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Monthly Archives: September 2015

A book I’ve been waiting for is out! Naturally I bought it immediately. The author, Luke Williams, and I got in contact, and he graciously agreed to be interviewed here at the Riskies. I’m giving away a copy of his book to one commenter, rules below.

The book is Richmond Unchained, the Biography of The World’s First Black Sporting Superstar. Richmond was a boxer from the Regency era whose name would be encountered by any author doing research into boxing of the era. This is one of the most interesting, engaging biographies I’ve read in some time and I highly recommended it to anyone and everyone.

I’m not kidding you here, I stayed up late three nights running because I had to find out what happened. This is a well-written, meticulously documented, and completely engaging story of a man who deserves to be better known. With its wealth of historical and social detail, this book should be on every historical author’s shelf.

You can increase your chances of winning because over at my blog I have a guest post by Williams which is also fascinating reading and I’m giving away a copy there, too.

Richmond Unchained takes an unflinching look at the history of American slavery and Britain’s own in the slave trade and slavery. It places the racism of the time squarely in the middle of a compelling story of a man who lived with the consequences. It’s not possible to read this book and see that not enough has changed.

Richmond’s life is compelling and riveting. As you’ll see in the interview, it took Williams 12 years to complete the book, and his care and attention to detail and chronology shows.  From slavery to a position of honor at the coronation of George IV — Richmond is a man who lived an extraordinary life.

About Luke G. Williams

Author Luke Wiliams holding a drink by a pool and wearing a hat totally chilling out

Luke G. Williams, chilling

Luke G. Williams has been a journalist and writer for 16 years. He has worked as a full-time staff writer for uefa.com, sportal.com and euro2000.com, while his freelance work has been published in various outlets including The Guardian, Sunday Express, Snooker Scene, The Independent and 007 Magazine. He has appeared on numerous TV and radio channels, including ITV London, and BBC Radio Five Live. His first book, Masters of the Baize (co-authored with Paul Gadsby) was published in 2005, and was named Book of the Week by The Sunday Times newspaper. He edited the boxing writing anthology Boxiana: Volume 1 (2014) and is the author of Richmond Unchained: The Biography of the World’s First Black Sporting Superstar (2015). Luke lives in London and is the assistant headteacher of a successful secondary school.

About Richmond Unchained

Cover of Richmond unchained. A VERY VERY fit black man with no shirt and yellow beeches in a boxing post. Yeah. He's hot.

Cover of Richmond Unchained

Today Bill Richmond is largely unknown to the wider public, but he was one of the most significant sportsmen in history and one of the most prominent celebrities of Georgian times. Born into slavery in Staten Island, Richmond won his freedom as a young boy and carved a new life for himself in England as a cabinet maker and then a renowned prizefighter and trainer. His amazing life encompassed encounters and relationships with some of the most prominent men of the age, including Earl Percy, William Hazlitt, Lord Byron, the Prince Regent and Lord Camelford. His fame was such that he fulfilled an official role at the coronation celebrations of King George IV in 1821. The story of Bill Richmond is an incredible tale of personal advancement, as well as the story of a life informed and influenced by a series of turbulent historical events, including the American War of Independence, the fight for black emancipation and Britain’s long-running conflict with Napoleon Bonaparte.

(You see??? You see!!! If you write Regency Romance, you need this book. If you love the history, you should read this book.)

Get Richmond Unchained

Amazon UK | Amazon US | Amberley Books (UK) | B&N | Kobo | Google Play | iBooks

What They’re Saying

Over many years of dogged research, Luke Williams has assembled a wonderful array of new sources to flesh out the fascinating life of a man famed in his own era, but who is only recently being rediscovered by historians. Williams challenges the fanciful Wikipedia myths, and instead reveals the truth to be far more compelling. Richmond was a complex man living in complex times, and has long deserved a biography. It’s heartening, then, that the life of Britain’s first Black sports star is carefully examined by a writer with an obvious passion for his subject.
Greg Jenner, historical consultant CBBC’s Horrible Histories, author A Million Years in a Day: A Curious History of Everyday Life

