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Monthly Archives: March 2012

I’m excited. Our guest today is Harlequin Historical author and pal Deb Marlowe, talking about her March release, Tall, Dark and Disreputable. Deb, Amanda, and I have known each other for years, even before Deb and I had books out, but we became especially good friends after the 2003 Regency Tour to England. When Harlequin gave the three of us an anthology, The Diamonds of Welbourne Manor was born, complete with its spin-off books and short stories. (the last of the Welbourne Manor books, A Not So Respectable Gentleman? is mine, coming out in August, by the way)

Deb will be giving away one signed copy of Tall, Dark and Disreputable to one lucky commenter, chosen at random.

In Tall, Dark and Disreputable, Deb again brings her unique characters, a mystery to be solved, and rich historical detail to a great story, but don’t just take my word for it. Look at what the reviews say:

Marlowe pens another winner full of memorable characters, authentic historical details and lots of action, mystery and passion. Regency historical fans are in for a treat–RTBook Reviews.

A beautifully written tale of two people’s struggle for independence and freedom of choice, Tall, Dark and Disreputable turns into so much more–Cataromance

I didn’t want to put this book down. The pace is fast and the chemistry between Portia and Mateo sizzles off the page–Rakehell

 
Welcome back to Risky Regencies, Deb. Tell us about Tall, Dark and Disreputable.
Tall, Dark and Disreputable started because I fell in love with a character in my first book.  Mateo Cardea is a charmer!  He’s an American of Sicilian descent, a former privateer, and the  smooth talking Captain of a merchant ship.  I couldn’t wait to set him loose on Regency England!  At the start of TDD he’s returned to England because he’s found that his family legacy–the shipping company he’s prepared his whole life to take over–has been willed to someone else.  And not just anyone else, but to the woman he refused to marry long ago!  He arrives in England furious, but he finds Portia Tofton is in trouble too.  She needs his help to save the estate that her late husband gambled away  They find that they have to work together to unravel a family legend–and their feelings for each other.
How did you come up with the idea for Tall, Dark, and Disreputable?
I wanted to explore the idea of a family curse or legend and how it might affect the lives of the people who came after.  It’s hardly fair, is it, that they would have to deal with a situation brought on by others?  But isn’t that what we do?  We thrust our characters into difficult and unfair situations that they must make the best of, then sit back and watch!
What is risky about the book?
I suppose it is risky because Mateo is not a Duke, a Lord, or even an Englishman.  And Portia is the daughter of an Earl, but she’s turned her back on her early life.  It’s a story of two people who want to live according to their own dictates in a time that it was difficult to do so.
Did you come across any interesting research when you were writing the book?
Portia is a gardener and a lover of landscape design.  I had a grand time researching all of the rich history associated with gardening in the period.  So many estates had such lovely grounds and gardens and I immersed myself in the world of Capability Brown and Humpry Repton.  In fact, I have an article about Regency Gardens on my website.  You can check it out at http://www.debmarlowe.com/articles/regencygardens.shtml
Tall, Dark, and Disreputable was released in the UK in 2010. What is it like to promote a book that you probably moved on from two years ago? Did you have to reread the book to remember it? (I would have)
Well, I did get it out to revisit, but it didn’t take long to bring it all back!  I absolutely adore the cover for the NA release–it really lives up to the title!  I’m so thrilled that it has come to North America at last–I really loved writing Portia and Mateo’s story and I’m having a blast reliving it again!
What’s next for you?

In June I have a new release:  Unbuttoning Miss Hardwick.  It’s the tale of a reclusive nobleman and the woman he hires to help him organize and display his incredible weapons collection. It’s a rollicking story with such disparate elements as a mysterious Hindu spear, party planning, an obsession with men in boots and the very difficult feat of dropping the masks we hide behind in order to embrace love.

Question for Readers:  Portia and Mateo both have pressing needs that seem to preclude any chance at them having a real relationship.  They are not sure they can trust each other, let alone give up their most important dreams for a chance at love.  What about you?  Have you ever made a sacrifice in the name of love?  Or known anyone who did?  Did it work out?Comment for a chance to win a signed copy of Tall, Dark and Disreputable. Winner will be announced Monday night.

