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Monthly Archives: September 2010

I am now on the downhill slide to writing The End on the WIP (two of the sweetest words in the writing world!), so my brain power for blog-writing is strictly limited at the moment. But I’m loving all the cat posts of the last few days, and I especially love all the support for cat rescue shown by our guest Liz Carlyle and her commenters! I do like hearing stories of everyone’s fabulous, unique, quirky pets….

I’m an equal opportunity pet owner here, two cats and two dogs who live together in (mostly) harmony. My tiny Poodle Abigail has set herself up as Pet Boss, and when they listen to her all goes smoothly. When they don’t–not so much…

This is my youngest cat, Minnie, who is about 5 or 6. She started out as an outdoor stray, who would come around for food and pets once in a while until she looked in the front window and decided this was Catopia, with soft cat beds, food in bowls all the time, squeaky toys, and clean litter boxes. Then she was determined she wouldn’t stop until she lived in the house all the time. She is my sweet lap-sitter and keyboard-tapper, but she does let Abigail bully her! She would be the shy debutante in a Regency (unlike my late, lamented, brilliant Siamese mix Diana, who would have been a bossy Almack’s patroness…)

And this is my old boy Gilbert, who is about 14! He was found by a friend of mine living behind a dumpster, poor baby, and when her spoiled cat took against him I let him come live with me. I love him dearly. He’s a beautiful gray striped kitty with a white paw, he loves Gilbert & Sullivan songs (especially The Mikado!) and has always spent most of his time sleeping on the bed, recovering from his hard kitten-hood. He is very cautious and affectionate. I think he would be the crotchety old man with gout sitting in the corner of the ballroom complaining about young people these days.

All of this cat business made me think of one of the most famous felines in English history–Samuel Johnson’s cat Hodge (who has his own statue now outside Johnson’s house!). Most of what we know about Hodge (who ate mostly oysters fetched from market by Johnson himself) comes from Boswell, of course. Here is a passage about Hodge from his Life of Samuel Johnson:

“Nor would it be just, under his head, to omit the fondness which he showed for animals which he had taken under his protection. I never shall forget the indulgence with which he treated Hodge, his cat: for whom he himself used to go out and buy oysters…I recollect him one day scrambling up Dr. Johnson’s breast, apparently with much satisfaction, while my friend smiling and half-whistling, rubbed down his back and pulled him by the tail; and when I observed he was a fine cat, saying, ‘Why yes, Sir, but I have had cats whom I liked better than this;’ and then as if perceiving Hodge to be out of countenance, adding, ‘but he is a very fine cat, a very fine cat indeed.'”

After he died, Hodge was eulogized by Johnson’s neighbor Peter Stockdale, who wrote “Who, by his master when caressed, warmly his gratitude expressed, and never failed his thanks to purr, when’er he stroked his sable fur”

Who is your favorite historical cat (or modern-day cat)?? Do you have any favorite animals in novels? (I admit that when I start a book with an animal character, I have to skip to the end to make sure nothing happens to it before I continue…)

With the return of (slightly) cooler weather, the appearance of Halloween items in Target, and lots of writing work to get done by the end of the year, I’ve sadly had to give up most of my slothful summer TV watching. Not that I’ve backed away from the remote control altogether of course–not with 2 of my very favorite shows on! Vampire Diaries had its season premiere last week, and Mad Men is more than halfway through season 4 (now officially Best Season Ever!). And I realized something as I watched Don Draper dragging himself up out of the muck on Sunday–all this TV time is not wasted. I’ve learned a valuable lesson from these 2 shows, one to apply to my own writing.

On the surface, Vampire Diaries and Mad Men are very different shows. “Young” vamps, humans, witches (and whatever Tyler is now) in a (supposedly) Southern town, falling in love, getting into terrible danger, violent events, and wearing cool clothes, and 1960s ad execs in New York falling in and out of love (sort of), getting into danger with internal demons and societal expectations, and wearing cool clothes. But they have one vital characteristic in common–nothing ever turns out like you expect. It’s always better, deeper, darker, more shocking. I don’t often shout at the TV, but I’ve recently done it with both these shows. “OMG, Damon didn’t kiss Elena, it was Katherine!” and “OMG, Betty opened the drawer!” Did not see those coming.

