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Monthly Archives: November 2014

(My friend Andrea Pickens, aka Cara Elliott, is joining us today to talk about some special new releases!  She and I both wrote for the Signet Regency line, and now we are seeing some of those older titles come back into the world with brand new covers….comment for a chance to win a copy!)

Hi Everyone,

Andrea1It’s always wonderful to be back at the Riskies, but today I’ve switched my Cara Elliott chapeau for my more traditional Andrea Pickens bonnet . . . but hey, we all know Regency bonnets could get quite creative and daring while still staying within the rules. And that’s the great fun of the traditional Regency genre. Yes, there are greater constraints that for a Regency historical. But for those of us who started out writing them—like many of my Risky pals here!—the absence of the “S” word and writing all the rumple-pumple let us add color and texture to our stories and characters by exploring things like offbeat setting and unusual occupations for our heroes and heroines.

DiamondCoverAndreaTake for example, Diamond In The Rough (The above preamble is, as you may have guessed, a rather longwinded introduction to the fact that I have just released two trad Regencies as self-pubbed e-books, which are the first two in a trilogy) It first appeared in the Signet line, and features a story revolving around golf in Scotland. The heroine is a caddie in disguise and she’s a better player than most of the men. When a friend asks her to help an English lord learn the sport in order to win an match and save his ancestral home, the games begin, both on and off the links . . . I loved researching the esoteric elements about the clubs and courses of the times, and weaving them into the decidedly offbeat romance that ensues. It was a classic sporting wager trope, but with a twist. (The Riskies could all offer lots of examples of their books that featured really original plots and people—but for reasons of space I shall let them bang their own drum!)

SweeterCoverThe second book is a brand new original book, entitled Sweeter Than Sin. The hero likes to dabble in . . . chocolate. Now in doing research for a historical mystery series I wrote, I learned a lot about the history of chocolate, and how edible chocolate was known in the Regency era. (Marie Antoinette’s physician mixed her medicine in solid chocolate wafers flavored with fruits or nuts to disguise its bitter taste. He later opened a chocolate shop on the Left Bank of Paris in 1802.) So it was fun to create a plot where that element could “sweeten” the romance. Rafael is a half Spanish-half English war hero who has come to England to recover from a serious wound. To help draw himself out of his black moods, he decides to work on translating his Spanish grandmother’s diaries on the lore of chocolate and her recipes. His neighbor is the disgraced daughter of a duke, who is suffering from guilt. A chance meeting brings them together, and they slowly begin to discover the healing power of chocolate—and of course love. (There is also a dog they rescue from the stews named Hero who helps save the day!)

Now, don’t get me wrong, I love drawing room stories, “comedy of manners” plots and sexy romps too, but trads with offbeat elements have always had great appeal for me. How about you? Do you like regencies that stray off the beaten path. Have any favorites to name? I’ll be giving away a copy of one of my e-books (your choice!) to a winner chosen at random from those who leave a comment here.

First of all, the winner from last week’s Andrea Pickens post is…Linda!!!  Congrats, and please email Andrea at Italicscript AT aol.com to claim your wonderful prize.

I can (almost) see the light of day at the very end of this tunnel of a WIP, but I had to mark a very important day in English history.  November 17, 1558 marked the accession to the throne of Elizabeth I, and the start of one of the most remarkable periods in history!  (At the end of my Amanda Carmack book, Murder at Hatfield House, I loved writing the scene showing the legendary moment when she received the news!).  Here’s a repeat of a blog I did way back in 2007….

This is also how I know that November 17th was a Very Important holiday in the England of the late 16th century. It was Elizabeth I’s Ascension Day.

Queen Mary died at St. James’s Palace early on the morning of November 17, 1558, and members of the Privy Council immediately set out for Elizabeth’s residence at Hatfield House (where she was practically under house arrest) to tell her the news. They carried Mary’s betrothal ring from Phillip of Spain, to prove to Elizabeth that the queen was dead, so long live the queen. The legend is that they found her sitting under a tree, reading a Bible in Greek. On hearing the news, she proclaimed, “It is the Lord’s doing, and it is marvelous in our eyes.” (Now, I am not at all sure someone would just “happen” to be sitting under a tree reading in November! Maybe she was just out for a stroll, maybe the story is apocryphal, or maybe she heard they were coming and stage-managed the whole thing. She was one of the great stage managers in history). On a side note, the original tree is no longer there, but one was planted in its place by Elizabeth II in 1985. On another side note, when Elizabeth I died in 1603, after a reign of 45 years, she was buried with Mary in Westminster Abbey. The inscription reads, “Partners both in throne and grave, here rest we two sisters, Elizabeth and Mary, in the hope of one resurrection.” Kind of ironic, but I admit I got a little emotional when I saw the tomb (or maybe it was jet lag?)