I love to collect inspirational quotations. I even subscribe to an email Inspirational Quote of the Day. Today’s inspirational quote:

“I believe that imagination is stronger than knowledge. That myth is more potent than history. That dreams are more powerful than facts. That hope always triumphs over experience. That laughter is the only cure for grief. And I believe that love is stronger than death.”
— Robert Fulghum
(author of All I Really Need To Know I Learned In Kindergarden)

Another favorite of mine:

It is never too late to be who you might have been.–George Eliot

This got me thinking to search for some inspirational quotes from “our” era, the Regency:

Let’s start with–who else?

“There will be little rubs and disappointments everywhere, and we are all apt to expect too much; but then, if one scheme of happiness fails, human nature turns to another; if the first calculation is wrong, we make a second better: we find comfort somewhere.”
–Jane Austen (Mansfield Park)

Here’s another:

“Be discreet in all things, and so render it unnecessary to be mysterious about any.”
–Duke of Wellington

This one will surprise you:

“The highest of distinctions is service to others.”
–King George IV

The Poets:

“He ne’er is crowned with immortality Who fears to follow where airy voices lead.”
–John Keats

“Be thou the rainbow in the storms of life. The evening beam that smiles the clouds away, and tints tomorrow with prophetic ray.”
–Lord Byron
(It was hard to find a quote of his that was not pessimistic or cynical)

“I can give you a six-word formula for success: ‘Think things through – then follow through.'”
–Sir Walter Scott

The Brontes:

“There is only one difference between a madman and me. I am not mad.”
–Charlotte Bronte

“I have dreamed in my life, dreams that have stayed with me ever after, and changed my ideas; they have gone through and through me, like wine through water, and altered the color of my mind.”
–Emily Bronte

“But he that dares not grasp the thorn Should never crave the rose.”
–Anne Bronte

What are your favorite inspirational quotes or quotes from the Regency?

(The painting is The Artist in the Character of Design Listening to the Inspiration of Poetry by Angelica Kauffmann 1741-1807)

Today I’m sharing all my bread secrets. Bread, but rather unlike the stuff we eat now, was the staple food of the Regency, for the poor in the form of the quartern (four pound) loaf. The Corn Laws, protecting landowners from foreign imports of grain, caused the price of bread to rise dramatically and created much hardship.

Bread in its basic form is yeast, flour, salt, and water. That’s it. Regency yeast would have been skimmed from frothy nasty stuff in beermaking or a form of sourdough from a baker. It would not have had much rising power and the wheat was a soft (i.e. low in gluten) variety so the bread would have been rather solid. Bread takes a hot oven and most poor people bought bread, not owning the fuel or a suitable oven to bake it, thus putting them at the mercy of ever-rising prices.

I use a sourdough and here it is. Looks disgusting, doesn’t it. By the way, sourdough is very easy to make and maintain. I read all sorts of dreadful rubbish online about the complexities and terror of sourdough, but here’s the dumb easy way: 2 cups flour, 2 cups water, half Tbsp. yeast. Mix. Let it stand loosely covered (rogue yeast in the air will come a-courting). Stir and take out a cup or so every day, add an equivalent amount of water and flour. After a week transfer it to the refrigerator where it will need a stir and feed weekly. It will go on indefinitely, smelling like beer and producing thin brown liquid (alcohol) and sometimes a rather revolting skin. Some sourdoughs are very old. Mine is only a month or so old.

I make a lot of bread so I don’t usually measure but generally 1 Tbsp yeast to 2 C liquid makes a couple of loaves. I use the sponge method, where you start off with the elements–yeast, water, sugar (not essential but cheers up the yeast). Myth #1: you don’t need to bring your liquid to a boil and let it cool, even if using milk–milk is all pasteurized now. You don’t even have to warm it, but again, it keeps the yeast happy. Myth #2: you must keep everything warm. Cold slows down the yeast but it’s heat that kills it, which is what happens when you bake–otherwise it would eat the oven.

