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Monthly Archives: November 2015

beauty&beast-vintageCan we talk about #tropes? Romance fiction is full of them, and some are specific to Regency romance. Do you have favorite tropes that always draw you to a story? Or some that guarantee you won’t pick up a book? I got a poor Amazon review for my book An Unlikely Hero mostly because it was a “house party” story and the reader was sick of those. I do wonder why she bought it!

Elena talked about a few she dislikes back in January here when she was judging Rita books –and oh, boy, that task is coming up again all too soon! But the reason tropes are on my mind today is because in my “other” little Regency author group, the Bluestocking League, we are working on a website where we intend to include what may amount to a small encyclopedia of Regency romance tropes –a list, with descriptions of each and perhaps a few words about their appeal– and we have been compiling the list to start with. Not as easy as you might think, despite the existing lists already out there!

Want a peek at our list-in-progress? Have any you think we should add? Here it is in no particular order:

Loveable Rogue/Rogues in love

Agents of the Crown secret-agent-man

Childhood Friend Romance

Protectors

Dukes

Scandal

Beauty & the Beast

Ugly Duckling/Makeoveri_love_being_estranged_mug-re330ccf88ac348ad8b2b7575bfeb37a8_x7jsm_8byvr_324

Estranged Lovers reunited

Friends to Lovers

Marriage of Convenience

Compromised

Governesses Governess

(other) Boss/Employee

Rakes

Mistaken Identity

(kidnapping) –almost always mistaken identity?

Rags to Riches

Wounded Hero/Caretaker Heroine

House Party Chatsworth-House

Masquerades (including Secret/Hidden Identity)

Road Trip/Runaways

Amnesia

Wagers/bets

my-guardian-angel-85701 Ghosts/guardian angels/magic locket–i.e. Something paranormal outside of self influencing the romance.

Soldier

Thief/highwayman/con artist  (are there any gypsy Regencies–and if so, would they fit here or as own trope?)

Hidden treasure

Murder(s)

Spies (not just Agents of the Crown–could be a soldier, a French spy, etc.)

Wills (tricky provisions and/or inheritances that play a major role in the plot)

Marrying out of one’s class (not sure how to say that more simply)

Demi-monde/light skirts

Spinsters

Widows/Widowers

InventorsMusicians 1817

Artists/Musicians/Writers

Heroes who have a profession

Naval/Sea faring

Smuggling

Politics/Parliament

Handicapped (could be hero or heroine or secondary character whose handicap is an issue)

Social Issues (including slavery, abuse of children, etc.)

Farming/Raising Horses/Animals?

Waterloo (since this seems of particular interest to some readers)

Christmas (and perhaps other  holidays)

India/Other foreign travel?

Children (stories where a child or children play a significant role in bringing the hero and heroine together)

Lots of books include more than one, and some overlap. Which books that you’ve read (or written), leap to mind when you look at these tropes?

We could talk about which favorite tropes appear in which favorite authors’ books. Or we could get into a discussion about where some of these tropes originated (besides the history of the period itself) –Austen? Heyer? Some of the early Regency writers like Cartland?

Sadly, I’ll have to leave that to you in the comments –I am really short on time this week! But I would love to hear what you all have to say about some of these tropes, or even about the list itself!

SM smallI have another guest today! Today it is my pleasure to turn my blog day over to Sarah Mallory, who is here to talk about her latest release, Temptation Of A Governess, out now from Harlequin Historical.

To celebrate the release of the book, Sarah will give away one signed copy of Temptation Of A Governess to one lucky commenter chosen at random.

Here’s Sarah!

9780263248142Tell us about your book.
Temptation Of A Governess is the second in the Infamous Arrandales series and is the story of Diana Grensham, a shy young woman who becomes joint guardian to two young girls along with Alex Arrandale, the new Earl of Davenport. She has to protect the girls’ interests against Alex’s plans to remove them from their home, and in doing so she grows in confidence as she joins in a battle of wills and wits with the earl.

What is risky about your book?
Women during the Regency faced huge risks. Most gently born ladies had no money of their own but were dependent upon husbands or family for support. Reputations, too were very brittle, and while it was accepted (almost expected) that men would take mistresses and have affairs, a woman was required to preserve at least an outward appearance of respectability. Diana has lived her life in the shadows, first as a daughter, then a governess, but to protect her wards she must put herself forward, into the limelight. Anyone who has ever suffered from a lack of self-confidence or shyness will know just how it feels to suddenly be the centre of attention. Diana feels exposed and vulnerable, but by the end of the book she knows she doesn’t want to go back into her shell and she takes the biggest risk of all to achieve her happy ending (I am not telling you any more than that as I don’t want to give the story away!)

Did you come across any interesting research while writing the book?
I had to read up on the life of a governess in Regency England. Of particular interest were the journals & letters of Agnes Porter, edited by Joanna Martin and published as “A Governess in the Age of Jane Austen”. Agnes was a governess to the children and grandchildren of the second Earl of Ilchester from 1784 until 1806, so this was a perfect time period for my story. The accepted view of governesses at that time is rather downtrodden, unhappy women, but Agnes made the most of her situation. There is some evidence that she would have liked to marry, but never had the chance. However, she never complained of her lot and was respected and valued by her employer. She had friends, both men and women, with whom she corresponded regularly and also went to stay with some of them. When she went to London with the family she appears to have had quite a full social life of her own. She would spend the mornings “at our studies” with her charges but in the afternoons and evenings she would go out, taking tea with friends and acquaintances or walking with them. On one occasion she took two of her pupils to her sister’s house, where they were “…entertained with a dance and musick until the gentlemen came up from dinner to tea…”

I also enjoyed researching a little gem of an English manor house which I used as the model for Chantreys, the house Diana and her charges call home. It is the beautiful 17th century Ashdown House as my model (Here’s the link, if you want to have a peep: http://www.nationaltrust.org.uk/ashdown-house).

You also write as Melinda Hammond. Tell us about those books. 
In the dim and (very) distant past I began writing sweet Regency and Georgian romances as Melinda Hammond. I also use the name when I want to try something a little different, such as dual time novels. I have now published many of my backlist, as well as a couple of short stories, as e-books and plan to expand the list as time goes on.

What is next for you?
The third in the Infamous Arrandales series, The Return of the Runaway, will be published early 2016 and I am currently writing book #4. After that … well, my head is so bursting with more stories that the problem is which one to pick! Watch this space.

Here’s a question for all of you.
Tell me what you like best about Regency stories, is it the history, the manners, or just the excitement of living in another time? I’d love to know!

Diane, here, again. Remember. One lucky commenter will win a copy of Temptation Of A Governess.

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