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Monthly Archives: January 2014

Today I thought I’d talk about book reviews. There are two schools of thought about reviews:

  1. They don’t matter.
  2. They do matter.

Similarly, writers are advised to:

  1. Comb through your reviews for quotable quotes.
  2. Never, ever read your reviews. That way lies madness.

So today I want to share some of my finest review hours (of different books, if you’re wondering. I don’t think I’ve yet written the book that could elicit all of the following responses):

This book was very vulgar! Pornography is not my thing. The sex acts were very explicit and embarrassing. I thought I Was reading something historical. This was historical to the point of Sodom and Gomorrah.

The “relations” include scenes involving a corpse which is at best in bad taste and at worst borders on the necrophiliac.

… the worst character — ever. I hope she gets crotch rot. And dies.

…a thowback [sic] the vintage sleaze pulps of the 1960’s of which I am an avid collector.

Moral Note: Above, and heck, and “b” word in reference to breeding.

I’ve long ago come to the conclusion that if someone hates a book they’re going to more readily write a review than someone who loved it, or even just sorta liked it. For one thing, it’s easier. It provides catharsis for wasted money or dashed hopes. I’ve just read two wonderful books about the Borgias by Kate Quinn, and all I can do is flap my mouth and wave my hands in inarticulate admiration, wish I could do what she does, and then feel guilty about not going further with it. (Sorry, Kate.)

I will add that there’s only one thing I find truly offensive in a review (rather than feeling mystified), and that’s a reviewer who spells Austen Austin. She’s not a town in Texas. Austen. Write 100 times….

Do reviews influence you when you buy books? Do you review the books you read? And if you’re a writer, what’s the worst or most bizarre review you’ve ever received?

Lady Em's Indiscretion Original CoverThis is the original cover for my sexy novella, Lady Em’s Indiscretion. I think it’s lovely, as are all my covers from Kim Killion. However, it turns out to have been an error in branding.

After publishing it, I learned that some readers do not read book descriptions before buying. There were complaints that it was too short and too sexy. My guess is the cover and title were too much like the cover and title of Lady Dearing’s Masquerade and misled some people into thinking Lady Em’s Indiscretion would be another long historical, sexy but with many other story elements. This, even though the description included the words “sexy” and “novella”. 

Lady Em's Indiscretion - New Cover
Anyway, there’s no point in blaming readers. So after a while, I asked Kim Killion to do a different cover, one that would make the heat level more obvious. Here’s what she came up with. Although I’m sad the folly had to go, since the switch reviews have been consistently positive. I only wish I’d done it sooner. Live and learn.

What readers are saying now:

“What a great story. A sweet romance of hope everlasting and the power of physical attraction. I really enjoyed the read, quick and very fun.”

“I don’t think the bad reviewers were really paying attention to what they were buying. This is a SHORT and sensual story, well worth the 99 cents I paid for it. It is well-written and sexy, and the author has a good sense of the time period.”

Lady Em’s Indiscretion is free on Amazon today through February 4. Just please do NOT download if you are looking for a sweet traditional Regency!

Which cover do you like best? What sorts of covers signal sexy to you?

Elena
www.elenagreene.com

Think back to 2003. I won in the Golden Heart contest, I sold my first book, The Mysterious Miss M, and I made the difficult decision to leave the day job and write full-time. I was floating on air.

Wellington Arch

Wellington Arch

Two weeks after I left the job, Amanda and I went on The Regency Tour of England, a tour designed and led by Washington Romance Writers member, Patty Suchy, whose avocation was to be Novel Explorations, specializing in travel that explored the written word.

Her Regency Tour was specially designed for Regency writers and readers. I was not an experienced traveler, so to have the tour designed for me was a dream come true.

We traveled to London, Bath, and Brighton and saw many places in between, like Lacock Village, a village that appeared unchanged from the Regency, and Salisbury Cathedral, where we saw a copy of the Magna Carta.

Amanda and Diane at Stratfield Saye

Amanda and Diane at Stratfield Saye

We visited Stratfield Saye, the country house of the Duke of Wellington, a visit that sparked my not-so-secret “love affair” with dear Artie (and my intense rivalry with Kristine Hughes over who he loves best). We visited Apsley House, his house in town. We visited so many great houses on that tour: Osterley, Wilton House, Syon Park, Bowood, Mompesson House. I examined furnishings up close and developed a particular interest in carpets. If I mention a carpet in my books, it comes from that tour.

Regency Room, Geffrye Museum

Regency Room, Geffrye Museum

We also saw wonderful museums. The Geffrye Museum of domestic furnishings showed how furnishings changed through the ages. It showed a Regency drawing room. We visited Finchcock’s, a country house converted to a museum of musical instruments.

We visited Brighton, where I learned the beach does not have fine sand, but rather is pebbled. We walked through the Brighton Pavilion–photos don’t do it justice.

In Bath we had tea in the Pump Room with Mary Balogh, who just happened to be in Bath at the same time. She treated all of us. Later we dressed in Regency costume and danced with the Jane Austen Dancers in the same assembly rooms where Jane Austen danced.

Finchcock's Museum

Finchcock’s Museum

We walked through Mayfair and Tunbridge Wells and ate at the George Inn. We ate Sally Lun buns in Bath and visited Kew Gardens and rode a canal boat on the Regents Canal.

Diane at Apsley House

Diane at Apsley House

I’m sure I’ve left out something….Throughout this tour, Patty took care of everything, so all we had to do was look and experience and enjoy.

In 2005, Patty gave another tour, this time called the Romantic Road North. This tour focused on the era of coaching and the inns and sites along the Great North Road. After these two tours, Patty became more than a tour guide to me. She became a friend.