It is a time consuming process but consider this–you can let bread rise overnight, or during the day in the refrigerator. You can freeze dough and bring it back to life at room temperature. It’s very forgiving. I started yesterday’s bread at 4:30 and it was cooked ten hours later but that’s because my sourdough does not work fast. You can make a whole bunch of dough and store it in the refrigerator, where its flavor will improve, and cook it up as you need it.

Since sourdough takes a long time to prove (raise the bread dough) I usually toss in a little yeast, about half Tbsp, and a Tbsp or so of sugar, and enough flour to make a sort of mud. Then you beat the crap out of it. 200 strokes should give you a nice smooth bubbly mud, and the bubbles show that the yeast is having babies. Good!

Cover it with a damp teatowel (or plastic wrap) to keep bugs and cool breezes out and let sit. I gave mine a couple hours in a mid-60 room and this is what happened. Many bubbles. Many yeasty HEAs and epilogues.

Stir down and add in the elements now that inhibit rising–salt, a good splash of olive oil, and I added in some cooked and cooled quinoa and rolled oats this time to up the protein. And then you add in flour. Lots of flour. Incidentally this is the method, if you just keep adding and adding flour, that is the “no-knead” technique. It’s a workout. But we’re going to knead.

You dump it out onto your floured work surface and it’s a horrible sticky mess. (The black thing is a plastic tool for scraping out the bowl.) You knead in more flour. Your hands look like a zombie’s. (Go to youtube for lots of kneading demos.) I love this part of the process when the dough starts changing, becoming smooth and shiny. And you end up with this, on the right.

At this point I abandon my nice ceramic bowl and use my dollar store plastic containers because it’s so much easier to assess the progress of the bread. You want it to double in size which will take a few hours. Slow rising = good flavor. But you don’t have to watch it. You can go write or read. And then, you meanie, you punch it down, which means you press it down with your knuckles (right) and let it rise all over again. You can skip this step; last night I pulled off a large chunk to make pizza (no pics, we ate it all).

After it’s doubled again (or got pretty close) you punch it down once more and transfer it to your working surface. I’d decided to make mine cinnamon-walnut-raisin bread so I rolled it out and added those ingredients, and then folded it over and over to knead them into the dough.

Here’s the dough shaped into loaves and put into my amazing French bread pan made by Chicago Metallic (this is an excellent site for bread porn, as is the King Arthur Flour site). It’s perforated which creates steam and a crunchy crust.

Cover it and let it rise some. I usually lose track of how long this takes. Preheat the oven to 400 degrees. You need a hot oven. You can put an egg-milk wash on your loaves if you like. You know when they’re done if they look like, well, bread, and have some color and sound hollow if you tap the bottom of the loaf. This is why it’s essential to invest in a high quality bread pan where you can tip the loaf out and examine it.

And here they are, all cooked and lovely:
Yum!

Tell me what you like to bake. Bread, cake, cookies? Try some bread and let me know how it turns out.

Posted in Research | Tagged | 5 Replies

Many of the Riskies–probably all, when I review all of our books–have had our heroes and heroines cross class lines to find love.

Right now, I am revising a manuscript where a genteel woman meets and falls in love with a member of the aristocracy. And I am reading Loretta Chase’s Silk Is For Seduction, where a dressmaker meets–and presumably falls in love with–a member of the aristocracy. A duke, no less.
Now, we’ve all discussed how dukes are very thick on the ground in our romances, and that it would be near impossible for a duke to actually marry someone who didn’t share some of his aristocratic blood lines. So just pretend the hero or heroine is a member of the aristocracy, but not as high as a duke; can you suspend disbelief enough to think they’d fall in love? I know it happened in real life, if rarely, and could those couples look forward to a married life of ostracism from the ton? How different would their worlds be?
In my heroine’s case, she’s never left the small village where she grew up, and now she is heading for London, where she will be introduced as the hero’s wife. I’m wrestling with how much she would know already, in terms of polite behavior, and if she would be absolutely freaked out upon encountering London. She does take things in stride, generally, but it would still be a shock.
Last question, do you like reading romances where the couples cross class lines? Which are your favorite?
Thanks!
Posted in Reading, Writing | Tagged | 8 Replies