Richmond Unchained is an accomplished and absorbing study of life and sport in Georgian Britain … A fascinating, and deeply researched, account of one man’s trials and triumphs as he breaches the prizefighting citadel that was Georgian London … A compelling blend of sporting and socio-cultural history, chronicling Richmond’s remarkable journey and eventual recognition as one of prizefighting’s foremost ambassadors … An enthralling odyssey, recounting Richmond’s stellar achievements fought for against the intriguing backdrop of the Georgian prizefighting world … An engrossing biography, and cultural evaluation, that accurately captures the essence of the conflicting qualities of Georgian London’s prizefighting scene.
David Snowdon, author Writing the Prizefight, Winner 2014 Lord Aberdare Prize

This modern biography of Bill Richmond, Britain’s first black boxing superstar, is in my opinion quite simply the most well written, thoroughly researched and historically accurate work of its kind ever produced. Not only does the author touch upon and explore many of the known and lesser known mysteries and themes of Richmond’s life, he also manages to successfully explain the often complicated background history of his times, and does so in a highly readable and fascinating way. If you are interested in sport, or in British social history, or in reading about an icon and trailblazer for black athletes of today, then this book should be top of your current reading list. I think this book is also going to be an inspiration for many people for a long time into the future, and all credit to the author for bringing this boxing legend out of his current state of relative obscurity and putting him back in his rightful place as the founding father of black boxing, not just in Britain, but also the world.
Alex Joanides, boxing historian, Romevillemedia.co.uk, editor Memoirs of the Life of Daniel Mendoza (2011 edition)

The Interview!

First, thank you so much, Luke, for agreeing to be interviewed! I loved your book and I’m really excited to have you here!

Q: In your book, you mentioned that your father gave you a copy of the book Black Ajax. Was that an out-of-the-blue gift or did your father have some specific reason to believe you’d enjoy that book?
A: I was incredibly lucky growing up to have a mother and father who really encouraged me to read and develop a love of books. My dad was obsessed with books, in fact I can’t remember a single birthday or Christmas gift from him that wasn’t a book! His other obsessions were betting on horse races (not large amounts I hasten to add), Buddhism and pretty much all sports. An eclectic set of interests! Boxing was one of the many sports we watched together and I developed a real interest in the sport’s rich history, particularly its importance socially and culturally. My dad knew this and when he saw a copy of Black Ajax in a bookshop in central London he guessed I would enjoy it and, boy, was he right! It’s a wonderful novel.

Q: I’ve read a lot of books about historical periods or events that are pretty thin on crucial information like dates. Your book almost always uses specific dates with month, day and year (or for you folks over the pond, day, month, year) and you note when documentation is unclear as to date. Naturally that involves some painstaking documentation and note taking. Did you have a system? How did you keep all the chronologies straight?

A: I’m so glad you picked up on this and asked about it. I realised when researching the book that a lot of information already out there about Bill Richmond was either wrong, exaggerated or had been misinterpreted. Mainly this is because boxing historians who have written about him have solely relied on Boxiana by Pierce Egan, and books such as Miles’ Pugilistica and Fleischer’s Black Dynamite which simply aren’t written with any historical rigour whatsoever or reference to any primary sources. One of my principal aims with Richmond Unchained was to assemble the most complete factual account of Bill’s life that I could so that the real facts were on record somewhere. That meant returning to birth records, marriage records, tax records etc and original newspaper reports, rather than later recycled accounts. This depth of research explains why the book took about 12 years to complete from conception to publication! I used a pretty straightforward system – I filed all my paper research by month and year in chronologically ordered folders and, once my research graduated online as the Internet took off, I did the same thing with scans of material I assembled. It was a huge undertaking, but I couldn’t even start writing the book until this volume of research had been completed.

Q: When I was looking around the web I came across your author photo. After careful examination, on the left side of the picture by your shoulder, there is clearly an aquatic creature in attack mode. Is that a Great White or the Loch Ness Monster? Which would you rather face in a duel? In a battle to the death between the shark and Nessie, who wins and why?

A: LOL! You know what? I can resolve the mystery for you of this sea creature. That mysterious shadow is actually a result of my incredibly poor photo-shopping skills. This photo was taken by the pool of a hotel in Los Angeles and originally the shadow was a female swimmer who had a rather pained expression on her face so I tried to remove her! As for Nessie versus a shark, I see Nessie as an elusive Bill Richmond type, whereas the shark would just plough forward relentlessly like Jack Holmes or Tom Shelton. Nessie / Richmond would use superior stealth and movement to tire the shark out and win with ease.

