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Monthly Archives: February 2012

I’m on the downhill slide of my Marquess and Governess story and plan to finish by Friday. Last week on Diane’s Blog I listed various things I’ve researched for the story. Here are some more:

The Ring in Hyde Park
Title Names in The Incomplete Peerage
How to Speak English Like the Irish
Gunter’s Tea Shop
Floris Perfume Shop
Fencing Terms

Have you guessed the story yet?

(Wish me luck! I do want to finish this on time)

** The image is a Meissen porcelain figure dated 1772. If this were me, picture those bottles as Diet Coke.

Once in a while, I read customer reviews or get reader mail complaining about the level of sex in my books. I think this is partly my own fault, because I’ve written everything from the sweet traditional Regency (my first two stories) to my newest novella, which was originally targeted for Harlequin’s sexy Undone! line. It’s no wonder that readers who prefer just one heat level get confused.

But I’ve actually put a lot of thought into how to package my reissued stories. I want my covers to hint (though not scream) at the sensuality. I’ve also try to address this in the product descriptions I write (excerpt here).

LADY EM’S INDISCRETION is an original, sexy Regency novella (short story) by award-winning author Elena Greene. Length: about 13,000 words (7 chapters). Sensuality: Erotic. Lovemaking scenes are central to the story.

I didn’t originally call this story “erotic” because I’ve read erotic romances that are far edgier than this (bondage, multiple partners, etc…) I only updated it to “erotic” after several complaints. But I still get the occasional review that this novella has too much sex in it. Funny, they also sometimes complain that it is too short.

So while at a pub with friends last night, I wracked my brains and came up with a brilliant solution for helping readers find what they want.

I thought about the fact that I read all levels of romance, from sweet to erotic. Characterization and storytelling are what matter most. But it’s totally different when Buffalo chicken wings are concerned. “Mild” is too bland, “Hot” is too spicy and “Suicide” would probably kill me. So it’s always “Medium” for me.

Taking the chicken wing analogy to romance, romance novels could be categorized and labeled as follows:

Mild – things you can talk about at a PTA or church meeting
Medium – things you’ll admit having done
Hot – things you’ve actually done
Suicide – things that are fun to imagine but you’d probably never do

All we have to do is get bookstores and reviewers to buy into this. It should be a snap.

What do you think? How would you handle this?

Elena
www.elenagreene.com
www.facebook.com/ElenaGreene

For the past two weeks, I’ve been waiting, fairly patiently, for some good news to come my way. I believe it is on its way, it is good writing news, and I am anxious for it to occur.

Someone pointed out that in the age of instant gratification, where you can find the weather, an old friend, or the perfect pair of shoes in an instant, waiting for close to two weeks can seem like an eternity (it does!).

But in our period, waiting was a part of everyday life; you waited to come out as a debutante, you waited for the appropriate gentleman to make his addresses, you waited for dinner, and events, and a long-awaited treat, like a picnic to some old ruins with convenient hiding spots for smooching. So how did our heroines wait? Let’s ponder:

Traditional Regency Heroine:
–Exchanged witty banter with her best friend or the hero. Perhaps visited with her horse, to whom she told her troubles, and explained how hard it was to wait.
–Took tea with her old nurse/governess. Ditto on the telling troubles to.
–Sat in the corner with the purple-plumed dowagers as she observed the more popular girls already dancing.

Regency-Historical Heroine:
–Took a turn on the veranda because the rooms inside were too warm. Stumbled across the hero or the villain, both of whom took advantage of her, with a heroic rescue in the latter case.
–Went to fix her gown, where she overheard some scandalous/scurrilous gossip that would then impact her future happiness with the hero.
–Disguised herself and went to a gentleman’s club because she’s tired of waiting to have fun.

Racy Historical Heroine:
–Decided not to wait for marriage.
–Disguised herself and went to a gentleman’s club where she meets many gentlemen, both together and in succession.
–Waits for no man. Takes what she wants, oftentimes not waiting to get dressed.

What’s your best waiting strategy?

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