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Monthly Archives: June 2015

It feels like it’s been forever since I was at the Riskies!  The last several weeks have been spent moving to a new city (and looking for weird stuff in random boxes, because I packed teapots and mugs in different places, and lost the toothpaste…yet I could easily find 20 pairs of shoes!), getting the dog and cat children settled, and most important–getting a library card!  It’s nice to settle back into a writing routine again (I’m working on my 6th Elizabethan Mystery, Murder at Fontainebleau), and take a look at an interesting woman in history for June…

HM1Today we are looking at one of the fascinating women of Regency(ish) history, Harriet Martineau, a Whig writer and social theorist who was called “the first woman sociologist.” She was born June 12, in 1802 in Norwich, England, the 6th of 8 children of a manufacturer. Her family was descended from Huguenots (hence the last name) and of liberal Whig, Unitarian views. She grew up educated and in an intellectual environment, but her health was not good and she became quite deaf at a very young age, which forced her to use an ear trumpet. At 16 she was sent away from home to visit her aunt, who kept a school in Bristol, in hopes that a change of scene would help her health. From 1819 to 1830 she returned to reside in Bristol, and in 1821 began writing anonymously for the Unitarian periodical Monthly Repository, with her first book, Devotional Exercises and Addresses, Prayers, and Hymns coming out in 1823 (she would eventually write more than 50 volumes, on a wide variety of subjects).

In 1826 her father died (soon after the deaths of her eldest brother and her suitor), leaving her and her mother and sisters poverty-stricken. Since her deafness kept her from teaching, Harriet took up serious writing. She went on writing for the Repository as well as short stories (later collected in the volume Traditions of Palestine), won 3 essay prizes from the Unitarian Association in only one year, and did needlework to supplement her writing income. In 1831 she published the first volume ofIllustrations of Political Economy, which was a huge success, with demand increasing for each following volume. In 1832 she moved to London and moved in circles that inluded such people as John Stuart Mill, George Eliot, Edward Bulwer-Lytton, the Brownings, and Thomas Carlyle. She was also friends with Florence Nightingale and Charlotte Bronte. She finished her political economy series, another series titled Illustrations of Taxation, and stories in support of the Whig Poor Law reforms.

In May 1834, Charles Darwin on his Pacific voyage received a letter from his sisters saying that Martineau was “a great Lion in London” and sending him her Poor Laws and Paupers Illustratedin pamphlet size. They also said their brother “Erasmus knows her & is a very great admirer.” When Darwin returned home in 1836 he stayed with his brother in London and found that Erasmus spent a lot of time “driving out Miss Martineau.” The Darwins and Harriet had in common their Unitarian background and liberal Whig politics, but their father thought perhaps her views were a bit TOO liberal for a daughter-in-law and the pair never married. But Charles called on her and stated “she was very agreeable, and managed to talk on a most wonderful number of subjects” though he was also “astonished to find how ugly she is” and “she is overwhelmed with her own projects, her own thoughts and abilities”. Erasmus told his brother “one ought not to look at her as a woman.”

In 1834 she went on a long trip to the United States, where she became an adherent f the Abolitionists and later published Theory and Practice of Society in America and Retrospect of Western Travel, as well as an article called “The Martyr Age of the United States” in theWestminster Review. Her outspoken opinions on the evils of slavery caused a great deal of offense, but she did not care. She followed up this work with a novel, Deerbrook, a story about a surgeon hero and middle-class life.

On a trip to Europe in 1839 she fell ill, and went to stay with her sister and brother-in-law, the well-known doctor Thomas Greenhow, in Newcastle on Tyne to try and alleviate her symptoms (believed to be caused by an ovarian cyst). She then moved to Tynemouth, where she stayed for nearly 5 years in the clean sea air and wrote 3 books, including a novel about the Haitian rebel L’Ouverture and Life in the Sick Room. She loved her new telescope, which allowed her to take in the life of the town and the beach from her window (it’s thought the busybody Mrs. Jellyby in Dickens’s Bleak House is based on her, though she went on being friends with Dickens himself!). She wrote beautifully on her picture of the town: “When I look forth in the morning, the whole land may be sheeted with glistening snow, while the myrtle-green sea tumbles–there is none of the deadness of winter in the landscape.”