Anyway, thereafter November 17 was a Big Party at court, and around the country. The big event was always a tournament, with a joust and sports where all the men vying for the queen’s attention could show off. Pomp and chivalry were paramount–all the men carried banners and shields adorned with symbolic images of the queen and their devotion to her. (Jousts, of course, were not all Renaissance faire-ish fun–Henri II of France died in one, and there were always injuries at Ascension Day tournies. No fatalities that I could find, though).

The jousts would be followed by a banquet and ball, maybe a play or tableau celebrating the glorious reign of Elizabeth. At one banquet, the court polished off an ox, 40 sheep, 12 pigs, 132 capons, 5 swans, several pheasants, partridges, herons, pigeons, peacocks, and calves, not to mention fish, chicken, barrels of wine, vegetables and eggs, and sweets. Subtleties made of sugar and almond paste, shaped into castles and other fanciful things, were great favorites on such occasions.

Some of the best-known Elizabethan dances were: pavanes (a stately processional), usually followed by a lively galliard. There were gavottes (a circle dance to a medium tempo), sophisticated courantes and sarabands from France, and almains. The Volte was one of the of only dances that allowed couples to closely embrace (the man showed off his strength by lifting the woman high in the air–this is probably why it’s used so often in movies! See Shakespeare in Love, both Elizabeth movies, and probably various Masterpiece Theaters).

Celebrations were not just held at court. There were bonfires, dances (maybe not pavanes, but bransles and Morris dancers), games, lots of wine and ale, and illuminations all across the country.

So, happy Ascension Day, everyone! We might not celebrate with a Volte and a barrel of wine, but we can toast Good Queen Bess. And look forward to our own bacchanalia–Thanksgiving! I hope you all have a great one. Any big plans? I’m very, very thankful for the Riskies and our friends this year.

This is a newsy post of news. To make it worth your valuable time, there are pretty book covers AND at the end of the post, a way to read my upcoming December release before it’s actually released. Consider yourself teased. And now, on to research books, holiday stories, a hot deal, a boxing hero, a free book, and a demon.

Boxing Book!

Most of you know by now that A Notorious Ruin features a boxing hero, among other things boxing. I did a lot of reading about boxing and boxing culture of the period for this book. There are lots of great resources in publications of the time, subject, of course, to any and all agendas that a given author might or might not have. It was fun reading.

You might recall that I posted about some great research from David Snowden, particuarly his book Writing the Prizefight, which yesterday won the 2014 British Society of Sports History’s Lord Aberdare Literary Prize. It’s a book you should consider having on your reference shelf. Snowden is on twitter as @PierceEgan so if you’re curating lists and the like, he’s a good follow.

Other Book News

Did you get your copy of Christmas in the Duke’s Arms yet?

Cover of Christmas in the Duke's Arms.

Christmas in The Duke’s Arms

There have been some very kind words about all the stories. So, hey! You should get your Holiday stories now!

My contribution is titled In The Duke’s Arms. Because you can never have too many dukes. Though I will admit I limited myself to one.

Amazon | iBooks | Nook | Kobo | Google Play | All Romance eBooks | Print

Fresh Fiction (Reviewed by Monique Daoust) had this to say:

An Exciting, Sensuous and Romantic Regency Christmas!

Ms. Burrowes’ story is ingenious, sensuous, and elegant, and her vocabulary is positively dazzling! It’s spectacularly well-written, the characters are engaging, and it’s very witty; it left me giggling several times. A delicious story of seduction!

In The Duke’s Arms is simply wonderful! The characters are very complex and the interaction between Ryals and Edith is utterly compelling; it’s a joy to watch Edith try to tame the gruff Duke. The story is unhurried, and it’s quite the feat that Ms. Jewel can turn developing passion into something quite suspenseful. The author possesses a perfect knowledge of the period’s language and idioms and writes in a fluid, flowing style that perfectly suits her characters.

Ms. Neville’s contribution is joyful, playful, as expected splendidly written, and quite funny at times. I loved that Robina is a strong and independent woman within the rules imposed by society; she’s a wonderful character as is the dour Wyatt.

Ms. Galen certainly does not disappoint! Those already familiar with this brilliant series will rejoice at getting a final glimpse at some beloved characters. The Spy Beneath the Mistletoe is fast paced, exciting, dynamic; the characters are delightful, and it’s also very passionate. A more than fitting conclusion to a fabulous book!

