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Monthly Archives: November 2010

Risky Regencies welcomes another debut author this weekend, Grace Elliott, who will tell us more about her release A Dead Man’s Debt! One commenter will win a copy…

Hello, Riskies, what a pleasure to be here today to share a little about my debut novel, A Dead Man’s Debt, and the inspiration behind the story. Believe it or not, a painting of the young Emma Hart (who married Lord Hamilton and was Horatio Nelson’s mistress) was the catalyst behind my novel. The painting by George Romney shows an innocent yet lush young woman, scantily clad with a hint of bosom, brazenly staring out of the canvas with an allure that is quite hypnotic. It struck me as sensational for an 18th century work, that the sitter was not prim, proper, straight-backed and starchy. It must have been scandalous at the time. But who would be bold enough to commission such a portrait? (As it happened Emma was ahead of her time and loved to flout convention–but that’s another story!)

What a delicious idea for a story! What if the woman in the painting wanted to shock? What if, years later, this rebellious streak threatened to disgrace her family? What if only the son she despises can save her reputation–but at the price of his secret love? Thus the stage was set for a story of blackmail, sacrifice, and redeeming love. This excerpt from A Dead Man’s Debt shows the young Lady Sophia Cadnum revealing the shocking portrait of her friend:
With a swoosh the drape hissed to the ground. Georgiana’s eyes widened, and she flushed crimson as a hand covered her mouth. “Oh my!” The oil showed Sophia Cadnum stripped of her satins and silks with her natural beauty shining like an exotic flower. In just a gossamer shift, with a rope of pearls wound round a swan-like neck, she reclined in a woodland clearing, happy as a nymph. Ringlets of rich raven hair, unpowdered and unrestrained, tumbling over her shoulder to provide a modesty not offered by the transparent gown. On closer inspection, the male viewer would be enchanted to discover the ghost of a nipple peeping between ringlets. Sophia smiled happily. “Isn’t it wonderful?” Georgiana grew quiet, nervously averting her eyes. “I speak as your dear friend and only with your interests at heart, but is it quite…” she glanced at Sophia then steeled herself. “…appropriate?” Black thunder darkened Sophia’s pretty face. “And by that you mean?” Georgiana took a deep breath. “Well, what with your being a mother now, something less…provocative…might be more correct?” Sophia scowled. “But that’s precisely the point. Producing a son was my duty…and I won’t be made into a dowdy matron because of it. I need to feel alive and have my heart race for joy. Heaven knows already the Duke talks of producing another brat for the nursery.” Comprehension dawning, Georgiana gulped. “Was it so very awful giving birth?” Sophia closed her eyes. “Hateful, from start to finish.” Silence stilled the air. Georgiana cleared her throat. “Has the Duke seen the painting?” “In truth I don’t think he cares enough to have an opinion. As long as I serve my purpose as mother to his heirs, he won’t object.” She stroked her tightly laced stomacher, resting a hand on the barely perceptible dome of her belly. The light went from her eyes as she whispered, “Please God grant me respite from my duty.”

Like ripples on a pond, the consequences of this scandalous portrait are felt years later, when Lady Cadnum’s offspring are all grown up. It is resentment over the children she bore that expresses itself in her son Ranulf’s sullen moods and coolness. But being a Regency romance, the latter is like a red rag to a bull for our heroine, Celeste Armitage, who is determined to break through Ranulf’s reserve and uncover the passionate man beneath.

And all this from one portrait of Emma Hart! Phew—I’m saving my energy for a trip to the National Portrait Gallery in London, heaven only knows what inspiration will strike there…

About the Author: Grace Elliott leads a double life as a veterinarian by day and author of sensual historic romance by night, and firmly believes that intelligent people need to read romance as an antidote to the modern world.

A Dead Man’s Debt is available from most ebook retailers and on Amazon Kindle, and at the publisher’s site. If you’d like to read more excerpts or learn more about what makes Grace Elliott tick, please visit her website

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I’m off for a few days, giving a workshop on historical fashion at the LERA RWA chapter, eating Mexican food in Santa Fe, and taking yoga lessons in the mountains. Will be back with a regularly scheduled blog next week In the meantime, these are a few fashions I’m talking about this weekend:


Tudor fashions, from early Tudor to Elizabethan frufferies…

Georgian fashions


Regency gowns and accesories (hats, spencers, pelisses, etc)

1880s bustle dresses

I’m also hauling piles of dresses and accessories in the car, so wish me luck!

