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Monthly Archives: March 2014

MistressOfMerrivale72webToday we welcome Shelley Munro and her new release Mistress of Merrivale to the Riskies. Shelley is giving away two digital copies of one of her historical backlist books, and there are a zillion ways to enter (see below!)

A marriage of convenience…full of inconvenient secrets.
Jocelyn Townsend’s life as a courtesan bears no resemblance to the life she envisioned in girlish dreams. But it allows her and her eccentric mother to live in relative security—until her protector marries and no longer requires her services.

Desperate to find a new benefactor, one kind enough to accept her mother’s increasingly mad flights of fancy, Jocelyn is nearly overwhelmed with uncertainty when a lifeline comes from an unexpected source.

Leo Sherbourne’s requirements for a wife are few. She must mother his young daughter, run his household, and warm his bed. All in a calm, dignified manner with a full measure of common sense. After his late wife’s histrionics and infidelity, he craves a simpler, quieter life.

As they embark on their arrangement, Leo and Jocelyn discover an attraction that heats their bedroom and a mutual admiration that warms their days. But it isn’t long before gossip regarding the fate of Leo’s first wife, and his frequent, unexplained absences, make Jocelyn wonder if the secrets of Merrivale Manor are rooted in murder…

Warning: Contains mysterious incidents, a mad mother who screeches without provocation, scheming relatives, and a captivating husband who blows scorching hot and suspiciously cold. All is not as it seems…and isn’t that delicious?

OK, I’ll bite. Tell us about the screeching mother.

Thanks so much for having me to visit today.
Jocelyn’s mother has a form of dementia, a disease that would be diagnosed as Alzheimer’s during our modern times. Her memory is gradually going, and her behavior is becoming erratic. Jocelyn’s two older sisters want to send Elizabeth Townsend to Bedlam, but Jocelyn hates the thought of her mother in a place like that, and she takes measures to keep her remaining parent safe with her.
Elizabeth isn’t above screaming when she wants attention, and she screeches when she doesn’t get her way. She’s very trying at times, yet Jocelyn gets the odd glimpses of her mother of old and she keeps hoping her parent will improve. She never does.

You’ve written so many books and in so many subgenres–what got you into writing historicals?

My first love as a reader was always historical romances, but gradually I started reading other genres. Once I started writing, I followed the same path. I tend to get bored writing the same genre all the time. While this isn’t the best plan, I need to enjoy the process of writing too, hence my dipping into the historical romance arena.

I do have a super-secret idea for a new historical series, and I hope to start working on that later in the year.

What is it that attracts you about the Regency?

My favored period is actually the 18th century, which I like because I think they were a little naughtier than the Regency era. It was a time of great change, which makes it interesting, and lastly, I adore the clothes.

You have a courtesan heroine. How difficult was it to make this trope fresh?

I didn’t think about making the trope fresh. It was more a case of writing my heroine the way I thought she should be written, and my story, the Mistress of Merrivale, emerged. Can you tell I’m a pantser rather than a plotter?

What’s your favorite scene in the book?

I like the scene when Leo and Jocelyn have their first meal together after being reunited and consummate their marriage. They both want their marriage, and they’re attracted to each other, but everything is new and strange for both of them. This makes for fun scene as they learn about each other.

What was the most difficult part of the book to write?

When I first wrote this book it ended up at just over 50K words. I subbed it to one of my editors and received a rejection. I never give up, and I liked this story a lot. Since I was about to go on holiday, I set the story aside. On my return I reread it, and decided I needed more plot to make the story stronger and be true to my characters. In the end Mistress of Merrivale ended up at 86K words. Working out what to add and how to do it was the tough bit, but it was worth it. I’m pleased with the end result.

What are you working on right now?

I’m percolating my super-secret historical series idea in my head while I’m working on a sci-fi series which is contracted with another publisher. I’m busy writing the third book in this series and the words are stuck in a swamp in the depths of my brain. At least that’s what it feels like today!

What are you reading right now/last great book you read?

I’m listening to an audio book at present – Shades of Gray by Maya Banks. As for the last great book I read, I can’t tell you the name of the author or the title since it was one of the books I judged in the RITA. I love it when I discover new authors, especially if they come with a back list!

Your task: Enter the contest via the magic of Rafflecopter, or ask Shelley a question about her book, or, since she lives in New Zealand, you could ask her about, for instance, rugby players. Or Lord of the Rings. Or, share with us a new author you’ve discovered recently.

a Rafflecopter giveaway

Megan[4]Last Friday, I turned the finished final manuscript of The Duke’s Guide to Correct Behavior in to my agent. It is due to my editor on April 1 (quick plug: it’ll be out November 25 of this year from Avon, in both print and digital).

It was both arduous and delightful to write, if that makes any sense, since it was often hard to keep moving forward, but once I really got to know my characters, the words just poured out.

I don’t know how many changes it will undergo once it’s been revised, but this is my heroine’s first viewing of the hero:

He was tall, and very, very, very handsome. Extremely male. No, entirely and absolutely virile. That was the word. Virile with all of its connotations that brought the pink to her own cheeks. At least she better matched the room.

Goodness. She’d seen pictures of gods and soldiers and kings and other leaders of men, but she’d never actually felt the impulse to follow one of them anywhere.
This one, though, she might consider following, even though that way led to things that a young lady should not be thinking of. Especially a respectful governess who needed to make a good impression.

He had dark hair, straight, brushing his collar in an unkempt way that nonetheless looked utterly dashing. His eyebrows were straight black slashes over his eyes, dark brown, which were intently gazing at her as though he could see to her soul.

