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Please send your contact info to riskies@ yahoo.com and we’ll forward it on to Laurel Ann Nattress.
Last week I wrote a version of this blog for my Harlequin Historical Authors Blog, but I thought some of our readers here might have missed it. I wrote about a book I thought so wonderful, I wanted to be sure everyone interested in the Regency heard about it. My thanks to the Beau Monde member who mentioned it first (Isobel Carr/Kalen Hughes, perhaps?).
The book is a new research book, Vauxhall Gardens: A History by David Coke and Alan Borg, a coffee-table sized volume brimming with everything you’d want to know about these historical pleasure gardens. It was worth every penny I spend on it and I spent a lot of pennies!
I think of Vauxhall Gardens as the Disneyland of its time, a place people of all walks of life and social classes flock to for recreation, to see wonders that thrill, amaze, or simply entertain them. Things like fireworks and tightrope walkers, musical performances, frescos made so real you felt transported to a different land, spooky dark walks featuring a hermit at the end. There was food special to the place, just like the special foods we find at amusement parks or State Fairs. Paper-thin slices of ham, tiny whole chickens, orgeat (the soft drink of the day), poor quality wines, cider and ale.
Jonathan Tyers opened Vauxhall Gardens in 1729 and from the first made no distinctions between the classes. Everyone paid the same price of admission, so from the first, the classes mixed in the various entertainments like a Venetian Carnival. Throughout the years Vauxhall Gardens entertained visitors with music, a mix of performances from serious styles of music to light-hearted popular tunes of the day. A grand organ was included. Handel was featured. Popular vocalists appeared.
Artwork was always a part of the gardens, including paintings by Hogarth and sculpture. A statue of Handel came to personify Vauxhall and remained in the gardens most of its almost 200 years.
Other entertainments appeared, some from the beginning and some as years went on. Fireworks. Fountains. Lamps which were lit all at once. A rope dancer named Madame Saqui. I once mentioned Madame Saqui in one of my books and received a letter from a reader in the UK whose last name was Saqui. She’d not known of this possible ancestor until reading of her in my book
I love using Vauxhall Gardens as a setting in my books. Flynn, my hero in Innocence and Impropriety became smitten with Rose as she sang at Vauxhall Gardens. In A Reputable Rake, Morgana brought her courtesan students to Vauxhall Gardens to practice their lessons. A masked Graham Veall chose Vauxhall Gardens as a place to meet Margaret and hire her as a temporary mistress in my homage to Phantom of the Opera, The Unlacing of Miss Leigh.
I’m using Vauxhall Gardens again in Leo’s story, the last of the Welbourne Manor books, due to be released in 2012. This book is set in 1828 and I was delighted that my new research tome could give me detailed information of what happened at Vauxhall Gardens that year.
New was the Grand Hydropyric Exhibition, consisting of cascades of colored fire and water. A new vaudeville called The Statue Lover was introduced, as well as a short comic ballet called The Carnival of Venice. Even though there had been complaints of excessive noise the previous year, a reenactment of the Battle of Waterloo took place on the battle’s anniversary. They also introduced a lottery with dozens of different prizes.
I may not use any of those new entertainments in the book, but I did learn that Vauxhall Gardens did not open until June 4 of 1828. I’d set my story in May of that year, but now have moved it to the end of the London Season (because I like to be as faithful to history as I can be)
We’re all probably thinking of fall holidays instead of summer amusement parks like Vauxhall, but Vauxhall’s Dark Walk to visit the hermit could be akin to a ghost ride on Halloween. Or a Hay Ride, because a lot of hanky-panky went on on the Dark Walk.
Are you planning any Fall holiday outings? This Friday I’m going to the Library of Congress to hear my friend Carol Brown talk about costuming for places such as Dragoncon or the Renaissance Fair (12 noon in the Pickford Theatre and open to the public for any of you in Washington, DC)
On Halloween, Risky friend Michelle Willingham has gotten a bunch of us to have a Trick or Treat contest. Deb Marlowe is one of the “houses” for Trick or Treat, and my friend Darlene Gardner who writes for Superromance. We’ll all have prizes. Hey, Halloween is my next blogging day! I’ll have to try to find a Regency connection to Halloween. Check my website soon for complete details.
