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Monthly Archives: August 2015

 

I can’t believe it is Monday already!!  I have a book due on the 15th, and as always on the last week of deadline I am a bit wild-eyed and frantic.  I wasn’t sure what to blog about today except “OMG deadline!” which very boring.  Then I found this post I did for RR way back in 2008, when my book A Sinful Alliance, set at the Greenwich Palace of Henry VIII with a French spy heroine, talking about Greenwich Palace vs. Fontainebleau.  And this WIP is set at–Fontainebleau!  A bit later than Henry VIII, of course, in 1561, with Mary Queen of Scots and Catherine de Medici.  I hope you enjoy another peek at both palaces.  Also–a little look at the cover art concept for “Murder at Fontainebleau”…

Greenwich was originally built in 1433 by Humphrey, Duke of Gloucester, a brother of Henry V. It was a convenient spot for a castle, 5 miles from London and Thames-side, and was popular with subsequent rulers, especially Henry VIII. His father, Henry VII, remodeled the place extensively between 1498-1504 (after dispatching the previous occupant, Dowager Queen Elizabeth, to a convent). The new design was after the trendy “Burgundian” model, with the facade refaced in red Burgundian brick. Though the royal apartments were still in the “donjon” style (i.e. stacked rooms atop rooms), there were no moats or fortifications. It was built around 3 courtyards, with the royal apartments overlooking the river and many fabulous gardens and mazes, fountains and lawns.

The Palace of Greenwich (Placentia)At the east side of the palace lay the chapel; to the west the privy kitchen. Next door was the church of he Observant Friars of St. Francis, built in 1482 and connected to the palace by a gallery. This was the favorite church of Katherine of Aragon, who wanted one day to be buried there (of course, that didn’t turn out quite as she planned…)

Though there are paintings and drawings of the exterior, not much is known of the interior decorations. The Great Hall was said to have roof timbers painted with yellow ochre, and the floors were wood, usually oak (some painted to look like marble). The ceilings were flat, with moulded fretwork and lavish gilding, embellished with badges and heraldic devices (often Katherine’s pomegranates and Henry’s roses). The furniture was probably typical of the era, carved dark wood chairs (often an X-frame design) and tables, benches and trunks. Wool or velvet rugs were on the floors of the royal apartments only, but they could also be found on tables, cupboards, and walls. Elaborate tiered buffets showed off gold and silver plate, and treasures like an gold salt cellar engraved with the initials “K and H” and enameled with red roses.

For the events in my book, the visit of the French delegation, two new structures were built at either end of the tiltyard, a grand banquet house, and a theater where there were masques and concerts.

Many important events of the era took place at Greenwich. Henry VIII was born there on June 28, 1491, and he married Katherine of Aragon there in May 1511. On February 8, 1516 Princess Mary was born there, followed on May 13 by the marriage of the king’s sister Mary, Dowager Queen of France, to Charles Brandon, Duke of Suffolk (a huge source of much gossip!). In 1527 came the French delegation which forms the center of my book. They were received with much pomp “and entertained after a more sumptuous manner than has ever been seen before” (according to one courtier). On September 7, 1533, Princess Elizabeth was also born there, followed nearly 3 years later by the arrest of her mother Anne Boleyn after a tournament. One of the last great events Greenwich saw in Henry’s reign was the wedding to Anne of Cleves in 1540.

It was a royal residence through the reign of Charles I (1625-49), but under the Commonwealth the state apartments were made into stables, and the palace decayed. In 1662, Charles II demolished most of the remains and built a new palace on the site (this later became the Royal Naval College), and landscaped Greenwich Park. The Tudor Great Hall survived until 1866, and the chapel (used for storage) until the late 19th century. Apart from the undercroft (built by James I in 1606) and one of Henry VIII’s reservoir buildings of 1515, nothing of the original survives.

Fon1Fontainebleau, on the other hand, can be seen in much the state Francois I left it in. On February 24, 1525 there was the battle of Pavia, the worst French defeat since Agincourt. Many nobles were dead, and king was the prisoner of the Holy Roman Emperor in Madrid. He was released in May, but only at the price of exchanging his sons (Dauphin Francois and Henri, duc d’Orleans) for his own freedom. In May 1526, Francois created the League of Cognac with Venice, Florence, the Papacy, the Sforzas of Milan, and Henry VIII to “ensure the security of Christendom and the establishment of a true and lasting peace.” (Ha!!) This led to the visit of the delegation in 1527, seeking a treaty of alliance with England and the betrothal of Princess Mary and the duc d’Orleans.

