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“I love deadlines…

…I love the wooshing sound they make as they fly by.” I wish I’d written that but alas, no. Douglas Adams said it (author of HITCHIKERS GUIDE TO THE GALAXY.) But if I thought of it I would have said it. I find deadlines a challenge.  I thought eliminating the contractual deadline from my life would make writing more fun. It might. If I ever got around to actually writing.

As you may (or may not) recall from my past two posts I have a new story brewing. I anticipate that it will be novella — something under 100 pages and I will epublish it.

The story is in my head, growing and changing every day. I know it will have no external conflict cause Bella Andre has proved that external conflict is not essential to a readable story. Especially a short one.

I’ve blogged about it. I’ve entered the first page at a Retreat I attend every year (Yeah, they liked it and it was an anonymous submission so it was not my warm and generous nature that won them over)

Since the hero and heroine are the names of people I know (by request) I invited one of them over to hear the outline of the story and get her okay to the use of her name in connection with a woman who has a questionable past and use her husband’s name for a hero who has suffered a tragic lost.

Mimi LaCouture is a  successful artist. One of her painting is below and here is the link to her website(http://mimilittle.com/index.html) Mimi understands the pain of criticism and the value of a suggestion. She said “Fine, sounds like a good story and wouldn’t it be interesting if …. ” and she went on to supply a plot idea that was great and that I had not thought of (might have, but she saved me the effort)Hanging%20Out

So I am all set to put Mimi and John’s story on page. The title has been a big question. It’s (hopefully ) a series so do I name it for the lead two characters, where they live, what they do and with a sub title re this story? Or simplify, cause really a thumbnail cover is pretty small. Still mulling that one over but, let’s face it, I can come up with a title anytime in the next 100 (or so) pages

The house is clean (thanks to house cleaning professional, Michele for that,) the laundry at an acceptable state of overflow. I’ve mastered crock pot cooking so no one starves and I’ve learned to leave lots of white space on the calendar (probably the biggest challenge of all)

Ready, set, STALL. Instead of writing I spent some time last week figuring out how to remove a scorch mark from a cotton dress shirt. (A few drops of ammonia, layered over with a peroxide dampened cloth and then pressed with a medium hot iron. It takes a while but it worked). Then I removed the cloudiness from a crystal vase (white vinegar ), and then, heaven help me, I started daily weeding of  our yard as if it was a mission only I could take on.

What is going on here? Do I actually need a deadline to produce anything. I will keep you posted on this great question. But more important: what is your favorite (or most insane way) to put off the moment when you BEGIN? Not a question just for writers. I do believe this is an experience shared by all. Right Mimi?

 

 

 

The long and short of it

Lady Em's Indiscretion - New CoverI’m hopeful that I’ll be able to get back to writing soon, and when I do, I’ll probably work on a novella. I haven’t had anything “new” out since last April, when I reissued a heavily revised version of Lord Langdon’s Kiss, so I’d like to get more work out there as quickly as I can. That means novellas, in this case, a prequel and sequel to Lady Em’s Indiscretion.

It takes me a long time to develop a full-length book—more than just 3-4 times the length it takes to write a novella. It takes me longer to deal with the complexities of more characters and subplots. Long books are still my absolute favorite both to read and write.

Novellas are fun to write, though, and they go more quickly, not having all of the complications I mentioned above. I enjoy reading them, too. Since they usually focus more closely on the hero and heroine, there’s a certain intimacy to well-written novellas, kind of like chamber music compared to orchestral music. A friend also called my novellas “bon-bons”, which is another fun way to look at it.

However, I’ve had a few readers complain about the length. Even at 99 cents, they were expecting a full-length novel and apparently did not notice the word “novella”, which is on the cover and also in the description along with a word count. I’ve heard this happens to other authors, and we’re all stumped as to how to make the length more clear. I suspect there are readers who buy inexpensive titles on impulse and don’t know what they bought until they start reading.

I’ve also heard of complaints if the digital version of a novella is priced more than 99 cents. Since I personally know the time and work that goes into a novella, I wouldn’t balk at a well-written novella being priced at $2.99 or $3.99, especially from an established author. But of course every reader has the right to make purchasing choices based on her own budget and preferences.

My own novellas are currently priced at 99 cents. My strategy has been to encourage new readers to take a chance on me, in the hope that they might go on to buy my full-length books. However, Amazon’s pricing tool is encouraging me to price my novellas at $2.99. It’s also telling me to use the same price for my full-length Regencies.  That doesn’t seem right to me and would probably annoy readers, so I’ll always price my novellas less than my full-length books.

