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Monthly Archives: April 2014

Today’s visit to my library involves a new acquisition. Historic Streets and Squares by Melanie Backe-Hansen. This lovely and detailed book covers a variety of streets and square ranging from Scotland and the North of England, through the Midlands and South-West England, East Anglia, and Southern England to Wales and Ireland, with special attention paid to London. Today, I’d like to look at two of the London squares that will probably be familiar to most of you. The quotes and most of the illustrations are from the book.

Bedford Square from Horwood's 1799 Map

Bedford Square from Horwood’s 1799 Map

Bedford Square is unique as it was not only planned as in imposed uniform square, but it is the only Georgian square to survive in almost its complete original form. Built in 1775-83, it was the inspiration of John Russell, the 4th Duke of Bedford, who wanted to replicate the style and imposing design of the  Circus in Bath. The initial plans for a circus, evolved into a square.

Doorway - 25 Bedford Square

Doorway – 25 Bedford Square

Bedford Square is commonly accepted as the most complete and best preserved of all London’s Georgian Squares and was one of the first squares in London to impose an architectural uniformity around a central garden square. Bedford Square is architecturally significant because followed directly after the 1774 London Buildings Act, which regulated building construction. Eached terraced row appears as a complete palace-fronted facade, with stucco pedimented centres.

Hanover Square 1754

Hanover Square 1754

Moving along, let’s take a quick look at Hanover Square. Hanover Square and the accompanying George Street date back to 1713 when Richard Lumley, 1st Earl of Scarborough, signed a conveyance of 2 acres of freehold land.  The land originally belonged to Lord Harley, who married Lady Henrietta Cavendish Holles, heiress of John, Duke of Newcastle, who inherited the Marylebone estate. (Got that?) The lease with Scarborough covered an area south from today’s Oxford Street, encompassing the central square, along with two roads leading into from the east, two from the west, and one on the north, and the wider George Street on the south. Hanover Square was the first square in Mayfair, laid out from 1717 to 1719. Sir John Summerson called it the foundation stone of Mayfair.”

St. George's Hanover Square

St. George’s Hanover Square

Although not technically within Hanover Square, St. George’s Church (of Regency Romance renown) was a vital part of the layout. It was built by John James as part of the “Commission for Building Fifty New Churches,” which was put in place by Act of Parliament in 1711 during the reign of Queen Anne.  It was completed in 1724. St. George’s Hanover Square was the main parish church for Mayfair, so it was often the location for high-society weddings, a well as a few notorious ones.

I do recommend the book for lots of great detail on a quite a few historical squares. It’s a nice way to visit the past and fire the imagination.  Do you have some favorite ways to do that?

Posted in Regency, Research | 3 Replies

Susanna here, and so swamped under my current writing deadline for my 2015 historical romance, My Lady Defiant, that I don’t have time for any deep thoughts on the state of the romance genre or erudite discussion of my latest research discoveries. So instead I thought I’d share with you some of the inspiration that’s helping me see and hear my hero…

Everyone, say hello to Tom Hiddleston.

I could listen to him recite Shakespeare while selling cars all day:

And if that’s not enough for you, here he’s being Shakespearean on a horse:

And here he is teaching Cookie Monster about delayed gratification:

Frankly, this is the most I’ve ever focused on the actor I’d want to cast in the film adaptation of my book. I usually come up with an actor, an athlete or two who has the look I have in mind–I’m not that visual a thinker, so having an actual person to model a character upon helps me describe him or her better. Plus, when I’m filling out my cover art information sheet, I always like to include an image or two. If I describe Henry, my current hero, an elegantly handsome, leanly athletic, archetypically English blue-eyed dark blond, also linking to a nice Tom Hiddleston image shows my cover artist what all those adjectives and adverbs mean to me.

Yet this is the first time I’ve made a habit of watching an actor’s videos to help get me in the mood to write. Part of that is because the man in question is pretty yummy. Also, he has the right accent for the job, which couldn’t be said of Nathan Fillion (Will in The Sergeant’s Lady looks a lot like Firefly-era Fillion) or Cam Newton (my model for Elijah in A Dream Defiant’s brand of tall, dark, and athletic).

But I recently realized the main reason watching videos has helped me write Henry is that more than any other hero I’ve written, he spends his life playing a part. He was born with fairly severe dyslexia into a high-achieving, academically gifted family. So his life up until his book starts has been defined by his shame over what he considers his failure and stupidity, and he’s made an art form of avoiding any situation in which he might reasonably be expected to read aloud, write, or keep accounts. And then over the course of the book, he has to improvise even more than normal as he and the heroine spend most of the story running for their lives, pretending to be various people they aren’t to throw their pursuers off the scent. So imagining how a good actor might play my character helps me visualize how he plays himself, since he so rarely lets anyone see his whole truth.

What about you? Do you ever visualize actors or actresses playing the characters when you write or read?

Vicente_López_y_Portaña_-_Woman's_Head_-_Google_Art_ProjectCarolyn is prostrate with sorrow that the wonderful blog post she fully intended to write for today entirely slipped her mind!!

She promises to do better next week and we’ll all hold her to it, right????

What matter of importance have you forgotten lately? (The number of things I’m in danger of forgetting became so long I had to create a To-Do list)

 

1780s habit2

Habit, c. 1780s

This week’s post fulfills my promise to showcase red gowns. There are numerous extant examples, ranging from habits (red is a very common habit color, and the most common color for cloaks from what I can tell) to day dresses, to fancy evening gowns. They come in every fabrication possible (wool, silk, netting, linen, cotton) and appear across classes (you see plenty of reds in the scraps preserved in Threads of Feeling). Frankly, Pinterest is overrun with examples.

open robe 1790

Open Robe, c. 1790

1795 round kci

Round Gown, c. 1795

red net dress

Shawl Gown, c. 1800

round-gown-1802-from-pinterest-ginger-scene-in-the-past

Printed Gown, c. 1800-1805

1808 example front

Red Dot Apron Gown, c. 1800-1810

net dress 1811

Red Net Gown, c. 1810-1815

1820 1822 red muslin evening dress

Red Muslin Evening Gown, c. 1820