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Author Archives: Amanda McCabe/Laurel McKee

About Amanda McCabe/Laurel McKee

Writer (as Amanda McCabe, Laurel McKee, Amanda Carmack), history geek, yoga enthusiast, pet owner!

“To us she appears inconsistent–religious yet aggressive, calculating yet emotional, with the light touch of the courtier yet the strong grip of a politician–but is this what she was, or merely what we strain to see through the opacity of the evidence? What does come to us across the centuries is the impression of a person who is strangely appealing to the early 21st century. A woman in her own right–taken on her own terms in a man’s world; a woman who mobilized her education, her style and her presence to outweigh the disadvantages of her sex; of only moderate good looks, but taking a court and a king by storm. Perhaps in the end it is Thomas Cromwell’s assessment that comes nearest: intelligence, spirit, and courage.” –Eric Ives, The Life and Death of Anne Boleyn

Today, May 19, marks the 473rd grim anniversary of the death of Anne Boleyn (1501 or ’07–1536). History geeks like me tend to have a list of “historical heroes and heroines,” people we would like to invite to our dream dinner parties, sit them down, serve them some drinks, and ask “So–what were you thinking there anyway?” Anne Boleyn is definitely one of mine. I’ve been fascinated by her since I was a kid and watched Anne of the Thousand Days on the TV at my grandmother’s house. I read everything I could find about her, and yet she still seems elusive. As Ives says, a woman of her own time but also so strangely modern, a woman of intelligence and ambition, pride and immense courage. Ives also calls her “the most influential and important queen consort England has ever had.”

I could write a post days long about her life and activities, but I’ll concentrate here on the end. After a crazed pursuit of 7 long years, Anne agreed to marry Henry on January 25, 1533–even though the Church and the Pope stubbornly persisted in insisting he was married to his wife of 20+ years Katherine of Aragon (who stubbornly insisted the same! For a man so set on his own way, Henry did marry so many proud and strong women…). On May 23, Thomas Cranmer, the new Archbishop of Canterbury (who was once the Boleyn family chaplain, the Boleyns being staunch Protestants) declared the marriage of Henry and Katherine void and the marriage of Henry and Anne valid. They were all thereafter excommunicated. But Anne was crowned queen in a lavish ceremony at Westminster Abbey on June 1, and gave birth to a princess, Elizabeth, on September 7. Elizabeth, of course, was destined to be her mother’s daughter in every way, even though she never knew her.

But the good times weren’t to last long. After many miscarriages, Henry got tired of her outspoken stubbornness, and in April and May of 1536 brought her to trial for high treason, via adultery and incest (and rumors of witchcraft). It was an utter travesty of a trial on charges everyone knew were trumped up, but Anne and her accused lovers (including her brother George) were declared guilty and sentenced to death. George was executed on Tower Green on May 17, as Anne waited for her fate in the confines of the Tower, where only 3 years before she had come in glory to wait for her coronation.

Anthony Kingston, the Constable of the Tower, wrote “This morning she sent for me…and at my coming she said ‘Mr. Kingston, I hear I shall not die afore noon, and I am very sorry therefore, for I thought to be dead by this time and past my pain.’ I told her it should be no pain, it was so little. And then she said, ‘I heard say the executioner was very good, and I have a little neck,’ and then she put her hands about it laughing. I have seen many men and also women executed, and they have been in great sorrow, and to my knowledge this lady has much joy in death.”

Around noon on May 19, 1536, Anne Boleyn died on a scaffold erected on the north side of the White Tower, in front of what is now called Waterloo Barracks. She wore a red petticoat under a black damask gown trimmed in fur and a mantle of ermine. With her ladies-in-waiting, she walked from the Queen’s House (which is still there), climbed the steps, and made a short speech to the gathered crowd as the French headsman waited.

“Good Christian people, I am come hither to die, for according to the law, and by the law I am judged to die, and therefore I will speak nothing against it. I am come hither to accuse no man, nor to speak anything of that, whereof I am accused and condemned to die, but I pray God save the king and send him long to reign over you. And if any person will meddle in my cause, I require them to judge the best. And thus I take my leave of the world and of you all, and I heartily desire you all to pray for me. O Lord Have mercy on me, to God I commend my soul.”

She then knelt upright in the French style of executions, said once more, “To Jesus Christ I commend my soul; Lord Jesus receive my soul.” Her ladies took away her headdress and jewelry, tied a blindfold over her eyes–and it was over in one sword-stroke. Cranmer said “She who has been the Queen of England on earth will today become a Queen in heaven.” Anne was buried under the floor of the Chapel of St. Peter ad Vincula behind the scaffold site, near her brother, where her grave can be seen today, and a few days later Henry married Jane Seymour. Following the ascension of her daughter as Queen Elizabeth, Anne was venerated as a martyr and heroine of the Protestant Reformation, and she’s an object of fascination (and movies and novels!) to this day.

