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Monthly Archives: July 2011

First, due to popular request, here’s a pic from a few years ago when my children and I trick or treated as Hermione, her cat Crookshanks and Professor McGonagall.

Now back to my regularly scheduled post…

I’ve heard some readers say they skip sex scenes, but I’ve never done so. Once I’ve decided to read a book, I want to take it all in the way the author intended it. Otherwise, I’m afraid I’ll miss something. At an RWA workshop given by Julia Ross, she said something to the effect that if readers skipped her sex scenes, they’d have no idea what was going on. That’s how it should be. Sex scenes should not be skippable!

Sometimes I’ve found my attention wandering while reading a sex scene, though usually this happens in a book in which I’m already losing interest and may not finish. This happens if the hero and heroine seem like a generic romance couple. I love deep characterization and I don’t believe one can isolate the body from the mind from the heart. To me, sex scenes are a way to show the whole tangle, and that’s what makes them so much fun to read and write. In a well-written sex scene, the sex is never just a physical act and the characters remain true to themselves. That makes the sex more real and more exciting. What they do can be inventive or not; it just has to make sense for them.

So maybe some readers skip sex scenes when the characterization falters. On the other hand, I’ve heard some of the sex-scene-skippers say they just don’t want to be in someone else’s bedroom. I think that’s a matter of reading style. If you like to read about the hero and heroine, you might feel like an intruder. When I’m reading romance, I want to be the heroine and fall in love with the hero. So I don’t feel like an unwanted third party, even if the scene is in the hero’s point of view (which I really like reading and writing sometimes).

How about you? Do you ever skip sex scenes? Why or why not? Do you like sex scenes written in heroine or hero point of view, or either?

Elena


Some of you (okay, most of you) likely indulged in the deliciousness of Masterpiece Theater’s airing of Downton Abbey.

In it, Violet, Dowager Countess of Grantham, eyeballs the new heir–the sadly middle-class Matthew Crawley–and asks, with perfect seriousness, “What is a weekend?”

Oh, wow. Can you imagine not looking forward to Friday afternoon, and not having dread on Sunday evening? Not even thinking about a difference between, say, Wednesday and Saturday?

For all of us, I’d say, that is an impossible dream. So with that in mind, let’s tell Violet what a weekend is, and what we plan to do with it. I’ll start:

I am having a few friends over to watch North and South. Again. There will be swooning over Richard Armitage, some snacks, and perhaps more swooning over Nicholas, the rougher bit in N&S.

I will be catching up on True Blood; I’m two episodes behind.

Reading–currently engrossed in Stacia Kane’s City of Ghosts, hope to dive into one of the many Mary Baloghs I’ve got on the TBR pile.

Walking–now that I’m working, I sit a whole damn lot, and I hate it. I hope to get to the gym, too.

I will not be drinking ratafia, bossing the servants around, or bemoaning my lack of an Almack’s invite.

What are you doing?

Megan

Our guest today is Kate Dolan who writes traditional Regency romances for Blush (formerly Cerridwen) Cotillion as well as a variety of other totally unrelated books and articles. Her third Regency, Deceptive Behavior, comes out today in ebook format. And she shares her home with both dogs and a rabbit. That’s her version, so I’ll add that she’s a brilliant and productive writer, a very well-informed historian, and a good friend and critique partner. The thing I love about Kate’s books is that she includes some very risky topics and that makes her a natural here.

So naturally she’s chosen a very non-PC topic. And, oh yes, she’s offering a free download of Deceptive Behavior or one of her print backlist to one lucky person.

For the third book in my “Love and Lunacy” series, I wanted a hero who was a bit different. The challenge was to devise characteristics that would make him seem odd and even unmanly to those in Regency society, but still masculine and appealing to modern readers. He needed to be athletic, but without engaging in the traditional exercise of gentleman, such as hunting and fencing.

I made him a fast runner, but Regency gentlemen did not compete in track meets, so I needed a reason for him to run – and chasing after the heroine didn’t count.

Then I remembered a sport introduced to my husband by one of his colleagues: beagling.

Definitely doesn’t sound very masculine, does it? The sport is very similar to fox hunting, but the quarry is a hare and it is usually chased on foot. So by making my hero a beagler, I gave him an opportunity to become a good runner.

Modern hunts tend to proceed rather slowly with the field walking along behind the beagles, but sources indicate that it used to be a running sport. The Trinity Foot Beagles, a history of a Cambridge club written in 1912, is full of cartoons of men running and the theme song of the group includes a verse that says “It’s the deuce of a run, And I’m pretty well done…It’s lucky by gad, For I think every lad, Has pretty well used up his breath.”

Beagling is now outlawed in the U.K. as a blood sport, but it still has aficionados in the U.S. While clubs such as the Roscommon Hounds proclaim that it “is a dark day if anything is ever killed” during a chase, that too was obviously not true in the past. The lines I deleted from the quote from the Trinity Foot Beagles song talk about the quarry being near its death, and later lines describe the hounds “breaking up” the “pussy,” which was apparently the term of affection for the rabbit that was chased and ripped to shreds.

While “pussy’s death knell” might have a place in some romance stories, it really didn’t fit a traditional Regency, so I was fortunate that in my story I never had to depict an actual outing. My hero did chase a rabbit for a few hundred yards, but then the rabbit stopped so there wasn’t much challenge after that. (Rabbits in my yard do this all the time. They run away frantically and then just stop in the middle of the yard, somehow thinking my dogs and I can no longer see them.)

The Trinity Beagles history describes a “most rotten joyless day” of chasing a hare through turnip patches in the November drizzle, losing the quarry twice and finally giving up after at least 45 minutes of running. “And yet,” the author notes philosophically, “where there is no disappointment, there is no sport. Good days are those which exceed expectation, or they would not be good; and the red letters of the good days would not stand out in bold relief were there not the deep black shadows of the rotten, joyless ones.”

This is of course true for more than just beagling, or any other sport—it applies to everything.
So I wish you many red letter days, but remember that there is an important purpose served by the “rotten, joyless days” as well.

Please weigh in on the advantages or disadvantages of having characters who engage in pursuits now no longer socially acceptable (and we don’t mean with each other), and how do you think this is best handled when writing about such a bloodthirsty age? Or, tell us your favorite dog or rabbit stories. We’ll pick a winner tomorrow!


Winner of a download of Kathryn the Kitten by Lavinia Kent, first in the Real Duchesses of London series is…

Jane
Winner of the Real Duchesses of London T-shirt is…
Artie Mesia
Ladies, email us at riskies@yahoo.com
Winner of a $.99 Kindle download of your choice for participating in Where In The World is Megan Frampton is…
Louisa Cornell
Louisa, email me at diane@dianegaston.com