As for full-length books, I don’t generally want to support the notion that they should have a regular price of 99 cents. I make an exception for introductory prices and special sales. That is the beauty of digital publishing—one can afford to do that—but full length books are such a huge project that I think they should have a regular price that reflects the work that went into them. Even though I’m tickled when a reader tells me she stayed up and read a whole book in one night, I can’t help remembering that it took me a year or so to write it!

What do you think? Do you prefer novellas, long, meaty books, or something in between? Any opinions on e-book pricing?

Elena
www.elenagreene.com

Dancing in The Duke’s Arms – Plus a Contest

EDITED TO ADD: Thanks you to all the contestants. I have decided that all the timely commenters are winners. I will be emailing you!

I’ve been blogging about the research I did for my story in the upcoming anthology Dancing in The Duke’s Arms. My research included such topics as songs, cheese, cattle, and plants. From that you might conclude my story is about a singing dairy maid who moonlights as an herbalist. But you would be wrong. (INORITE???!??)

To celebrate I will send five winners a mystery prize(s).  For each prize(s), I will spend at least $15.00 US. If you hang out here, you probably know that I have impeccable taste except when I am odd or just plain weird. There’s just no telling.  To enter, check out the rules below and follow the instructions.

Unsuitable?


My story,  An Unsuitable Duchess, is all done and final, and you can pre-order the anthology now for $3.99. After June 26th, the price will be higher.  Links below! Fun fact: I A/B tested two versions of my title. A Suitable Duchess faced off against An Unsuitable Duchess. Although I kind of liked the suitable title, I suspected unsuitable would win. And it did. In a landslide. It wasn’t even close. So. Unsuitable it is!

Cover of Dancing in The Duke's Arms, an anthology. A couple is dancing outside. He gazes fondly at her, she is perhaps a little shy. They are outside because it is summer and who doesn't want to dance outside with handsome duke?

Dancing Dukes!

The anthology includes four original novellas by Grace Burrowes, Shana Galen, Miranda Neville, and me. Print will be available shortly.

Why Do Dukes Fall in Love?

Every summer the cream of society gathers at the Dukeries, named for the ducal estates concentrated in one small corner of Nottinghamshire. While the entertainments include parties, balls, and a famous boat race, the ducal hosts and their guests find adventure, passion, and happy ever afters.

Pre-Order Dancing In The Duke’s Arms

Amazon | Barnes&Noble | iBooks | Google Play | Kobo

More about the anthology

The anthology comes in at over 125,000 words. You’ll get four romantic, thrilling, and steamy stories for four wonderful authors. The on sale date is June 26th.

May I Have This Duke? by Grace Burrowes

The governess is determined to leave, but the duke’s plans for her dance to a different—and far lovelier—tune!

The trouble with houseparties….

Gerard Hammersley, Duke of Hardcastle, is dragooned by an old friend into attending a house party, though Hardcastle refuses to fall prey to the matchmakers who relish such gatherings. He recruits his nephew’s prim, prickly governess, Miss Ellen MacHugh, to preserve him from being compromised by the conniving debutantes, and offers in exchange to deflect the drunken viscounts who plague Ellen.

Is that they must end.

Ellen agrees to Hardcastle’s scheme for two reasons. First, she’s been attracted to His Grace since the day she laid eyes on him, and knows that behind Hardcastle’s lack of charm lies a ferociously loyal and faithful heart. Second, she’s departing from Hardcastle’s household at the conclusion of the house party, and two weeks safeguarding His Grace’s bachelorhood is as much pleasure—and as much torment—as she can endure before she leaves him.

Read an excerpt from May I Have This Duke?

DUCHESS OF SCANDAL by Miranda Neville

She was too wild, he was too proud…

When the Duke and Duchess of Linton meet after years of estrangement, they may discover they were made for each other after all.

Too Many Scandals

After months of marriage, the Duke of Linton agreed to live apart from his wife. Thrown together due to a scheduling error, Linton finds Althea still has the power to make his heart race. Linton seems different from the critical, indifferent man she married. But though she burns for him as a lover, can she trust him to be the husband she needs?

Read an excerpt from Duchess of Scandal

WAITING FOR A DUKE LIKE YOU by Shana Galen

When Princess Vivienne of Glynaven’s family is massacred, she escapes to England only to be pursued by assassins. The Duke of Wyndover comes to her aid, but is he the man she’s been waiting for?

