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Monthly Archives: March 2013

carriageI was down much of this week due to a stomach bug, but I’ve had a great time catching up today.  What an interesting week we’ve had at the Riskies!

Diane started out with Real Research? a discussion of whether it’s OK to base one’s research on that of popular authors in your genre. Then Amanda posted on Real Things (objects from Jane Austen’s life), Carolyn posted an Interview with Susan Broadwater of the Regency Library and Janet brought us the fascinating story of Anne Lister in Same Sex Marriage, 1834.

Diane’s original post reminded me of a recent writers’ loop discussion of historical accuracy. Some people were shocked when I put forward my belief that HISTORICAL ACCURACY IS NOT IMPORTANT when it comes to having a successful career writing Regency era romance.

I’ve read enough bestsellers, RITA finalists and even RITA winners in the genre that include errors of title usage, people traveling from London to Cornwall in the matter of a few hours, horses galloping for hundreds of miles without dropping dead, etc… to know this is true. Their popularity proves that there are vast numbers of romance readers out there who don’t care much about such things.

I don’t even mean this as a criticism of these authors. Not at all. Their popularity proves that they are consummate professionals. They are providing good entertainment for their loyal readers, they are supporting themselves, putting their kids through college, etc… All things I want to do. And they’re doing it by writing good STORIES.

The lesson I take away is that the story (in this case, the romance) comes first.

Does this mean I don’t research any more? Not at all, for several reasons. First, why annoy the smaller percentage of readers who are knowledgeable enough to be annoyed by things that can be checked relatively easily?

But the main reason I research is because it’s part of my process. It helps ME write MY stories. I have never gotten reader mail complimenting me on my meticulous research (and heck, I make mistakes too). But I have gotten mail and reviews saying my stories were a bit different, in a good way.

The point is, research inspires me.

I’m feeling more inspired this week, having added some books to my TBR list and resolved to subscribe to the Regency Library!

What inspires you?

Elena
www.elenagreene.com

220px-Lister_anneCutting curl papers half an hour … Arranging & putting away my last year’s letters. Looked over & burnt several very old ones from indifferent people … Burnt … Mr Montagu’s farewell verses that no trace of any man’s admiration may remain. It is not meet for me. I love, & only love, the fairer sex & thus beloved by them in turn, my heart revolts from any other love than theirs…

Could not sleep last night. Dozing, hot & disturbed … a violent longing for a female companion came over me. Never remember feeling it so painfully before … It was absolute pain to me.

I recently stumbled across an amazing piece of history, the story of Anne Lister of Yorkshire (1791-1840), whose life represents a fascinating alternate history of the Regency. She kept a diary for most of her life which chronicles not only her experiences as a female landowner but also very  intimate details of her personal life, coded in a combination of Greek and algebraic symbols. codeddiarysampleIt’s been described as “the Rosetta stone of lesbian history.”

The BBC made a film of her life in 2010, The Secret Diaries of Miss Anne Lister and there’s a documentary about her which you can find on YouTube, created and narrated by the smart and witty Sue Perkins of the SuperSizers.

shibden-hall-in-halifaxHer father was an army captain, a member of a well-established gentry family who lived near Halifax. The only girl in the family, Anne revealed herself as a tomboy, intellectually precocious, smart, able to fence with her brothers and play the flute–“Zorro meets James Galway,” as Sue Perkins describes her. She was sent away to a boarding school in York in 1804 where her overwhelming presence proved so disturbing to the other girls that she was banished to an attic room. There she acquired a roomie, another misfit, the illegitimate daughter of a nabob and an Indian woman, Eliza Raine. They embarked on a passionate love affair, with an exchange of rings and poetry. Now the circumstances weren’t that unusual in an era where men and women were pretty much segregated, and sentimental friendships between young women were common, if not encouraged. But the authorities discovered the phsyical aspects of the relationship, and expelled Anne. Poor Eliza, as the friendship and correspondence faded, fell into a decline and was sent to a lunatic asylum in 1816 where she lived until her death at age 68.

Anne, back in Halifax, embarked upon a predatory sexual career, probably doing most of her cruising at “the one floozy hotspot where she knew the local lovelies would come in droves” (Sue Perkins)–church. Of course most of the local girls would be extraordinarily flattered to attract the notice of the Queen Bee of the neighborhood, even if they ultimately got more than tea and cakes. Anne’s first affair was with Elizabeth Brown, the daughter of a tradesman. Anne, a real snob, post-conquest noted in her diaries that Elizabeth was dirty and distinctly beneath her socially. (Doesn’t this remind you of Emma taking on–and dropping–Harriet Smith?)

