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Author Archives: Amanda McCabe/Laurel McKee

About Amanda McCabe/Laurel McKee

Writer (as Amanda McCabe, Laurel McKee, Amanda Carmack), history geek, yoga enthusiast, pet owner!

I’m away for the weekend, renewing my creativity (hopefully!) at a yoga retreat. While I’m trying warrior pose and meditative breathing, here is brief history of yoga:

–The beginnings of yoga were in Northern India over 5000 years ago, with the word “yoga” first mentioned in the Rig Veda (a collection of texts containing songs and rituals used by Vedic priests). These taught the sacrifice of the ego through self-knowledge action (karma yoga) and wisdom (inana yoga).

–In the 2nd century, the Yoga Sutras described the path of Raja Yoga, sometimes called “classical yoga,” which organized the practice into an “eight limbed path”.

–A few centuries later, yoga masters created a system of practices designed to rejuvenate the body and prolong life. The exploration of thse physical/spiritual connections led to the creation of Hatha Yoga.

–In 1785, the Bhagavad-Gita was the first Sanskrit work to be translated into English.

–In the late 19th century/early 20th, yoga masters began to travel to the West, attracting attention and new followers. In 1947, Indra Devi opened a famous studio in Hollywood, starting the long trend of stars and yoga! (Madonna, Sting, Gwyneth Paltrow, Jennifer Aniston, Christy Turlington, are some of the well-known yoga advocates today)

I tried to find some Georgian/Regency celebrities who might have tried yoga, but had no luck! I bet the Romantic poets would have liked it, though…

Have you tried yoga, or any other exercise regimes you’d recommend? (I’m always trying to find something that will help me get into shape without making me feel like I’m “exercising”!)

BTW, I’m starting this post with something totally unrelated to my topic, but I wanted to share this pic! I found it on a film costuming blog I sometimes visit, and it’s the first glimpse of the Keira Knightley film The Duchess! Even though I wish they had cast someone else as Georgiana, I’m always excited about a chance to look at 18th century costumes.

And now for my regularly scheduled post! A few weeks ago I read a fun book by Maureen B. Adams, Shaggy Muses: The Dogs Who Inspired Elizabeth Barrett Browning, Emily Bronte, Emily Dickinson, Edith Wharton, and Virginia Woolfe. While not exactly deep. ground-breaking scholarship, I loved the way it illuminated this aspect of the writers’ lives, their very different relationships to their pets, and how their dogs provided not just companionship and distraction, but grounding during times of intense creativity and psychological upheaval.

Elizabeth Barrett Browning’s spaniel Flush seemed to be a sort of conduit for her own emotions when she was confined to home as an “invalid”; in letters she often ascribed her own feelings to Flush, and thus made them safe to express. But he also made her feel more empowered when he was kidnapped by a band of evil dognappers and she went out herself and got him back! (I HATED those dognappers). Luckily for Flush, he got to end his life in Italy, running around the piazza with all the wild Italian dogs.

Emily Bronte’s mastiff, Keeper, was weird dog for a fascinatingly weird person. He was enormous and often bad-tempered, fighting with the village dogs and such. But he wandered the moors with Emily at all hours, and was sweet as a kitten when she subdued him by beating him up when he got on the parsonage furniture. (Her sister Anne had a small spaniel, Flossy, who it seems was allowed to get on the furniture with impunity…) Keeper stayed close to Emily as she was dying, followed her funeral cortege to the church, and then spent the rest of his life lying outside her empty bedroom door.

Emily Dickinson also possessed a very large dog (“as big as myself,” she wrote in a letter), a Newfoundland named Carlo that her father bought her for protection. He was too gentle for that, but he proved an excellent, laid-back, affectionate companion for the Very Intense poet. In my Google searches, I found that the Emily Dickinson House in Amherst even has Carlo Look-Alike Contests once a year!

Edith Wharton, on the other hand, had a pack of very tiny dogs, Papillons and Chihuhuas and Pekinese. Link was the last one, and he often sent invitations and letters in his own name to Edith’s friends and guests. They traveled everywhere with her, a little, dancing, yapping pack.

Virginia Woolfe’s attitude toward dogs seems to have been more prosaic than Wharton’s! They weren’t like her “babies,” they often ran off or got into trouble, but they were still an important part of her life. Most of them seem to have been large hounds or mutts, but there was one expensive spaniel, a gift of her lover Vita Sackville-West. Woolfe even wrote Flush: A Biography about Barrett Browning’s dog!

So, if you love pets and poetry as I do, this is a fun book! I showed some of the illustrations to my own dogs (Victoria the Pug, and Abigail the poodle) and they enjoyed it immensely. Though they now want to travel all over Europe with me, as Wharton’s dogs did. 🙂 I suppose I can’t say my dogs are my “muses”–I’ve never written a story about a bluestocking poodle falling in love with a French poodle comte, for instance. But they ARE a huge comfort when I’m blocked in a story and feel like I Will Never Write Again, or when I’ve gotten a bad review and am feeling down. They sit on my lap and give me kisses, assuring me that they love me and think I am a great writer and fabulous mommy no matter what that nasty reviewer says. I couldn’t do without them.

