sophisticated, witty conversation of the sort so rarely met with on these shores …

Thanks, Janet, for inviting me to be a guest blogger. I’m honored. Janet and I volunteer at Riversdale House Museum in Maryland, and we’ve co-presented on 18th- and 19th-century literature. At Riversdale, Janet’s a docent, and I’m a historical interpreter/reenactor/person who dresses up and pretends to be someone in history.

The person I interpret is Rosalie Stier Calvert, an emigre from Belgium who came to the United States in 1794. She married into the Calvert family, her parents built Riversdale, and then her family moved back to Europe. We’re enormously lucky to have as a source her treasurer trove of letters, which were discovered in Belgium around 30 years ago, translated, and published by Johns Hopkins University as Mistress of Riversdale: The Plantation Letters of Rosalie Stier Calvert. Few letters have provided such a robust picture of American life from a foreign and female viewpoint. I’ve been playing her since 1995.

Since she wrote her letters to family and not with an eye to publication, she reveals many things: customs and manners in the fledgling United States (she dislikes most American women), the travails of raising a family (although a large family is delightful if the children are well-behaved), the effects of the embargo and the war (no one has any cash!), gardening and horticulture (“I am disgusted with all controversy except for politics”), politics (her low opinion of President “Tommy Jeff”), fashions, and the economy (she acted as business agent for her father and brother).

In one of her letters she describes the aftereffects of the burning of Washington in 1814. During the Battle of Bladensburg, she saw the “rockets’ red glare” from her bedroom windows. Her husband and son went to the battlefield to render aid and bury the dead. She stored the recovered rifles in her bedroom.

Before the British invaded, people had defined themselves by state, but after the burning of Washington the country united: “We are all Americans now.”

How did I get started reenacting? I met some people at a ball at Gadsby’s and started dancing. Then I started participating in civilian reenactments for the colonial period at places like Carlyle House in Alexandria and the State Department. Then I stepped in as Rosalie Calvert at one of the period dinners during Maryland’s tricentennial: three hours of being a character live. I couldn’t script the conversation; I just had to be Rosalie Calvert: say the sorts of things she might say, include topics she would introduce, betray the opinions she held. While I’m Mrs. Calvert, I don’t say favorable things about Presidents Jefferson and Madison, even though my other reenacting character is Mrs. Madison.

And what, pray tell, does reenacting have to do with romances? Specifically Regencies? I’d read Jane Austen’s ouevre by the end of middle school. I’d read all of Georgette Heyer’s by the time I finished high school. And I did graduate work at the University of Virginia on 18th- and early 19th-century British novels. I love the pace of the sentences, the graduated degrees of intimacy in conversation, the architecture of the works, and the undoubted moralism (well, Mrs. Heyer not so much).

Indeed, Mrs. Calvert’s life reads like a romance in high life–except that she had a due sense of humor and proportion, enjoyed being busy, and had an undoubted capacity for business. Included in all of this was a love of reading novels: “We have 11 novels in the house,” she says, though her mother reads them to improve her English.

The more I work with her, the more she’s begun to resonate with my own life. I’ve started gardening and getting my finances in order, and I’ve even learned to like anchovies. (Life imitates history, after all.) I may even learn to like hock. I just got back from a weekend at the beach; a reenacting event next weekend means I wore a large hat, went out only between 7-9 a.m. and 7-8 p.m., and slathered enough sunscreen to cover Almack’s. I enlisted my husband in my search for cameo brooches, period-authentic amethyst or opal rings, and long kid gloves that fit.

It’s important to remember that she loved her family dearly. She never saw any of them after they returned to Europe; Rosalie was either pregnant or prevented by war/embargo from going to Europe on a visit. She once went a year without getting a letter from her family. I’m convinced she would have been an early adopter (#federaleramomblogger) of social media and probably would have had a smartphone.

That being said, bring on the questions!