And then there’s A Notorious Ruin

A Notorious Ruin by Carolyn JewelFrom a post at Avon Romance:

Ms. Jewel slowly exposed their good, bad & ugly & I loved peeling the many layers back & seeing their inner essence. Let chat about sex, because HELLO it’s a romance. Ms. Jewel uses all forms of NAUGHTINESS with swallowing-lightening shivers & quivers to all my girlie parts & assorted NEKKIDness!
— Patty McKenna Van Hulle

Make Kay of Fresh Fiction had this to say:

A long awaited sequel blends eroticism and Regency elegance…

Jewel did a superb job of evoking the era and locale. The lovely and explicit sex scenes also rang true and yet did not pull me out of the era, which I thought masterful. I am glad that Jewel has gone back to this series, and I’m looking forward to the next of the Sinclair Sisters to fall in love.

Amazon | iBooks | Nook | Google Play | Kobo | Paper

Seven Wicked Nights — Until November 16th!

Seven Wicked Nights by Carolyn Jewel and others

Seven bestselling historical romance authors offer seven sexy stories featuring dukes, lords, rakes, scoundrels…and the unforgettable heroines who bring them to their knees. These stories range in length from long novellas to delectable little bites.

This $0.99 collection goes away November 16th. You should get this while you can.

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Scandal — Still Free!

Cover of Scandal

Scandal

RITA finalist and free at the vendors below. If you haven’t read me, this is a no-cost way to find out what you think.

This book took my breath away. – SBTB

WOW. Simply, wow. That is the only word I can use to describe this masterpiece. It has been such a long time since I have read such a rich, emotional and tension filled romance. Not only did Scandal have me hooked from the very first page, but this is the first book, in a very long time, where I had to read straight through into the wee hours of the night because I couldn’t put it down. When an author can write such a book, that book is destined for greatness. I wouldn’t be surprised if Scandal becomes one of the favorites of 2009, and perhaps placed on most reader’s lists for all time favorite historical. – Romance Novel TV

Readers looking for a deeply emotional and very well-written book will love this one. I have a certain weakness for flawed but redeemable characters, and this tale very much hit the spot. I cannot wait to see more historicals from this author in the future. –All About Romance

Jewel plays readers’ emotions like a virtuoso, ensuring they will eagerly follow her characters into dramatic, intensely passionate and gripping love stories that will steal your heart and make you beg for more. She grabs you at the first word and never lets go. – Kathe Robin RT Book Reviews

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And lastly, I tease and tempt you with an upcoming release and a way to read it before it’s on sale…

Cover of Dead Drop

Dead Drop – Not a Duke

Dead Drop turned out to be Book 6 in the My Immortals series. Demons instead of Dukes. It’s a short novel, at 42,000+ words.

I’m writing what I guess I have to start calling Book 7 in the series now. I have no buy links for Dead Drop yet since I don’t quite have final files yet. Sometime in the next two weeks. The on-sale date will be December 20th.

How, you are wondering, might you have the chance to read this before the book is on sale? Well, I set up a members-only section of my website, and I’m posting the chapters there every few days. Files are subject to update as I play whack-a-mole with typos lurking in the proofreading rounds.

If you happen to subscribe to my newsletter, you will get the login and password to the members only section and can start reading now. If you want. I’ve posted through chapter 6. I believe Chapter 7 will go up sometime tomorrow or the day after.

You can subscribe at my website.

There. That’s all the book news.

Ahhh…. The joy of vacation.  I’m just back from NYC where I was able to meet up with Risky Megan which was loads of fun. I am assuming she will have excellent news to share with us soon.  My trip to NY was writing business related as it turns out I got elected to the RWA Board of Directors. And yes, for those of you wondering, my tiara was a perfect fit. (grin) I looked very spiffy.

I’m home now and on vacation for the rest of the week, which is lovely and so far I have done an epic amount of not very much at all.

I am going to share an interesting thing I came across the other night as I was procrastinating, beginning my vacation doing important research.

This pdf about medieval pigments is my favorite thing ever  just about since that time I was working with my son on the Roman wax tablet project.

Don’t be fooled by the rather boring B&W cuneiform tablet photo on the first page. The rest of this document discusses pigments and bonding agents identified from the beginning of human history through about 1500 and talks about how to make them. With pictures.

This is fascinating for history geeks. And how did I find this you might ask? Because of twitter. Someone remarked on a story in which the author compared the heroine’s breath (or something) to cinnabar. And there was a WTF discussion and much wondering about cinnabar in food. And one person said the most they could find was some medieval references to recipes.

And I thought, huh. This cannot be right. If cinnabar was safe to eat we would be eating it now. And if it was not safe to eat, we would have stories that listed poisonous food people ate in times past, and we do not have such stories involving cinnabar. So I Googled the subject myself and found that first off, cinnabar is toxic. And second off, cinnabar and recipes occur in the context of recipes for paint.

