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Sponge, Sand Glass, Strain-bag, Mogul Diamond?

Last week, I talked about getting started again after a long break. I did start again, but I am in the middle of writing a scene I absolutely hate, and I am not sure if that means the idea behind the scene stinks, or if my writing stinks and the idea is good, or what. So I am going to finish writing the scene, gritted teeth and all (my heroine DOES get to knock someone out, which is cool, but the hero doesn’t arrive until later, late bastard), but meanwhile, my brain has been doing its best to keep me away from productive time at the keyboard.

So I’ve pulled out a fun book to browse through, Nicholas ParsonsThe Book of Literary Lists (I cited a Barbara Cartland quote on my own Diary yesterday; click here to read it). And discovered this:

Samuel Taylor Coleridge‘s Four Classes of Book Reader

Sponges, who absorb all they read and return it nearly in the same state, only a little dirtied.
Sand-glasses, who retain nothing, and are content to get through a book for the sake of getting through the time.
Strain-bags, who retain merely the dregs of what they read.
Mogul diamonds, equally rare and valuable, who profit by what they read, and enable others to profit by it also.

I wish I were a mogul diamond, but I think I must confess to being a sponge: I read a lot, and don’t always think too hard about what I’ve just read. Sometimes I read just to keep my mind occupied, sand-glass style, but I do retain more than nothing. My mom is a sand-glass–she can barely remember what’s happening WHILE she’s reading the book, but she reads all the time, and is an even faster reader than me, and I am pretty darn fast.

So–do you think Coleridge is right in his categories? What kind of reader are you? And, as a bonus question, if you were to read a scene where the previously meek heroine decks a guy, would you hate it?

Thanks for sharing–

Megan
www.meganframpton.com

What are your books about?


What are our books really about? Is there one central theme common to the books you write, or to the books you enjoy reading?

This has been on my mind ever since I and some other romance writers were interviewed for a local news bureau’s story on St. Valentine’s Day. Note that we were all St. Valentine Day losers–there was a distinct lack of caviar, chocolate, champagne or heart-shaped hot-tubs in our lives, and the reporter adopted that arch “I’m only writing about romances” tone we’re all so tired of hearing. Her first question to me–and she didn’t include this in the interview–I thought was the most interesting one. She asked me, in a rather patronizing tone, whether romances were “only about people falling in love and getting married, and about families.”

And I asked her what other sorts of stories there were. I believe that’s what all stories are about, when it comes down to it. Even in Beowulf the monster has a mother. If you’re interested in the whole storytelling-myth-archetypes topic, check out Christopher Vogler’s The Hero’s Journey, or, if you’re feeling really brave, you can tackle Joseph Campbell whose whole area of scholarship was on the subject.

If I had to give a quick definition of what I write about (naturally I have this suspicion that I’m writing about the same people all the time and/or I’m writing about myself, both of which are to a certain extent true), I’d respond that I like to write about people discovering their true identity.

How about you? Do you find common themes in the books you write or the books you find memorable reads?

Janet

The Dance

Kathleen Bolton and Therese Walsh of Writer Unboxed make a point that fiction writers can learn from other medias of art and entertainment. I love watching figure skating, and think a well-choreographed ice dance or pairs’ routine has many parallels to a romance novel.

Sadly, in a romance I have read recently, it was as if the hero and heroine met at center ice, then skated off to opposite ends of the rink where they noodled around a bit before rejoining for a kiss at the end. In another it seemed the couple started at opposite ends and spent the entire routine taking baby steps toward one another.

It’s a syndrome writers sometimes call the Sagging Middle. No, it’s not what happens when the writer consumes too many Pepperidge Farm Mint Milanos under deadline pressure. It’s when the writer has problems coming up with a conflict that forces the couple together and makes them work for that happily-ever-after.

If we think about the hero and heroine as ice dancers, though, we’d remember:

  • It’s important for them to be together much of the time.
  • Sometimes they have to skate in perfect unison; otherwise we might not be able to imagine them as a happy married couple, twenty years from now, still linking arms and moving in rhythm.
  • But variety is necessary. When they’re together, their movements can be opposed. When they’re apart, they still relate to one another.
  • And you need challenges. Things that push your characters to their limits even if you (and the reader) are afraid they might crash. The possibility of a crash is what makes it more exciting.

Right now I’m trying to figure out what will happen in the middle of my work-in-progress. In the synopsis, this part basically reads, “interesting things will happen here, trust me”.