My mind is still wandering, not entirely away from RWA in Orlando, a bit still on the road, and a lot in my almost finished Book 3 of my Soldiers Series.

Something very cool from RWA.
After the Awards Ceremony (where Amanda and Carolyn were finalists for the RITA, in case you forgot…) several of my friends from Washington Romance Writers (WRW) and I were invited to Michelle Monkou‘s hotel suite. Michelle is RWA’s president as well as a member of WRW, and as president she’d done a fair amount of entertaining in her suite. Leftover from one of those events was a booklet compiled for librarians by John Charles (reviewer for Booklist and the Chicago Tribune), Shelley Mosley, and Kristin Ramsdell. The booklet defines the Romance genre and its subgenres and describes its historical origins. It lists Romance publishers and resource books and articles and electronic resources. Five Blogs were listed and RISKY REGENCIES WAS ONE OF THEM!!! Right up there with Word Wenches, The Goddess Blogs and Barbara Vey’s Beyond Her Book.

Speaking of blogs, I’m way behind on Number One London, one of my blog favorites. Here is a sample of some of their offerings: More on the Althorpe auction, Food Glorious Food (iconic British food), Jo Manning on Gainsborough, Famous Dandies Paper Dolls. Number One London is up for a blog award. Feel free to vote for them!

Do you subscribe to RT Book Reviews? In the September issue, go to page 44. There among the Historical reviews is the bookcover for Chivalrous Captain, Rebel Mistress!

RT gives the book 4 Stars and says: “Three soldiers share the horrors of the Battle of Waterloo. Their powerful stories and realistic backdrop elevate Gaston’s series out of the traditional Regency romance.”

Let’s hope Book 3 lives up to that statement as well!

Regency fun!

What is on your mind this week? Do you have a goal for the week? Mine is finishing the book!

Come see me Thursday on Diane’s Blog!
Blogging at DianeGaston.com

Me and Carolyn (double-nominated for the RITA; boo-ya!) at the RITA Awards:

So by now you are all pretty well aware that most of the Riskies went to Orlando for our National Conference.

This one features me, Carolyn and frequent Risky visitor Keira:

And me and Amanda (also nominated for the RITAs; do Riskies know how to represent, or what?)

Okay, so I cannot format a post to save my life. Whatever.

I am not here to talk about what happened last week, however, but what is about to happen tomorrow: My son and I head off for Minnesota for our annual two-week sojourn. Him to take sailing lessons, me to work and hang out by myself in a super-clean house (thanks, Aunt Mary!). So, of course, the most pressing and interesting part of packing is not what clothes to bring (my colors for this trip are black, brown and pink, if you’re wondering; in Orlando they were black and green), but what books to pack.

Two weeks! Free time! So much to read!

So here is what I’m thinking about:

Last week, Amanda recommended a book called Lulu Meets God and Doubts Him; it’s a contemporary book featuring a New York woman working in an art gallery (the title of the book is a painting the heroine sees). She said the writing reminded her of my writing, and it’s all witty and stuff.

I also heard that Elizabeth PetersAmelia Peabody mystery series was witty and wryly clever (like me!), so I got Crocodile On The Sandbank, the first book in the series.

I’ve got Ann Aguirre‘s Grimspace, a gritty SF/fantasy thingy that kinda defies description. Carolyn and I got to hang out with Ann a bit last week, and that spurs me to pick up her books, long on my bedside table.

Then there’s Loretta Chase‘s Last Night’s Scandal. Sigh. I’ve heard it’s great, and that’s no surprise, since Loretta is just such an incredible writer. Victorian-set (thanks to Myretta Robens for correcting me!), one of the few straight historicals I’m taking with me. I’m finding my taste right now is veering towards urban fantasy and paranormal. Although I also have . . .

Elizabeth Hoyt‘s Wicked Intentions, Georgian-set, I think, so there is another straight historical in the suitcase. I love Hoyt’s delicious prose, her characters are distinctive and spirited, but not annoyingly so.