And if he could, he knew what she was thinking about him, so that could be problematic.

The sharp planes of his chiseled face were further accentuated by the stubble on his cheeks, giving him an even more dangerous look. The Dangerous Duke sounded like a character from a gothic novel. And he looked like just the sort of man who would lure women to do Dangerous Things.

And I got a new author photo, above, where I look both sorta like myself and yet also not too blotchy and hideous (thank you, photoshop!).

While I wait for revisions, I’ve been reading (as usual), and cleaning, and taking care of things that totally fell by the wayside while I was writing. I am so looking forward to Spring! And plotting out the next book…

Megan

I was crazy about horses growing up, a passion I never really got the chance to put into practice. I’ve ridden a few times at friends’ houses, and on vacation two summers ago my daughter and I went on an hour-long trail ride, but that’s it.

But one of my favorite parts of writing historical romance is getting to be that horse-crazy child again. For my Regency heroes and heroines, horses provide basic transportation. And most of the time, my love for horses finds its way into my characters to one degree or another. James in A Marriage of Inconvenience breeds Arabians. Will and Anna in The Sergeant’s Lady both get a chance to ride a beautiful Spanish mare named Dulcinea.

My current WIP is set in America in 1815, so I did a little research into whether familiar American breeds of today like the Quarter Horse, the American Saddlebred, the Tennessee Walker, and the Morgan existed yet. And for the most part the answer was yes, although they weren’t yet firmly codified with breed standards and closed stud books.

Henry, my hero, is an accomplished horseman, fit and athletic. Over the course of my plot, he needs a horse that’s steady and enduring for a long journey, but also fleet-footed and nimble when needed for an action scene. So I decided to put him on a new American horse bred from a mixture of Spanish Barbs and English stock, including Thoroughbreds–a practical, sturdy horse good for everyday riding, but also speedy over short distances. In other words, a Quarter Horse, or as they were known at that early date, a Quarter Running Horse. (The name comes from the short quarter-mile races these horses excelled at.)

The modern Quarter Horse runs the gamut from a beefy, muscle-bound creature shown for looks in halter classes to slender racehorses who greatly resemble Thoroughbreds. I’m picturing Henry’s horse as something like this barrel racer–wiry, compact, and nimble.

barrel racer

My heroine Therese, on the other hand, had neither the necessity nor the opportunity to learn to ride before she has to when called upon to escape cross-country for the “road romance” portion of my plot. So she needs a horse that’s above all else gentle, good-natured, and smooth-gaited. Fortunately for her, there was a horse around in the early 19th century known simply as the “American Horse” noted for its smooth “ambling” gaits. Its modern descendants include the Tennessee Walking Horse, the American Saddlebred, and the Missouri Fox Trotter, so I imagine Therese’s horse as looking a bit like this Fox Trotter:

Fox Trotter

Are you a horse lover? If you found yourself living in the Regency era, what kind of horse would you ride? Or would you stick to carriages and leave the driving to your trusty coachman?

I went off to brainyhistory.com today to see what happened today a couple hundred of years ago, and the answer is, not much, or at least not much that interested me. A lot of obscure composers were born on this day. There are always a lot of obscure composers having birthdays.

Turning to the letters of Jane Austen–yes, good idea, let’s talk about Jane Austen–March was not a big letter writing month for her. Her letter of March 9, 1814 to  Cassandra contains this sisterly gem:

If Cassandra has filled my Bed with fleas, I am sure they must bite herself.–

Cassandra got busy with the scissors on a letter of March 21 2014 to (maybe) Francis Austen but allowed this to remain:

Perhaps before the end of April, Mansfield Park by the author of S&S–P&P may be in the World.–Keep the name to yourself. I shd. not like to have it known beforehand.

Ah, those were the days. You could be all secretive about your impending release and even about your own identity. No facebook. No twitter. No wall to wall squeeing promo. Heaven.

I’ve been having a Jane Austen-ish time recently, doing what I swore I’d never do because there are too many polluting the world, experimenting with a P&P-based book. More about this darling child, maybe, later. I also went out to Minneapolis for a very short trip–Minneapolis in March, not so good–to talk to their JASNA chapter about Austen and servants. Fun, fast, furious, the weather cooperated, whew.

I also read S&S again. I’ve always thought that one of the wonderful things about Austen is that the books change for you every time, and sure enough, it was like reading a whole new book. I last read it in 2011 and this time I was very much aware of it being “about girls filling in their time waiting by the phone for unsatisfactory men who don’t respond in the right way.” (That was from a post I wrote in 2011 on the JASNA-AGM which was about S&S and hearing Andrew Davies talk about his Austen screenplays.) Because, sorry to say, other than being by Austen, it’s not a very good book. There are so many things in it that don’t work, principally Marianne, Elinor, and Edward.

JenningsBut Mrs. Jennings. Oh gosh, I love Mrs. Jennings. This time around she was the heroine of the book for me.  She’s fun. She’s lively. She isn’t afraid to tease Marianne about Willoughby while everyone else tiptoes around her, not daring to ask whether she’s engaged to him or not. And above all despite the meddling, grasping the wrong end of the stick (considerable), and gossip, she’s kind and loyal and sensible. She knows Marianne will get over Willoughby, and ultimately, get over herself.

Let’s hear it for Mrs. Jennings. Here’s a bit of video for you to enjoy–I love the pained expressions of everyone else while she and Sir John Middleton guffaw away idiotically.

Have you been surprised by a minor character when rereading a book? Do share!