What’s your favorite fashion era?

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The Riskies love a great debut, and today we welcome Elyse Mady! Her book, appropriately titled The Debutante’s Dilemma, is out with Carina Press. For more information, visit her website here, and comment for a chance to win a copy on today’s blog!

Welcome to the blog, Elyse! Tell us about The Debutante’s Dilemma

I’m so happy to be here! The Debutante’s Dilemma is a Regency tale that tells about the romantic awakening of Miss Cecilia Hastings, the non-pareil of the London Season in 1814. She’s come up the winner in the sweepstakes known as the marriage mart and when the story opens she is on the cusp of receiving not one, but two, marriage proposals, from Jeremy, the Earl of Henley, and Richard, the Duke of Wexford.

They’re fabulously wealthy, handsome, titled, and brave. There’s just one little snag in this lovely scenario and that is that Cecilia wants passion in her marriage, not just tepid liking, and both her suitors have yet to convince her of their true feelings.

This dilemma compels her to issue the unorthodox challenge to her two suitors: a kiss before she will entertain their proposals. She knows herself well enough to know that she couldn’t bear to be stymied or constrained by a polite agreement like so many others of her acquaintance seem to endure. This is a story about people confronting the unspoken expectations that surround all of us every day and making a bold grasp for their happiness. I won’t give away the ending, but neither Cecilia nor Henley or Wexford expect anything like what comes of their encounter, I promise you that!

This is your debut, right? How did you get started writing?

Yes, indeedy. The Debutante’s Dilemma is my own debut and I’m totally excited to finally see my name in print. Possibly, the only person more jazzed about it is my mother , because that’s what mothers do! She manages to bring it up in conversation with everyone she encounters and at the rate she’s going, I may have to nail down some sort of referral fee in light of her efforts–maternal PR is frightening effective!

I got my start in writing (at least the paid kind!) about three years ago, publishing articles in magazines. It was really good training. I learned to promote myself, summarize and organize ideas, get familiar with contracts and negotiation, albeit on a much smaller scale than in book publishing, plus gain some real writing creds to tack on to the bottom of my slush pile letters. I also mastered writing to a deadline, writing in a variety of different voices and styles and working with editors, all skills that have stood me in very good stead since I’ve sold to Carina Press.

Did you come across any interesting research for this story?

Always! Research is one of my happy places. Give me a shelf full of obscure historical material and I’m as happy as a bi-valve mollusk. :))

A lot of the story’s climax takes place in a greenhouse and when I first sketched out the scene, I automatically pictured a big, white, glass walled conservatory type building–the epitome of the English gardening mania. I’d even played with the idea of reflections against the darkened glass as part of the seduction.

Then I discovered that all those all-glass buildings were a Victorian and Edwardian convention and that greenhouses in the 18th and early 19th century looked very different. They didn’t have the expensive glazings and iron frameworks. Instead they were often made of brick, with large, multi-paned windows, opaque roofs, and skylights for ventilation. Depending on what was being grown in them, the time of year they were being used and what kind of climate they were built in, they could have a lot of different floor surfaces too, from exposed earth to gravel to pavers to plants grown in individual tubs.

Luckily my characters were happy to oblige the about-face and none of them seemed put-off by the new details of their romantic space!

We always have to ask–what is “risky” about this book?

Oooh, lots of things! But it can all be summed up in one risky word–threesome…

I had a lot of fun playing with the tensions between my writing style, which definitely embraces a traditional Regency tone, right down to the phrasing and sentence structures, and the plot, which promptly veers from Georgette-ish-ness into territory that is challenging and erotic. I really liked exploring the dichotomy between the public and the private in the story because it’s the same problem that real people of the period had to navigate, balancing the expectations about their public behavior against the interests and activities they got up to behind closed doors.

What’s next for you?

I’m a busy bee. I’ve had 2 contemporary romances accepted by Carina and they should be hitting e-bookshelves at some point in 2011. I’ll have all the details on my blog as soon as they’re available.

I’m also working on on some more Regency stories that I’m really excited about! I’m currently shaping the outlines for one, possibly two, more novellas that link to the characters in The Debutante’s Dilemma. Cecilia’s cousin Georgiana will definitely be one of them, and if my plans for them hold up they’re definitely going to be interesting–in the naughtiest sense of the word!

