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Monthly Archives: August 2015

We’ve been having a truly awful heatwave here in Northern California. My house is overrun with ants and I’ve been hearing half the people I know complain about sudden outbreaks of fleas (no outbreak here *knock on wood*), but it got me thinking: what did people do when there was no Advantage, no Capstar, to turn to? My books are full of dogs, and my work in progress has a housekeeper squaring off with a new wife and a puppy with fleas is a perfect fight!

Well, there is actually advice on that in multiple period sources! Huzzah!!! Research! Here’s a bit of advice from a little period magazine I own (from 1819) The Complete Dog-Fancier’s Companion, Describing the Nature, Habits, Properties, etc. of Sporting, Fancy, and Other Dogs; with Directions of choosing the genuine breed, Instructions for rearing, manner of training for water and the field, Disorders they are generally subject to, Methods of cure etc. etc. (Interspersed with many curious and entertaining anecdotes of the useful and faithful animals).

Dog advice 2

 

 

Not sure I want to rub my dog in goose-grease or olive oil, but I imagine it would do the trick of suffocating the fleas. And the cumin and hellebore might work, too. I know the organic spray I have is made of mint and cloves, which a Georgian person would also be able to easily obtain (BTW, you can download a scan of this book for your personal collection HERE).

Yet more advice from Canine Pathology, 1817.

And from A Treatise on Greyhounds (1816):

From A New Present for a Servant Maid (1771):

From The Housewifes Companion (1674)

I’m hoping a few domestic battles will be fun to write and I’m having a good time looking into just what people might have done to combat the “nimble gentry” in the Georgian era.

 

As I begin the series that has been the subject of the occasional post here on Risky Regencies, I’ve been thinking about my hero and heroine, John and Mimi, and what makes them the unique and intriguing people they are. I’ve got it now but I won’t spoil the fun by talking about it when you can read about them before too long.

In the process of working it out I gave some thought to my past characters and what they have in common.

Anyone who knows me can guess that the key element they all share is “honor at the core of their being.” Though I could argue that Mia in COURTESAN’S KISS was right on the edge of honorable. She was just a bit too manipulative and selfish. Hopefully her loving relationship with her half-sister and her difficult youth made her behavior understandable and acceptable. And, in the end, of course, love conquers all.

At the other extreme of honor at the core has to be Michael Garret, the continuing character (not the hero) in the series I am writing now and the hero of LOVER’S KISS. thDR28GQLZMichael abandoned his religious training and joined the army rather than accept a living that would have made him a puppet. Even as a spy (see TRAITOR’S KISS) he knew the cost of his work and helped his colleagues whenever the need arose, even when it threatened his own safety. He is settled now, responding fully to his call as a vicar (though an unconventional one) and finds great joy in the world around him. (And yes, Michael looks a lot like Liam Neeson.)

But there is one other element that my characters share and it’s what makes them unique in their world. Almost all of them defy the social norm in some way. Michael as an unconventional vicar. Mia, in her extreme, way insisting that she would become a courtesan.

Then there is Lady Olivia, the daughter of a duke, who loves the kitchen, thPBQIXJKAespecially baking. Her brother, Lord David, decides to go into business despite the fact that gentlemen did not. The list goes on and includes either the hero or heroine and sometimes both in my “Kiss series” (Check out my website for titles and details: MaryBlayney.com)

So now what I am wondering is what element your favorite characters share whether you be reader or writer? I bet I know what Diane Gaston will say.

Posted in Regency, Writing | 5 Replies

I’ve been thinking a lot about Gail’s post last week “About Those Dukes”, and also about this this article in the Smithsonian Magazine, “Why Can’t Romance Novels Get Any Love?”

The article talks about Germaine Greer’s “feminist call to arms”, The Female Eunuch (1970) in which:

“Greer was skewering the authors of romance novels, and the readers who made them bestsellers, suggesting they were submitting to nothing short of serfdom to their heaving, rippling fictional heroes: alpha males with giant pectorals, important lives, patriarchal views and very little interest in love…until just the right petite, witty heroine comes along.”