And that lead me to the medieval pigments pdf which I read from start to finish with much excitement because that’s how we roll here at the Riskies.

It’s not much of a surprise to learn that modern chemistry has taken some of the vibrancy out of paint pigments. Some modern colors don’t have the iridescence of pigments that were once made from organic minerals or metals.  OK, yes, also much of the poison (but not all). Don’t distract me with product safety arguments. Orpiment, by the way, is actually arsenic. Who knew? Certain colors and their composition are lost to us. The ingredients point, as well, to the importance of world trade. Ear wax, my friends, reduces froth in a binding agent. I did not know that either. Nor do I know who dug around in their ear and said, huh. I wonder what happens if I put this in the binding agent for my paint?

Now I am sharing this information with you. Because that’s how I roll.

You’re welcome.

A picture of Sandra Schwab's desk with a volume of PUNCH
My creative work has currently been interrupted – most pleasantly so, I might add! – by my academic work: I have been invited to contribute an essay about a background topic (“Themes of Medievalism in Punch“) to Cengage’s new digital Punch Historical Archive. For this I have also been given access to the archive itself, and it’s – oh my gosh! – fantastic! Not only can you do full text searches across all volumes of Punch from 1841 to 1992, but to make this even better, the large cuts (= the big political cartoons) and the social cuts (=smaller cartoons) have also been indexed. *swoons*

But it gets even better: one of my friends from Liverpool John Moores University, Clare Horrocks, is transcribing the contributors’ ledgers of Punch, and her findings will be incorporated into the archive. This is really important work because for much of the nineteenth century, writing for periodicals was done either anonymously or pseudonymously. So, as was pointed out in an article in a recent issue of American Libraries, Clare’s work helps us to solve questions of authorship and attribution:

Early findings from the project have revealed articles written by William Makepeace Thackeray and P. G. Wodehouse that were previously unattributed. And while Charles Dickens himself never wrote for the magazine, his son Charles Dickens Jr. is known to have contributed a number of articles, which this project expects to uncover.

Yet as awesome as the digital archive is, in certain points it cannot replace leafing through the actual volumes: smaller illustrations like initial letters have not been indexed (and I would imagine that this would actually be a rather impossible task given the vast numbers of itty-bitty illustrations in Punch). Moreover, leafing through volumes and looking at images can reveal certain themes that you would not notice otherwise.

I found this out when I checked initial letters in different volumes from the 1850s, 60s, and 70s (in search for medieval themes, of course!) (or rather, I wanted to pinpoint when medieval themes vanished from the initial letters). And while I was leafing through the 1873 volume, looking for itty-bitty knights, I suddenly noticed an abundance of pet dogs in the social cuts.

Now, it’s not as if dogs hadn’t appeared before 1873: Mr. Punch himself, after all, is accompanied by his dog Toby; in the 1840s Richard Doyle fell into the habit of adding little Toby-ish doggies to many of his drawings; and in social cuts dealing with country sports you can often find hunting dogs. But the many, many pet dogs of 1873 is not something that you see in the 1840s. Clearly, some of the artists who worked for Punch in the 1870s must have been dog lovers.

Like George du Maurier:

a cartoon from PUNCH by George du Maurier a cartoon from PUNCH by George du Maurier(Or perhaps, he just wanted to poke fun at bourgeois ladies and their pet dogs.)

And then, there is GB, whose dogs are truly delightful:

a cartoon from PUNCH by Georgina Bowers a cartoon from PUNCH by Georgina Bowers
And do you know what else is truly delightful about GB? GB is a woman!!! The initials stand for Georgina Bowers. In his History of Punch (1895) Spielmann calls her “[b]y far the most important lady artist who ever worked for Punch […],” and continues,

Miss Bowers was a humorist, with very clear and happy notions as to what fun should be, and how it should be transferred to a picture. Her long career began in 1866, and thenceforward, working with undiminished energy, she executed hundreds of initials and vignettes as well as “socials,” devoting herself in chief part to hunting and flirting subjects.

Of course, being a woman, she had to be shown the proper way of doing illustrations for the magazine *snort*: “It was John Leech [Punch‘s chief artist] who set her on the track; Mark Lemon [Punch‘s first editor], to whom she took her drawings, encouraged her, and with help from Mr. Swain [the engraver] she progressed.” (Oh, Mr. Spielmann! *shakes head sadly*)

Georgina worked for the magazine for ten years until differences with a new editor made her resign. But she seems to have continued to work as an illustrator for many more years.

Isn’t that a lovely find?