Fellow writers, how do you attack the Sagging Middle?

As readers, what sorts of conflicts keep you turning the pages?

Elena
LADY DEARING’S MASQUERADE, RT Reviewers’ Choice Award nominee
http://www.elenagreene.com/

That Moment

Recently, I’ve read a few too many romances where the heroine basically falls in love with the hero because he’s so hot. She doesn’t necessarily think in those words (in some of the books, she’s a Regency or Victorian or Medieval woman), but there’s not much going on between her and the hero except constant physical attraction, the desire to act on it, the desire not to act on it, the shock of acting on it, the guilt or elation of acting on it, and oh boy, those muscles! Et cetera et cetera ad infinitum…

Seems to me, if that’s all love were about, all the women in the country would be in love with Russell Crowe and would live out the rest of their lives in misery because they couldn’t have him. Do I want to read a 300-page book about how my next door neighbor is totally in love with Russell, and loves his abs, and loves his legs, and really really really wants him to touch her??? Um, no, sorry.

But that’s how some of these books I’ve read recently have struck me. The heroine and hero in the book have no greater emotional connection, no more true bonding, no more actual understanding of each other as human beings, than would my neighbor have with Russell.

What do I like in a romance? I like that moment when, as a reader, your heart melts. When you just love the hero to death, and want him to be happy so badly, and know the heroine can truly make him that happy, and he her as well. I love that moment when the hero does something that’s so kind, or so true, or so real, that your brain and heart shout YES!!! Yes, that’s it. That’s love.

After all, what’s to stop my neighbor from changing her taste to Antonio Banderas, or Josh Holloway, or Naveen Andrews tomorrow? What’s inspiring about that? Sure, they’re gorgeous to look at (as these pictures prove), but I can’t really believe in a relationship based on nothing but the physical. The way I see it, that’s not a relationship . . . and it just isn’t that interesting to read about.

Recently, I was watching the TV show House, in which the seriously cranky Doctor House (the inimitable Hugh Laurie) was hoping that his old flame, Stacy (Sela Ward) would come back to him (despite his unending bad temper, and an ego the size of the national debt). And suddenly, there was one of those moments. The two were waiting in an airport on business for a delayed flight, and when Stacy sat down, she found that House had gotten her a cup of coffee… And not just any coffee, but the kind she liked, done the way she liked… That little moment, showing that even years after their relationship ended, he cared enough about her to remember how she liked her coffee, and the casual, comfortable way he got it for her without any show or fuss, really melted my heart.

So… What moment in a book, TV show, or movie melted your heart? Is there a scene where a character’s action really touched you? How about something a character said? Or a moment or moments that made you want to shout, Yes! That’s it! That’s love.

Please share!!!

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — available now from Signet Regency!

Getting Started


I just got back last night from a weekend out of town, and had lots of fun reading over the RR postings from the last few days! Maybe because I’m just incurably nosy about other people’s lives, I always love reading about how other writers work, how they set up and stick to (or don’t stick to) their schedules, etc.

Like many writers, I am a pantser forced on occasion to be a plotter before my story gets away from me entirely! I start with a short outline, maybe one page (or a full synopsis, if it’s a proposal, though the finished product seldom resembles anything like this synopsis. A synopsis is a horrible thing anyway! Down with the synopsis!). So, I know who my main characters are going to be, where they will be at, and basically what they need to be doing. How to get them from Point A to Point B has gotten a bit easier over time, just from sheer practice. My first manuscript was a total mess, because I just had no clue what to do. Maybe it would be easier, and take less time, and make for a shorter, tighter story, if I could do things like character charts, collages, story boards, chapter-by-chapter outlines, like so many great authors do. But I just don’t have the patience, or the energy. I’m so tired after doing a detailed character outline that I have nothing left for the book, and I have to go take a nap! I just have to be patient with my pantser ways, I guess, and hope my characters help me out, as they so often do.

One question I get a lot, and one I like to ask other writers, is–where do you get your ideas? I always have to say I have no clue. Maybe a movie, another book (non-fiction is great for this), a title, a place, a character that moves in and won’t go away (this happens a lot with secondary characters). Once I got an idea from a piece of material I saw in a fabric store. Lack of ideas is never my problem, they float around in my head all the time. It’s the giving them shape that gives me some trouble. So I ask everyone here–where do you get your ideas??? How do you get started?