Q: Set aside for the moment the need to draw conclusions only from documented facts. Given everything you’ve read, what do you believe happened in the first Cribbs vs. Molineaux fight. How much of what happened do you think Richmond probably anticipated or was prepared for?

A: That’s the $64,000 question, isn’t it? In a nutshell, I believe that Molineaux was cheated, although I don’t think we can ever prove this beyond doubt. I think there was a ‘long count’ of some sort at some stage as well as a ring invasion, which helped tip the balance in Cribb’s favour. I think that in the back of his mind, and based on his experiences in the ring and growing up in England, Richmond knew that such shenanigans were possible. However optimistically, and perhaps naively, I think he believed these obstacles could be overcome. I know one thing for sure – if time travel is ever invented the first place I am going is Copthall Common on 18 December 1810 because I am desperate to know what actually happened!

Q: My guess is you might be a fan of boxing in general. If Richmond were transported from the past to now, what you do think he’d make of the current state of boxing? Which fighters might he admire? My impression from reading your book was that Richmond was something of a technical innovator in the sport. Do you agree?

A: Yes, I’m still a fan of boxing. I’ll admit that I’ve had my moments where I have fallen out of love with the sport, but I always seem to return to it. I don’t think Bill would be particularly impressed with the state of boxing today. I think he would admire Floyd Mayweather on a technical level, but not on a personal level, as he is pretty far removed from the concept of the gentleman pugilist epitomised by Bill Richmond! Bernard Hopkins would also win Bill’s admiration for the way that, like Bill, he has led an abstemious and disciplined existence, allowing him to box well beyond an age which conventional wisdom holds is advisable. I do believe that Richmond was something of a pugilistic innovator as well as one of the earliest and most effective trainers and fight promoters. Bill probably didn’t originate the concept of ‘boxing on the retreat’, but certainly it was an art that he perfected and succeeded in winning praise for, putting paid to accusations that such a style was ‘unmanly’.

Q: I was intrigued by the photo of you and Earl George Percy unveiling the long overdue tribute to Bill Richmond. Has the connection between the Percy family and Richmond been family lore for them (if you know) or was it something they learned of later? If there were to be a more substantial memorial of Richmond, what form would you like to see that take?

A: It was incredibly gracious and generous of George to unveil the tribute. I managed to meet him through a mutual friend who has a great interest in Georgian boxing. George told me that he only found out about the connection between his family and Bill a couple of years ago, so I think it was a piece of family folklore that had become somewhat lost in the mists of time. Once he found out, he was intrigued and looked through the archives at his family residence Alnwick for more information, but there is very little there. When my friend informed George about my book he was very excited and intrigued and kindly agreed to act as guest of honour at our event. I’m really pleased with the memorial and the kindness displayed by Shepherd Neame brewery in arranging it after I suggested the idea to them. If another memorial was to appear to Bill I would love it to be a statue on a plinth in Trafalgar Square – close to where his Horse and Dolphin pub once stood. (Hey, I can dream, right?)

Q: I would love to see a movie or BBC production about Richmond. Idris Elba could play Richmond. Who would you cast in such a production?

A: This is one my dream scenarios as I think that Bill’s life story is crying out for a multi-part BBC or HBO mini-series! I’m a huge admirer of Idris Elba, ever since I first saw him in The Wire (incidentally the best TV series ever made IMO), however he doesn’t quite fit my mental image of Bill, largely because of his build, which is larger and more imposing than Bill’s. If Idris was a little younger then I think he’d be a great Tom Molineaux. I’d cast Chiwetel Ejiofor as Bill – I think he is one of the best actors working today. His build is right for Bill, and he would be equally comfortable with the urbane and erudite side of Bill’s personality, as well as the physical challenges. He is such a versatile performer, who possesses such depth of dramatic power. Funnily enough, I went to high school with Chiwetel and had the pleasure of acting with him in a several productions. If we needed a younger actor as Bill, perhaps to play him in his late teens or twenties, then Michael B. Jordan, based on the charming mixture of vulnerability and strength he displayed in the brilliant Friday Night Lights, would be a good choice, if he could master the English accent which I’m sure Bill possessed.

