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Monthly Archives: March 2011

A History of Erotic Literature by Patrick J. Kearney, MacMillan London, 1982.

A few interesting tidbits from this book (fyi, my combination of quotes and summary are in blockquotes here to distinguish from my general commentary.)

Between 1800 and 1850, Louis Perceau’s Bibliographie  du roman erotique
lists 26 “separate and orignal works” whereas in the period 1851-1900 there are “almost seven times that number.”

In the early years of the 19th century there were a number of successful prosecutions for “obscene libel.”

My personal suspicion is that the Victorians were working so hard at NO SEX ever that the pressure was too much for some people and it came out in erotic writing — which if you have ever read Victorian erotica, oh lord. So repetitive and boring because there is little-to-no emotion. Did Regency folks write less of it because they were less repressed? Or were the prosecutions for “obscene libel” a deterrent? Or were people then still writing for private audiences and those MSS were never actually published, just handed around among friends?

George Cannon published erotica from 1815 to 1864. After his death, his wife continued the business until her death some 10 years later.  In 1830, he was jailed for six months and fined 100 pounds for a volume of deSade’s Juliette.

The Lustful Turk, by J.B. Brookes was published in 1828 and “tells in a series of letters from Emily Barlow to Silvia Carey what befalls the former who, while en route to India, in captured by Moorish pirates and given to their captain, an “English renegade” as a gift to the Dey of Algiers.”  There are some monks engaging in white slavery on the side.  Sex happens etc.

Then Kearney goes on to say:

But the specific influence in The Lustful Turk is Byron. This is apparent from the first, when Emily is captured by that most powerful Byronic image, the ‘English renegade’ corsair. And later, in the sub-narratives that recount the lives of Honoria Grimaldi and Adianti, two of the other girls in the Dey’s harem, there are strong Byronic elements, particularly in Adianti’s story which in part concerns the excesses of the Turks during their occupation of Greece.

Apparently, The Lustful Turk is one of the most frequently reprinted erotic novels in English. Wikipedia on this book.  It’s available on Amazon in print for a little over $10 or on Kindle for $0.99. Kindle it is. As I discovered just seconds ago, the first letter in this story is dated 1815 so I really have to read it.

And now, because Amazon lets you Search Inside The Book (O_O) I’ve discovered the reason for the price discrepancy between the print version and the Kindle version. The print version has pictures. And not crappy ones. So I have ordered the print version, too.

Should I report back next week or is that enough smut?

I’m thrilled today to welcome Colleen Gleason to the Riskies. Colleen is known for her Gardella vampire series, about a Regency vampire hunter and she also leads a double life as Joss Ware, author of the Envy Chronicles, post-apocalyptic urban romances (try saying that with a mouthful of popcorn). But now she’s back to the Regency with a whole new world of vampires who mingle with the haute ton in 19th century London. Called the Draculia, these vampires are strong and sexy, and a match for any mortal…except for the women who love them.

The first in the series is The Vampire Voss and Colleen is giving away a signed copy to one lucky winner who comments or asks her a question today! (And happy St. Pat’s. Note the green questions.)

Welcome Colleen! How are these vampires different from the vamps in your Gardella books?

Because I wanted to write vampire romance novels this time around, meaning I wanted there to be a romance with the vampires, the mythology had to be different. In the Gardellas, there are no good vampires. None of them are dukes or viscounts or even heroic at all—so I had to think about the mythology and come up with a way to make it different from the Gardellas, yet not to completely destroy the world I created with them as well.

In this series, the vampires are part of a secret society that is beholden to Lucifer. Each member of the Draculia has sold his or her soul to the devil at some point, and now they are living an immortal life with everything they could ever want: pleasure, money, power, and all without the fear of death.

Each book is about one vampire in particular who falls in love, and, in this context, realizes that his/her soul belongs to Lucifer and is no longer their own.

But–as I’m sure the Regency fans out there will appreciate–along with the vampire aspect, readers can expect everything else we love about the Regency-era: balls and masquerades, the haute ton, titled bad boys and brooding earls.

What was your original inspiration?

My publisher was interested in me trying my hand at sexy vampires in a Regency setting. So, that was the kernel of my inspiration.

And then I had to think about how I could have both good and bad vampires…and then I had to think about the overall issue of an immortal falling in love with a mortal and the ways in which that might be resolved.

Why do you think the Regency works as a supernatural setting?

Oooh….I think for me it has to do with the coaches and carriages, the balls and masques…and of course, foggy, mysterious London. All of those aspects can give the era a sense of the mysterious and of intrigue. Plus the fact that Society at that time really lived late in the day and well into the night—a perfect setting for an immortal who can’t go out into the sunlight!

Of the three Draculia books, which is your favorite hero? Why?

I think Dimitri (April, 2011) is my favorite hero, only because I love, love, love the brooding, grumpy, closed-off hero who meets his match.

But I adore Voss too, for he is just so fun…until he realizes that things aren’t just fun and games. He has a rude awakening.

You must have been writing your Joss Ware books at the same time as these. How did you switch mentally between the two very different series?

I love being able to switch between two series, two time frames. It helps keep me from being bored, and it also forces me to think about things in each series from the perspective of the other. I might be writing in one series, but something will spur me to think about the other series. It helps me to become more well-rounded in the series.

Do you like to listen to music while you write? What did you listen to for these books?

I love to listen to instrumental music when I write, or things that are chantlike. That way I can get into the feel of the music, but there aren’t any words to distract me.

I listen to soundtracks a lot when I work—particularly Harry Potter and also some meditative music.

Here’s book #3 The Vampire Narcise (May, 2011). Don’t you love that she’s on top?! What do you think of vampires in the Regency? Here’s your chance to pick Colleen’s brain about (zombies, sorry), vamps, vampire-hunters and the evil–or otherwise–that lurks in the depths of foggy London.

