Risky Regencies – The original, riskiest and forever the friskiest Regency Romance blog

Head Down Revising and Something Odd About Names

June 8, 2016 October 15, 2022 carolyn 5 Comments

I’ve been busy on the last revisions of Surrender to Ruin before I send it to a trusted reader. The hero of this book owns a gaming hell and some brothels which he continues to operate despite having inherited a title. As I wrote the book, I gave him a partner in the business. This was due to a number of things having to do with plot and research that indicated hells were frequently run by more than one person.

Without spoilers, his partner is from India, a man who came to England as the servant of an Englishman and then found himself without a job because his former employer’s new bride objected to his presence in the house. He and my hero meet as near destitute young men in London and embark upon their life skirting the edges of legality. They make a lot of money in the process. The life of boxer Bill Richmond (I interviewed Richmond’s biographer in that post) made it clear some of our notions of diversity in the Regency are very wrong. If you haven’t read the biography, I urge you to do so. It’s a wonderful book. Richmond clearly earned social distinction. He was a participant in George IV’s coronation ceremony. Not someone who watched. He participated in ceremony.

My hero’s partner, therefore, is an Indian man living in England, who is wealthy and a businessman in his own right. And he needed a name. I could have made one up. Instead I asked one of my former colleagues from India if I could use his name. He and I worked very closely together in a fast, tense environment. I did indeed explain that the character would own a gambling hell and brothel. And he graciously agreed to let me use his name for the character.

And now, as I write and flesh out this character, I keep thinking of my friend and colleague who lent his name. And, well, if this character seems super smart and really, really nice, it’s because the person whose name I’m using is both those things. He was always going to be awesome, since he’s my hero’s buddy, but now he’s really awesome.

Other News

I have a boxed set of three of my historical romances just now out. Three full length novels for less than $5.00.

Fancy 3-D cover for Historical Jewels, 3 Regency Romances

Three Books!

The three books include The Spare, Scandal, and Indiscreet. It’s a bargain, so if you don’t have these books, here’s your chance to get three for essentially the price of one.

A Visit To Chatsworth

June 6, 2016 June 8, 2016 diane 3 Comments

My friend Kristine Hughes and I spent three days at Chatsworth on our May England trip and it was not enough time!

Chatsworth is the Derbyshire country house of the Duke of Devonshire, one of the first of the great country houses to be open to the public in order to raise enough money to save the place. The rescue of Chatsworth was the work of the late Duke and Duchess and what they achieved was a remarkable gift to their countrymen and the world.

Much of the success of Chatsworth must be given to the late Duchess of Devonshire, the former Deborah Mitford, youngest of the Mitford sisters, so captivating and/or scandalous that we are still talking of them today. Debo, as her sisters called her, had the imagination and drive to make Chatsworth the successful enterprise it is today, employing some 600 workers. In doing so she preserved a place of great beauty, both inside and out.

Here’s what we came upon that first day, after closing time, so there were no cars and very few people. It must have been close to what our Regency characters would have seen had they visited the house.

The beauty of the landscape was the work of Capability Brown, the famous landscape architect who popularized the naturalistic style in the mid-1700s. To enhance the beauty of the views from the front of Chatsworth House, Capability Brown required the 4th Duke of Devonshire to have the village of Edensor moved to a more picturesque location.

The next day we took the house tour and walked into the Painted Hall. The 4th Earl and 1st Duke of Devonshire was responsible for the Painted Hall. The artist was Louis Laguerre and the mural depicts the allegorical ascension of Julius Caesar. The upper walls show scenes from Caesar’s life.
The 1st Duke had been one of the Immortal Seven who signed the invitation for William III of Orange to take the English throne, receiving the titles of Duke of Devonshire and Marquess of Hartington for his service. He rebuilt Chatsworth House and decorated it with symbolism celebrating King William’s monarchy. In the murals Julius Caesar sympbolizes William. Unfortunately William never saw the beautiful murals painted in his honor. He never visited Chatsworth.

In every hall and room there is something of interest to see. I took dozens of photos but didn’t cover a fraction of the beautiful art and furnishings of the house. In the music room there is a door ajar, revealing another door–and a violin.

Look closely at the violin. Bet you can’t tell that it isn’t real. It is the painting of a violin, so realistic-looking that one must take it on faith because they don’t allow you to walk up to it and touch it.