Where Vampire Diaries is very fast-paced, with vital plot twists in every episode and characters killed right and left, and Mad Men is famous for the slow burn (things build and build until we’re stunned by how it all explodes), these unexpected twists always come from the characters themselves. They’re never really out of left field, the actions and events arise from the characters’ flaws and secrets and desires. We’re not knocked over the head with how we’re supposed to think and feel about the characters, we’re allowed to figure things out on our own; no character is ever all good or all bad, but made of shades of gray.

These are also both very character-centered shows, as any romance novel centering on human relationships must be, and I like to think about plots in a Mad Men sort of way (not that Don Draper is any sort of hero!). What’s the unexpected twist, the sudden action, the mystery that arises from all we’ve learned about the characters and decisions they’ve made about themselves and what they want? What would they do when the moment of truth arrives, what is true for them and not a cliche?

Now it’s your turn! What are some of your favorite shows or movies, and what have you learned from them? Do you watch Mad Men or Vampire Diaries, and what do you think of the seasons so far? Is Betty still in love with Don, for secret, and will his reform last? What is Katherine really up to in Mystic Falls?

And on this day in 1812, the Moscow fires broke out. A good time to enjoy the 1812 Overture!

Reading News

The Good News is that my Regency Historical short story, Moonlight, is now available for your reading pleasure. If you read it at my website, you can see the lovely artwork. You can also download it as a pdf. I’ve released it under a Creative Commons license, details at my website.

Read at my website

Download the PDF

Since our last Regency Read Along, I have read more books by Georgette Heyer;

  1. The Talisman Ring
  2. Sylvester
  3. Frederica
  4. The Grand Sophy

They were all very good to very very very good. One of them was not my favorite. If one of you were to force me to reveal my favorite I would confess that it’s Frederica. Just saying. I believe another of the Riskies was going to lead a read along, that that I’m hinting at anything at all . . . **cough**AmandaMcCabe**cough** Everyone who’s interested in another read along should email Amanda and ask her what the heck is up.

Yesterday, I received copies of my historical Scandal in Italian. The cover is very pretty and I believe the title is something along the lines of The Rake Gets Married only in swoony Italian.

Plots Afoot


Here’s a question for everyone to answer in the comments:

What are your favorite historical romance plots?

I need to know on account of I’m about to start writing The Next Historical.

I’m about to dive into what I will call The Next Historical until such time as I have a working title. I’ve also been listening to the RWA 2010 Conference DVD. Right now I’m going through the craft track sessions. For those who don’t know, the RWA National conference records nearly all the workshops which are then available for purchase as a DVD or individually. There are sessions on writing craft, the business of writing, chats with major authors, publisher spotlights and keynotes.

Quite often the craft workshops give me horrible hives and make me feel inadequate as a writer. I’ve skipped a few workshops because the subject matter was not something I was interested in (how to shop your MS, for example).

Today I listened to the workshop on historical dialog given by, among others, Madeline Hunter and the Riskies own Janet Mullaney. It’s a GREAT workshop. I could listen to Madeline Hunter talk about writing for hours, and I wish Janet had had more time to talk about regional dialects (please take this as a hint for a future post, Janet!) I’m not kidding when I say that so far this is one of the best workshops I’ve listened to so far.

There’s also a workshop on Pantsing that contained some really fascinating information backed up by solid research. This is dear to my heart because I am a pantser; a seat of the pants writer. I’ll listen to that one again. I cannot plot a novel in advance. Not if my life depended on it. That’s just the way it works for me.

Writing The Next Historical

All of which gets me back to The Next Historical. I can’t sit down with no idea whatever. Before I start writing, I will do things like set up the new folder and put in all the base documents. For a historical, that includes my chronology of Regency Events, a blank cast of characters where I will note the names of my characters (as they appear) their birthdates, eye and hair color so if I forget I can look it up. Subject to change and deletion. I also have a template for a list of scenes (set up to automatically number, which I use for about half the novel, after which I almost never need it.

As I write each chapter, I write a sentence or two about what happens  and whose POV it’s in (because so far I only do one POV per chapter.) This is also subject to massive change and deletion. It gives me a quick way to check for arc and see what chapters might need to move where as my writing fleshes out the story and the conflicts that arise. I also put in the master document template and the template for chapters and the document where I will track my daily word count. I also keep a list of Action Items which will be a list of Things That Need to be Fixed But Not Right This Minute. I’d say 80% of that list gets written out– that is the problem goes away as I continue writing.