Q: What’s next for you?

A: Fatherhood! My wife is expecting our first child any week now, which is incredibly thrilling. In terms of my writing and research, I want to continue to spread the word about Bill Richmond. I’ve lived with his story for so long and have such admiration for him that I want as many people as possible to know about his life. I would love it if my book resulted in more information about Bill emerging, particularly in terms of tracing any descendants. If that’s the case then I would love to produce a revised edition of Richmond Unchained in the future. I’d also like to have an expanded edition published which includes all the references and sources which couldn’t fit in with the page restrictions I was working with.

(I’ve made a start posting these on my blog at billrichmond.blogspot.co.uk). I have a couple of other ideas for books I’d like to write, which would also connect with Georgian boxing, however the process of research is so painstaking that I think any further book is a long way off. Above all, I’m looking forward to spending time with my wonderful wife and baby, and continuing in my role as assistant head-teacher of a fantastic school in south London where I have now worked for 11 years.

The Giveaway

I’m giving a copy of the book to one commenter. It’s out in digital format now, print forthcoming. So I can send you your choice. If you’re in the US, it should be pretty easy. If you’re outside the US, it’s a little trickier, but we’ll work it out. I might not be able to get you a digital copy.

Rules: Must be 18 to enter. Void where prohibited. No purchase necessary. Prize will be awarded to an alternate winner if the winner does not respond to notifications from me.

To enter, leave a comment to this blog post. If you have questions for Luke, ask away! It would be awesome if you comment about the post, but telling me what color breeches you think Richmond should be wearing is fine. (It’s yellow on the book cover.) Leave your comment by 11:59:59 PM Eastern Time Thursday September 10, 2015.
GO.

I’m currently on vacation in Oxford (and I’m typing this on my phone so that should be… er… interesting. Now when you think of Oxford, there are of course the colleges…

Christ Church

Christ Church

…and Radcliffe Camera (part of the ginormous Bodleian Library)….

Radcliffe Camera

Radcliffe Camera

…and the Bridge of Sighs, which links the two halves of Hertford College.

The Bridge of Sighs

The Bridge of Sighs

But what I found most impressing are the grazing sites that have been in use for hundreds of years. There is Christ Church Meadow, which as the name suggests is part of the college grounds – and it’s also home to the college’s herd of longhorn cattle.

Christ Church Meadow with the college cattle

Christ Church Meadow with the college cattle

The view across the meadow with the college in the background

And then there’s Port Meadow, where I took a long, long, oh-gosh-my-feet-hurt walk today. It is mentioned as a piece of common land in the Domesday Book, a survey of English landholdings comissioned by William the Conqueror after the Norman Conquest in the eleventh century. And since then, Port Meadow has been in continuous use as grazing grounds.

Port Meadow

Port Meadow

Indeed, it was used as common grazing grounds ever since Alfred the Great granted all freemen of Oxford the right to use this piece of land as a reward for their bravery against the vikings. But even before that time, the land hadn’t been ploughed for thousands of years.

How intriuguing to imagine the seemingly endless stream of generation upon generation of cows that have grazed here!

 

The small village of Binsey to the west of Port Meadow

The small village of Binsey to the west of Port Meadow

The history of the English countryside is not necessarily something that features heavily in our books, so walking across Port Meadow today served as a nice reminder of the importance of that history and how it has helped to shape the country we all love so much!

 

Jenny Crusie has a great piece of advice for writers: “Don’t look down.” Meaning, don’t stop writing to worry about details or character arc or research.

I am not capable of following this advice. And I’m not saying it’s efficient, but it works for me: my writing is constantly enriched because I stopped to research. Scenes take fresh and exciting directions, I learn new things about my characters, and I understand more about the context in which the scene is taking place. I once stopped writing for two hours while trying to answer the question “Were there wastepaper baskets or equivalent in the Regency?” because my hero’s mother had to do something with her apple core. (Short answer: no, because very little was thrown away.)

While writing my current WIP (about a young woman who co-owns a gaming den with a 1790s theme), I’ve come across a startling number of amazing objects. So I thought I’d share ten supercool scraps of Regency and late–eighteenth century material culture with you this week!

(When links go to Pinterest, in most cases if you click again on the image, it will take you to the original website from which the image was pinned and you can read more about the item.)

