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Monthly Archives: October 2015

In The Artist’s Way, Julia Cameron recommends taking a weekly Artist Date: a no pressure, fun outing or activity that pleases your inner artist. The Corning Museum of Glass is one of my favorite Artist Date destinations. Recently I took my daughter and some of her friends there for her birthday celebration and was able to take some time for myself in the galleries and the studio.

cmog_candy_dishFor anyone who hasn’t visited CMOG, there’s a science section and a history section, where you can see everything from ancient Egyptian and Roman glass to Tiffany to modern art. There are some examples of Georgian and Regency glass—I’ll get to those later. There are contemporary glass art galleries—a whole new section was recently added. You can also watch a glass blowing demo or make your own project at their studios. Here’s a candy dish I made during this last visit.
cmog_pendantRounding out this plug for CMOG, I’ll say that the café is excellent and the gift shop is full of beautiful things. I especially love the jewelry. There are trinkets to suit different budgets, from this dichroic glass pendant I got on sale for $5, to more expensive, one-of-a-kind items from master glass artists. (And there are good post-holiday sales…)


Here are some of the Georgian and Regency items I enjoyed during this last visit.

cmog_beilby_glassesThe lovely enamel work on these glasses caught my eye. According to the label,

“The Beilby family painted much of the colorless enameled glass that was made in England during and after the 1760s. William Beilby (1740-1819) and his sister Mary (1749-1797) enameled glasses with floral motifs, landscapes, and pictures of architectural ruins. The most famous of their glasses are goblets bearing the royal coats of arms. These goblets mark the birth of the Prince of Wales (later King George IV) in 1762.

Here’s a closeup that better shows the beauty of the enamel-work.

cmog_beilby_glass_detail

cmog_jewelry_casketI love the color and the detailing on this item, labeled merely “Casket: Birmingham or London, 1760-1770”.  I could see one of my heroines using it to store her jewelry.

 

cmog_dessert_pineapple_standsAnd here are some items I could see gracing a Regency dining table: “Dessert Stand: England, about 1715-80. This set consists of a revolving stand, jelly glasses, flower vases, and a central sweetmeat glass.” and “Pineapple Stand: England about 1830. This cut crystal stand was used to display pineapples, which were an exotic, highly prized status symbol in 19th century England.”

They rotate items around, which is one of the reasons I like to go to CMOG at least once a year. I highly recommend it!

Do you have favorite museums or places you like to go for “Artist Dates”?

Elena

2Y4A3840I love to feature new authors! I love it so much I gave up my blogging day to tell you about No Conventional Miss by Eleanor Webster. No Conventional Miss is Eleanor’s first published book and I’m delighted Harlequin Historical took her on! You see, Harlequin Historical has tended to back away from paranormal elements in their line, but they’ve taken the plunge with No Conventional Miss!

Here’s the backcover blurb for the book:

She’s always been different… 

Amaryllis Gibson is an unlikely debutante. She favors fact over fashion, cares not for “proper” conversation and is haunted by ghostly visions which could land her in the madhouse! Marriage is definitely the last thing on Rilla’s mind…

But when she’s caught in a compromising position with Viscount Wyburn, suddenly she finds herself betrothed! And worse, his powerful presence only increases her visions. By shedding light on the viscount’s past, can Rilla gain his trust and win him round to her more…unconventional traits?

9780373307241_DIRAnd some Goodreads reviews!

“…the perfect book to read at Hallowe’en if you like just a touch of spookiness mixed in with your historical romance.”

“…well-researched and emotionally gripping.”

“The author has spun a tale which kept my attention from beginning to end.”

Eleanor has generously agreed to give away a signed copy of No Conventional Miss to one lucky, chosen-at-random commenter from North America or the UK.

So here she is! Welcome, Eleanor!

Tell us about No Conventional Miss?

Thank you for inviting me to Risky Regencies, Diane.