Daydeaming and staring off into Space

 I also spend a lot of time doing things that aren’t writing, but are definitely thinking about my characters. In the car. In the shower. When I’m cooking, doing a crossword, reading some unrelated book. . . . I’ll jot what if notes, lots and lots of them. My mind wanders a lot. I’ll do some web surfing on things I think I might put in the story — historical facts, locations, events, etc. Basically, I muse and daydream because of course the synopsis I provided to my editor is fake, in that it’s not the story I will write because I cannot plan in advance.

For me, the characters drive everything. If my hero and heroine relate to each other in such and such a way, what things could happen that would stress that relationship– put the two of them in the kind of conflict in which they also learn about the things they admire in each other? I mull over these situations and imagine them in my head.

About now you might be saying, Carolyn, that sounds an awful lot like planning. Except none of that will happen. Here’s what happens instead:

I reach a point where the weight of the characters in my head is so great I have to start writing. Often there is a goodly measure of deadline panic involved as well.  So I sit down and start writing a scene where something has just happened and my hero and heroine are now in conflict with themselves and each other. It’s not likely to be any scene that I imagined. It will be a scene that is required in order for the nature of their relationship to explode.

I’ll write and someone will say or do something I didn’t think of before and I can see how that’s interesting so I follow. If it’s not interesting to me, I don’t write it. Or delete it as quickly as possible. Because it doesn’t matter if it’s a necessary precursor to their coming emotional and physical intimacy, it matters if it’s interesting to me because only then do I care about making it even more interesting for them. And me.

Right now, The Next Historical is a huge weight and I have to start writing about them. At the moment (completely subject to change) they don’t like each other. She has a very good reason (which I expect will be revealed much to my great surprise) to think he’s not nice. And he is in denial about something. Probably her. There’s only one way for me to find out and that’s to get the two of them on the page and let them show me.

Geeking out

As a somewhat geekish aside, I use a master document with each chapter a subdocument. Each chapter exists as a separate file, each of which can be worked on individually. When I’m done for the day, I expand all the chapters into the master document. This is awesome because I have set up automatic page numbering and automatic numbering of the chapters as well as all the necessary headers. I NEVER have to worry about having the wrong page number or chapter number anywhere in the document. When I’m done, I condense the master document so that any changes are saved back to the individual files.

With the master document expanded, I can do a quick word count, change ALL the instances of someone’s name to something else, spell check everything etc. This is how I quickly know if I’ve hit my word count, particularly if I’ve worked in multiple chapters. Moving chapters into the correct place to adjust the story arc is more or less trivial. (not quite but I won’t bore you with the details.)

This place has lovely things to look at.

I would rock these shoes. They’re 1790’s but come on! They’re so pretty.

Regency Hat, original condition

I’m not so sure about the hat.  I mean, maybe. But it wouldn’t go with the shoes. I think our own Risky Megan would look fantastic in this hat.  I wish I had the skilz to show you how right I am. Someone with skilz needs to photoshop Megan’s face there. Because I’m right.

This silk gown is soooo pretty. Until you get to the red flowers. I’m not feeling that as a fashion choice, but maybe they were perkier a couple hundred years ago. And yet, it’s like they have some kind of power over me, because I would not mind wearing this dress at all.

I would attend a fancy tea in this dress and catch the eye of a certain Lord HeroMaterial. My slippers would probably be some shade of gold.

Or this one:

Look, it even has a little swooshy train and the embroidery, gosh. It that not divine? I would have to wear some underwear, but a yellow underskirt thingee would look pretty darn nice.

I would wear this gown to an exhibition, where  Lord HeroMaterial would approach me with my cousin Eustace. We would be introduced.

There’s a lovely red dress for sale at this site. Red Silk Faile 1800-1810. The detailed photos will have you swooning. And more.

I would wear that red dress to go driving with Lord HeroMaterial. He would lose his head, just a little, on account of how adorable I looked, and I would have to give him a very stern look.

Where would you wear these clothes? And what might happen to you?