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Author Archives: diane

About diane

Diane Gaston is the RITA award-winning author of Historical Romance for Harlequin Historical and Mills and Boon, with books that feature the darker side of the Regency. Formerly a mental health social worker, she is happiest now when deep in the psyches of soldiers, rakes and women who don’t always act like ladies.

I’m back from Washington Romance Writers Spring Retreat in Leesburg, VA, where I had, as always, a wonderful time. This was a new location for us, the second new location since we lost our lovely-but-shabby Hilltop House in Harper’s Ferry, WV, to a major renovation that will probably price it completely out of our range. This location was lovely, though, with some historic feel that is so nice when you are in an historic state like Virginia.

The Retreat always starts with a mega-signing in Boonsboro, MD, at Turn the Page Bookstore Cafe, but this year I didn’t sign. Heard it was a great success, though, as always. Weather cooperated for us, probably the most gorgeous weekend yet this Spring – Sunny and warm enough to sit out on the veranda.

After the booksigning, we have a cocktail reception, then dinner (Our guest speaker was Carla Neggers!) and then a panel discussion with our guest agents and editors. This year the agents attending the Retreat were Helen Breitwieser (whose flight came in too late for the panel), Meg Ruley, Elaine English (who is also WRWs attorney, because she is local to us) and Irene Goodman. Our editors included Jennifer Enderlin of St. Martins, and Tracy Farrell of Harlequin, who both almost always attend the Retreat. Kate Duffy of Kensington, another of our mainstay editors, had to cancel at the last minute, much to her regret and ours (we love Kate). Our other attending editors were Deb Werksman from Sourcebooks and Angela James from Samhain. This time the panel discussion did not really reveal any insights into the market or what editors are buying so I can’t give any useful information.

We ask our visiting agents and editors to contribute a little time for interviews with attendees and it was my job to manage the interviews on Saturday, which were held in the old mansion. Elaine English and Jennifer Enderlin took their group appointments outside on the lovely front porch you can see in the photograph.

Even though I miss most of the workshops because of the appointments, I do enjoy helping those waiting for the interviews to be calm, and to see members come out happy and excited because their pitch went well. Every year I have to talk someone out of canceling their appt because they chicken out. They are always happy afterward. (Don’t fear the appointments! They can’t really hurt you and are always useful, even if just for the experience)

This year I also missed the Saturday night dinner, with speaker PC Cast and the WRW special awards. I missed seeing my critique partner Lisa win the “Over and Above” award for her contribution to WRW. And my friend Catherine Kent won one of the Service awards. Mary Kay McComas won the Lifetime Achievement award.

But I was doing a FUN THING. Helen Breitwieser took her authors out to dinner and we had a lovely lovely time. The restaurant was Vintage 50, on the outskirts of Historic Leesburg, with a gourmet menu and fine wines and a waiter who looked like a young Harrison Ford and whose ambition in life was to play Hans Solo in a Star Wars remake.

On Sunday I also missed our big WRW Raffle giveaway. Every year members try to outdo each other and previous years making baskets for auction. We raise LOTS of money considering that the Retreat only has about 120 attendees. These were the baskets my critique group contributed. The “Diamonds of Welbourne Manor” basket was lots of fun; the other is “M’Lady’s Reticule” – all things for your purse and a handmade reticule (by my friend Helen who made my Regency dress) that is not shown.

I missed the raffle because I took Helen Breitwieser to the airport and we had lunch on the way to discuss me and my writing and my career (yay!)

So this morning I really slept late, making up for all this. Next week I’ll do better!

We had great goody bags this year. Here are some of the books that were in it:
Beyond the Heaving Bosom by the Smart Bitches
The Knight’s Return by Joanne Rock (a Harlequin Historical)
She Thinks her Ex is Sexy by Joanne Rock (A Blaze!)
Frederica by Georgette Heyer (a gift from Sourcebooks)
Mr and Mrs Fitzwilliam Darcy by Sharon Lathan (Sourcebooks)
Love with a Perfect Scoundrel by Sophia Nash
To Sin with a Stranger by Kathryn Caskie
A Seduction At Christmas by Cathy Maxwell
The Angel by Carla Neggers (a hardback)
The Write Ingredients, compiled by Lori Foster (recipes from favorite authors- a Cookbook!)

