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Monthly Archives: June 2011

Happy Tuesday, everyone! Like Diane, I am “between engagements” (I know what’s coming up next–after RWA, which is two weeks away, eek!). So, what am I doing with all this time? I am deciding what to pack for RWA, trying to lose a couple more pounds before RWA (in the quest for which I’ve been doing crazy things like kickboxing and spin classes), and just generally getting excited about seeing everyone at RWA. I’ve been supervising my little ballet class in last weekend’s recital (everyone performed beautifully!), and I’ve been getting caught up on some reading. (Just finished a terrific book by Jehanne Wake called Sisters of Fortune: America’s Caton Sisters At Home and Abroad about a set of beautiful, wealthy sisters from Maryland who took Regency London by storm).

I’ve also been doing some prelim work for the next couple of books (that stuff which I call Important Research and others–like my mother–might call procrastination). I love to make soundtracks for stories, music that seems to suit the mood of a certain character or scene. It can be music of the period (like lute music for an Elizabethan story) but not always. Sometimes it’s something totally off-the-wall (sort of in the style of Sofia Coppola’s Marie Antoinette). Today I am thinking of music for love scenes. These can be the trickiest scenes to set to music sometimes, because it all depends on the mood. It can be anything from Bolero, instrumental jazz like Miles Davis’s So What, or Rihanna’s S and M. I asked some of my writing friends around here what they would suggest–some people had funny stuff (Katy Perry’s Peacock), some had ideas I might steal (like Crash Into Me by the Dave Matthews Band).

My number one stand-by song for any love scene is this, Next Girl by The Black Keys:

And this is Billboard’s Top 50 Sexy Songs….

What are your favorite love scene songs? Do you put soundtracks to your books?

(And if you’re in a serious-minded historical mood today, it’s the anniversary of the Battle of Friedland, which you can read about here…)

(Also, it’s International Steampunk Day!)


Thanks so, so much to everyone for your good wishes after my emergency surgery last week! It was scary, but I’m now on the road to recovery and looking forward to stories our of RWA Nationals this week. Knowing I have some great friends has made things so much easier. Stay tuned next week when I can (hopefully!) stay on the computer longer than 5 minutes and will have a proper post…

Happy Tuesday, everyone! What have I been doing this week, since I am free of deadlines (free, I tell you!), at least for the moment? Well, I have been sitting around watching season 3 DVDs of True Blood, trying out some kickboxing classes (and trying to figure out how to write an awesome kickboxing Regency duchess heroine–I’m pretty sure that won’t work out though), starting to get ready for RWA (less than three weeks away now, ack! At least I did remember to take my gown to the tailor), going to the movies, and getting caught up on reading. More on that later.

I was also thinking about Janet’s post last week about reviews, and about various things I’ve been seeing around on-line concerning yet more thinly-veiled misogyny masquerading as high-brow readership (Ew! Romance! Only old ladies and stupid people read those!). (for example, see this great post on AAR, Top Ten Cliches About Romance Novels I Never Want To Hear Again). I’ve been reading and writing romance for a long time, and bad reviews and snarky comments mostly roll off me by now (no time for them–deadlines and all that), but they still can piss me off when I take time to think about it (so I try not to).

One of the books I was reading this weekend was Tina Fey’s Bossypants, and she had this to say, which struck me as great advice for women no matter what artistic or business endeavor we’re pursuing. (Sorry for the long excerpt, but she says it way better than I could!):

“…whenever someone says to me “Jerry Lewis says women aren’t funny,” or “Christopher Hitchens says women aren’t funny,” or “Rick Fenderman says women aren’t funny…Do you have anything to say to that?”

Yes. We don’t f****** care if you like it.

I don’t say it out loud, of course, because Jerry Lewis is a great philanthropist, Hitchens is very sick, and the third guy I made up.

Unless one of those men is my boss, which none of them is, it’s irrelevant. My hat goes off to them. It is an impressively arrogant move to conclude that just because you don’t like something, it is empirically not good. I don’t like Chinese food, but I don’t write articles to prove it doesn’t exist.