There are lots of great sources on Anne Boleyn and her tumultuous times, but a few I like are: Antonia Fraser’s The Wives of Henry VIII; Eric Ives’s The Life and Death of Anne Boleyn; Joanna Denny’s Anne Boleyn: A New Life of England’s Tragic Queen; Retha Warnicke’s The Rise and Fall of Anne Boleyn–Family Politics at the Court of Henry VIII; and Karen Lindsey’s Divorced Beheaded Survived–A Feminist Reinterpretation of the Wives of Henry VIII.

See, I told you I could write about Anne Boleyn for days!!! When I visited the Tower last year, I actually started crying while standing at the scaffold site and reading the words engraved on the new memorial fountain there (at least it was early and not crowded yet! No one to see the crazy lady crying over stuff that happened 473 years ago). Who are some of your heroes? Have you visited sites that had significance for them? What did you think? Who are your “fantasy dinner party” guests??

(Oh, and 2009 marks the 500th anniversary of the accession of Henry VIII to the throne! For info on some of the planned events check out this article. I really wish I could be there, especially for the Tudor water pageant on the Thames and the Christmas celebration at Hampton Court…)


When I did my post on Venice back in March, Janet and Amanda kindly said that they might have me back to talk about obscure 18th century English music. Amanda then contacted me and if I could write it for today. I wonder if I dare mention that I am currently interested in the Prometheans, in particular John Martin and his circle. Amongst other things John Martin was Princess Charlotte’s drawing master around the time she became engaged to Prince Leopold. Prince Leopold then became godfather to John Martin’s son! (Amanda’s note: Possible future guest blog???)

Anyway, yes, 18th century composers and musicians. The advent of the Georges meant a huge influx of Germans into the English music scene. These included Haydn, Handel, and William Herschel. Herschel is perhaps now better known for his work with early telescopes. He discovered the planet Uranus and his sister Caroline was instrumental in observing comets. Herschel was active in Bath being employed by the Pump Room band and eventually becoming the director after James Linley moved to London. Linley’s daughter Elizabeth, or ‘Angel,’ became a star at Drury Lane and eventually married Sheridan. Handel, of course, unlike most of his contemporaries remained popular after his death. The famous Three Choir concerts which were given around England in the early 19th century mainly consisted of Handel’s music.

The greatest composer of concertos in the period was Charles Avison. Born in Newcastle in 1709, he went to London around 1725 to study with the great Italian violinist Geminani whom Avison later championed as being greater than Handel. Hailed by the New Grove Dictionary of Music and Musicians as the most important English composer of the 18th century, Avison is now largely unknown. His recent revival in the North East and elsewhere was down to Gordon Dixon’s chance discovery of music hidden away in a broom cupboard. The Avison Ensemble was formed and many of his works recorded for the first time. Another composer, John Garth (1721-1810) was only rediscovered in about 2006 when a student at Durham University embarked on a Ph.D and came across the scores in the Literary and Philosophical Society’s Music library. John Garth mainly composed for the violincello.

Avison’s most famous pupil was William Shield (1748-1829). The orphaned son of a master musician, Shield became apprenticed to a boat builder in South Shields after his father died. Luckily his employer loved music and allowed Shield to continue with his studies with Avison. In 1722, he secured a place at Covent Garden. In 1817 he became Master of King’s Musick, a position he held until his death. He left his viola to George IV, who insisted on paying Shield’s common law wife the full value of the instrument. Shield was one of the originators of the modern musical as he used English, spoken dialogue, folk and popular melodies as well as comic elements in his works. His most famous work, Rosina, borrowed many songs from the Northumberland area. He is credited with the melody for Auld Lang Syne. This accreditation is slightly controversial as Shield was English, and it is possible that it was an old Scottish melody, but it is there in the overture to Rosina and the controversy has raged on and off throughout the 19th and 20th centuries. Shield’s music was highly popular in America, and Sigmund Speath in his A History of Popular Music in America mentions how much Shield’s compositions contributed to early American music.

If you want to know more about music in the North East during this period, Joseph W. Pegg’s An Introduction to Newcastle’s Musical Heritage is an excellent place to start.

