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Monthly Archives: November 2011

Happy Tuesday, everyone! It’s been an exciting few days around here–there was an earthquake on Saturday (!!), the first one I’ve ever felt here in Oklahoma. I was over at a friend’s house watching episodes of The Walking Dead (which had me freaked out already) when the house started to shake and books fell off the shelf. I was sure it was the zombies. There was another one last night, but not as strong. My dogs are still freaked out.

But in better news….on top of Megan’s fabulous sale last week, I have one of my own to announce. I’ve sold an Elizabethan mystery series to NAL!! If you read this blog very often, you know about my deep love of this period, and I am so, so excited about these books. The first one opens in autumn 1558, in the dangerous days right before Elizabeth becomes queen. She is under house arrest at Hatfield, and when Queen Mary’s cruel agent is murdered and all of Elizabeth’s household is under suspicion, she asks Kate Haywood (my heroine!) to investigate for her. Kate is the daughter of Elizabeth’s music master, and a blossoming musician herself, so music and dance will definitely play a big role in these stories. (Book two will center around Elizabeth’s coronation…)

To celebrate, this weekend I went to listen to the Baltimore Consort (see their website here), a fabulous group that performs medieval and Renaissance music. It was very inspiring and lots of fun! (and a way to get away from all the Christmas ads on TV…I am NOT READY for Christmas!). If you enjoy early music like I do (I own far more CDs of lute music than one person should) you should check them out.

What have you been doing this week? Any earthquakes or storms in your area? And do you like to read mysteries???

I hope everyone who celebrated Thanksgiving is recovering from their feasts.

This year we brined our turkey and let me just say this is the first year ever when we did not have dry turkey. I also made pumpkin pie (from fresh pumpkin) and pumpkin bread (with and without cranberries). I also put whipped cream in my coffee for as long as the whipped cream lasted. I want more.

Chimneys

I have been unable to stop thinking about my post from last week in which I went off the deep end with the inventory of the contents of Fonthill. The reference to “chimney glass” continued to nag at me. So did “chimney ornaments” so back I went to Google and now I have a few more things to share.

First this:

Antique Chimney from Jamb

I came across Jamb which aside from being a beautiful website, is also a fantastic resource for chimney information and pictures. As well as lots of other things.

Any way, chimney glass is as you might have guessed, a mirror set above the chimney, though usually, from what I gather, in a large plate. If you were looking to cut corners, you might devise a decorative panel between the ceiling and the top of the chimney glass so you didn’t have to use as much glass. For quite some time, in rooms that needed to impress, the chimney glass went from mantle to ceiling.

At Fonthill, the South Bed Chamber contained: A chimney glass in a white frame, 2 plates 31 by 16 (I am pretty sure that’s inches, not feet, but 62 inches by 28 is darn big). In the Turkish room, there was this: A ditto [french plate glass] over the chimney, Seventy-three Inches By Fifty-nine, in a blind frame.

If you go back to the Turkish room inventory, most of the room that wasn’t windows was covered with mirrors. (Gee, I wonder why? They wouldn’t have done anything naughty in there would they? Nah.)

Chinmey Ornaments

Chimney ornaments on the other hand, are much more fun. They were, more or less, brik-a-bak for your mantle. They might be brass (such as a flat brass fiddler) or porcelain — one writer made a rather snide remark about all the porcelain Buddhas from China. They were also a source of craftwork for women. Things to make with which to decorate the mantle. There were also numerous instructions for making chimney ornaments from vegetables — cutting off the top of a carrot and letting the green part grow, for example as well as a recipe for crystalizing objects for the mantle using alum. You might crystalize a rose, for example, or any number of decoratively arranged objects from nature.

Fonthill, by the way lists: Two India and 3 china chimney ornaments so really, I think you could have anything there. Tasteful or otherwise.

Questions for the Risky Among you

So, if you were a rich Regency lady, what kind of chimney ornaments would YOU make? Or would you save your pennies and buy them? Would you give a crystalized rose to your beau?

Also, just curious, what would YOU do in the Turkish Room and who would be there to party with you?
 

I came across this in Stegman’s The Rule Of Taste:

[S]ince, however, Fonthill was not a cathedral but a house it was inevitable that it should be pronounced eccentric and looked on, if not with amazement certainly with suspicion, just as [George] Beckford must have appeared suspicious to his neighbors, a man who, inheriting a fine mansion, should pull down that mansion and build another and a greater, might be thought extravagant, but when he proceeded to pull that down in turn and replace it by yet another, and even larger, and with, moreover, a soaring tower, employing two armies of workmen laboring alternately by day and by night (the tower collapsed immediately it was completed, and was promptly put up again,)  then beyond doubt he must be thought eccentric; finally, for a man so wealthy and so evidently original to live alone in celibate aloofness was in the highest degree suspicious.

So, first, hella long sentence there, buddy!

Apparently, if Mr. Beckford had done all this but slept with the maids and local virgins and held parties, that would not have been suspicious at all.

I have a question for you guys at the end, so check it out.