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First, let me start with a grovelling apology to all the Riskies. This blog was meant to be posted on April 1st. You know; All Fools Day. Also my wedding anniversary, but let’s not go there! Anyway, when I flagged it to give me a reminder on the computer I must have been low on coffee or something because I flagged it for the wrong date. And of course when Diane emailed to remind me about it I was having a very virtuous off-line day keeping away from the evil distractions of the internet. Mea culpa. My bad.

Harlequin is celebrating its 60th Anniversary this year. As part of the celebrations they giving away 16 books for free download. (www.harlequincelebrates.com ) His Lady Mistress is one of them.

I hadn’t thought about His Lady Mistress in quite a while and when Diane asked me if I’d like to blog I wondered what on earth I was going to say about it after all this time.

A day or so later someone asked me where I get my ideas from . . . If a dollar was donated every time an author is asked that question world hunger would be history! I’m always tempted to reply; “The ideas department of K-Mart – they’re on special this week!” Of course, the reason writers are tempted to sarcasm with this question is that we really have no clue where our ideas come from and feel stupid admitting as much. Anyway, being asked made me remember, if not where the spark for His Lady Mistress had come from, at least what that spark, or sparks, had been.

The thing is we don’t know where the ideas come from, but if we think about it hard, we may actually come up with something that seems as though it has been there forever, just waiting to be used. It’s as though somewhere inside us there is a supply, a well if you like, of seemingly useless tidbits of information, that left to brew for long enough with the right ingredients will eventually bubble up with an idea.

Sometimes tossing in one extra vital ingredient at the right time is all that’s needed to bring forth . . . the premise. At least that’s how it worked with His Lady Mistress. I was reading a research book, Kristine Hughes’s Everyday Life in Regency and Victorian England. Near the end Ms Hughes very kindly reminded me of the details of something I’d forgotten; that until 1823 in England, a suicide was buried at the crossroads at night with a stake through the heart to prevent the ghost from walking. Until 1832 it was required that the burial could only take place between the hours of 9pm and midnight. Until 1870 all personal possessions were forfeited to the Crown.

Ouch. Barbaric.

At least that’s how any nice-minded person would react before turning the page quickly with a lady-like shudder. Not me. I’m a writer. My first thought was: ‘Oh, GROSS . . . but how would it be . . . ? What if . . . ?’ Several practice what-ifs slid through my mind and back into the brew before I had the real thing . . . what if my heroine, aged fifteen, was orphaned by her father’s suicide? Hmm. Potential there. But why did the guy commit suicide? Why does his death haunt Verity? Why does she feel responsible?

Still, I had my opening. Dark, wild night. Orphaned 15 year old creeping out to follow the cart to her father’s grave and being rescued by the hero. It’s the only time my original opening has EVER made it right through to the final draft. But I still didn’t know why the guy had committed suicide.

And this is the point where something I’d been interested in academically for years floated up from the depths: opium. At which point I realised that Verity’s father was addicted to opium. Okay, there were a few more, make that a lot more, questions that I had to answer before I had the whole thing worked out. (After that I still had to write it!) But those were the two snippets that bonded in my mind to provide the spark for His Lady Mistress.

Opium and suicide.

These days we are well aware of the dangers of opium and its derivatives. In the early 19th century the dangers were not so well understood. Opium acts on the brain, changing chemical balances to cause addiction. It could be bought over the counter with no questions asked and was widely used as a painkiller. Generally it was dissolved in alcohol and was known as laudanum. Mothers and nurses gave it to teething babies and plenty of people took it in small doses without ever becoming addicted. Yet for those who became dependent on it hell waited. But I still didn’t know why Verity’s father, William Scott, committed suicide over it, let alone why Verity blamed herself.

Opium and the Romantic Imagination by Alethea Hayter was an interesting source. Hayter gives a fascinating account of the English Romantic poets and their opium taking. Perhaps the most striking use of opium in literature, though, is the novel, The Moonstone by Wilkie Collins. Not only does the whole plot turn on the effects of the drug, but Collins, himself an addict, gives us the minor character of Ezra Jennings as both warning and plea for understanding. But I still needed a reason for William Scott’s suicide . . .

