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Monthly Archives: September 2010

So last week I wasn’t able to snag enough Wifi to fuel my Friday post, and this week–I’m posting on my iPad, because I did what I thought was a good deed–cleaning my iMac keyboard–and ended up now unable to type anything on my keyboard. Bleh.

Jane Austen never had these kinds of problems.

So later today I will be venturing to the Apple store, where I will buy a new (and definitely clean) keyboard, which thankfully isn’t so costly as to be Held Over My Head in future days (as in . . . ‘yes, you could get the foie gras, only–well, we did have to buy that keyboard ’cause you messed it up’).

But meanwhile, I have been writing, and writing a story that is a bit unusual for me, in that the heroine is quiet, elegant, aware of her beauty and has a calm poise I wish I could emulate. And in another story, my heroine is shorter than me (about 5’2″), thin and waifish-looking, rather like Ellen Page (and I tried to find a pic to add in for visual interest, but I don’t know how to save photos to the iPad to insert into posts. Another big ol’ gah from me).

I am nothing like either of these women, and writing them is a bit of a stretch, since my heroines are usually self-deprecatingly witty. Like me!

The heroes I’ve always been able to step outside of myself to write for the obvious reason. But the women, and their nuances, are harder to get a handle on. I’ve never been elegantly beautiful, or short, or thin; of course, those are all external attributes, but they definitely shape how the inside ends up, too. Entering a room when you know you’re stunning is very different from entering wondering if anyone will notice you, or if you will be relegated to the other side of the punch bowl.

It is, however, kind of cool and freeing to step outside of yourself for a moment, even just to wonder what it’s like to spy a cookie and not immediately think of your mid-40s pooch.

Writing is kind of like acting, in that you have to get into someone else’s skin to understand them. I bet a lot of us writers are just introverted actors who decided to stay within themselves to create their art–I know when I was little, I wanted to be an actress, not an author (I played Dorothy in “The Wizard Of Oz” because I had dark hair and could sing “Over The Rainbow.”)

I realize I am meandering, and for that, I blame the different posting scenario, the stress about the damn keyboard, and the busyness of the week. But who am I kidding? I’m like this all the time. So anyway, if you could step inside someone else’s skin for one day, whose would it be? Is there a character whose internal motivation you can never understand?

And thanks for dealing with me this nutty day.

Megan

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No, this post is not about my amazing homemade pizza or my sad attempts at this crazy chickpea dish that just smelt–and tasted–like old man, but instead, about world-building. From scratch.

As an historical author, I’ve never had to world-build; my world was built over 200 years ago, peopled with Prinny and the Duchess of Devonshire and Byron and Shelley and Leigh Hunt and all those fun folks. The clothes are gorgeous, the art is splendidly creative, the wars are ongoing and the men and women are passionate and intense (at least my heroes and heroines are. I hope).

But now that I am working on an Urban Fantasy, I am having to create my own world; is there a Hell and a Heaven? What’s ‘Earth’ like? What can its people do? What realities do they deal with everyday that I never have to deal with (say, a vampire wandering around after dark, just normal and all).

It’s freeing–and scary! There’s no right or wrong here, but there is interestingly believable and absurdly unrealistic. Each day, I add another piece to the landscape, so that eventually I will have a world as real to me as Regency England.

It definitely makes me appreciate the forerunners in our genre, who picked out the funnest bits for us current authors to work with, and left us a vibrant world for our heroes and heroines.

I hope to do the same for my characters. What’s your favorite fictional world? What do you wish really existed in our time?

Megan

Thanks to Diane who posted in my day of internet need last Friday.

Megan has resisted the temptation to turn to a life of crime–stealing wi-fi, that is–and asked me to post for her today.

She’s on vacation and I’m not…..I’m just saying…..