After his return from Madrid, Francois was not idle. Aside from plotting alliances, he started decorating. Having finished Chambord, he turned to Fontainebleau, which he loved for its 17,000 hectares of fine hunting land. All that remained of the original 12th century castle was a single tower. Francois built new ballrooms, galleries, and a chapel, and called in Italian artists like Fiorentino, Primaticcio, and Vignola to decorate them in lavish style (some of their work can still be seen in the frescoes of the Gallery of Francois I and the bedchamber of the king’s mistress the duchesse d’Etampes). The marble halls were filled with artworks, gold and silver ornaments, and fine tapestries. Unlike Greenwich, this palace was high and light, filled with sunlight that sparkled on the giltwork.

A few sources I used a lot with this book are:
Tournaments: Jousts, Chivalry, and Pageants in the Middle Ages, Richard Barber
Excavations of Greenwich Palace, 1970-1971, PW Dixon
Tudor Food and Pastimes, FG Emmison
The Six Wives of Henry VIII, Antonia Fraser (there are LOTS of books on this subject, of course, but Fraser’s is great!)
Prince of the Renaissance: The Life of Francis I, Desmond Seward
Food and Feast in Tudor England, Alison Sim (yes, I do like researching food!)
The Royal Palaces of Tudor England: Architecture and Court Life, 1460-1547, Simon Thurley
Henry VIII: The King and His Court, Alison Weir (full of wonderful info!)
Henry VIII and His Court, Neville Williams

MurderFontainbleau2

I’m coming down to the line on finishing my novella for the upcoming anthology Christmas in Duke Street. Despite being madly writing, I have great sites I came across recently.

The Bodleian Library Goes Digital

When I was in grad school and researching a Regency era author named Eleanor Sleath, I was also frequently side-tracked into other fascinating areas of research that was quite handy for writing Regency Historical Romance. One of the most tantalizing things I came across was the Ephemera collection at Oxford’s Bodleian Library. At the time, a handful of images had been made available. It happened that their server was misconfigured and I was able to get to a directory listing of the ephemera collection and could see that they had playbills, and I was searching for performances of a certain play. I wanted to look at those playbills so badly …. A trip to the UK was out of the question. Well, the Bodleian has put this collection on line and searchable along with other collections: Digital Bodleian.

Here’s some playbills in the Ephemera collection: Playbills (None are the play I was looking for, alas.)

Here’s a ticket for a ball given by the Lord Mayor: ticket

Then there’s this letter to the Editor:

(Hopefully that lands you at the enlarged image. If not, click on the magnifying glass.)

To the Printer of the DIARY.
SIR,
My attention being roused by the claims of different countries to the Artist who produced the Exhibition of Edinburgh in the Haymarket, I went to see a work, which, from the contention, promises to have so much merit. I expected to have seen a model like that of Rome, or London; for transparent painting, such as I’ve seen before; but was agreeably surprised to see, I will venture to say, the greatest curiosity ever exhibited in painting, without any deception but that of the pencil, laying nature fairly open to my view, in a manner entirely new.
I ever wish to see the arts flourish; I hope this extraordinary effort of ingenuity will meet its reward: to doubt it would be an insult to publick taste.
Yours, &c.

LIBERALITY.

I had to (digitally) go to a library in Australia to find out what this letter was about. Here’s the link. I’m sorry, it’s a pdf and I sure hope the link works.

The letter first refers to an exhibition in the Haymarket of a panorama of Edinburgh by Irish painter Robert Barker. (Thus, the artist referred to is Robert Barker) This was something of a sensation. No one (according to these sources) had ever painted a panorama before, nor lit and placed it as Barker did. The panorama was 7.5 meters long and was exhibited in London in March of 1789. It stayed on view until 1790. Barker then prepared a panorama of London.

Indeed, this source claims that Barker’s friends coined the word “panorama” to describe this ability to walk around a painting as if one were actually at that location in the world. From this, Barker, and after his patent expired, other artists, produced panoramas of other cities and countries. This letter seems to be referring to a subsequent exhibition of other countries. Barker, having succeeded wildly, built an exhibition hall behind his home at 28 Castle Street Leiscester Square. A larger structure was built at another location, also in Leiscester Square by 1793. The Royal family visited and was much impressed. Panoramas were a popular entertainment through the 1850s.

Ships! The HMS Victory

The Independent has a fascinating article about why the HMS Victory sank. It sure wasn’t what I thought. This article is a great overview of the ship and its history, with a dose of climate, bureaucracy, and bad design thrown in.