902_05_1857556In 1844 she underwent a course of the mesmerism,which she declared returned her to health within months and wrote an account of her case, which caused friction with her sister and brother-in-law, the conventional doctor! In 1845 she left Tynemouth for the Lake District and her new home The Knoll, which she would live in for the rest of her life. In 1846 she made a tour of Egypt, Palestine, and Syria and wrote Eastern Life, Present and Past, which also caused controversy with its “infidel tendency.” She also published a volume called which stated that freedom and rationality, not command and obediance, should be the basis of education. She followed up with a history volume written from the view of a “philosophical Radical”, Household EducationThe History of the Thirty Years’ Peace, 1816–1846. She was always busy, contributing weekly to The Daily News, visiting Ireland and writing Letters from Ireland, and writing for Westminster Review. Her 1838 book How to Observe Morals and Manners laid out some of her general views, that very general social laws influence the life of any society, such as the principle of progress, the emergence of science as the most advanced product of human intellectual endeavor, and the significance of population dynamics and natural physical environment (principles which still hold true today!).

In 1855 she found she suffered from heart disease and started work on her autobiography (though she lived for 20 more years). It was published in 2 volumes posthumously in 1877. She also undertook the translation of Auguste Comte into English, which was published as The Positive Philosophy of Auguste Comte (freely translated and condensed by Harriet Martineau), which Comte himself recommeneded to his students rather than his own!

She died at The Knoll on June 27, 1876.

Some sources on Martineau’s life:
Harriet Martineau’s Autobiography: With Memorials by Maria Weston Chapman (1877)
Deborah Anna Logan, The Hour and the Woman: Harriet Martineau’s “Somewhat Remarkable” Life, 2002
Valerie Sanders, Reason Over Passion: Harriet Martineau and the Victorian Novel, 1986
David Deeirdre, Intellectual Women and Victorian Patriarchy: Harriet Martineau, Elizabeth Barrett Browning, George Eliot (1989)

EDITED TO ADD: Thanks you to all the contestants. I have decided that all the timely commenters are winners. I will be emailing you!

I’ve been blogging about the research I did for my story in the upcoming anthology Dancing in The Duke’s Arms. My research included such topics as songs, cheese, cattle, and plants. From that you might conclude my story is about a singing dairy maid who moonlights as an herbalist. But you would be wrong. (INORITE???!??)

To celebrate I will send five winners a mystery prize(s).  For each prize(s), I will spend at least $15.00 US. If you hang out here, you probably know that I have impeccable taste except when I am odd or just plain weird. There’s just no telling.  To enter, check out the rules below and follow the instructions.

Unsuitable?


My story,  An Unsuitable Duchess, is all done and final, and you can pre-order the anthology now for $3.99. After June 26th, the price will be higher.  Links below! Fun fact: I A/B tested two versions of my title. A Suitable Duchess faced off against An Unsuitable Duchess. Although I kind of liked the suitable title, I suspected unsuitable would win. And it did. In a landslide. It wasn’t even close. So. Unsuitable it is!

Cover of Dancing in The Duke's Arms, an anthology. A couple is dancing outside. He gazes fondly at her, she is perhaps a little shy. They are outside because it is summer and who doesn't want to dance outside with handsome duke?

Dancing Dukes!

The anthology includes four original novellas by Grace Burrowes, Shana Galen, Miranda Neville, and me. Print will be available shortly.

Why Do Dukes Fall in Love?

Every summer the cream of society gathers at the Dukeries, named for the ducal estates concentrated in one small corner of Nottinghamshire. While the entertainments include parties, balls, and a famous boat race, the ducal hosts and their guests find adventure, passion, and happy ever afters.

Pre-Order Dancing In The Duke’s Arms

Amazon | Barnes&Noble | iBooks | Google Play | Kobo

More about the anthology

The anthology comes in at over 125,000 words. You’ll get four romantic, thrilling, and steamy stories for four wonderful authors. The on sale date is June 26th.

May I Have This Duke? by Grace Burrowes

The governess is determined to leave, but the duke’s plans for her dance to a different—and far lovelier—tune!

The trouble with houseparties….

Gerard Hammersley, Duke of Hardcastle, is dragooned by an old friend into attending a house party, though Hardcastle refuses to fall prey to the matchmakers who relish such gatherings. He recruits his nephew’s prim, prickly governess, Miss Ellen MacHugh, to preserve him from being compromised by the conniving debutantes, and offers in exchange to deflect the drunken viscounts who plague Ellen.

