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Author Archives: Cara King

So — what are some of your favorite Regencies? I’m not asking for a definitive list, just list any that occur to you. Are they particularly risky ones, or classic Regencies, or does it vary?

I love many many Regencies, but included on my favorites list would be:

— “Sweet and Twenty” by Joan Smith. I suppose it’s risky in a way, in that there’s a lot of politics involved, and perhaps less romance than in a “classic” Regency. But for an older Regency, I wouldn’t exactly call it unusual (except that I like it so much!)

— “Poetic Justice” by Alicia Rasley. Again, this isn’t a book with just a romance plot — there are a lot of other things going on. But again, I’m not sure it screams “different!” (And if it did, wouldn’t that be odd? My other books would be so annoyed when they were trying to sleep.)

— “An Ideal Bride” by Nonnie St. George. Stylistically this is somewhat risky, I think — it’s delightfully weird in some ways, almost farcical at times, and occasionally just a tiny bit surreal. I think she made a big splash with this book partly because it was a bit unusual — but it’s so very funny (and sexy too) that that alone could have made the book so popular!

Well, there are three from me. How about you?

Cara

Cara King, www.caraking.com
MY LADY GAMESTER — Signet Regency, 11/05

I’ll start the discussion by sharing what I think is risky in my Regency — my heroine.

I have always adored Georgette Heyer’s
FARO’S DAUGHTER, but every time I read it, a little part of me is disappointed that, of course, the hero is much better at cards than the heroine. She runs a gaming house, but he still knows more than she does. When they play piquet, he tells her she’s weak in her discards — and then he piques, repiques, and capots her. Argh! I love the hero, but sometimes I wanted to smack him across his self-satisfied face. Or have the heroine capot HIM for a change!

So when I wrote MY gambling Regency, I made my heroine, Atalanta, brilliant at cards. My hero, Stoke, is strong, smart, and stubborn as can be, but he’s not better at piquet than she. Oh, he THINKS he is–he assumes he is–and she helps along that assumption because, well, she’s a card-sharp. 🙂

I was hoping all along that I would not be forced to tone down Atalanta, to make her weaker so that Stoke seems stronger — and I am delighted to report that my wonderful editor never hinted that my heroine should be turned into a kinder, gentler version of herself. No, when MY LADY GAMESTER appears in November, Atalanta will be as fierce, as uncompromising, and as ambitious as she was when I first wrote her.

Will the readers like her? I guess I’ll find out in November! 🙂

Cara

Cara King —
MY LADY GAMESTER — Signet Regency, 11/05

Here’s my cover! Hmm…does anyone want to talk about covers? Good covers? Bad covers? How you can have a cover that all your author friends tell you is really good, and you should be really grateful, but somehow you still whine about it? (Aw, come on, don’t say I’m the only one!) 🙂

Cara
Cara King, www.caraking.com
MY LADY GAMESTER — Signet Regency, 11/05

Posted in Risky Book Talk | Tagged | 17 Replies

What is a Risky Regency? Who writes
Risky Regencies? What are the challenges,
pitfalls, and benefits of writing Risky
Regencies?

That’s what this blog is all about! We have
a great bunch of Regency writers (including
Amanda McCabe, Elena Greene, Laurie Bishop,
Megan Frampton, Janet Mullany, and me,
Cara King) who will all discuss this subject,
plus our writing lives, our research,
and anything else pertinent to the life of
a Risky Regency Writer!

Have a comment? Please join in!

Cara
(Cara King — author of MY LADY GAMESTER,
debuting November 2005 from Signet Regency!)

Posted in Regency | Leave a reply