The tragedy was not caused by dangerous rocks and the failure of the Alderney lighthouse keeper to keep the fire burning as believed at the time. The reasons for the Victory’s loss were almost certainly poor ship design, top-heavy weight, instability caused by heavy guns and possibly rotting timbers. victory1744.org

For more about this ship, there’s a website dedicated to it: victory1744.org. The photos of the wreck in-situ are stunning.

While I was putting together this post, one of my searches led to a site about pens, which I clicked on because pens! I’m addicted to fountain pens. When I was done, I went to the pen site and discovered that this company sells pens made with wood from the hull of the HMS Victory. Here’s the page about that. And here are the HMS Victory pens they sell.

I’m a bit late with my post today as I spent the day at the Rhine with friends. And since I’ve already written about 19th-century travels on the Rhine, I thought it might be nice to share pictures of our day trip and add to them some descriptions from guidebooks from the 19th and early 20th centuries.

Koblenz with the "German Corner," where the rivers Rhine and Mosel meet

View of Koblenz with the “German Corner,” where the rivers Rhine and Mosel meet

We visited Koblenz, which Murray’s Handbook for Travellers on the Continent: Northern Germany of 1845 describes thus:

“Coblenz is a strongly fortified town on the left bank of the Rhine, and right of the Mosel. It received from the Romans the name Confluentes, modernised into Coblenz, from its situation at the confluence of these 2 rivers. It is the capital of the Rhenish provinces of Prussia, and its population, together with that of Ehrenbreitstein, including the garrison, is about 25,000.”

Ehrenbreitstein

Ehrenbreitstein

Right across the Rhine from Koblenz lies the Ehrenbreitstein. Murray’s tells us the following about the fortress:

“Ehrenbreitstein (honour’s broad stone), the Gibraltar of the Rhine, connected with Coblenz by a bridge of boats. In order to enter it, it is necessary to have permission from the military commandant residing in Coblenz, which a valet-de-place will easily procure, on merely presenting the passport, or a card with the name of the applicant upon it.”

The garrison was destroyed by the French in 1801, but was rebuilt by the Prussians between 1817-1828 and, together with Koblenz on the other side of the river, was meant to protect the Middle Rhine.

Deutsches Eck

Deutsches Eck

One of the most famous sights of Koblenz is the so-called German Corner (Deutsches Eck), where the river Mosel meets the Rhine. After Kaiser Wilhelm’s death in 1888, a colossal equestrian statue was erected here in commemorate the Kaiser who had brought about the German unification of 1871. The statue was finished in 1897.

Electoral Palace, Koblenz

Electoral Palace

Bradshaw’s Continental Railway Guide from 1913 has the following to say about other sights of Koblenz:

“The beautiful Rhein Anlagen (gardens and promenade) extends along the river front a little south of the boat bridge. Above and behind the Anlagen is the Schloss [i.e., the Electoral Palace], formerly a favourite residence of the German Imperial family; the royal apartments may be seen.”

Prussian government building and Koblenzer Hof

Government Palace and the hotel Koblenzer Hof

Bradshaw’s also mentions “the imposing Regierungspalast (Government office) with square peaked towers” as well as the “[n]ew first class hotel” right next to it, the Grand Hotel Belle Vue – Coblenzer Hof, which had just opened in spring 1913. The ad in the guidebook proudly points out that there’s “running water in every room.” 🙂

ad for Coblenzer Hof in 1913 guidebook

Ad from Bradshaw’s Continental Railway Guide (1913)

But not just the buildings along the Rhine are particularly nice, you can also find beautiful buildings when you walk through the town itself.

pretty houses in Koblenz

Pretty houses in Koblenz

And oodles of churches like the Liebfrauenkirche, which is dedicated to Mary.

Liebfrauenkirche, Koblenz

Liebfrauenkirche, Koblenz

As you can see I had a truly wonderful day! 🙂 And I also had something to celebrate, namely the re-launch of my debut novel, The Lily Brand, which was published ten years ago by Dorchester. Here’s the blurb & the pretty new cover. Until the end of this week, you can still snatch it up for the launch price of $2.99.

Troy Sacheverell, fifth earl of Ravenhurst, was captured in France. He’d gone to fight Napoleon, but what he found was much more sinister. Dragged from prison to an old French manor on the outskirts of civilization, he was purchased by a rich and twisted widow. And more dangerous still was the young woman who claimed him.

Lillian had not chosen to live with Camille, her stepmother, but nobody escaped the Black Widow’s web. And on her nineteenth birthday, Lillian became Camille’s heir. Her gift was a plaything: a man to end her naiveté, a man perfect in all ways but his stolen freedom. Yet even as Lillian did as she was told, marked that beautiful flesh and branded it with the flower of her name, all she desired was escape. In another place, in another world, she’d desired love. Now, looking into burning blue eyes, she knew there was no place to run. No matter if should she flee, no matter where she might go, she and this man were prisoners of passion, inextricably linked by the lily brand.