Ah, to be Stinking Rich

Beckford, in case you don’t know, inherited 100,000 pounds. According to Stegman, he wrote Vathek (That’s a whole ‘nother post) in French in one sitting over the course of three days and two nights. (p84, fn 1) Also according to Stegman, he sold the house in 1822 for 330,000 pounds. The tower collapsed shortly after the sale because it had no foundations. The contractor was a cheat, it seems. The house was torn down shortly after the sale.

More Stuff

Google books is a goldmine, and I highly suggest a search for “Fonthill”, limiting your search to 1800-1825. There’s poetry and list of the books in the library. Here’s a link to the list of the contents being auctioned off in 1801. Ever wonder what kind of rooms these big old houses had? Here’s a few:

  • Dining Parlour
  • Turkish Room
  • Library
  • Grand Entrance Hall
  • Tapestry Room
  • Great Dining Room
  • State Dressing Room
  • State Bed Chamber
  • Great Saloon
  • Cabinet Anti Room
  • Picture Gallery
  • Small Anti Room
  • Right hand Attic
  • Left Hand Attic
  • West Corner Bedroom
  • East Corner Bedroom
  • Bedroom adjoining

Here’s a list of the contents of another of the bedrooms:

SOUTH CORNER BEDCHAMBER.

  • A blowing stove, shovel, tongs, poker, fender and hearth broom
  • A 5 foot 6 mahogany bedstead, with carved feet posts, double screwed, with quilted chintz furniture, lined with blue silk and fringed
  • A goose featherbed, bolster and 2 ticken pillows
  • A check mattress and 2 white ditto
  • Four white calico window curtains, 3 breadths, 10 feet long, with laths, lines and pins
  • Four white Holland spring blinds, with lines and tassels
  • A 3 feet 2 feet bedstead with white dimity furniture
  • A featherbed, bolster and 1 pillow filled with goose feathers
  • A white mattress, 3 blankets and a counterpane
  • A mahogany GUARDROBE, 8 feet wide and 8 feet 6 high, with sliding shelves and 4 drawers in the middle part, the two wings lined with green baize, 2 rods and 12 brass hooks to hang clothes on
  • A mahogany chamber table, a deal top for ditto and a pembroke table with 4 drawers
  • A mahogany chest night stool with brass corner plates
  • A neat inlaid French bedside table with cupboard, ornamented with ormolu
  • A ditto its companion
  • A mahogany chamber table with a drawer at the end, and a dressing glass with 3 drawers in a swing frame
  • A wainscot two-flap table, with 2 drawers, a dressing stool with cushion and case, a small glass in a mahogany swing frame and a mahogany stool
  • A pair of japanned and gilt fire screen stands, with Barre silk fan screens and 2 small mahogany chairs covered with striped hair cloth
  • Eight chairs neatly japanned with drapery backs and cane seats
  • A Kidderminster carpet to cover the room, 23 feet by 19 feet 6, exclusive of chimney
  • A pier glass in a rich carved and burnished gold frame, in two plates, bottom plate 43 by 37, top plate 37 by 26, and glass borders
  • A chimney glass in a white frame, 2 plates 31 by 16, and a dressing glass in a japanned frame
  • An inlaid pier table ornamented with ormolu
  • A neat inlaid work table en suite

Various KITCHEN And Other FURNITURE REMOVED FROM THE LOFTS.

  • Two copper kettles with covers and cocks and a still
  • A large pot and cover and a turbot kettle, plate and cover
  • An oval fish kettle, plate and cover, a stewpan and cover, 5 saucepans and 2 covers
  • Two large saucepans and covers and 3 stewpans and odd covers
  • Six French stewpans and covers and 2 cullenders
  • Four French stewpans and 2 covers, a frying pan and cover, 2 cullenders and sundry pieces of copper
  • An oval stewpan, a warming pan, a fish drainer, 2 brass skillets, 2 skimmers, 2 spoons, a bell metal mortar, pestle and a dredger
  • Two preserving pans, a bronze tea urn, a frying pan, 2 gridirons and 5 odd covers
  • Five pewter dishes, a fish drainer, 8 plates, 4 high iron candlesticks, a bronze tea urn, 2 tin stewpans and covers, a candlebox, a trumpet and a double gridiron
  • Eighteen stove trivets, part of the iron work of a copper, a large gridiron, a smaller ditto, 2 footmen, 3 beef forks, a pair of steak tongs, a cleaver and a charring dish
  • Two high charring dishes, 2 hand ditto, a pair of dogs, a round fender, a pigrron; a salamander, 3 jack chains and £ round stoves
  • Three tin fenders, and 3 iron ditto, large spits and sundry tin ware
  • Twenty tin steam kettles, a lark roaster, sundry tin paste and patty moulds and a quantity of tin ware
  • A German stove and pipe, 2 baking tins, 4 mahogany dish stands, a cheese ditto, 58 blanc-manger and pudding moulds
  • Two iron fenders, 2 steel ditto, 4 fire shovels, 3 pokers,2 pair of tongs, 2 high brass candlesticks, 10 pair of bellows and sundry lamp stands

TURKISH ROOM.