1. Earrings in the shape of the guillotine, with Louis XIV’s head dangling underneath. 1790s.

2. In England, what we call “Solitaire” is called “Patience.” And it wasn’t really that popular yet in the Regency. What they called “Solitaire” was this lovely brain-teaser game with pegs. Researching this online is very difficult because it’s a big deal in game theory so all the websites are written by mathematicians, not historians. I found a website where I can play a virtual version, and it really is addictive!

3. Roulette was not yet played in England during the Regency (although it existed in France). Variants called roly-poly and E.O. (standing for Even and Odd) were, though. E.O. was originally designed in the 1730s to exploit a loophole in anti-gambling legislation, but was quickly outlawed itself. Despite that, it remained very popular! You can see an E.O. wheel here, and this 1786 Rowlandson engraving shows one in use.

Caricature featuring people and donkeys in outfits smashing up an EO wheel, which lies on the cobblestoned street.

“The W__st_r [Westminster] JUST-ASSES a Braying, or The downfall of the E.O. Table” by Gillray, 1782. This political cartoon presumably has something to do with gaming laws, but I don’t know what! The subtitle reads “NB: the Jack-Asses are to be indemnified for all the mischief they do, by the Bulls and Bears of the City.” Image via Wikimedia Commons.

4. Playing card decks are different throughout Europe! Did everyone know this but me? The deck we use in the States (52 cards, using hearts, clubs, spades and diamonds as suits) is the French deck. Spanish decks use the suits cups, coins, swords, and batons or sticks—familiar to me from Tarot decks! Furthermore, the pip cards only go to nine, so a full deck is 48 cards (or 50 with jokers), not 52. German decks use acorns, leaves, hearts and bells for their suits. So cute!

Portugal used to have their own pattern, but they switched to French decks sometime in the first half of the 20th century. (The transition left some idiosyncrasies; for example, the old face cards were King, Knight, and Page, but the pages were female! So “page” was mapped to “queen” on the new decks and many games rank the cards King-Jack-Queen.)

I tried especially to find examples of Portuguese decks and card games since my heroine is Portuguese. I haven’t found much yet except that the aces have dragons on them, and that modern Japanese karuta decks are based on decks brought by Portuguese traders in the 16th century. But I’ve got a request in to interlibrary loan…

Look at this great 19th century deck design.

5. More cards: in Revolutionary France, it was pretty retro to use decks with court cards! New decks were designed, sans royalty. I found some beautiful examples, like this one where the court cards depict the Seasons, the four Elements, and some Revolutionary virtues!

Deck of Revolutionary cards, depicting great men (Solo, Plato, Cato, and Brutus) and the cardinal virtues. Image via Wikimedia Commons.

Deck of Revolutionary cards, depicting great men (Solo, Plato, Cato, and Brutus) and the cardinal virtues. Image via Wikimedia Commons.

I also love this set (the queen of spades is a personnification of “Freedom of Marriage”, holding a sceptre labeled “Divorce”—divorce was briefly legal and widely available under the Revolution) and this one (in which the jacks are Republican citizens, the queens are the cardinal virtues, and the kings are philosophers)!

I almost bought this reproduction deck on Etsy until I realized I’d have to pay for shipping from France…

6. Another Regency card trend: transformation cards! The site links to many examples and explains: “Transformation Playing Cards are those in which the pip cards have been integrated into an overall design thereby ‘transforming’ the playing card into a miniature graphic artwork. The pips must retain their traditional position and shape, so it is sometimes difficult to create a good design. The idea became popular at the beginning of the 19th century as a pastime, when packs were often ‘transformed’ by hand using pen and ink.” It’s this transforming by hand that intrigues me most—wouldn’t that be a great scene or subplot in a romance? (Warning before clicking the link: racial caricatures.)

7. Regency folk did not use poker chips, but “fish”! Fish looked like little fish (no surprises there!) and were commonly carved out of ivory, bone, or mother of pearl.

8. Moving on from gambling, using a segue of stuff carved out of ivory: the renter of a box at the opera received six ivory tickets engraved with their box number and (sometimes? always? not sure) their name. They could give out (or sell) whichever of these tickets they weren’t using themselves to friends, which were good either for admission to their box or for seats in the pit. (I don’t totally understand the logistics of this ticket sharing, TBH, and two editions of the same traveler’s guide to London explain it differently.) Look, here’s one of the Duke of York’s 1804-5 season tickets!