And I’ve got the 12th book in Jim Butcher‘s Dresden Files series, Changes. I love Harry Dresden. Not only that, Butcher has improved with each book, which is really remarkable, given how long the series has gone on. This one is urban detective fantasy, I guess. There are wizards and witches and vampires and stuff. Set in Chicago.

Meljean Brook‘s Demon Blood is also on the bedside table. Meljean writes complex, compelling books that require your full attention, so are perfect for vacations when you’re not likely to get too distracted.

None of these are definitely going into the bag, I won’t make the Final Decision until tomorrow. Plus, I also have to carry the books with me, since my checked luggage is already quite heavy, since my son and I are packing together. But I know that a few sore muscles are well worth having the perfect book while away, so I’ll likely pack too many and suffer (THREE of these are hardcovers, too! I kinda hate hardcovers). Seven books, two weeks. Think I better visit the TBR pile again; that might not be enough.

What’s been your favorite summer read so far? How many genres do you regularly read in?

Megan

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I’m thrilled to welcome Ann Wass as our guest today. Ann is historian at Riversdale House Museum, MD, which hosts a battle reenactment of the Battle of Bladensburg on August 14 and other events throughout the year. Ann is author of Part 1 (the Federal era, 1786-1820), of the book, Clothing through American History: The Federal Era through Antebellum, 1786-1860. More here about the book.

As my specialty is dress in the United States, I have explored how American women kept up with the Regency fashions of their English sisters and the Empire fashions of their French ones. In Charleston, women “copied from the fashions of London and Paris” (Ramsay 1809, 409). In New York, women seemed “more partial to the light, various, and dashing drapery, of the Parisian belles, than to the elegant and becoming attire of our London beauties, who improve upon the French fashions” (Lambert 1810, 2:196-97).

By the late 1790s, French women wore slender, high-waisted dresses made of lightweight, clinging cotton muslins. Englishwomen generally modified the look, and most Americans did, too; emigrée Rosalie Calvert wrote, “In this more virtuous land only the contours are perceived through filmy batiste–a subtler fashion” (Callcott 1991, 34; even in France not everyone went to extremes. Maria Edgeworth wrote from Paris, “people need not go naked here unless they chuse it” [Colvin 1979, 27]). One American, though, enthusiastically adopted French fashions and became the talk of the town. In 1803, Betsy Patterson of Baltimore married Jerome Bonaparte, Napoleon’s younger brother. Jerome presented Betsy with gowns from France, and in Washington, DC, Margaret Bayard Smith saw “mobs of boys crowded round her splendid equipage to see what I hope will not often be seen in this country, an almost naked woman” (Smith 1906/1965, 46-47).

How did women learn about the latest fashions from abroad? Some, like Mrs. Bonaparte, received gowns from Europe, while others went shopping there themselves. Elizabeth Monroe and Sarah Bowdoin, both married to diplomats, shopped in Paris and London. Dolley Madison commissioned Ruth Barlow, wife of the minister to France, to send her “large Headdresses a few Flowers, Feathers, gloves & stockings (Black & White) or any other pritty thing” (Shulman 2007).

Ladies also bought imported goods in American shops. In 1805, New York merchant Joseph Kaumann advertised “3 trunks ladies Hats and Bonnets/1 do. ready made Gowns” from Nantes, one of France’s leading seaports. In 1807, the French milliner Mme. Bouchard “just received from Paris, the newest fashions, more elegant than have yet been seen in this city.” Her English rival, Mrs. Toole, also received “a very handsome assortment” including bonnets, shawls, veils, and ribbons from Paris (though she was English, she no doubt knew her clientele would admire the latest Parisian fashions.)