The protagonist, Rilla, is a fascinating and unusual character. She is an inventor. She has a keen interest in force, momentum and any number of ‘unladylike’ activities. However, she has always been plagued with moments of second sight and rejects this aspect of herself. Indeed, a maternal aunt had been institutionalized for similar traits. A part of Rilla’s interest in the scientific is that this will serve to subdue that mystic element within her nature.

Paul is also conflicted. He believes love to be destructive based on his mother’s suicide which he thinks was caused by his parents’ unhappy marriage. Therefore, he has little interest in marriage and even less in love.

But a scandal forces the match and Rilla faces her greatest fear as she is increasingly haunted by Paul’s mother’s ghost,

The question is; can Paul and Rilla work through these challenges and achieve acceptance of self and each other or will these challenges destroy them?

This is your first book! Tell us about your writing journey and “The Call”.

My writing journey has been long, like two decades! I’m a multi-tasker which has both positive and negative aspects. I believe that one seldom has sufficient time to properly commit to one’s long term goals and, if one waits for that perfect moment, one can procrastinate into ‘never’. Therefore, each day I put aside time, however small, to write,

The downside – it took 18 years. On the flipside, I eventually made it.

‘The call’ felt surreal. I live in Canada and my editor is in England, so we had to communicate via e-mail to ensure that it wouldn’t happen at 2 a.m. Therefore, I had a good idea what was coming!

However, I believe I had quite the mega-grin at my day job that morning.

What is risky about No Conventional Miss? 

No Conventional Miss is a departure from the traditional Harlequin historical because it involves a paranormal element. In fact, I was advised somewhere along my journey to remove that element from the plot as it did not fit with the traditional regency.

I have gladly accepted a lot of feedback during this journey. It is how I have learned and grown as a writer. However, this did not feel right and, although I knew it kindly meant and from a knowledgeable source, I chose not to take it. I felt that to remove it would take away that spark. In any element of life, it is a risk and takes courage to know when to take feedback and when to follow one’s own path.

Did you come across any interesting research when writing your book?

Yes, absolutely! As I described Rilla’s inventions, I wondered whether any ‘real-life’ Regency woman might be similar to Rilla. Then I found Sarah Guppy (1770-1852). Sarah was born in Birmingham and patented numerous designs. Indeed, she achieved considerable financial success, earning a contract from the British Navy worth £40,000 for a device to prevent the growth of barnacles on ships. And then there is my personal favorite; Sarah’s invention of a tea or coffee urn which also cooked eggs and warmed toast.

What is next for you?

I have a two book contract with Harlequin so a second book will be released at some point… This is set slightly earlier with the backdrop of the French Revolution.

And now a question for the readers–If you could chat with any Regency hero or heroine from any book, who would you choose and why?

Answer the question or just make a comment and you’ll be in the running for a signed copy of No Conventional Miss! (selection will be made after midnight Weds, Oct. 7)

Charity to the BlindI have a “wish list’ of charities I’d like to support if I ever won the lottery. Do you? What kinds of causes do you like to support? I’m gearing up to host a fund-raising event (on Facebook) for a friend who is on the national kidney transplant waiting list (more about that later), and it made me think about subscriptions and charitable associations and fund-raising events the way they worked in the Regency. The concept of computers, the Internet, and a place called Facebook where people from all over the country –the world– could gather “virtually” for a pretend party would really blow the mind of someone from our favorite era!

Naturally, as soon as I started to delve into this topic, I realized how huge it was. So many different threads, so much information. Where even to start the conversation? So I thought about our stories, the ones we love to read and write. How often have you read (or written) characters who were engaged in supporting or championing some charitable cause? Have you come across, or written, characters who are attending events for charity as part of their London season? Or attending meetings of a philanthropical association? I certainly have read books where this is the case, but I don’t feel as though I see it often.