I also have a new contest going on my website. My September book, Valiant Soldier, Beautiful Enemy, is still available online, and don’t miss my October 2011 Undone short estory, The Liberation of Miss Finch.
Then my cold worsened into a sinus infection and I dragged for a while. Fortunately, this week I’m feeling better and working on catching up on everything I dropped, also getting back to exercize and writing. I’m feeling well enough to (perhaps foolishly) volunteer for stuff. A misunderstanding amongst volunteers has left our church Halloween Party hanging by a thread. It’s a much-loved event, the highlight being a Haunted House constructed by our very talented youth group. So when it seemed in danger of not happening, I stepped in for what my oldest called “a noble rescue”. That has a nice ring to it, doesn’t it?
So I’m sorry I’ve had no time to write a well-researched post on Halloween or Samhain customs and what people would have done at this season during the Regency! I’m too busy making plans for food, activities and crafts. I’m also finishing up costumes for my kids. Once again, the theme is Star Trek, though this year they aren’t going to “be” Vulcans.
I don’t always dress up, although one year, strapped for time, I went as a Tired Mom in bathrobe and slippers, bearing a ginormous mug of coffee. This time, since I’m coordinating the party, I’m feeling the urge to do something more special. Since my daughters aren’t using their Vulcan ears, I am thinking about borrowing them and going as some sort of Vulcan matriarch. T’Pau would be cool and properly intimidating to any rowdy kids, but the costume looks a bit complicated. And could I find two hunky Vulcan dudes to carry me in? I need to think about this some more!
What have you been busy with this October? Any costumes or other fun stuff in your plans?
This weekend I attended my husband’s family reunion in New Jersey near the Jersey shore, about 25 members in all, some from up and down the east coast, some from the west coast. On Saturday some of us drove into NYC and toured the Cloisters, the Metropolitan Museum of Art’s Medieval museum.
Now and then, writers’ groups will discuss reader reviews, the sort posted on Amazon, Barnes & Noble, Goodreads and other places. Negative reader reviews can cause angst, especially among new authors.
Although I once hoped to learn from reviews, I’ve found that is tricky unless there are enough reviews to show trends. Looking at individual reviews, one reader will love exactly the aspects of a story that another hates. I don’t think readers should be expected to be objective, not when professional reviewers often disagree. Objectivity isn’t the point, I think. Customer reviews are about voicing opinions and when possible, discussing them. In my opinion, that’s a good thing.
I don’t often post reviews myself, because it takes time away from writing and reviewing fellow authors could lead to all sorts of awkwardness. I do make an exception for books I love, especially if I feel they haven’t gotten the attention they deserve.
Would I make any rules for customer reviews? I’m not sure.
I recently heard that on some sites, there are customer reviews posted before the book is released or even before advance review copies (ARCs) are available. This one is pretty easy. I really don’t think anyone should review a book without having read it!
But does one have to finish? Personally, I wouldn’t review a book (or score it in a contest) without reading all of it. But a few years ago, I decided that I don’t have to finish a book I’m reading for pleasure if it isn’t delivering. I’ll always read at least a few chapters; there are books on my keeper shelf that I thought started slow. But if I’m not enjoying a book by about a third of the way in, I don’t force myself to read the rest. So by my rules, I’d never give a book less than a 3. But maybe it’s OK for readers in general to say “I couldn’t finish” (and the why of it would be helpful).
As for virulently angry reviews, authors benefit by being philosophical about them. Everyone gets savaged once in a while. There was a reviewer who said my first book gave her a headache; it hurt, being an early review, but I felt better when I found out she’d also given 1’s to books by Mary Balogh, Mary Jo Putney and a number of other favorite authors. It’s all in the free expression of opinion.
Anyway, I wouldn’t make any rules other than those usually in place (don’t change the facts, no personal attacks). You can hate the book, but don’t hate the author.
So readers, if one of my books ever starts to give you a headache, I give you permission to stop reading, right away. Then write a scathing review if it will help, but a nice, hot cup of tea might help, too. 🙂
How about you? Do you have any personal rules for reviewing, or rules you think others should follow?
Elena
www.elenagreene.com
www.facebook.com/ElenaGreene
Photo by Laurel Fan