Other merchants sold English goods. In 1805, Baltimore milliner Miss Hunter imported fall fashions from London. Even in the midst of the War of 1812, while there were major disruptions in trade, Mrs. Gouges in Baltimore sold fashions from both England (the enemy!) and France. It may have been Mrs. Gouges that Betsy Bonaparte had in mind when she wrote Dolley Madison in 1813, “There are in the Shops in Baltimore French Gloves Fashions &c: & the little taste possessed by me shall be exerted, in Selecting, if I obtain your permission, whatever you may require.” Mrs. Madison replied, “I will avail myself of your taste, in case you meet with anything eligant, in the form of a Turban, or even anything brilliant to make me. . . .” (Shulman 2007).

American women also studied European fashion plates for ideas to make their own clothes. These hand colored engravings struck from steel plates were published in English and French periodicals. Rosalie Calvert asked her sister in Antwerp for several of “those little engraved sketches showing morning and evening dress. . . with them we will be able to copy your styles.” (Callcott 1991, 347). New Yorker David Longworth subscribed to the English Gallery of Fashion and exhibited the plates to fashion-hungry women for a small fee (Majer 1989, 220). Josephine DuPont sent Margaret Manigault plates from Paris in 1799, and Margaret thanked her friend for the “curious, & entertaining, & astonishing, & very acceptable Costumes Parisiens” (Low 1974, 51). In 1814, Margaret’s daughter received “a fine collection of ‘Belle Assemblies”’ from Mrs. Dashkov, wife of the Russian minister to the United States (Manigualt 1976, 23). La Belle Assemblée, despite its French name, was published in England and was difficult to obtain during the war years.

Once the war was over, American women again had ready access to European fashions. In Philadelphia, Mary Bagot, wife of the British minister, found, “every sort & kind of French, Indian & English goods to be had-excellent of their kind & not dear” (Hosford 1984, 43). Even out west, women kept up appearances. A Scotsman observed, “I have seen some elegant ladies by the way. Indeed, I have often seen among the inhabitants of the log-houses of America, females with dresses composed of the muslins of Britain, the silks of India, and the crapes of China” (Flint 1822/1970, 286).

Illustrations:
Advertisement, Baltimore American & Commercial Daily Advertiser
Merino Redingote, Costume Parisien, 1812
Ball Dress, La Belle Assemblée, August 1818

REFERENCES
Callcott, Margaret Law, ed. 1991. Mistress of Riversdale. Baltimore: Johns Hopkins University Press.

Colvin, Chistina, ed. 1979. Maria Edgeworth in Franch an Switzerland. Oxford: Clarendon Press.

Flint, James. 1822/1970. Letters from America. Repr. New York: Johnson Reprint Corporation.

Hosford, David. 1984. Exile in Yankeeland: The Journal of Mary Bagot, 1816-1819. Records of the Columbia Historical Society 51: 30-50.

Lambert, John. 1810. Travels through Lower Canada, and the United States of North America, in the Years 1806, 1807, and 1808. 3 vols. London: Richard Phillips.

Low, Betty-Bright P. 1974. Of Muslins and Merveilleuses: Excerpts from the Letters of Josephine du Pont and Margaret Manigault. Winterthur Portfolio 9: 29-75.

Majer, Michele. 1989. American Women and French Fashion. In The Age of Napoleon: Costume from Revolution to Empire 1789-1815, ed. Katell le Bourhis. 217-237. New York: Metropolitan Museum of Art.

Manigault, Harriet. 1976. The Diary of Harriet Manigault 1813-1816. Rockland, ME: Maine Coast Publishers.
Ramsay, David. 1809. The History of South-Carolina: from its First Settlement in 1670, to the Year 1808. Charleston: David Longworth.

Shulman, Holly C. 2007. Dolley Madison Digital Edition. Version 2007.07. http://rotunda.upress.virginia.edu/index.php?page_id=Home.

Smith, Margaret Bayard. 1906. The First Forty Years of Washington Society. Ed. Gaillard Hunt. New York: Scribner.

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