I think in very general terms modern society has shifted away from the kind of “giving” mindset that prevailed in Regency times, and that philanthropy is not as fundamental to our daily lives as it was then. We have higher expectations of what our tax dollars should accomplish through the government, we have “lost the religious underpinnings of society”, as one scholar put it, that helped make charity a priority, and we have a society now where a majority of women work at jobs outside the home, which robs them of the time to be actively involved in charitable works. Does that make it harder for us to imagine a world where this was not the case? Charity-Covereth-A-Multitude-Of-Sins,-Published-By-Hannah-Humphrey-In-1781

I’m talking in broad generalities, of course. But in the Regency, supporting charitable causes was much more personal, more “hands-on”, if you will. The mail was too expensive to be used to send out appeals, and of course there weren’t any telemarketers badgering people to give. (Hmm, think of that!) But there were a variety of other ways one’s generosity would be solicited.

Your local church (or I assume, the synagogues as well) would present you with causes and solicit your support. I’ve been reading Woodforde’s Diary of a Country Parson and was impressed, as he was, by the generosity of even his poor parishioners who dutifully would contribute pence whenever he put forward a need during the Sunday sermon. You might be accosted on the streets by beggars, although by the Regency there were more institutions in place to help or relocate them. And of course, your friends might beg you to support whatever cause had caught their attention, through a subscription or attendance at an event. (Getting back onto more familiar ground!)

RolwandsonSelectVestryBesides these types of what is called “casual charity”, there was organized giving. This includes giving of alms, paying the poor rate tax (set up by the Elizabethan Poor Law of 1601, administered by the parishes and based on land and buildings, it funded the workhouses –“indoor charity”—and “outdoor charity” such as the dole, clothing, and food, among other things), or supporting any number of philanthropic organizations and associations. Bequest charities administered by parishes and guilds had a long history, but “associational charity” began to grow in the middle of the 18th century after it became illegal to establish charitable trusts through a will at death.

Foundling_HospitalThe famous Foundling Hospital was the first of these new kinds of socially active charitable foundations. The Marine Society (which placed poor adolescent boys into careers at sea), and The Magdalen Hospital for Penitent Prostitutes soon followed, and then many more, focused on particular social problems, and dependent on public support. Annual subscriptions, publicity campaigns through pamphleteering, and charity events including concerts and balls were all employed. Some societies levied a weekly fee on members to support their work. Medical charity took on a new approach, too, with the establishment of charity hospitals, dispensaries, and asylums. As we see so often, these changes were the beginning of a more modern way of thinking and doing, well established by the Regency period. There’s a great article here.

I tackled this topic because on October 30 I am hosting a “virtual” Halloween Party on Facebook, and any of you who are reading this (and are Facebook members) are invited! It’s going to run 4pm-midnight (Eastern) so you can drop in at any time. It is a fund-raising event, so I am asking people to donate $15 –or whatever amount they wish – to my friend’s fund at the Help Hope Live Foundation. (Her name is Joyce Bourque). If you would like to come to the party, you can send me a “friend” request (Gail Eastwood-Author) or drop me an email, or I think you can just find the event page I will be setting up and ask to be invited in. (I think we’re calling it “Virtual Halloween Party for Joyce Bourque’s Kidney Fund” and I hope to have it set up this weekend!) I am also going to set up a dedicated email address where non-FB folks can leave Joyce a message of support or Halloween wishes. As you may –or may not—know, people who are on transplant waiting lists are required to do fund-raising while they wait, every year. These folks have to show that they can cover their part of the cost to save their lives, or be dropped from the list. Foundations like Help Hope Live are designed to hold and manage the funds until they are needed. Here’s a link to the foundation: https://helphopelive.org and here’s a link to Joyce’s page there, if you’d like to “meet” her! If you like, you can pretend her page is a handbill that I passed to you when I stopped in for tea! J

Meanwhile, let’s chat about whether charity giving belongs in Regency romances or not. What do you think? Please comment below.