Do you have your own pets? Or know any good Pets In History stories (I always love those!)?

Happy Saturday! Take your dogs for a nice long walk (maybe not your cats, though–my cats would never let me put a leash on them, but they are excellent companions and comforts, too)

“This cleverly orchestrated, unconventional romp through the glittering world of the Regency elite-both admirable and reprehensible-is filled with secrets, graced with intriguing characters, laced with humor, and plotted with Machiavellian flair. A joy to read…” The Library Journal, on The Courtesan’s Daughter

Risky Regencies is pleased to talk to Claudia Dain, whose new book The Courtesan’s Daughter is an October release from Berkley!


Hello, Claudia! First things first–tell us about this book!

I wish I was good at talking about my own books, but I seem to lack that ability! Uh, it’s a Regency romance? How’s that for descriptive! I can tell you that it took me two full years of research and pondering to create the character of the courtesan, but once I had her in my head, The Courtesan’s Daughter demanded to be written and I’ve been a captive ever since. Believe me, I have no complaints! This world and the people who inhabit it have consumed me completely and I love them for it.

The Courtesan’s Daughter is about a young woman who wants to make a good marriage, but is hampered by her mother’s salacious reputation. Lady Caroline’s prospects for a suitable match are severely limited by her mother’s infamous past. Before Sophia Dalby became a countess and entered London society, she was a highly desired courtesan. What man of title, position, and wealth would marry a courtesan’s daughter? Sophia’s solution is to purchase a husband for Caroline—in the person of the Earl of Ashdon, agreeing to settle his gambling debts if he will take her daughter’s hand. Insulted, Caroline refuses the match. She won’t have a husband who was bought for her.

But after meeting the fiery Lord Ashdon, Caroline begins to wonder if it wouldn’t be so very satisfying to have him pay for *her*, perhaps with a priceless pearl necklace? Who better to turn to for advice than a former courtesan? With Sophia pulling the strings, Lord Ashdon may get more than he bargained for and Caroline may get just what she wants.

And this is the first in a series?

This is most definitely a connected series, though each book can stand alone. I have a complete character arc in my head for Sophia which will span many, many books (fingers crossed) so it’s a good thing I’m enjoying this world so much.

The next book in the series is out in May of 2008 and is titled The Courtesan’s Secret. Once again, we have a young woman of title and privilege who needs just the right sort of help to bring the right man to heel and to the altar. Sophia Dalby is exactly the right sort of help. Of course, when Sophia’s involved, you’re never sure exactly what’s going to happen next.

How did you think of writing this particular book?

I’m not really sure how ideas come together in the mind of a writer, but it is a fascinating process. A little bit of this, a snatch of that, and an idea is born. I do remember thinking that I wanted to go in a different direction, to cover some history of the period that isn’t given a lot of attention in general, so instead of focusing on the battles taking place in Europe, I turned my attention to the American continent. It was a volatile age, especially for what was becoming the British Empire, and there was turbulence on almost every continent.

I (Amanda!) have always really loved the way your books “transport” the reader to another time and place. What kind of research did you do for this book?

I do love a satisfying setting! I spend a lot of time reading, immersing myself in the facts of the time period, but also in the cultural mindset of the period. This is key, I think. What’s the point of creating a perfect description of a carriage if you can’t get the worldview right? What people think, how they think, how they act, how they feel things changes through time. Getting that right, that sense of how that character you’ve created would behave and think in their precise moment in history, that’s essential to me. I have to have that down before I can write a word.

And I love doing the research. It feeds every creative cell I have. I think I must have read 50 history books before I started The Courtesan’s Daughter and sections of 100 more. I’m still researching, reading non-fiction all the time. It’s absolutely essential to my process; it’s a way of ushering me into that world and every history book I read gives me a new idea for either plot or character. I gave up having a book budget a long time ago!

A book budget? What is this unfamiliar phrase?? As you know, we do love “risky” books here! What is the greatest creative risk you’ve taken in this book?

Oh, this is a great question. I definitely felt that I was taking a huge risk with The Courtesan’s Daughter, but I’m not sure I can explain how or why (because I’m terrible at describing my own writing, remember?). The tone of the book is very bawdy, humorously and overtly sexual, with lots of dialog loaded with innuendo. There aren’t any poor vicar’s daughters, no disinherited sons, no spies, no starving widows. The heroines aren’t sweet and the heroes aren’t rakes in need of redemption. You can see why I was nervous!

What is your writing process? Are you a plotter or a pantser?

My writing process seems to veer off the normal (sane) path in that once I have the main character formed I sit down and start writing. In The Courtesan’s Daughter, the only character I knew inside and out was Sophia. Caroline and Ashdon developed as they appeared on my computer screen. In fact, the only thing I know when I start to write is who the heroine is. The hero just appears. Scary, but what can I do? That’s how it works for me.