There’s no such thing as the perfect hero…

Nathan Cauley, tenth Duke of Wyndover, is so handsome ladies swoon—literally swoon. His blond hair and blue eyes certainly draw attention at the Duke of Sedgemere’s house party, but Nathan doesn’t want a fawning young miss for his duchess. He stumbles upon a bedraggled woman sleeping under Sedgemere’s bridge, and his protective instincts stir. When he recognizes her as the princess he fell in love with eight years before, he’s determined to win not only her affections but her heart.

Or is there?

After revolutionaries massacre Princess Vivienne’s family, she and the head of her guard flee to England. Before they can reach London to beg asylum, assassins kill the last of her defenders. Vivienne is alone and on the run when the Duke of Wyndover comes to her rescue. She barely remembers meeting him years before, and isn’t comfortable with gentlemen who are more attractive than she is. Nathan is more than a pretty face, though, and when the assassins return, he might just prove to be the duke Vivienne has been waiting for.

More about Shana’s story. Read an excerpt

AN UNSUITABLE DUCHESS by Carolyn Jewel

The Duke of Stoke Teversault would like to marry, but the woman his heart has settled on would make an unsuitable duchess.

The Duke of Stoke Teversault has well earned his reputation for bloodless calculation. Indeed, recently widowed Georgina Lark has no idea he’s loved her since before her late husband swept her off her feet. Stoke Teversault means to keep it that way. The cold and forbidding duke and the blithe and open Georgina could not be less suited in any capacity. And yet, when Georgina and her sister arrive at his home, his ice-bound heart may melt away.

Georgina Lark has never thought of the Duke of Stoke Teversault as a man capable of inducing passion in anyone. He’s long disapproved of her, but she will be forever grateful to him for his assistance after her husband died. It’s been a year since she’s realized he’s not the man she thought. Can she convince him to open his heart to her?

Read chapter 1

The Rules and How to Enter

Void where prohibited. Must be 18 to enter. No purchase necessary. All prizes will be awarded. If a winner does not contact me within 10 days of notification, an alternate winner will be selected. Relatives or employees of Carolyn Jewel are ineligible. Winner chosen at random using the contest plugin “And The Winner Is.” International OK! Multiple comments disallowed. Contest closes at 11:59:59 PM Eastern on Friday June 12 (That’s this blog’s time zone.) Make sure you leave a valid email in the email box for your comment.

To enter: Leave a comment to this post in which you tell me the best book you’ve read recently. (I’m looking for recommendations!)

Go!

Back at the Riskies! And Lady Writers

It feels like it’s been forever since I was at the Riskies!  The last several weeks have been spent moving to a new city (and looking for weird stuff in random boxes, because I packed teapots and mugs in different places, and lost the toothpaste…yet I could easily find 20 pairs of shoes!), getting the dog and cat children settled, and most important–getting a library card!  It’s nice to settle back into a writing routine again (I’m working on my 6th Elizabethan Mystery, Murder at Fontainebleau), and take a look at an interesting woman in history for June…

HM1Today we are looking at one of the fascinating women of Regency(ish) history, Harriet Martineau, a Whig writer and social theorist who was called “the first woman sociologist.” She was born June 12, in 1802 in Norwich, England, the 6th of 8 children of a manufacturer. Her family was descended from Huguenots (hence the last name) and of liberal Whig, Unitarian views. She grew up educated and in an intellectual environment, but her health was not good and she became quite deaf at a very young age, which forced her to use an ear trumpet. At 16 she was sent away from home to visit her aunt, who kept a school in Bristol, in hopes that a change of scene would help her health. From 1819 to 1830 she returned to reside in Bristol, and in 1821 began writing anonymously for the Unitarian periodical Monthly Repository, with her first book, Devotional Exercises and Addresses, Prayers, and Hymns coming out in 1823 (she would eventually write more than 50 volumes, on a wide variety of subjects).