And while her heart remained locked in ice, his burnt with hate. Would they ever find true happiness?

Get it on Amazon or Kobo

cover of Sandra Schwab's The Lily Brand

Fun is the word whenever I welcome Lavinia Kent to the Riskies. Lavinia is a good friend of mine and though we write in the same genre we are miles apart in our approach to the period. ©Rebecca Emily Drobis ALL RIGHTS RESERVEDI tend toward the traditional and Lavinia writes hot in about a hundred different shades. I love what she has to say here. Read on and see what you think.

Belly dancers. Pirates garbed in black. Fairies with flower wings. Woodland warriors with full wolf masks. Friars, satyrs and pixies. A steampunk gentleman.IMG_2057

What do any of these things have to do with the other?

A glorious afternoon spent at the Renaissance Festival answers that question. Do any of these things belong there? No – and Yes, Yes, Yes. I love the anachronism of the Festival. I love the joy people take in their costumes even when they make no sense. Few of the costumes are directly related to England under Henry the Eighth. Somehow it just doesn’t matter.

Some of the garb is timely to the basic period but still the differences can be great, the costumes differing by centuries.

As I sat and watched the people go by, I considered how to make them work for the period, what story to tell to make each piece fit. Why was that group wearing hats of fabulously colored ribbons? IMG_2051 (1)Was somebody throwing a masquerade and required that all the guests come dressed that way?

And why was a party of pirates walking down the center of the street and nobody reacting? Was a prodigal son returning and all his friends chose to dress in a similar fashion to make him feel at home?

And where did the belly dancers come from? Were they heading to some other foreign land and after a great storm came to shore on England’s coast in all their bells and scarves? Or did some crusader knight return with a retinue of fair dancers who didn’t know how to dress for the English winter?IMG_2052-1-300x225 (2)

And the steampunk gentleman? Clearly a time traveller lost by a century or two now doing his best to fit in.

For each passerby I could find a story and a reason.

And that made me think about my own writing. I’ve always acknowledged that I am research light. I love the characters and the story more than the facts. But, and it’s a BIG but, I work hard to not get anything wrong. I may skim over a detail, if I can’t find a ready source, but if I put a goldfish in the pond I do the work to be sure that goldfish or koi had already arrived from China. And I’ve spent countless hours looking up words to see when they came in to use and whether they were used the same way they are now.

So why do I love the anachronisms of the Festival? Because the inspiration I find in them. And the same is true in my writing. I love the challenge of explaining why my heroine’s viewpoints might not be traditional for the age, why she knows more (or less) than the other women around her. It’s fascinating to explain why an elderly woman clings to the corsets of fifty years before.

I don’t like it when history is wrong, but there is something wonderful when an author can add an oddity and make it work. I worked along the lines of this premise when creating Ruby, Madame Rouge in my Bound and Determined series. I wanted to create a multi-faceted woman who could run a successful brothel, go to church with her grandparents and put on the airs of any great lady plus she had to know about textiles and how to sum a patron up by the cloth of his trousers.mastering the marquess_3_7_14

I am not going to give all the secrets of her past, but I will say that having a duke for a father and his well bred, but not quite well enough bred, mistress for a mother was an easy place to start.

And then came the fun of figuring out how to bring each heroine to Madame Rouge’s house. Surely no true lady would ever visit such a place – or would she?

A lnaked couple embracing each other in the darkness

What would make each individual make the choice to do something so out character?Answering those questions is what makes the writing such fun and hopefully the reading as well. I’ve had a different answer in each of books, Mastering the Marquess and Bound by Bliss and in my September novella, Sarah’s Surrender, I work to find one more, to explain why a gentleman would ever bring his love of years before to such a scandalous establishment as Madame Rouges.

What sparks your imagination? As a reader are you curious about what inspiration lurks behind the title?

Finally, thank you for having me. I always love the chance to stop by Risky Regencies.

Thank you , Lavinia. We all enjoy having you with us!

LadyVengeance-330I apologize for the delay in announcing the winner of Lady Vengeance, the giveaway book by Sarah Eagle offered in her two-part post about the Waterloo Anniversary at the end of last month. The delay is entirely my fault, not hers –August has been crazy-busy!! I am happy to announce that the winner of her book, chosen at random, is faithful reader bn100. I will be emailing her to arrange the book delivery. Thank you to everyone who commented on Sally’s posts!