Of course, there is homage to perhaps the most famous Duchess of Devonshire, Georgiana Cavendish. Georgiana, a celebrated beauty, married the Duke when she was a mere seventeen years old. She went on to be a successful political hostess, friend of the then Prince of Wales, campaigned for Charles James Fox. She was also a fashion icon. She was banished to the Continent for a while when she became pregnant by Charles Grey, but she filled her time there collecting minerals and gems. Her collection is on display in Chatsworth House.

Not much was said on the tour of Georgiana’s friendship with Lady Elizabeth Foster, who became the Duke’s mistress and bore him two children raised a Chatsworth with Georgiana’s children and another of the Duke’s out-of-wedlock children. After Georgiana’s death in 1806, Lady Elizabeth Foster became the next Duchess of Devonshire.

The house tour ends at the sculpture gallery. Most of the works exhibited there were commissioned by Georgiana’s son, “Hart,” who became the 6th Duke of Devonshire and who was responsible for much of the art and improvements to the house and grounds.

After our tour of the house, we visited the farm, which was more like a petting zoo for children, but Chatsworth is a working farm with its very successful farm shop, a place we, unfortunately, did not see.

The next day we took the garden tour and returned to the house again to walk through at our own speed. Here’s a snippet of what we saw on the garden tour.

There was so much more to see and more to see again. I would go back in a minute and do this all over again!

If you have a chance to visit Chatsworth, give yourself more than one day. You’ll be happy you did!

(My thanks to Denise Costello who helped me figure out how to appropriately size the videos to fit the blog!)

Straw Work, Bone Work and Other Curiosities

June 3, 2016 June 3, 2016 Gail Eastwood Leave a comment

Research rabbit holes are so much fun! Rose’s foray into Regency material culture (May 23) inspired me to share one that fascinated me back when I was writing the original edition of The Captain’s Dilemma (1995). The hero of that story is a French prisoner of war who has escaped (for good reason) into the English countryside, and of course, thereby hangs the tale. But he is an engineer, and actually an artist of sorts, and objects that he makes out of straw (and other materials) to while away time when he is restricted are based at least in part on real POW works made during the late 18^th and early 19^th centuries.

I had known that country people in Britain at that time often made “corn dollies” out of the last sheaves of grain at harvest time, as part of the superstitions that surround the important harvest ritual. Pictured here is one that graces the bulletin board in my writing office as a souvenir of sorts (my office has at least one object that represents each of the books I have written). But it was my research into Regency-era prisoners-of-war that led to my discovery of ornamental “straw work” and its popularity (which continued throughout the 19^th century), along with bone objects and other things the prisoners made.

Prisoners had nothing but time on their hands, and boredom sometimes led to disciplinary problems. The prison administrators had a vested interest in keeping the men occupied. Selling the items they made at the weekly prison market also gave these men a way to supplement their rations and make other purchases –so it was a win for everyone. The heroine and her family visit one of these prison markets in my book, at a key turning point in the story.

Work boxes were probably the most commonly made item decorated with straw, and according to some sources were sometimes given as courting gifts, with messages and promises incorporated into the decorations through the choice of flowers and symbolic ornamentation ( for example, roses for remembrance or lilies for faith in love). Pictures, frames, toys and many other types of items were made and decorated with straw, with amazing intricacy.

There’s an American museum devoted to straw work (http://www.strawartmuseum.org), and they divide their holdings into five categories: straw appliqué (which includes the type of marquetry most often seen in POW work), straw weaving (which is how corn dollies are made, and how I imagined Alex made his little bridges), straw lace, coiled straw, and straw hats and bonnets. Their website “tours” are worth checking out! If you want to see pictures of modern straw work, just type “wheat weaving” or “straw art” into Google or Pinterest!!

POWs also made things out of bone, which was another plentiful material available to them. (Mutton bones, NOT human ones –what were you thinking?? <g>) . The first prisoner-of-war artworks I came across in my research were ship models made from bone. Look at how amazing they can be!

The men also made bone toys, gaming sets, boxes –again, all sorts of items, in addition to the ships. The most amazing of all may be the model guillotines! I have a beautiful book on POW ship models, which helped me identify museums in Britain that had collections of POW artworks I was able to visit. Research is so much easier now that we have the Internet! But of course, seeing the real thing in person is a fabulous experience nothing else can equal.