I love the idea that literary scholars like Sarah Frantz Lyons, who started the International Association for the Study of Popular Romance, want romance to get the same attention from scholars as other popular genres such as mystery and science fiction.

“We’ve been talking about this for 30 years: since the 1980s at least, it’s been about empowerment versus oppression. Is this narrative empowering or oppressive to women?” she says. “We need new approaches to romance fiction.”

temptationIt’s the sort of thing Jennifer Crusie has been saying, probably even before this 1998 article “Defeating the Critics: What We Can Do About the Anti-Romance Bias”.

“But romance fiction insists that women be front and center, demonstrating over and over again that women can solve their own problems. Reading that kind of narrative empowers women and therefore attacks the basic assumption of patriarchy.”

I love this statement, and this is part of why I write romance. (I hope Crusie’s smart and sexy books are among those that will be studied.)

I’ve also read romance novels that tapped into fantasies that may or may not work with the idea of women solving their own problems.

I suspect part of the appeal of Duke and billionaire stories is the fantasy of never having to work a boring job or worry about money again. For personal reasons, it’s not a fantasy that appeals to me, but I can understand it. When I’ve been too busy taking care of others to care for myself, I daydream about tropical vacations where all I have to do is snorkel with pretty fish, get massages, and sip umbrella drinks. But I don’t really need a life of luxury. I need to rearrange my life so there’s more time for self-care on a regular basis. I’m working on that, but the vacation fantasies help me get through bad days. Likewise, a woman whose job is unpleasant or unrewarding, or who is struggling to make ends meet, has every right to enjoy an escapist story, even though she may also be actively trying to improve her situation.

I feel the same way about domineering, alpha heroes and “forced seduction” stories. Personally, I find some heroes cross the line from “alpha” to “abuser” and especially if I don’t see a real transformation, the story isn’t going to work for me. It is very, very important to me to see that at least by the end, the hero treats the heroine as a real person and an equal, neither domineering nor putting her on a pedestal. But each reader has the right to decide for herself which stories work for her. Perhaps some women can’t distinguish between the fantasy of being conquered and how healthy relationships work, but that’s no reason that others should not enjoy those books.

I do not care for censorship. What I do believe in is dialogue. Dialogue is good. Criticism is good. I’m thinking about all the conversation about Fifty Shades of Grey. I didn’t participate because I haven’t read it, but from the articles and blogs I skimmed, I could see there were intelligent points made. I believe we should all discuss, criticize, even argue about the books if we want, but judging people personally for their reading choices is just an exercise in ego.

Which gets me back to the academic study of the romance genre. Scholars will likely find many stories featuring strong heroines and the development of healthy relationships.

They’ll also likely read some of those old contemporaries I used to find around the house as a child, where the nurse always marries the doctor and the secretary gets the boss. (And in those old stories there were never any female doctors or bosses.)

purityspassionScholars may also include books like the one in this review on the Smart Bitches/Trashy Books site: Purity’s Passion. A quote, just to give you an idea:

We’re at the midpoint of the book, and let us tot it up: Purity has had consensual sex twice, been raped by six men (two of them multiple times), and nearly raped by a seventh.

So I don’t think a broad study of the romance will lift the genre as a whole to respectability. That’s not important to me. Although some romance novels are complex and beautifully written, not everything needs to be literary. Although I prefer to read and strive to write romances that end in what I think are healthy relationships, I do not deny others the right to read and write what speaks to them.

What I do hope is that the study results in some good discussion. Maybe some of those who haven’t yet tried a romance will do so, at least out of curiosity.

What do you think? Which romance authors or books do you think are most feminist, or most literary? Any favorite guilty pleasures you’d like to share?