Is that they must end.

Ellen agrees to Hardcastle’s scheme for two reasons. First, she’s been attracted to His Grace since the day she laid eyes on him, and knows that behind Hardcastle’s lack of charm lies a ferociously loyal and faithful heart. Second, she’s departing from Hardcastle’s household at the conclusion of the house party, and two weeks safeguarding His Grace’s bachelorhood is as much pleasure—and as much torment—as she can endure before she leaves him.

Read an excerpt from May I Have This Duke?

DUCHESS OF SCANDAL by Miranda Neville

She was too wild, he was too proud…

When the Duke and Duchess of Linton meet after years of estrangement, they may discover they were made for each other after all.

Too Many Scandals

After months of marriage, the Duke of Linton agreed to live apart from his wife. Thrown together due to a scheduling error, Linton finds Althea still has the power to make his heart race. Linton seems different from the critical, indifferent man she married. But though she burns for him as a lover, can she trust him to be the husband she needs?

Read an excerpt from Duchess of Scandal

WAITING FOR A DUKE LIKE YOU by Shana Galen

When Princess Vivienne of Glynaven’s family is massacred, she escapes to England only to be pursued by assassins. The Duke of Wyndover comes to her aid, but is he the man she’s been waiting for?

There’s no such thing as the perfect hero…

Nathan Cauley, tenth Duke of Wyndover, is so handsome ladies swoon—literally swoon. His blond hair and blue eyes certainly draw attention at the Duke of Sedgemere’s house party, but Nathan doesn’t want a fawning young miss for his duchess. He stumbles upon a bedraggled woman sleeping under Sedgemere’s bridge, and his protective instincts stir. When he recognizes her as the princess he fell in love with eight years before, he’s determined to win not only her affections but her heart.

Or is there?

After revolutionaries massacre Princess Vivienne’s family, she and the head of her guard flee to England. Before they can reach London to beg asylum, assassins kill the last of her defenders. Vivienne is alone and on the run when the Duke of Wyndover comes to her rescue. She barely remembers meeting him years before, and isn’t comfortable with gentlemen who are more attractive than she is. Nathan is more than a pretty face, though, and when the assassins return, he might just prove to be the duke Vivienne has been waiting for.

More about Shana’s story. Read an excerpt

AN UNSUITABLE DUCHESS by Carolyn Jewel

The Duke of Stoke Teversault would like to marry, but the woman his heart has settled on would make an unsuitable duchess.

The Duke of Stoke Teversault has well earned his reputation for bloodless calculation. Indeed, recently widowed Georgina Lark has no idea he’s loved her since before her late husband swept her off her feet. Stoke Teversault means to keep it that way. The cold and forbidding duke and the blithe and open Georgina could not be less suited in any capacity. And yet, when Georgina and her sister arrive at his home, his ice-bound heart may melt away.

Georgina Lark has never thought of the Duke of Stoke Teversault as a man capable of inducing passion in anyone. He’s long disapproved of her, but she will be forever grateful to him for his assistance after her husband died. It’s been a year since she’s realized he’s not the man she thought. Can she convince him to open his heart to her?

Read chapter 1

The Rules and How to Enter

Void where prohibited. Must be 18 to enter. No purchase necessary. All prizes will be awarded. If a winner does not contact me within 10 days of notification, an alternate winner will be selected. Relatives or employees of Carolyn Jewel are ineligible. Winner chosen at random using the contest plugin “And The Winner Is.” International OK! Multiple comments disallowed. Contest closes at 11:59:59 PM Eastern on Friday June 12 (That’s this blog’s time zone.) Make sure you leave a valid email in the email box for your comment.

To enter: Leave a comment to this post in which you tell me the best book you’ve read recently. (I’m looking for recommendations!)

Go!

Celebrating Sandy's 10th blogiversaryA few days ago I celebrated my 10-year blogiversary. I started blogging only a few weeks before my debut novel was due to hit stores in July 2005. (Ten years ago — gosh!) At the time I was working on my second novel, Castle of the Wolf, a gothic romance (or at least it was intended as a gothic romance) in which my English heroine inherits a castle in the Black Forest, but, alas, finds it inhabited by the grumpiest man imaginable (but sort of hot, too) (of course!). And she has to marry him (of course!). There’s an unfortunate incident with a dead mouse, another unfortunate incident with a not-dead bat, and a lady with sturdy boots who stomps all the gothicness to dust. Quite… eh… literally.