Michelle Style’s latest Regency Impoverished Miss, Convenient Wife was published in the UK in April 2009. She is currently hard at work on the second of her early Victorian duo! Visit her website for more info…

Last week I got a very nice surprise! The cover for my first Laurel McKee book, Countess of Scandal (out in February 2010!). I think the purple color is gorgeous, her dress, her fan, her necklace–all of it. Though it’s a bit weird to see “someone else’s” name on the cover–I will just have to get used to my other half (I’m sure she’s the one eating all the chocolate and drinking all the Chardonnay in the house, not to mention using up my MAC Hello Kitty lipgloss and watching the Twilight DVD over and over. That crazy Laurel…)

BTW, if you happen to be in the New York City area, be sure and pop in at Lady Jane’s Salon on June 1. Diane and I will be there talking about Diamonds of Welbourne Manor, and my editor at Grand Central Publishing, Alex Logan, is pulling together a fun presentation on how a cover like this goes from concept to reality. (I’ve heard the cocktails are fab there, too!). We’ll also be in the Harlequin booth at BookExpo America on the 30th at 3:30.

Speaking of romance novels, I realized last week that I haven’t curled up and read one in a long time! (At least not a historical romance–I’ve read some paranormal and contemporary series, as I fiddle around with vague ideas in those genres). I’ve been mostly reading lots of research books, and I don’t usually read many historicals when in the middle of writing a book myself, so the TBR pile had been, well, stacking up a bit. I miss them!!! I MUST read a historical romance! So I sorted through some of the titles I’ve been buying lately, and pulled out a few to get me started. I can’t wait to dive in. (Here’s a pic of some of them. Have you read any of them? Anything you recommend I start with?)

I’m taking a little break today, thanks to our guest, Allegra Gray, whose debut Regency Historical, Nothing But Scandal, is now in bookstores. So, Welcome, Allegra!
Diane

Thank you to the ladies of Risky Regencies for inviting me as a guest blogger! As a new author, I’m having tremendous fun meeting people online–there is such a thriving community of readers and writers out there!

It might amaze some people to know that, even though I write books set in historical times (primarily Regency England) I never found history classes in school to be that interesting. Dry facts about what happened, dates of battles, who was president…none of it stuck in my head.

Except, that is, the vast quantities of history I discovered through reading fiction, watching historical movies, playing classical music, or traveling to historic sites in Europe. All of a sudden, history came alive. It was happening to real people (or people who seemed real) and involved real, tangible things like stone walls and castles and tapestries. Of course I knew that in fiction and movies, the story wasn’t exactly an accurate portrayal of a particular time. But I did wonder, for the first time, what life really was like back then.

Which brings me to writing romance. I’ve always loved stories, and it turns out that even if history class wasn’t that great, there was something magical about being swept back in time by a great story. The way a story does that is through carefully researched details, of course, but what really makes it captivating is keeping those details out of the way and letting the characters shine.

In some of my writers’ groups, we are constantly striving to have perfect historical detail…to the point where we research some things that, were we to include them, readers wouldn’t believe! (Truth is, after all, stranger than fiction). And sure, for those of us who become an expert in a topic, it can be frustrating to see that some authors portray that topic with a little less accuracy. I’m sure that for every one topic I am an expert in, there are ten or twenty that I’m not…but then, I’m not trying to recreate Regency England, only to get close enough to use its rich flavor as the base setting for my story.

As I research certain things (how long did it take to travel from London to Bath? When did the opium trade really take off? Why can’t my heroine be seen alone at a public inn?) the temptation is to work everything I find into the story…but then, my readers would be stuck back in history class. Knowing how fun that was for me (not so much), it makes for a challenge: include just enough history to answer that burning question or reveal that key detail, so that the reader is captivated but not overwhelmed, and so that they too ask the question “I wonder what life was really like back then?”

I’ll end with a question: what was one of the coolest things about history you first got interested in by reading fiction?

Best wishes,

Allegra

P.S. If you’d like to leave a comment (or answer the question above), I’ll enter your name into a drawing and then tomorrow, pick a name and that person will receive a signed copy of “Nothing But Scandal.”

Allegra Gray is a former military officer–turned English professor–turned homeland defense analyst. One thing she has always been, though, is a storyteller. She wrote her first book at the age of 5 (it has yet to be published).

Allegra began her publishing career while teaching in the English department of the U.S. Air Force Academy, but soon discovered that non-fiction, academic work was not enough to satisfy her creative drive.

She turned to fiction, and launched her career as a novelist with the release of a historical romance, “Nothing But Scandal,” from Kensington Publishing in July 2009.

Allegra lives in Colorado and writes novels full of steamy intrigue that interweave her love of history, legend, and romance.

Check out her website at www.allegragray.com