Elena

Duke of Wellington

Duke of Wellington

For a while now, dukes have been running rampant through the Regency fiction genres, especially in Historicals, but even in Trads. Do you love this? Hate this? Don’t care? The trend seems as strong as ever. The publishers, and apparently the readers, love them. And hey, we’re writing stories that are fantasies based on a romantic view of our time period, so why not? It’s not as if all of these fictional dukes exist in the same version of Regency England –each author’s Regency World is unique to that author (except perhaps in a connected set or special project). Right? But did you ever wonder how many dukes there really were in Great Britain during the Regency?

Douglas Hamilton, 8th Duke of Hamilton and 5th Duke of Brandon

Douglas Hamilton, 8th Duke of Hamilton & 5th Duke of Brandon

You might say dukes are the equivalent historical heart-throbs to the super-billionaires that are the go-to heroes in current contemporary romance. As The Daily Mail has explained it: “Dukes are just one rung down from royalty in the social pecking order and enjoy a special status way above the rank and file of the aristocracy. As peerages go, it’s the jackpot.”

Who wouldn’t want their hero to be that special? Except the way I see it, this status cuts both ways. The very rarified “special-ness” of such high rank begins to suffer when book after book after book has young, handsome, wealthy dukes just ripe for marriage. It just rubs against my personal vision of what I think the Regency was like, or makes the rank of duke seem a little common. Dukes were rare, and most often old…weren’t they? And I’m not even touching the question of the way dukes fit into the political structure, but you can note below how many of the dukedoms are named for the counties of Britain….

Charles+Lennox,+3rd+Duke+of+Richmond+(1758),+Sir+Joshia+Reynolds.

Charles Lennox, 3rd Duke of Richmond

I’ve nothing against my fellow authors whose heroes are dukes, or the readers who love them. I get it. But I can’t do it. Every time I consider creating a hero who is so highly ranked –well, I feel like I stubbed my toe. The closest I’ve come to it was dealing with a duke’s family in An Unlikely Hero, and that story’s hero was a viscount, a “lowly” friend of the duke’s son. Am I losing readers?

I don’t seem to have the same problem with creating heroes in the lower peerage ranks. There were so many more of them! Earls, for instance. I am fond of them. They could be wealthier than some dukes were! But I have this idea that there were a lot more earls floating around in the real Regency England, so it seems less of a violation to add in a few fictional ones. And barons –they date very far back in time, and there were lots of them, too. Has the demand for dukes devalued the other four peerage ranks (marquess, earl, viscount, and baron) in our fiction?

I decided to put my prejudice to the test and check the numbers. (I’m not including Royal Princes’ dukedoms). After all the dukedoms that have been created, recreated, forfeited, merged (through marriage or elevation to higher rank), or simply gone extinct (no heirs), today there are only 24 still extant. But how many in our favorite time period?

63 English (non-royal) dukedoms starting as early as 1351 went extinct, were forfeited to the crown, or merged prior to 1707. Eleven (including two forfeited and restored several times) were extant at least through the Regency:

1 Norfolk, 1483 (forfeited three times up to 1660)

Edward Seymour duke of somerset

Edward Seymour, Duke of Somerset

2 Somerset, 1547 (forfeited 1552-1660)

Charles_Lennox,_1st_Duke_of_Richmond_and_Lennox_by_Sir_Godfrey_Kneller,_Bt

Charles Lennox, 1st Duke of Richmond

3 Richmond, 1675

4 Grafton, 1675

5 Beaufort, 1682

6 St Albans, 1684

7 Leeds, 1694 (extinct in 1964)

8 Bedford, 1694

9 Devonshire, 1694

John_Churchill_Duke of Marlborough__van_der_Werff

Duke of Marlborough, Winston Churchill’s ancestor

10 Marlborough, 1702

11 Rutland, 1703

Between 1707-1801, about ten more were created and went extinct, merged, or were forfeit. Eight dukedoms of Great Britain created during these years were still extant into the Regency:

12 Brandon, 1711

13 Ancaster & Kesteven, 1715 (extinct-1809)

14 Portland, 1716 (extinct 1990)

15 Manchester, 1719

16 Dorset, 1720

17 Bridgewater, 1720 (extinct 1803)

18 Newcastle-under-Lynne, 1756 (extinct 1988)

19 Northumberland, 1766

Created between 1801-1822, only two:

20 Wellington, 1814

21 Buckingham and Chandos, 1822 (extinct 1889)

22 Duke of Leinster, 1691, was the only Irish dukedom extant during the Regency

It appears there were nine Scottish Dukes during the Regency, titles dating from 1707 or earlier. (18 other Scottish dukedoms went extinct, were forfeited to the crown, or merged between 1351-1707 ) The nine:

1) Hamilton 1643 (and later Brandon, 1711)

2) Buccleough, 1663 (and Queensbury, 1810)

George_Douglas_Campbell,_8th_Duke_of_Argyll_by_George_Frederic_Watts

G. D. Campbell, 8th Duke of Argyll

3) Lennox 1665

4) Gordon

5) Queensbury, 1684

6) Arguyll, 1701

7) Atholl, 1703

8) Montrose, 1707

9) Roxburghe, 1707

By my count, that’s 31 dukes during the Regency, in all of England, Scotland, and Ireland. If I had time, I would now look them all up to find out how old each one was in, say, 1816!!

For comparison, I give you:

1) number of earldoms (English, Scottish, Irish, G.B or U.K.), established before or during the Regency (1398-1822) still extant today: 142. (Because the sheer number of earldoms has long surpassed the number of territorial counties, the names of many earldoms are associated with smaller units (estates, villages, families, etc.).

2) number of baronies (English, Scottish, Irish, G.B or U.K.), established before or during the Regency (1264-1822) still extant today: 124 (and 317 more were created since 1822!)

I am sure there were more of both these peerages during the Regency that disappeared later –sorry I don’t have time to analyze these long lists! You get my point. Slipping in a bunch of fictional earls or barons doesn’t rattle my universe of imagined history nearly as much as all those dukes!

James-Graham-1st-Marquess-of-Montrose-by-William-Dobson

1st Marquess of Montrose

Viscounts and marquesses, the other two peerage titles, were less common, at least as independent titles. Copied from the French, they came into use later, and tended to become subsidiary titles as the holders were promoted. Much more commonly found as the courtesy titles used by heirs-apparent. Today there are only 25 marquesses who do not hold higher titles, and 37 such viscounts. I learned that stand-alone viscountcies were more common in Ireland than the other parts of the UK –24 of those 37 viscounts are Irish titles. Things I’ll keep in mind for future stories!!

I came across two tidbits that I can’t resist sharing. One is this: The Daily Mail reported in 2009 that Tatler Magazine invited the 24 then-current non-royal dukes to lunch. Some were too frail to attend, and some live abroad, but ten of them came. Those ten represented the largest gathering of dukes since Elizabeth II’s Coronation in 1953! Their ages ranged from 41 to 94. For a photo of them, details and the interesting story, see “Ten Dukes a-Dining”.

And this last bit is at least for Amanda, and also shows that it’s not always good to be a duke:

“When Elizabeth I came to power the only [remaining] living duke was Thomas Howard, 4th Duke of Norfolk. Elizabeth did not create any dukes, and she beheaded Thomas Howard at the age of 36 for plotting to wed Mary, Queen of Scots and overthrow her. By 1572, this class of peerage was extinct – there were no Dukes in the last 30 years of her reign.” (from Wikipedia) No wonder Shakespeare could so liberally sprinkle both historical and fictional dukes throughout his plays without worrying about direct repercussions! (besides putting them in Italy, of course) No one in England held that rank for most of his lifetime –from the time he was eight until seven years after his death in 1616. The later extant Dukedoms in the Peerage of England were created (or restored, in two cases) in the Stuart period and after.

How do you feel about dukes? In our Regency fantasies, does it matter whether the titles of our characters reflect the nature of the peerage at the time? I’d love to hear what you think!