For no other reason than I was just reading Today’s Inspiration-Quote of the Day (sent to me from Everyday Health), I decided to randomly look for Inspirational and Motivational Quotes, just to make us feel good. That and the fact that I actively used and still use quotes like this to keep me motivated in the writing life:

The one in my email:
“I have always believed that whatever good or bad fortune may come our way we can always give it meaning and transform it into something of value.”
–Hermann Hesse


From http://www.inspirational-quotes.info/dreams.html
“Go confidently in the direction of your dreams. Live the life you have imagined.”
–Henry David Thoreau

We definitely need a Vince Lombardi quote:
“The price of success is hard work, dedication to the job at hand, and the determination that whether we win or lose, we have applied the best of ourselves to the task at hand.
–Vince Lombardi

From: http://www.famous-quotes-and-quotations.com/home.html
“From Great works are performed, not by strength, but by perseverance.”
Samuel Johnson

And this one, not because it relates to writing, but because it made me smile.
From the Quotations Page Motivational Quote of the Day:
“Do not employ handsome servants.”
–Chinese Proverb

I’m not saying these are the best inspirational and motivational quotations, but just the ones I found today. Do you have any favorite, “feel good” quotations that motivate you?

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Following our visit from Judith James this week with her Restoration-set book The Libertine, I thought I’d write a little more about that period.

Today’s the anniversary of the Great Fire of London, which began on September 2, 1666 in the appropriately-named Pudding Lane in the bakeshop of one Thomas Farriner, who apparently forgot to bank his fires for the night. At first the fire wasn’t thought to be anything out of the ordinary–after all, in a city built mostly of wooden/daub and wattle structures, fires happened.

But the fire raged out of control, with closely packed, wooden buildings after a dry summer and with no formal fire protection going up like tinder. Over a three day period, the City of London was almost totally razed to the ground, leaving a hundred thousand Londoners homeless and destitute with an estimated 13,000 houses and 89 churches, including Old St. Paul’s Cathedral, destroyed. The estimated restoration cost was over ten million pounds and rebuilding took over thirty years, explaining why historic London, even after the Blitz, is now predominantly an eighteenth century city. eyewitnesstohistory.com has a map showing the comparative damage of 1666 to that of World War II bombings.

Samuel Pepys was in the thick of things, acting as liaison between the King and the Lord Mayor of London, who was instructed to pull down houses to prevent the spread of the fire:

… all over the Thames, with one’s face in the wind you were almost burned with a shower of Firedrops – this is very true – so as houses were burned by these drops and flakes of fire, three or four, nay five or six houses, one from another. When we could endure no more upon the water, we to a little alehouse on the Bankside over against the Three Cranes, and there stayed till it was dark almost and saw the fire grow; and as it grow darker, appeared more and more, and, in Corners and upon steeples and between churches and houses, as far as we could see up the hill of the city, in a most horrid malicious bloody flame, not like the fine flame of an ordinary fire.
We stayed till, it being darkish, we saw the fire as only one entire arch of fire from this to the other side of the bridge, and in a bow up the hill, for an arch of above a mile long. It made me weep to see it. The churches, houses, and all on fire and flaming at once, and a horrid noise the flames made, and the cracking of houses at their ruin.

This was the second disaster in as many years to hit the city, following the Great Plague of London in 1665 which killed 20% of the population. Oddly enough, only a handful of deaths from the fire were reported, the first casualty being Baker Farriner’s maid; but this has to be inaccurate. There was no formal record of the entire population, and parish records were destroyed. It’s quite likely that thousands of people were incinerated in their houses.

So what does this have to do with the Regency? Well, back to the rebuilding. Christopher Wren, among others, had ambitious plans to build a modern city and had the commission not run out of money after restoring public buildings (Newgate was one of the first) and churches, London might look considerably different today. More about the rebuilding here. But wooden buildings were banned, as was the style of building more and more storeys upon existing buildings, which made the spread of fire likely and lethal.

Two interesting footnotes:

When Shakespeare’s Globe Theatre was built in Southwark, special permission had to be obtained to build a predominantly wooden structure.

And in 1986, the Worshipful Company of Bakers held a ceremony in Pudding Lane in which they offered a formal apology for the fire. As the then Lord Mayor of London, Allen Davis said, “It’s never too late to apologize.”

Samuel Pepys and fellow-diarist John Evelyn are amazing resources for this period. Have you read them? How about diaries from the Regency? Or, do you journal, and what sort of things do you write about?

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