Have you been sidetracked by anything in your research that has become a permanent interest? Or, do you manage not to fall down any rabbit holes when you do research? I would love to hear about it in the comments. If you have any pictures, I think you might be able to post them on the Facebook page. Let’s share!

So you want to review books? (The 1816 edition)

June 1, 2016 October 15, 2022 Sandra Schwab Leave a comment

Are you a reader with a most impressive number of reviews on Goodreads? Do you run a book blog or write for a review site? Do you LOVE talking about books? But do you worry what would happen if you traveled to Scotland, admired some pretty stone circle, and quite accidentally tumbled 200 years into the past?

Never fear! I have a few most excellent tips for you so you won’t have to forgo reviewing books even while trxing to navigate the delicate politics of Regency ballrooms! In the growing bookmarket of the early 19th century yours will be a welcome new voice!

You are a woman and you fear reviewing books might forever ruin your reputation and destroy all your chances of Mr. Darcy ever sparing you a glance? Rest assured, there is no need to worry as reviews are published anonymously in the periodical press.

Now let’s see what kind of magazine would suit your reviewing style best.

Do you like to write really long (REALLY long) reviews? Then I suggest you try a literary quarterly. You’ve got three months between issues so be prepared to really delve into a book. Reviews of potentially popular books by eminent authors should not be shorter than 30 pages (for new novels by Britain’s most beloved authors such as the author of Waverley, consider 50 pages a bare minimum – though reviews can be published in installments). You may insert large chunks of text and may summarize the rest of the novel to allow people who don’t have the patience to read a complete three-decker (that’s three-volume) novel (or who don’t have the money to buy all three volumes) may still form an opinion on the novel and discourse freely about the plot and the principal characters.

If you prefer slightly shorter reviews, a monthly magazine might suit you better. Monthly magazines are also most suitable for those of you who’d like to review musical publications, including sheet music. The June 1816 issue of The Gentleman’s Magazine includes reviews on Complete Instructions for the Harp (by J.B. Msyer, Professor of the harp), A Dictionary of Musick (by J. Bottomly) (what a most delightful name!), and The Comet Waltz, “arranged as a Rondo for the Pianoforte or Harp. pp. 4”:

“This rather pleasing Air is eked out into a rondo with little skill, forming a lesson that may interest learners, and requiring very little power of execution.”

Oh dear. I guess that is a case of damned with faint praise…

If you must criticize a work, this is an acceptable way of doing so. However, in general it is adviceable to refrain from writing too critical a review. After all, your main aim is to suggest to your readers wbich books they ought to read. If you timetravel to 1817 or a later year, this advice is no longer valid: When William Blackwood launched his Blackwood’s Edinburgh Magazine in 1817, he introduced the snark to literary criticism. Consider the following snippet from the review of Harold the Dauntless: A Poem:

“This is an elegant, sprightly, and delightful little poem, written apparently by a person of taste and genius,but who either possesses not the art of forming and combining a plot, or regards it only as a secondary and subordinate object. In this we do not widely differ from him, but are sensible, meantime, that many others will; and that the rambling and uncertain nature of the story, will be the principal objection urged against the poem before us, as well as the greatest bar to its extensive popularity.”

Ouch.

That kind of snark, combined with attacks on such literary icons as Byron, proved to be a most excellent marketing strategy and made the reputation of the magazine across the English-spesking world. Indeed during the early years of its existence, Blsckwood’s paid a small fortune in libel damages. Ooops.

But evidently, this kind of notoriety served its purpose: everybody was talking about Blackwood’s, and it ran until 1980. Not too bad, eh?

Regency material culture, part 2

May 23, 2016 May 13, 2016 Rose Lerner 4 Comments

Hey y’all! Gambled Away, my anthology with Molly O’Keefe, Jeannie Lin, Isabel Cooper and Joanna Bourne, releases in just a few days. So I thought I’d do another installment on nifty items I came across during the research for it! (You may remember part 1, featuring guillotine earrings, E.O. wheels, season tickets carved out of ivory, and more.)

1. This beautiful seal fob of a bird flying out of a cage with the words “LA LIBERTÉ”. I would give anything to know the story behind commissioning it. It could be a mourning seal, because of the clouds, but I’d like to believe that it belonged to someone who got out of a bad situation and had it made to celebrate. I like to imagine that my heroine Maggie, who loves pawnshops and secondhand markets and French Revolution-y stuff (she and her best friend run a 1780s and 90s-themed gambling den), bought this somewhere and uses it as her seal.

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