  • The BARRE SATTIN HANGINGS of the ROOM containing about 205 yards, fringed, with a rich silk fringe, with gold and silk Bullions
  • A superbe Ottoman Sofa with the return from the door to the chimney, 2 squabs, 9 back cushions, 3 seat ditto and 2 bolsters, filled with hair, in canvas, covered with Barre sattin, trimmed with silk fringe, a set of cotton and a set of dimity cases, compleat
  • A DITTO, en suite with the preceding, from the glass with the return to the chimney, and 2 sets of cases
  • Six Stools, gilt in burnished gold, covered with Barre sattin, finished with gold welt and silk fringe with white dimity cases
  • A pair of Superlatively Elegant TRIPODS, formed a la Turque, exquisitely carved and gilt in a superior and expensive stile, designed by Boilieu
  • A capital Axminster Carpet, maroon ground, with a coloured border, 20 ft. 3 by 19 ft. 9, exclusive of chimney and windows, and a piece for the door way
  • A brilliant French Plate of Glass between the windows Ninety-eight Inches By Forty-eight, in a blind frame
  • A ditto, facing the door, Eighty-seven Inches By Forty-five, and a carved and gilt frame round the sides and top
  • A ditto over the chimney, Seventy-three Inches By Fifty-nine, in a blind frame
  • Two white Holland spring blinds and a hearth rug
  • Two pair of sashes, glazed, with 16 squares of plate glass, 22 by 19, and 2 pair of window shutters, with the suffcit, richly carved, gilt and painted, by Feuglet
  • Four Paintings on the cielings [sic], (by Boileau) the architrave, mouldings, and all the carved and gilt wood ornaments on ditto

LIBRARY.

  • Three lilac sattin festoon window curtains, lined, 10 ft. 9 long, with laths, lines and pins, compleat
  • Three pair of door curtains to match the last lot, 7 ft. long with brass rods
  • Four stools, carved and gilt, in burnished gold, the tops, stuffed and covered with sattin, with white dimity cases
  • A Brussels Carpet to cover the room, 22 ft. 6 by 19 ft. 6, exclusive of fire place and windows
  • Two India and 3 china chimney ornaments
  • Two bookcase doors with wire work and mahogany tops in 2 windows
  • Three mahogany doors with wire work west side of the room
  • Three ditto and 2 pair facing windows
  • Six ditto fronting the chimney and 2 ditto on return of side room
  • A neat inlaid sattin wood oval Pembroke Table with a drawer on castors
  • Three white Holland spring blinds and a hearth rug
  • A marble bust of Homer, on an inlaid marble pedestal
  • A ditto of Virgil on ditto
  • A 45 inch Bath stove, shovel, tongs, poker and fender
  • An elegant sattin wood Library Table, inlaid and banded, the top covered with red Morocco leather
  • Two small tables, on rich carved and gilt frames, 20 by 12

Question for You

So, having perused this, tell me in the comments what you thought/imagined/desperately desired as you read the various lists.

Me, I say, PARTY IN THE TURKISH ROOM!

Four French Ladies All Duded Up.

I took the photo above with my Nikon D-80, a camera I love, but for which I do not have the correct sort of lens for this endeavor. My apologies for their blurry feet. You’ll have to take my word for it, their shoes are cute. Over on the left, underneath the cute slippers, the text says “Restoration 1815” Since this is FRENCH fashion, that would be the restoration of Napoleon. Over there on the right, it says “Restoration 1830”

It’s from my book “History of Fashion” which you don’t find out until you look at the interior that it’s

The History of Fashion 
In France

The book does have all the original color plates on very thick paper. They’re really, really vibrantly colored so I love looking through this book.

Anyway, in just 15 years, fashion changed pretty dramatically.

French Lady No. 1: Well, no, jeune fille. Awesome reticule but the flounces are a bit much for me. Not a complete fail. She’s rocking the colors: pink ribbon, pink hat, green gloves and yellow and green shawl. Sorry French Lady No 1. I will have to vote you off the runway for excessive use of flounces.


French Lady No. 2: Eglantine wears a more successful concoction. This is a prettier gown if you ask me. But come on. That gown makes her look pregnant. Or else she is. If she is, awesome maternity gown! If she’s not, that’s a fabric fail. The picture strongly suggests her scarf is attached to her head. A secret weapon, perhaps? It looks like a ribbon scarf but it’s really a lasso.


French Lady No. 3: Well. I say her name is Martine, and but what the F are those yellow things? I mean I know they’re bows, but to me they look like squirrels disguised as bows. If I were a guy, I’d be afraid of those bows. Nevertheless, lose the bows and I like this dress. The enormous sleeves will keep squirrel lovers at bay.

French Lady No. 4: Pink. That rocks. I used to hate pink but now I don’t. From the hem to the waist this frock is a major win. Above the belt? That’s a superhero costume. I am umbrella lady! Radioactive bullets shoot out of my sleeves! Also, how the hell can she possibly breathe with that belt so tight? That’s why she looks sad. Because she can’t breathe. She doesn’t have to be voted off the runway. She’ll fall off when the oxygen runs out. 3…2…1 Kablam!

You decide who wins

So, who wins the Time Travel Project Runway show? Opine in the comments.