One of my favorite parts of the Romance Writers of America (RWA) Annual Conference is that the Beau Monde chapter of RWA holds their annual conference the Wednesday before. I try always to attend. It is a great chance to see old friends and to hear great presentations on my favorite topics–anything about the Regency era!

IMG_0082This years conference keynote speaker was Miranda Neville, who honored her recently deceased father in her speech. Her father nurtured Miranda’s interest in history and took her and her sister to museums throughout Europe as a result. If that wasn’t enough to envy, she also had an idyllic childhood on a farm in Wiltshire and went on to work for Sotheby’s, writing catalogues of rare books and original letters and manuscripts. This meant she was paid to read the personal correspondence of historical figures, including those of “our” time period. Needless to say, Miranda likes to get the history correct in her books!

Our Risky Janet Mullany presented a workshop on servants, but I won’t say much about that, because she may be telling you herself. She told us about Black servants who were in England for many years. She mentioned one of the duties of footmen was to deliver messages for the lords and ladies for whom they worked. I thought it a clever fact to use in a future story that the footmen might take hours to deliver such messages, even though the distances might be nor more that a mile away.

Another Risky who presented a workshop was Isobel Carr, who spoke about the fabrics of the time period, about the different weaves of fabrics and the different materials from which they were made. Isobel has so much expertise to share on this topic, it is much too extensive for me to repeat. One interesting fact, though. We all believed that Scottish clans each had their own tartans. I imagined the clans rushing into battle at Culloden each wearing their clan’s plaids. It turns out that, in the late 18th century, a man named William Wilsons published a pattern book in which he assigned clan names to different tartans. The clans themselves had nothing to do with it.

Edmund_Blair_Leighton_-_Singing_to_the_reverendRisky friend Louisa Cornell talked about The Musical Education of a Regency Young Lady. I’ve heard Louisa speak on this topic before and I was so happy to hear Louisa, formerly a professional opera singer, sing some of the examples. She showed us what (and how) a sweet young might sing at a recital, what a talented young lady might sing, and what selections would be scandalous for a young lady to sing. Turns out, singing scandalous songs was acceptable in society.

Jackie Horne spoke about The Material Culture of Childhood and showed how the different cultural views on childhood were reflected in their toys, furniture, and clothing. Before 1750, children were rushed to adulthood, so their furniture, clothing, etc. reflected that. 1750 to 1830 was the era of the Natural Child, the belief that childhood was a special time requiring more freedom of movement than children had experienced previously. One interesting fact Jackie told us. Baby carriages were not invented until 1830, so don’t have your Regency characters pushing one!

Cheryl Bolen shared tons of information on the interiors of Regency houses, both in Town and in the country. She showed us slide after slide of wonderful Regency interiors, including some beautiful Adams rooms. You can see these images on her Pinterest Boards. An interesting fact–her floorplan of a typical Regency town house showed that the master’s bedroom was on the ground floor behind the dining room.

georgette-heyer-biographyThe Beau Monde was honored to have Jennifer Kloester, author of the recent acclaimed biography of Georgette Heyer. Ms. Kloester gave us a lovely picture of Heyer, including many of the insider tidbits she’d learned doing her research. She showed us a photograph of Heyer in her 20s by a then famous photographer. She looked like a 13 year old. Another photo the next year was more like the one on this book cover.

I missed the last workshop, because I needed to get ready for RWA’s huge Literacy Book Signing, but I heard it was wonderful, too. It was about Regency dance and was intriguingly titled Rethinking the Regency Ballroom with special guest Susan de Guardiola.

Miss Guardiola also led us in dance later at the evening soiree, where I joined other Beau Monde members, many in period costume, dancing the dances of the Regency. My dance partner was Joanne Grant, Senior Executive Editor at Harlequin UK. She and I have danced at previous soirees and it was a delight to have her attend this year’s and dance with me again!

It was a wonderful Beau Monde conference. Special thanks to Janna MacGregor, the coordinator of the conference. She did a marvelous job! And has become a great friend of mine, as well!

What topics would you like to hear presented at a Beau Monde conference? I’ll pass on your ideas!