Because of this strange mental defect of mine, I can’t write a synopsis. It kills the story before it’s even been formed. I’ve had to admit to myself that I can’t think my way through a story, I have to *write* my way through it.

And what’s next for you?

I’m going to keep writing the next book in The Courtesan Series. I’ve finished The Courtesan’s Secret as well as a novella for an anthology titled Private Places that covers one night in Sophia’s life as a working courtesan in Georgian England. That was fun! I’m currently at work on the third book of the series, untitled as yet, and once again being surprised on every page by what’s happening next. I thought I knew who the hero was. Turns out, the heroine picked someone else. I had no idea she was so headstrong!

Thank you so much for giving me the chance to ramble on about The Courtesan’s Daughter. I’ve had such fun!

Be sure and comment for a chance to win a copy of The Courtesan’s Daughter! And visit Claudia’s website at http://www.claudiadain.com

Wow, I can’t believe it’s been two years since we started posting here at Risky Regencies! It seems like only a few weeks (and yet Saturday always seems to sneak up on me, and I have to scramble for something to post about). I’ve loved meeting so many new friends, having a place to share a love of history (and cute Austen movie heroes), celebrate new book releases and writing milestones, commiserate on things like Hair Color Disasters, and just be silly sometimes (or maybe the silly bit is just me?). Anyway, I’ve loved being a part of Risky Regencies, and hope we have many more anniversaries to celebrate in the future!

My prize is an autographed copy of my August book A Notorious Woman (look for its sequel in April ’08, to find out what happens to Nicolai), plus a fancy beaded bookmark from Ganz (I don’t have a pic, but trust me, it’s pretty!).

It was hard to pick some “favorite” posts! Once I started looking back on them, I realized that what I said about scrambling to find topics every Saturday was all too true. But here are a few I enjoyed:

Megan and Amanda Chat About Amanda’s New Book!
(Because I always get nervous when a new baby, er, book makes its appearance on the shelves, and chatting with another Risky about its debut made it far less painful!)

Hair Matters
(If you want to know just how shallow I really can be–plus, I took great comfort from hearing about other people’s hair disasters)

Picturing Characters
(I always love hearing how people “see” characters! And I love searching the Web for pics of hunky actors and beautiful costumes and calling it research)

Carnival!
(Party! Need I say more? Also, I love sharing research tidbits with people I know will appreciate them–unlike, say, my family, who is very tired of hearing all about women in the French Revolution and how to make Venetian masks or violet perfume. Love of research also leads me to the next post, because a smackdown between Baroque composers is always something to see…) Gluckists vs. Piccinists

Be sure and vote for your favorite post! And, to win our Grand Prize of a $25 gift certificate to Amazon (wish I was eligible for this one) sign up for our Risky newsletter at riskies@yahoo.com.
Be sure and put “Newsletter” in the subject line, and we’ll send (brief) updates of Riskies’ releases and news, upcoming guests, and fun prizes.

Visit us tomorrow, when we conclude our anniversary week with a visit from Claudia Dain! Hear all about her new release The Courtesan’s Daughter (and comment for the chance to win a copy!)

And thank you for making Risky Regencies so much fun! It’s been the BEST two years…


Yes, it’s that time of year again! This Wednesday, September 19th, is the annual Talk Like A Pirate Day. What does that mean? Loads and loads of fun, of course! Since this special day only comes once a year, we need to take advantage of it. Wear your eye-patch to work, let your parrot out of the cage, and dazzle your co-workers with your extensive knowledge of pirate-speak.

Here’s a few useful words and phrases to help you get started:
“Arrrrggghh!” (the classic–all-purpose)
“Ahoy, me hearties!” (to use when you’re about to board the ship–or enter the copy room)
“Weigh anchor! Hoist the mizzen!” (set sail, chase the prize ship! Or go on your lunch break)
“Avast ye varmint” (drop the pieces of eight! Or bring back my stapler)

Some other useful grammar tips include:
Double up on adjectives–the more the better (it’s not a nice ship, it’s a “great, grand, glorious ship”)
Always drop your g’s (rowin’, fightin’)
Say “I be”, not “I am”
When in doubt, start your sentences with “Argh, me hearty”

Some websites to help you out:
Official Site (find events near you!)
Pirates and Privateers (some fun history and links)
More Useful Vocabulary

I’ve been doing research for my next project (to be started when the Sicily-set Regency book is done!), a tale of 16th century pirates in the Caribbean (starring Balthazar from A Notorious Woman), and I’m finding out that being a Real Pirate is not nearly as much fun as being a Movie Pirate. But I’m still going to call Talk Like a Pirate Day useful research and take full advantage of it!

If you could hold a Talk Like A Pirate Day party, what would it be like? Who would you invite (besides the Riskies, of course!)? What are some favorite pirate movies (besides Pirates of the Caribbean, I really love that old Errol Flynn cheese-fest Against All Flags).

And remember, when in doubt–Arrrrrggghhhh!