And because my heroine needed to somehow get from England to the Black Forest, I decided it would be awesome (AWESOME!!!) if she traveled up the Rhine, past the lovely castles of the Upper Middle Rhine Valley. And maybe I could put in one of those gruesome folk tales? (Because, see above, gothic romance.) Like, the story of the evil Bishop Odo of Mainz being devoured by mice in his tower in the middle of the river? Awesome.

So I spent about two weeks (or more) doing research on traveling on the Rhine and, incidentally, also on British tourists on the Rhine. (Two weeks of research for half a page in the finished book. Just saying.) I pushed back the date of my story to 1827 because that was the first year which saw steamboats on the Rhine, and even tried to see if I could dig up a timetable for said steamboats. (In case you needed any further proof that I tend to go a bit batty where research is concerned: there it is.)

The rising interest in the Rhine and in particular in the Upper Middle Rhine Valley (the super-beautiful part between Bingen and Koblenz, with all the pretty castles clinging to the hills on each side of the river — now a UNESCO World Heritage site) at the end of the eighteenth century was in large parts due to Romanticism as well as to the new aesthetic ideal of the picturesque.

A sketch of Castle Sooneck

A sketch of Castle Sooneck

The first wave of British tourists arrived in the late eighteenth century — among them Anne Radcliffe, who afterwards wrote a whole book about her trip, Journey Made in the Summer of 1794, through Holland and the Western Frontier of Germany with a Return down the Rhine, published in 1795. And it seems that she was quite enchanted by what she saw:

“Sometimes, as we approached a rocky point, we seemed going to plunge into the expanse of the water beyond; when, turning the sharp angle of the promontory, the road swept along an ample bay, where the rocks, receeding formed an amphitheatre, […] then […] we saw the river beyond […] assume the form of a lake, amidst wild and romantic landscapes.”

The steadily increasing stream of tourists came to a halt during the Napoleonic Wars, but immediately resumed afterwards. Going to see the castles of the Rhine became so popular that later in the century the author Thomas Hood remarked,

“It is a statistical fact that since 1814 an unknown number of persons have been more or less abroad, and of all the Countries in Christendom, never was there such a run as on the Banks of the Rhine. It was impossible to go into Society without meeting units, tens, hundreds, thousands of Rhenish tourists. What a donkey they deemed him who had not been to Assmannshausen!”

Incidentally, the most wildly popular English poet also happened to write the most wildly popular account of a journey on the Rhine: since the publication of Byron’s Childe Harold’s Pilgrimage, many British tourists would drag a copy along on their travels so they could trace Childe Harold’s steps. This becomes obvious in the Shelleys’ History of a Six Weeks’ Tour from 1817:

“The part of the Rhine down which we now glided, is that so beautifully described by Lord Byron in his third Canto of Childe Harold. We read these verses with delight, as they conjured before us these lovely scenes with the truth and vividness of painting, and with the exquisite addition of glowing language and warm imagination. We were carried down by a dangerously rapid current, and saw on either side of us hills covered with vines and trees, craggy cliffs crowned by desolate towers, and wooded islands, where picturesque ruins peeped from behind the foliage, and cast shadows of their forms on the troubled waters, which distorted without deforming them.”

Soon, a whole tourist industry grew up around Rhine travels: 1822 saw the publication of the first panorama of the Rhine, consisting of a folded map of the river with larger pictures of the most important sights. Three years later, a publisher in Frankfurt released a panorama of the river and included a small leaflet with explanations of the sights in French, English, and German. (You can take a look at it here.)

Soon, proper guidebooks followed, like Baedeker’s Die Rheinreise (Journey on the Rhine) of 1832. On the other side of the Channel, the firm of John Murray, one of the most influential British publishers with authors like Jane Austen and Sir Walter Scott, started to publish the famous “Red Books”, the Handbooks for Travellers. And again, not surprisingly, the first of the series was the Handbook for Holland, Belgium and the Rhine.

A picture of Baedeker's Traveller's Manual of Conversation

Another of Baedeker’s early publications: The Traveller’s Manual of Conversation in Four Languages

Murray and Baedeker soon joined forces and started to distribute each other’s guidebooks. To make them more uniform, Baedeker also used red cloth for the covers. Indeed, their guidebooks were all standardized, were regularly updated, and were made to fit comfortably into a coat pocket.