In 1826 her father died (soon after the deaths of her eldest brother and her suitor), leaving her and her mother and sisters poverty-stricken. Since her deafness kept her from teaching, Harriet took up serious writing. She went on writing for the Repository as well as short stories (later collected in the volume Traditions of Palestine), won 3 essay prizes from the Unitarian Association in only one year, and did needlework to supplement her writing income. In 1831 she published the first volume ofIllustrations of Political Economy, which was a huge success, with demand increasing for each following volume. In 1832 she moved to London and moved in circles that inluded such people as John Stuart Mill, George Eliot, Edward Bulwer-Lytton, the Brownings, and Thomas Carlyle. She was also friends with Florence Nightingale and Charlotte Bronte. She finished her political economy series, another series titled Illustrations of Taxation, and stories in support of the Whig Poor Law reforms.

In May 1834, Charles Darwin on his Pacific voyage received a letter from his sisters saying that Martineau was “a great Lion in London” and sending him her Poor Laws and Paupers Illustratedin pamphlet size. They also said their brother “Erasmus knows her & is a very great admirer.” When Darwin returned home in 1836 he stayed with his brother in London and found that Erasmus spent a lot of time “driving out Miss Martineau.” The Darwins and Harriet had in common their Unitarian background and liberal Whig politics, but their father thought perhaps her views were a bit TOO liberal for a daughter-in-law and the pair never married. But Charles called on her and stated “she was very agreeable, and managed to talk on a most wonderful number of subjects” though he was also “astonished to find how ugly she is” and “she is overwhelmed with her own projects, her own thoughts and abilities”. Erasmus told his brother “one ought not to look at her as a woman.”

In 1834 she went on a long trip to the United States, where she became an adherent f the Abolitionists and later published Theory and Practice of Society in America and Retrospect of Western Travel, as well as an article called “The Martyr Age of the United States” in theWestminster Review. Her outspoken opinions on the evils of slavery caused a great deal of offense, but she did not care. She followed up this work with a novel, Deerbrook, a story about a surgeon hero and middle-class life.

On a trip to Europe in 1839 she fell ill, and went to stay with her sister and brother-in-law, the well-known doctor Thomas Greenhow, in Newcastle on Tyne to try and alleviate her symptoms (believed to be caused by an ovarian cyst). She then moved to Tynemouth, where she stayed for nearly 5 years in the clean sea air and wrote 3 books, including a novel about the Haitian rebel L’Ouverture and Life in the Sick Room. She loved her new telescope, which allowed her to take in the life of the town and the beach from her window (it’s thought the busybody Mrs. Jellyby in Dickens’s Bleak House is based on her, though she went on being friends with Dickens himself!). She wrote beautifully on her picture of the town: “When I look forth in the morning, the whole land may be sheeted with glistening snow, while the myrtle-green sea tumbles–there is none of the deadness of winter in the landscape.”

902_05_1857556In 1844 she underwent a course of the mesmerism,which she declared returned her to health within months and wrote an account of her case, which caused friction with her sister and brother-in-law, the conventional doctor! In 1845 she left Tynemouth for the Lake District and her new home The Knoll, which she would live in for the rest of her life. In 1846 she made a tour of Egypt, Palestine, and Syria and wrote Eastern Life, Present and Past, which also caused controversy with its “infidel tendency.” She also published a volume called which stated that freedom and rationality, not command and obediance, should be the basis of education. She followed up with a history volume written from the view of a “philosophical Radical”, Household EducationThe History of the Thirty Years’ Peace, 1816–1846. She was always busy, contributing weekly to The Daily News, visiting Ireland and writing Letters from Ireland, and writing for Westminster Review. Her 1838 book How to Observe Morals and Manners laid out some of her general views, that very general social laws influence the life of any society, such as the principle of progress, the emergence of science as the most advanced product of human intellectual endeavor, and the significance of population dynamics and natural physical environment (principles which still hold true today!).

In 1855 she found she suffered from heart disease and started work on her autobiography (though she lived for 20 more years). It was published in 2 volumes posthumously in 1877. She also undertook the translation of Auguste Comte into English, which was published as The Positive Philosophy of Auguste Comte (freely translated and condensed by Harriet Martineau), which Comte himself recommeneded to his students rather than his own!

She died at The Knoll on June 27, 1876.

Some sources on Martineau’s life:
Harriet Martineau’s Autobiography: With Memorials by Maria Weston Chapman (1877)
Deborah Anna Logan, The Hour and the Woman: Harriet Martineau’s “Somewhat Remarkable” Life, 2002
Valerie Sanders, Reason Over Passion: Harriet Martineau and the Victorian Novel, 1986
David Deeirdre, Intellectual Women and Victorian Patriarchy: Harriet Martineau, Elizabeth Barrett Browning, George Eliot (1989)