In September 2014, Patty and the ladies of Number One London blog have designed a Wellington tour, covering all the sites relating to the Duke of Wellington. I’m determined to attend.

But…Patty will not be with us, except in spirit. She lost her long battle with ovarian cancer two weeks ago, news that came as a shock, if not a surprise. I will miss her.

Diane and Patty on 2005 tour

Diane and Patty on 2005 tour

Patty showed me the Regency in all its glorious detail and gave me memories I will forever cherish. I can never thank her enough for that. I hope she is looking down from heaven and realizing all the joy she’s given to so many.

Thank you, Patty!!

 

Posted in Regency, Research | 8 Replies

There were different classes of inns in the 18th century and they

A Country Inn by Rowlandson

A Country Inn by Rowlandson

made quite strong distinctions between the patrons they would admit.

In Travellers in 18th Century EnglandRosamond Bayne-Powell writes:

The traveller had his choice of inns but must select them with care. There were first, the grand establishments, the Posting Houses, which entertained the quality who travelled in their own carriages or in post-chaises. They might accommodate riding gentlemen if these were duly accompanied by their servants. Some of these inns accepted passengers from the mail coach, some did not; but they never stooped so low as to take in the common stage passenger. Those low people had to go to the inns which catered for them ; but they had the satisfaction of knowing that there were others of a still inferior order.The passenger in the wagon, the walker on foot, was seldom admitted or, if he were, was pushed into the kitchen and fed upon remains.

This “class system” in regard to inns caused confusion among foreign visitors to England, who were unaware that arriving on foot might bar them entry.

Pastor Karl Philip Moritz in his book Travels in England  (1782) was very upset by the assumption that if he arrived on foot at an inn he was a man of no consequence, and was, accordingly, shabbily treated. He arrived at an inn at Windsor on foot and was appalled by the reception given:

As I entered the inn and desired to have something to eat, the countenance of the waiter soon gave me to understand that I should thee find no very friendly reception. Whatever I got they seemed to give me with such an air as showed how little they thought of me, and as if they considered me but a beggar. I must do them justice to own however, that they suffered me to pay like a gentleman.  No doubt this was the first time that this pert , bepowdered puppy had ever been called upon to wait on a poor devil who entered their place on foot/

Moritz asked for a room and was shown one, as he remarked, that resembled a “prison for malefactors.” When he asked for a better one, he was told they had no room for such guests as he and it was suggested he go back to Slough. He decided to accept the room, which may have been a mistake, as it cost him 9 shillings to stay the night ,despite having to share the room with drunken old man who got into bed wearing his boots. Note that it was not uncommon for guests to be asked to share rooms at all classes of inns throughout the 18th century.

Pierre Jean Grosley in his book,  A Tour to London or, New Observations on England, And its inhabitants (1772), wrote of how when staying at an inn in London he was woken at 3 a.m. in order that another guest could share his room and bed.

Moritz did get good service at the Mitre in Oxford, even though the arrived on foot, but this was probably because he was introduced to the inn’s staff by an Oxford clergyman who vouched for him.

According to Bayne-Powell, the lowest class of inn was the hedge-inn. These places took in as guests those who arrived on foot and wagon passengers. They charged between 9 pence – 1 shilling for bed and supper. Compare this with the extortionate charges poor Karl Mortiz paid at the Posting House at Windsor.

Until the end of the 18th century, the better type of inns did not have common dining rooms. A guest at this type of inn would normally have had the choice of hiring a private sitting room, if there was one to be had, or dining with the landlord and his family in their dining room, or even in the kitchen.

George_Goodwin_Kilburne_Checking_the_billHowever, at the end of the 18th century common dining rooms, or as they were known “coffee rooms” were introduced at the posting houses. In these common dining rooms it became customary to serve a set meal which became known as an “ordinary.”

The whole thing makes the modern Day’s Inn look pretty darned good.  Where would you like to stay when you travel and how would you arrive?

Posted in History, Research | 2 Replies

Lord Langdon's KissLord Langdon’s Kiss was the first book I wrote. Although some readers have asked about it, I haven’t reissued it yet because I thought it needed work. I’m in the thick of it now, about 5 chapters in, and I rather wish someone had told me back then to cut 10,000 words. Yup. 10,000.

Lord Langdon’s Kiss was originally published at about 85,000 words. My other traditional Regencies, the “Three Disgraces” series, are all around 75,000. And Lord Langdon’s Kiss has no more plot than any of them. What it does have is introspection. Tons and tons of introspection. What was I thinking?

I was thinking that it was so fun to get inside my characters’ heads.

And it is. Why people do things is still fascinating to me, and that applies to my characters as much as it does to real people. What I learned from the next story I wrote, a novella, The Wedding Wager, was that I didn’t need to use introspection to reveal everything. Writing a 20,000 word story taught me to tighten, tighten, and tighten some more.

I have a confession to make, though. I still love introspection, but I use it in a more disciplined way now. If a character can express him or herself through dialogue, action or body language, I use that instead. But there are times when a character has good reasons not to want to reveal his or her thoughts or feelings to others, and then I think a little internal dialogue is just fine.

Looking back over some older traditional Regencies, I see that I wasn’t the only one to write paragraphs and paragraphs of introspection. Perhaps one reason for it is the mores of the Regency, when it would have been improper for couples to express their feelings to each other before having an “understanding”. But I also think it’s a more old-fashioned way of writing.

What do you think of introspection? How much is too much? Can there be too little?

Elena
www.elenagreene.com