This is an update of a post that appeared in April 2010 but since the IRS has updated the form and instructions I thought it was worth revisiting.

Schedule OMG.HEA.2010 is specifically for romance writers.

Turn to the Subgenre Definition pages beginning on page 17 and pick your subgenre. You may pick only one. If you write in a variety of subgenres, choose 21, Indecisive wallower, 22, Overachiever, 23, I’m just a girl who can’t say no, or 57, Desperately trying to save career by changing subgenres because last book tanked. Enter in Box A.

Take your zip code, divide it by the number of pages completed in your WIP and enter the number in Box B.

Add the number of times your book has been pirated. Multiply by -15. If you were not paying attention in math class because you were writing torrid romances starring you and David Bowie and do not remember how to multiply with a minus number, you’re in trouble.

On the following lines enter the following numbers from the first fifty pages of the book:

  1. Times your h/h have sex. If you are writing an inspirational, you should enter 10.
  2. Times your h/h have sex with another person(s) or being(s) (including, but not limited to, shapeshifters) and multiply by five. If you are writing an inspirational, you should enter 50.
  3. Heroic hair-raking within the first fifty pages.
  4. Heroic striding indoors, enter either the distance traveled, calculated in feet or the number 300, whichever is smaller.
  5. Heroic striding outdoors, enter either the distance traveled, calculated in feet or the number 300, whichever is larger.
  6. Mentions of heroine’s eye/hair color. Note: if colors for 2 or 3 change, please refer to Publication CE.AA.2010.

Enter your total for Box B.

Transfer the number in Box B to Box K for no apparent reason.

Note: If your score is less than 2, please make sure you are writing within the correct genre. Refer to Publication WTF.2011 for more guidance and complete the appropriate Genre Form.

Now turn to your most recently published work. Enter its ISBN, page count, and predominant font family used on the cover in Box C.

Please check the appropriate box if your cover contains the following:

  1. Historically inaccurate shirt.
  2. Mullet.
  3. Green or blue eyeshadow (hero or heroine).
  4. Chandelier with lightbulbs instead of candles.
  5. Physically impossible stance.

Write the total number of checked boxes on the next line. On the following lines:

  1. Instances of egregious photoshop art, add 10 for each.
  2. *Extra nipples, limbs or digits (hero or heroine), multiply each by 10 and enter.
  3. Glaring typo on your back cover blurb, enter 20.
  4. Mantitty, enter 50.

* Unless you are writing paranormal romance and this is purely representative.

Enter your total for Box C.

If your cover art contains none of the above, please refer to Publication WTF.2010 as you may be writing a different genre.

The totals for Boxes B and C, plus the ages of your children and/or pets and your agent’s and editors’ heights in centimeters when sitting down.
Multiply by 3.141592653589793238462643383279502884197169399375
Multiply by 10 to make a nice big fat number and round off to the nearest thousand. This is your owed tax for 2010.

Take the sheet that contains Box K, put it aside in a file, and worry about it for a few months.

Please feel free to share your tax expertise with the rest of us. Only sixteen days to go!

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It snowed in Virginia Saturday night, just a dusting, but enough to make me yearn for Spring. By the afternoon, though, it was like my wish had been granted. The snow melted, the air smelled fresh, the sky turned blue and the sun shone brightly.

So here in celebration of Spring, is a poem by William Blake:
To Spring:

O thou with dewy locks, who lookest down
Thro’ the clear windows of the morning, turn
Thine angel eyes upon our western isle,
Which in full choir hails thy approach, O Spring!

The hills tell each other, and the listening
Valleys hear; all our longing eyes are turned
Up to thy bright pavilions: issue forth,
And let thy holy feet visit our clime.

Come o’er the eastern hills, and let our winds
Kiss thy perfumed garments; let us taste
Thy morn and evening breath; scatter thy pearls
Upon our love-sick land that mourns for thee.

O deck her forth with thy fair fingers; pour
Thy soft kisses on her bosom; and put
Thy golden crown upon her languished head,
Whose modest tresses were bound up for thee.

More celebration is in order for Risky Amanda McCabe/Laurel McKee. Countess of Scandal by Laurel McKee is a finalist for RWA’s Best Historical Romance. Hooray!!!

We’re celebrating for all the RITA and Golden Heart finalists!! (But especially for Amanda/Laurel!)
I’m in the throes of copy edits and finishing Leo’s Story, my Diamonds of Welbourne Manor book. I’ll really be celebrating when those are done. Tune in to Diane’s Blog on Thursday to see how I’m progressing.
What are you celebrating today?
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I’m posting on the fly today and apologize in advance for not being as witty as Megan or as talented a photographer as Carolyn (these are pictures from my front yard).

So we had yet another snow day on Wednesday and today’s forecast doesn’t even hit the 30s. I also haven’t had time to write for most of this month, in part because of the snow day disruptions and also other assorted Dumb Stuff I Have to Do.

So I’m just waiting for spring and waiting for a time when I’m past some of the Dumb Stuff and can get back to my balloonist story.

I’m trying to have a better attitude about missing the writing. What I used to do in situations like this is 1) feel guilty about not writing (because serious writers write every day) and 2) feel guilty about missing the writing (because a proper stroke caregiver and mother is perfectly satisfied with dedicating all her time to her loved ones). Instead I’m just telling myself it’s OK not to be writing (because I really do have some higher priorities right now) and it’s OK to miss it (because I’m human).

And while I’m waiting, I’m trying to live in the moment too. But also thinking about how fun it will be when I can finally put on a skirt and sandals again, and watching those daffodils poke out of the snow. 🙂

How do you cope with waiting?

Elena