So my unsolicited advice to women in the workplace is this. When faced with sexism or ageism or lookism or even really aggressive Buddhism, ask yourself the following question: “Is this person between me and what I want to do?” If the answer is no, ignore it and move on. Your energy is better used doing your work and outpacing people that way. Then, when you’re in charge, don’t hire the people who were jerky to you.

If the answer is yes, you have a more difficult road ahead of you. I suggest you model your strategy after the old Sesame Street piece “Over! Under! Through!” (If you’re under forty you might not remember this film. It taught the concepts of “over” “under” and “through” by filming toddlers crawling around an abandoned construction site. They don’t show it anymore because someone has since realized that’s nuts)…

Again, don’t waste your energy trying to educate or change opinions. Go “Over! Under! Through!” and opinions will change organically when you’re the boss. Or they won’t. Who cares? Do your thing and don’t care if they like it.”

So yeah, this book is hilarious and you should totally read it (though how can someone not like Chinese food??). Also she’s right, and that is now my new motto. Over Under Through. (Plus a cynical laugh and knowing look when someone tries to disparage romance fiction seems to work wonders)

What have you been doing with your time this week?? What is your strategy for dealing with annoying people?

I have two new fashion books, both of which are awesome for different reasons. The first one is Napoleon and the Empire of Fashion, 1795-1815 by Cristina Barretto and Martin Lancaster (Skira) 2010. It was published for an Italian exhibition of period clothing. The translation into English is rocky at times, but this book has some of the most amazing pictures I’ve ever seen. There are close ups of the fabrics that are just luscious. There are frustrations, too, in that some pictures are just too small.

I tried reading the text but found it hard going and then downright strange. As mentioned, the translation is not very good, but some of the history struck me as not trustworthy and I’m still struggling to understand why there’s a picture of a bare-busted porn star. Yes, she has big tits, but she’s in a book on Empire and Directoire fashions, why?

I just rolled my eyes at the concluding remarks which more or less blamed the CIA for Modern Art. I blame Matisse, but that’s just me.

Anyway, the gowns in this book are beautiful and the book is worth it for the pictures. Incoherent political ramblings are just a side benefit. (Napoleon was amazing! The Best Dictator General Ever!!! He was Sicilian French!!! Vive La France) OK, so he had that little thing at Waterloo that didn’t work out so well, but LOOK! Here’s an amazing purple velvet royal cloak and . . . That cloak is amazing. It’s worth the price of the book.

You can flip through this book– I don’t recommend reading much, it will only give you a headache and make you hate American Cultural Imperialism (that’s an anagram for the C.I.A., did you notice that?] French, you know, was the language of diplomacy until some how English got free of the Norman Cultural Imperialism (which any student of irregular English verbs can tell you still haunts us today) and now everyone speaks English even though French is way better –and really get a sense of how idiosyncratic gowns could be.

One point made early in the book before I was sobbing in hot tears about how Jackson Pollock ruined art all because of the Marshall Plan (which idea the US stole from Napoleon) was that gowns were custom-made and therefore fit the wearer precisely. Then they said the female form was actually different and that somehow between Napoleon and the rise of the CIA, women’s boobs moved lower on the torso. And I kept waiting for them to clarify that they meant foundation garments gave the female shape a different form, but no. Then I flipped back to the porn star picture and her boobs didn’t look like they were lower on her chest, but there was silicon involved I think, plus she had her arms crossed underneath all that bounty so maybe she was pushing them up the way they did in the Regency.

Regency woman had porn star boobs I guess.

Anyway, I couldn’t stop thinking about all those Modern Artists like, Marcel Duchamps (Oops French! but Joyce Kilmer totally hated him for Nude Descending a Stair) and that Pablo Picasso guy (lived in PARIS!), that Ce n’est Pas Une Pipe dude, Magritte (FRENCH!) that I started getting distracted about art.

The other book is The Art of Dress, Clothes and Society 1500-1914, by Jane Ashelford. (Abrams 1996). It covers a much broader period, but there are good photographs of actual clothing along with description and explanation. I wish there were more pictures. Or at least a world view unaffected by anything like facts.

Napoleon vs. Chuck Norris. Call it folks. Who wins?

(The answer is Jet Li.)