Then I’m also working on a full-length historical novel which has no title at present because titles are not my forte. It’s another Regency, but it’s a significant departure for me–a fusion of sorts between historical fiction and romance that I’m really excited about. I’ve left behind the ballrooms and salons I explored in this current release and am moving into the less vaunted but still fascinating (to me at least!) spheres of everyday Londoners during the period. Many of the characters and events are matters of historical record and bringing them to life, filling in the many unknowns yet keeping true to the period and shaping a compelling story is a really interesting challenge for me as a writer. There are mass arrests and bribes, gaol fever and riots, and all sorts of legal skullduggery, leavened with a big heaping dose of romance!

And I’d love to say thanks for having me at the Riskies today by offering one poster the chance of winning a digital copy of The Debutante’s Dilemma in their choice of e-book format!

Posted in Former Riskies | Tagged | 12 Replies

Happy Tuesday, everyone! Hope you’re all having a great week so far. I’ve been busy with revisions, researching the next project (set at the court of Mary Queen of Scots!), getting ready for holidays, and planning some promo for my December Laurel McKee release (watch for blog tour dates, coming soon!). I’m also trying to pack to go out of town for a few days–if you happen to be in New Mexico, I’ll be doing a workshop on historical fashion at the LERA RWA chapter in Albuquerque on Saturday…

In the meantime, I’ve been thinking about the “Regency worlds” the other Riskies have been talking about lately, which goes along perfectly with the book I just finished reading, At Home by Bill Bryson. I love Bryson’s travel narratives (especially Notes from a Small Island about England and In a Sunburned Country about Australia), and while At Home is not as laugh-out-loud hysterical as some of his other work it’s very entertaining. Here is the starred review from Publishers Weekly:

“Bryson takes readers on a tour of his house, a rural English parsonage, and finds it crammed with 10,000 years of fascinating historical bric-a-brac. Each room becomes a starting point for a free-ranging discussion of rarely noticed but foundational aspects of social life. A visit to the kitchen prompts disquisitions on food adulteration and gluttony; a peek into the bedroom reveals nutty sex nostrums and the horrors of pre-modern surgery; in the study we find rats and locusts; a stop in the scullery illuminates the put-upon lives of servants. Bryson follows his inquisitiveness wherever it goes from Darwinian evolution to the invention of the lawnmower, while savoring eccentric characters and untoward events. There are many guilty pleasures, from Bryson’s droll prose–“What really turned the Victorians to bathing, however, was the realization that it could be gloriously punishing”–to the many tantalizing glimpses behind closed doors at aristocratic English country houses. In demonstrating how everything we take for granted, from comfortable furniture to smoke-free air, went from unimaginable luxury to humdrum routine, Bryson shows us how odd and improbable our own lives really are.”

So, yeah–to someone addicted to historical trivia like I am, this book was pure reading gold. I couldn’t wait to see where the narrative would go next, as it was never predictable. Most of the history here is Victorian (using the 1851 Great Exhibition as a jumping-off point) but there are looks at prehistoric Britain, early 19th century America (with Jefferson’s Monticello) and Regency England (the state of obstetrics, using poor Princess Charlotte as an example), and the Elizabethan building boom (“Hardwick Hall, more glass than wall,” plus a tantalizing anecdote about Elizabeth I pilfering silver at someone’s house). This is just barely touching the surface of everything he talks about.

But it made me realize something–“my” historical world, the one I have in my head when I read and especially when I write–is much better-lit and more comfortable than the reality. When I envision ballrooms or a family gathered in a drawing room in the evening, there is much more light than that from candles, and when the hero and heroine get to it on the bed the mattress is not too soft or too firm and it’s comfortable, no soggy feathers, crackly straw, or unwanted vermin. Everyone smells good and has pretty hair and clean underthings. And in my imagination that probably won’t change! I like to think this is how they would have seen things. But I may incorporate some of the more interesting tidbits I found in this book in stories…

Now I’m deciding what to read on my road trip! I’m thinking Meljean Brooks’ The Iron Duke, because I’ve heard such fabulous things about it and I love steampunk, and I just got the new memoirs of Deborah Mitford, Dowager Duchess of Devonshire, which I am dying to delve into.

What have you been reading lately? What are some of your favorite historical anecdotes, or subjects you’d like to learn more of?