But that’s not all.

The star-based rating system that’s now used by online retailers, booksellers and review sites?

That was invented by John Murray for his guidebooks. (So now we know who’s to blame for that!)

The steamboat that were introduced in 1827 formed yet another part of the new tourist industry focusing on Rhine travels. The traditional way of traveling on the river was on boats dragged by horses, and the owners of the horses were not particularly happy about the new steamboats that took business away from them. And so, in 1848, the stable owners of the town of Neuwied fired cannon balls (!!!) at one of the steamboat to express their displeasure — a rather drastic measure (and not a particularly successful one: the boat was hardly damaged and, of course, the steamboat didn’t go away).

Have you ever been on a river cruise? And fellow authors, do you use guidebooks for your research?

Martin's Gate, sketch by Sandra Schwab

Martin’s Gate

This is going to be a super-short post because I need to dash off and be on my way to the Black Forest on a rather unexpected trip. Last week, the press office of my university was contacted by the BBC – do we have an expert on the Brothers Grimm willing to travel to Freiburg for an interview? Needs to speak English. The lovely people at our folklore department remembered me and forwarded me the e-mail, and now here I am, about to be … er … interviewed by the BBC. *gulp*

I’m going to leave you with a few impressions of Freiburg from my last visit. It’s such a beautiful town, with little open gutters (Bächle) running through the town center. The first were built in the Middle Ages to provide water for animals and for fire fighting. Other reminders of the medieval past can be found all over town: for example, there’s the Martin’s Gate, which used to be part of the old city wall and was first mentioned as Porta Sancti Martini in 1238.

Medieval minster, Freiburg, sketch by Sandra Schwab

The Medieval Minster

Then there’s the medieval minster, which dominates one of the central town squares. When I was last there, the very top was covered with green netting: the red sandstone is corroding fast, and so the upkeep of the church is a continuous process.

Waterspouts at the minster, sketch by Sandra Schwab

Gargoyle Waterspouts at the Minster

Something I’ve always loved about the minster is the multitude of gargoyle waterspouts that watch the going-ons in the square from high above. It’s a strange assembly of grotesque animals (some of them are actually quite cute!), devilish creatures, grinning skeletons, and strange human figures. I’m looking forward to seeing them all again! 🙂

And now I better hurry and get on the road. Please keep your fingers crossed for me!

Our guest blogger today is Deb Barnhart, a long time friend and fellow romance reader. I asked her to tell us why she reads Regencies and her answer follows. But I also encourage you to check out her Pinterest site to see some of the lovely Regency images she has collected. Thanks Deb for the kind words and your thoughtful response

Regency historicals touch my romantic soul at its deepest level. Whenever I enter that time period through the imagination of favorite writers, like Mary Blayney, Loretta Chase, Cathy Maxwell and Lorraine Heath, there is a level of intimacy present that I don’t find in contemporaries or other historicals.
For me, that early 19th century time frame offers so much more freedom in character and story where it runs the gamut of dark to light, sweet to sexy, drama to comedy. I love that kind of variety when I’m looking for a good read and Regency authors always provide it.7724e76dd128d1585b1595bd6676919a

Of course, Jane Austen is still a favorite of mine and Georgette Heyer is always good company, but I have read every one of Mary Blayney’s Pennistan series and the Braedons with the same level of joy and pleasure. Loretta Chase’s LORD OF SCROUNDRELS could not be sexier or more fun to read, unless I’m reading Janet Mullaney. I recently reread THE RAKE by Mary Jo Putney and found it as fresh as when I first read it.

I am such a Regency fan girl. The authors I mentioned, and the many I have not, have seen me through good times and bad. Regencies have allowed me to experience the Peninsular War, weekends in English country houses and evenings in infamous gaming hells. But from my very first Regency, what I love most about them is the romance. I adore stories about Dukes who find love for the first time and ladies who want nothing to do with it.

I love happy endings and Regencies do that best of all. They sweep me away from whatever crisis I am experiencing and into a past where pelisses are all the rage, women are feisty, love is always new and happy is ever after.th1T6QY5LS

Since you read this blog you read Regencies. So tell me was it Jane Austen, Georgette Heyer or Regency history generally that inspired you to write or read that genre?

Is there a Regency that you have read that has a special memory for you personally as a reader or a author?