But in 1813 Anne met Marianna Belcombe, who was slightly higher up the social scale, the daughter of a doctor. After some time Marianna married for money (and why not? Anne wasn’t offering to support her).  Despite her initial feelings of betrayal, Anne continued their relationship, this time with the frisson of adultery (which technically it wasn’t). But after ten years, Marianna dumped her, telling her that gossip about Anne’s increasingly masculine appearance was becoming embarrassing.

This was not news to Anne.

The people generally remark, as I pass along, how much I am like a man. At the top of Cunnery Lane, three men said as usual, ‘That’s a man’ & one asked ‘Does your c*ck stand?’

But it seems that she also enjoyed her male characteristics, particularly in the thrill of chase and conquest. She liked compliant, pretty women: and, like many of her male counterparts, treated her partners shabbily.

There was a dramatic change in Anne’s life in 1826 when she inherited Shibden House and 400 acres of land. Now she was a force to be reckoned with, one of the elite, and absolutely independent. But she was threatened by the nouveau riche in the area, Halifax being at the heart of industrial expansion. She needed cash. Heck, she needed a wife. And she found one a few miles away, a Miss Ann Walker who was also an heiress. York,_Holy_Trinity_Church,_Goodramgate_-_geograph.org.uk_-_1115416In 1834 the two women attended Mass at Goodramgate Church in York, followed by a blessing from the clergyman which they felt sanctified their union. They now considered themselves married, and Ann moved into Shibden where they shared their wealth.

Anne then made a venture into coal mining, one of the best ways for a landowner to get rich, by opening the Walker Mine (aaw). The captains of industry were not amused, in particular one Christopher Rawson, a distant relative of Ann, and a local magistrate. He incited a mob in Halifax to burn the two women in effigy. Was it homophobia or just outrage at an uppity woman (which Anne certainly was)? But Anne got the last laugh. She opened another coal mine, undercut Rawson on prices and forced him to back down.

Anne was a remarkable if not always likeable woman. She was the first woman to be elected to the committee of the Halifax branch of the Literary and Philosophical Society, and a bluestocking who knew Latin, Greek, and geometry. She managed her lands herself and built schools for her tenants. (So in some respects she would have been an excellent romance heroine. Apart from the lesbian thing.)

In addition she traveled widely abroad, visiting not only tourist spots but also factories, prisons, orphanages, farms, and mines. 800px-Lister_graveShe also visited the famous Ladies of Llangollen. So it’s sad that on one of her jaunts abroad to Russia in 1839 she died of something quite minor–probably a tick or flea bite–and poor Ann, who outlived her by many decades–brought her body home for burial.

Her diaries–some 26 volumes, over 4 million words, with an index (which surely indicates Anne left them for posterity)–were hidden in Shibden Hall. They were discovered and translated in the 1890s by an indirect descendant, John Lister. But he was advised to hide them once again. During that period, when homosexuality was a crime and the theory that it was hereditary was developed, the revelation of the diaries might have damaged John Lister, who was gay. They were discovered  again in the 1930s, when the British censors had their knickers in a twist about Radclyffe Hall’s The Well of Loneliness–again, not a good time for Anne to posthumously come out.

whitbreadA local historian ran across them again in the 1960s but the town of Halifax, who now owned the diaries, refused permission to publish. Finally, in 1988, Helena Whitbread decoded them and published them–and sadly, her book is now out of print!

I find the life of Anne Lister fascinating. It certainly made me wonder about other relationships of the era–those sentimental friendships, the companions, the friends sharing beds. I also wonder how women without her advantages, of birth and wealth would have fared in a similar relationship. Most middle class women had no choice but to marry–as Amanda Vickery says in Sue Perkins’ documentary, in this period “the ultimate aphrodisiac was the length of a man’s rent roll.”

Had you heard of Anne Lister? Do you have any favorite characters who represent alternate or queer history?

Posted in Research | 10 Replies

476px-Edmund_Blair_Leighton_-_The_Windmiller's_GuestYesterday I went to an all day workshop with Bob Mayer, who had many good things to say about bringing your germ of a story idea to fruition into a full-fledged novel.

But he said one thing that gave me, as an author of historical romance, pause….

He said that the best way to do research was from the novels of successful authors in your genre. The best way. He mentioned a best-selling author of military thrillers who researched from other books in his genre.

Bob’s point was that readers have already shown that they like the world created by the best-selling author, so, even if it is inaccurate, it is what sells.

