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Monthly Archives: December 2012

greenjaneAs an adjunct blogger, I missed Risky Regencies’ Jane Austen week, but I cannot let another week go by without my own acknowledgement of what Jane Austen has meant in my life.

I have been reading Jane Austen yearly since – well, since before I can remember.  I was delighted when, in the 1980s, the BBC productions of Jane Austen’s novels were brought to us on PBS.  But nothing thrilled me as much as the BBC/A&E production of Pride and Prejudice in 1995.  Along with half the women in the English-speaking world, I fell in love with Colin Firth’s Fitzwilliam Darcy and the adaptation in general.  I had ordered my own videotapes (yes, it was that long ago) before A&E had even completed broadcasting the series.

atlogNot long after that, I began developing The Republic of Pemberley along with Amy Bellinger, who had started a discussion forum just to talk about that 1995 adaptation.  Over the years, Pemberley has grown into a pretty big Jane Austen destination on the web.  We talk about a lot of things besides  Colin Firth these days and have created some interesting Jane Austen-related material.  I’m pretty proud of what we’ve done and would like to share some with you.

Early on, we incorporated the Jane Austen Information Page, an idiosyncratic compilation of Jane Austen facts and criticism, collated and created by Henry Churchyard (an early member of The Republic of Pemberley’s management committee).  Henry has moved on, but Jane Info, remains and I keep threatening to reorganize it one day.

qbackAlso in our early days, we were a big fan fiction hub.  Our Bits of Ivory board drew everything from the initial version of Pamela Aidan’s best-selling Fitzwilliam Darcy, Gentleman trilogy to stories like “Pemberley High.”  Eventually, we decided that fan fiction was not our focus and it made its way to other sites such as The Derbyshire Writers’ Guild (an early spin-off from Pemberley). But we continue to maintain, The Bits of Ivory Archive, a collection of the early fan fiction posted on our site.

As the Republic of Pemberley focused more on Jane Austen, we began developing some interesting additional material.  I’m particularly fond of Jane Austen Locations, a compilation of links to sites in Jane Austen’s life and locations used in adaptations of her work.  Like everything on our site, it’s a work in progress.

Another fun addition to Pemberley is The Jane Austen Gazetteer.  This page is an exhaustive exploration of actual locations used in Jane Austen’s novels.  It uses period maps, guidebooks, and illustrations to provide information that Jane Austen would recognize regarding each location mentioned in her six novels.

There’s more (there’s always more).  We maintain a database of current Jane Austen-related events:  celebrations, meetings, festivals, plays, readings.  This is not exhaustive, although we wish it were.  We do group reads of Jane Austen’s work two or three times a year.  We maintain on-line copies of her work.  We do other stuff.  We celebrate Jane every day.  We’d love to have you celebrate with us.

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Susanna Fraser was scheduled to post today but she is in deep deadline frenzy, making sure her new book, A Dream Defiant (coming in July, 2013) is the best it can be before delivering to her editor. Apparently, no one told her the world was ending today.

Just in case we are all still here, I’m sharing a little holiday rant.

I am sick of hearing “Carol of the Bells” used to sell stuff. I have heard it sung in different variations with banal commercial lyrics, barked by dogs, honked with car horns, hammered and buzzed with power tools.  I used to like it but now I think I need a very long break before I can hear it again without gritting my teeth.  For me, it has come to embody the commercialism of the season: the message that you can buy happiness and that Christmas is wonderful for everyone, when we all know there are people for whom it is a difficult time.

When holidays get too stressful or commercial for me, I listen to early Christmas music.  It takes me into an earlier time and to a more peaceful place in my soul.  This is music that doesn’t deny that there is suffering in the world but instead offers a sense of enduring beauty and goodness.

So yesterday, I happily spent some time searching around YouTube for some examples to share.

The first is from one of my favorites: the renowned women’s a capella group, Anonymous 4. It’s the Alleluia: “A Nywe Werke” (15th century English).

The next is a version of “Gaudete” performed by a youth choir from Harrogate, England. It’s very sweet and lovingly done.

I first heard “Riu riu chiu”, a 16th century Spanish villancico (a type of popular song), performed by the local Madrigal Choir of Binghamton. When I searched for this carol on YouTube I discovered that the Monkees had performed it in 1967! I clicked on it and, well, see for yourself.

So how about you?  If you need to de-stress during the holidays, how do you do it?  What is your favorite holiday music?  Does anyone else think we need a break from “Carol of the Bells”?

Elena

Rupert-Friend-Wickham

This week, we’re examining what Jane Austen has meant to us–and to say that Austen has informed every aspect of my subsequent reading and writing would not be an overstatement. In fact, Austen’s themes and style is present in my own writing even when I don’t realize it.

My romantic women’s fiction title, Vanity Fare, comes out in less than two weeks (Dec. 26), and some early reviewers are pointing out the similarities to Pride and Prejudice–more similarities than I even realized I had! I knew that I had put in a very Mr. Darcy moment when one of the characters rescues another from a bad financial situation. But there’s more Austen in there, as a review from Book Lovers, Inc. points out:

“In fact, it was clear to see many connections with Pride and Prejudice in the book, from the portrayal of Nick and Simon, to the financial mess Molly’s mother was going through. It was a modern take on the classic, albeit one that could stand on its own merits too.

As much as the story was about Molly finding a way to pay the bills and maybe find love, it was equally about Molly finding herself. Jane Austen’s generation might have tsk’d at the idea of this, but it was very cool to see Molly go from being dependent on her ex-husband to being able to speak for herself and find the strength within to become self-sufficient.”

While this example is both self-serving and timely, my Austen experience covers more than just my latest release. Austen embedded human truths within a deceptively simple read, and each reading, or viewing of the screen interpretations of her work reveals some new facet to the truths.

Thanks, Jane. You rock.

Megan

 

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