Finally I read a description of going “cold turkey”. The physical consequences for an addict in missing a dose sounded about as grim as a suicide’s burial. Excruciating abdominal pain as the bowels cramp causing extreme vomiting and diarrhoea, muscular cramps, constant discharge from nose and eyes, sweating and shivering all at once. The victim can neither eat nor sleep and this can go on for up to a week. After that the symptoms will abate of themselves, but very few people have the strength to go through all that. I’ve drawn these details from Martin Booth’s Opium: A History where he quotes Dr Robert S, de Ropp’s 1958 study Drugs and the Mind.

Suffice it to say that by the time I’d finished reading Booth and Hayter I had nothing but pity for William Scott and I knew why he committed suicide. If he ran out of laudanum the effects of being denied his dose would have been so physically and mentally agonising that suicide was perfectly believable. But why would Verity have blamed herself for what happened? If you’ve already read His Lady Mistress then you’ll know the answer. And if you haven’t, well, what are you waiting for? Harlequin has your free download waiting.

Best,

Elizabeth

Today is Easter Monday and in addition to egg rolling, all sorts of festivities are taking place in the UK, where Easter Monday is a Banking Holiday.

At Hallaton in Leicestershire, the annual Hare Pie Scramble and Bottle Kicking match is held, although the pie is made of beef and the bottles are tiny wooden kegs like the “plough-bottles” field workers once used to hold their daily ration of ale or cider.

There are varying accounts as to the origin of this custom. Some accounts say it began as a pre-Christian Celtic ritual; some say it originated in the Middle Ages. One legend has it originating in 1770, putting it close enough to “our” time period. On Easter Monday, the Lady of the Manor was crossing a field and was charged by a raging bull. She was saved when a hare ran across the bull’s path. Because her life was saved, a piece of land was given to the rector (how that follows, who knows?) on the condition that every Easter Monday thereafter he cook two hare pies, bake a dozen loafs of bread, and provide three kegs of ale, all to be given to the needy, who presumably “scrambled” for their share. Nice way to thank that brave little hare, cooking its descendents into pies…

Today in Hallaton, a parade will begin at the Fox Inn and end at St. Michael’s Church. A man carrying a pole with the symbol of a hare leads the parade, followed by a woman carrying the bread in a basket, two women carrying the pie, and three men holding the kegs of ale over their heads.

At the end of the parade, the pieces of pie are thrown in the air and the crowd scrambles for them. The bread is blessed before being thrown to the crowd.

After the scramble the crowd proceeds to a field where a contest begins between Hallaton and neighboring Medbourne, to see which team can get all three ale barrels to a touchline in their repective villages. The contest takes the teams over hills, through hedges, across a stream. Every year some people are injured.

At the end everybody drinks the ale…

Crazy Brits.


Here in the Washington DC area Easter Monday means the Easter Egg hunt at the White House. I’ve never attended the White House event but I did take my then 3 year old daughter to an Easter egg hunt once.

Come to think of it, it was a lot like Hallaton’s Hare Pie Scramble…

Photographs are courtesy of http://www.ourmaninside.com/, “Documentally” on Twitter. Thank you, Documentally!

Don’t forget, you can order The Diamonds of Welbourne Manor from eHarlequin right now and receive it before it hits bookstores. The Unlacing of Miss Leigh is instantly available from eHarlequin and other ebook vendors.

Visit my website and enter my contest for a chance to win Scandalizing the Ton.

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Last week I mentioned Lord Byron’s weight loss diet, and the week before that I said you could find anything on YouTube. This week I’m merging the two.

Here is Richard Chamberlain as Byron in the movie Lady Caroline Lamb (Sarah Miles)
I think he looks very Byronic!

When We Two Parted is a lovely poem about lovers breaking up, as relevant to young lovers today as it was when Byron wrote it. I could not discover who Byron was writing about, but I like to think it was some true love now lost to the ages.

The poem endures, even on YouTube.

Here is the version that I think channels Byron the closest:

Here is the version as I would have recited in my youth, when in pain over a lost love.

Here is an animated version:

The moog synthesizer-jellyfish version (I kid you not)

And the most mind-boggling of them all, the I-cannot-believe-this version:

Vote for your favorite! And what do you think of Richard Chamberlain as Lord Byron?

(Thanks to Nebula whose comment last week about the Jonny Lee Miller miniseries of Byron got me started on YouTube)

Take a look at my website, all updated for April. A new contest, too.
Don’t forget, you can order The Diamonds of Welbourne Manor from eHarlequin right now. And The Unlacing of Miss Leigh is instantly available from eHarlequin and other ebook vendors.