1815 019 no 2In fairness to Bob, he was talking about the sorts of books he writes, not Regency romance, but it made me think about our ongoing debate about the importance of historical accuracy in “our” books. Regency authors (like our marvelous Myretta Robens) love to discuss the pros and cons of historically accurate Regencies to “wallpaper historicals” to those who just get it wrong. And we’ve often talked about the tiny Regency inventions Georgette Heyer put in her books to catch the authors who were using her for their history.

To me part of the fun of writing historicals is to fit the real history into a story that (hopefully) will appeal to the modern reader, but that is not necessarily every historical author’s goal nor is it necessarily what every reader of historicals enjoys.

Bob did mention that the best way to research setting is to actually go to the place and see it for yourself. If that was not possible, he advocated using books, websites, videos, maps to get the setting right. He did stress the importance of getting time and distance correct, which is something that sometimes bugs me in historicals. When I read of characters sailing here and there or traveling by carriage here or there in modern rates of speed, it does pull me from the story and tempt me to throw the book against the wall.

But does even that bother readers?

What do you think? Does any of this matter to you?

Posted in Reading, Writing | Tagged , | 12 Replies

Don’t we all eventually end up in an English country house?  Today, I’m continuing the tour of my library with a look at some of the books I use when I’m writing about a country house – or just looking for a little escapist eye candy.  These books all touch on the physical layout, structure and design of the house.  What goes on in and around the house is a topic for another day.

Country Houses from the Air

Country Houses from the Air

Let’s start with an overview.  Adrian Tinnswood’s Country Houses from the Air is just what it says.  Not relegated to a single era, this book still gives an excellent picture of the English country house within its environs.  Aerial photography and early architectural plans and prospects  combine to provide a look at the origins and current state of the houses under discussion.  The text provides some solid historical background and picks out notable features of the houses.

The English  Country House in Perspective

The English Country House in Perspective

While we’re airborne, let’s take a look at Gervase Jackson-Stops’s The English Country House in Perspective.  I love this book  It takes 12 country houses, provides a brief history and description, includes architectural layout of each house, some drawings or photos of the exterior and then – the payoff in this book, in my opinion – a cutaway view of the house showing the location and layout of various rooms in three-dimensional detail.  It makes it so much easier to move characters around the interior of one of these houses and to imagine the interactions taking place inside.

The Pattern of English Building

The Pattern of English Building

Before we go inside, however, let’s look at the exterior of the buildings.  In The Pattern of English Building, Alec Clifton-Taylor has written a detailed treatise on the construction materials used in various parts of England.  He links the geology of the country to the building in its various locations.  There is little in the book on the use of materials in the interior, but we can find that information elsewhere.  This book identifies the stone and other materials available in each area and includes a geological map showing the type of rock prevalent in each area.  This illustrates why it makes sense to have most of Bath built of that glorious Oolitic limestone that captures the afternoon light so beautifully, but also discusses how Bath stone was also among the first quarried stone to be shipped to other parts of the country.  This is a detailed and well-documented book with lots of photographs that are unfortunately in black and white in my paperback edition.

The Regency Country House

The Regency Country House

I have several books on country house interiors, but for this post have picked the sumptuously illustrated The Regency Country House   From the Archives of Country Life by John Martin Robinson.  This is the best kind of coffee table book, full of photographs of interiors and categorized into “The Palaces, The Nobelman’s House, and The Gentleman’s House.”  It includes photos of interiors, from grand stairways to tucked-away drawing room alcoves.  The furnishings in these photographs are not all of our period, but the book is worth looking at for a sense of the rooms.

Design & The Decorative Arts - Georgian Britain 1714-1837

Design & The Decorative Arts – Georgian Britain 1714-1837

There are a lot of books on the interior design of the period.  One of the most exhaustive is Regency Design 1790-1840 by John Morley.  This book covers gardens. buildings, interior decoration, and furniture and weighs a ton.  It discusses the impetus behind changing fashion and contains period illustrations of each of the various elements on which it focuses.

If you want something a little more focused,  you might like Design & The Decorative Arts Georgian Britain 1714-1837 by Michael Snodin and John Styles.  Although this is book surveys a longer period, it includes many illustrations of fashion leaders, decorative arts. and fashionable living.

I find picking up any one of these books inspiring and invigorating.  There’s no telling where your next idea is going to come from.  And if inspiration is not quick in coming, these books are good places to spend a few secluded hours just enjoying the atmosphere.

Posted in Regency, Research | 3 Replies