9. This fan is some neat swag for subscribers to the boxes at the King’s Theatre (home of the Italian opera in London) for the 1787-88 seasons! Shows a floor plan of the boxes with subscribers’ names.

Speaking of useful information, some amazing opera fan to whom I am forever grateful kept a list of every opera performance (with dates!) at the King’s Theatre for the years 1801–1829, and published it! They include detailed information on the performers, performances, and backstage gossip (very opinionated information: “Another Catalani season, in which she sang every night except two; but in which, mirabile dictu, sterling good classical music prevailed in the ratio of 38 to 26”). This is the motherlode, OMG.

10. There’s nothing particularly special about it, I suppose, but there’s something about seeing this Regency parasol fold up just like a modern one that pleases me greatly. Be sure to click through to the V&A for more pictures and information about the telescoping handle and a Regency gadget shop called “Weeks’s Royal Mechanical Museum” (“This rather official title appears to be a purely commercial establishment; there is no evidence of royal patronage and items were for sale”).

Do you have a favorite Regency object?

There is no doubt that the outside world seeps into our stories — even in a Regency. You have only to look at Mary Balogh’s excellent Survivor series to see that. Her characters are all recovering from various injuries that are a result of the Peninsular wars, from blindness to classic PTSD trauma. She makes it work in her Regency world but every reader has to make the comparison with today’s veterans.

The impact on my writing is not quite as obvious. At least I don’t think it is. So I am going to share one with you. And want to know yours as a writer and a reader.

51zyab5uIyL._AA160_When I started writing Lovers Kiss in 2006 I was enjoying a Bible Study class led by one of the most amazing women I know, Marika Ullanowicz. She brought a fascinating, often unconventional perspective to whatever we studied and many of her thoughts and the resulting discussions made their way into Lover’s Kiss.

The most enduring is the phrase “You stupid Galatians.” The King James Bible as well as the New American Bible translates the phrase from the Greek as “You Senseless Galatians” (3:1) but Marika suggested that we look at the literal translation which is — ta da — Stupid. We all laughed at this and discussed how that was so much more Paul than the more temperate word “senseless.”KJV-King-James-Version-Bible-first-edition-title-page-1611.xcf

So the phrase “stupid Galatians” became the ultimate insult the resident and aging vicar used as he searched through the night for lost sheep, a sure sign of his age and the need for him to retire. Michael Garrett finds him out wandering one evening and as Michael escorts the vicar home they have the same discussion re the translation of the word and the vicar’s conviction that stupid is much more appropriate.

When they reach the vicar’s home Michael leaves the old man in the care of the housekeeper and as he departs Michael says to her “Do tell him I am sorry he found no lost sheep tonight.”

The housekeeper responds, “Oh, but he did. He found you.” And that is the first step on Michael’s road “home” and the current series I am working on where Michael Garret is now the Vicar of Pennsford and dealing with both stupid Galatians and lost sheep.

But I digress. In the current wip “Stupid Galatians” has become his family’s most forceful condemnation referring always to someone who is on the wrong path and totally unaware.

That’s a long story for a short phrase but a favorite of mine. Tell me, authors, what parts of your world have made their way into your historicals, or contemporaries? And as a reader tell us about a book that has connected most directly to something in your world?

Posted in Writing | 2 Replies

Of the many museums I visited in Paris this summer, some famous, others obscure, I particularly enjoyed the morning I spent at the Carnavalet Museum of the History of Paris. At the time they were hosting an exhibit on Napoleon’s Paris, and I thought of my fellow Riskies and our readers when I saw these dresses and accessories worn or carried by the ladies of the imperial court:

Embroidered dress

Sleeve detail

Such a deceptively simple dress, but can you imagine the hours of work that went into that embroidery?

This train is sheer grandeur:

Dress with train

And can you imagine flirting behind a fan like this?

fancy fan

This comb must have sparkled in its day:

Comb

I hope you’ve enjoyed this image-heavy post, and that your autumn is getting off to a great start! I promise to bring more actual text next month, when I won’t be scrambling because my daughter is starting 6th grade over a week behind schedule after a teacher strike.