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Author Archives: diane

About diane

Diane Gaston is the RITA award-winning author of Historical Romance for Harlequin Historical and Mills and Boon, with books that feature the darker side of the Regency. Formerly a mental health social worker, she is happiest now when deep in the psyches of soldiers, rakes and women who don’t always act like ladies.


(I’ll leave the Academy Award Blog to Amanda, but just gotta say–Is there anything Hugh Jackman can’t do????)

Last week my friends Mary Blayney, Julie Halperson, Lavinia Kent, and I finally got together for our Christmas dinner–(we were all very busy)

This was my gift to each of them. It is The Jane Austen Centre’s eco-friendly shopping bag. You can order one of your own, or any number of lovely things here.

This is what Lavinia gave me:

Gaming Counters from the 19th Century! What our Regency heroes and heroines gambled with, like we would gamble with poker chips.

It was the fashion in the mid-1700s -1800s to use these small (that’s a US quarter to give you an idea of size) mother-of-pearl chips for gambling, or even friendly games of cards. The chips came from China, through the East India Company. Each is carved and each have a Chinese scene on them. Here is a nice little history of the Chinese gaming counters.

And here is a good image of two counters and the kind of detail that are on them.

The gaming counters came in a variety of shapes, some like fish.

These are what Lydia Bennett meant in Pride & Prejudice, when she talked “incessantly of lottery tickets, of the fish she had lost and the fish she had won…”

You can win this set of counters on ebay.

Some of you know Lavinia. She was a 2008 Golden Heart Finalist and has been a GH finalist a bunch of times. Her GH entry, A Talent for Sin, sold to Avon and will be released in May!! She’ll be our Risky Regency guest author when the book is released.

Do you like to play cards? What is your favorite card or board or computer game?
Do you like eco-friendly bags? Do you use them at the grocery store?
Have you found something Hugh Jackman can’t do?

Visit Diane’s website to learn about her April Undone, The Unlacing of Miss Leigh, and her April Novella, Justine and the Noble Viscount, in The Diamonds of Welbourne Manor.
Diane is also blogging today at Wet Noodle Posse about “Writing Love Scenes from Real Life”

Nash’s vibrant, fresh storytelling sparkles as she tells the tale of a woman’s secret desires and the man who can make them all come true. Here’s a fantastic story you’ll want to go on forever! –Romantic Time BOOKreviews 4 1/2 stars for Love With A Proper Scoundrel

Let’s give a warm Riskies’ welcome to my friend, Sophia Nash. I knew Sophia even before she became an award-winning Regency Romance author, and I’m delighted she’s visiting us today. Sophia writes for AVON and she’s here to talk about Book 3 in her Widows Club series. Sophia is also giving away a signed copy of Love With A Proper Scoundrel to one lucky commenter.—Diane

1. Tell us about Love With A Perfect Scoundrel.
This is the third book in the series I’ve had a wickedly fun time creating for Avon.
Here is the back cover blurb:
Twice jilted in the last two years, the achingly beautiful yet stoic Grace, Countess of Sheffield has given up on love. Now she’s no longer capable of maintaining the elegant, serene facade with the members of the Duchess of Helston’s secret circle of friends. And so she flees… only to encounter wretched disaster during the carriage ride north.
But little does Grace know that once she faces all fate has tossed her way, she will find a new life…with a tall, rugged stranger who not only saves her life but forces her to dig deep into her hidden reserves of desire and fortitude to blossom into the woman she was destined to become—a lady willing to sacrifice all for a mysterious, yet powerful man who insists he is nothing more than a perfect scoundrel.

2. How did you think of writing this particular book? Did it start with a character, a setting, or some other element?

It started with a character–Grace Sheffey. Many readers wrote in and demanded that this poor woman have her own happily ever after after the first two books. She was a challenge to write because after horrid endings for her in the first two books, she was very unsure of herself. So right away I put her in a situation where she had no choice but to prove how strong she was under her elegant facade. And the hero? Well, Michael Ranier is my very favorite hero I’ve ever created–enough said.

3. Did you run across anything new and unusual while researching this book?

Absolutely– the plot! While the characters were firmly fixed in my head early on, the overall plot was more elusive. Luckily I had planned a research trip to England months before. After driving 1,200 miles through a gazillion hair-raising roundabouts, I arrived in Derbyshire–right into the teeth of a freak snowstorm. And I wondered….what if Grace Sheffey got caught in a blizzard in Derbyshire? A hundred scenes popped into my head and a story was born.

4. What do you think is the greatest creative risk you’ve taken in this book? How do you feel about it?

I remember one of my favorite authors suggesting a long time ago that it was very difficult to have only two characters in a story. And she was right. But I wanted to delve deep into the psyches of two strangers cocooned in the middle of nowhere together. I have to say that I really loved writing this part of the book. The extraordinary chemistry between the hero/heroine made it easier than I had imagined. The tricky part was weaving in bits and pieces of the mysteries and secrets of Grace and Michael along the way.
Can you tell I loved writing this book? It’s not always that way. I will admit that The Kiss gave me ALOT of sleepless nights!

5. Your books have won an incredible number of awards in the relatively few years (in publishing years) that you’ve been writing, including the biggest of all, the RITA. What has this been like for you?

Well, while the initial glow of winning an award is lovely, I’ve also learned not to take any of it seriously. Author Anne Lamott wrote something like, “whenever the world throws rose petals at you, beware the cosmic banana peel right behind.” I’ve found this to be dead on. Right after the RITA and having a book named “Top Ten Romance of the Year” by Booklist the Signet Regency line closed, I struggled with a proposal that flopped, changed agents, wrote a new proposal, etc. ad nauseum before FINALLY, my stories found a new home.
And of course the opposit is true re my Banana Peel View on winning awards: All the writers watching the winners crying on stage are the ones with the last laugh since they’re the ones being offered the “significant” deals, right?

5. You’ve also had a variety of exciting careers, from news producer to Capitol Hill speech writer to Executive Director of the Washington International Horse Show. Why in the world did you become a Romance Writer? And how does writing Regency Romance compare?

The reason I turned to writing is a very sad story. My father, a WWII war hero and the most avid reader I’ve ever known, had always talked about the idea of one of us writing a novel. During the last stage of an illness, he made me promise to write a book because he said life was too short and he knew I secretly wanted to write. So I I forced myself to write a terrifyingly bad first draft of A Secret Passion. My father edited the first few chapters and I gave him my word before he died that I would see it through. Needless to say it is dedicated to him. Which of my jobs did I like best? Writing will always be my first love, although the nightly adreneline rush of the Miami newsroom was great. It was kind of like boot camp with alot of hairspray and duct tape.

6. What’s next for you?

An anthology: Four Dukes and a Devil arrives on book shelves this coming July. And then the final book in the Widows Club quartet, which I’m currently writing. Although…there might be another widow or other liar lurking about in mourning if the powers that be have a say…

Here’s your chance to ask Sophia a question. Or simply make a comment. You’ll be in the running for her prize, Love With A Proper Scoundrel
Thanks for blogging with us today, Sophia!

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Last night as I was plugging along on my revisions, I discovered AN ERROR, one I could not ignore, even though maybe only about two readers would recognize the error.

From the beginning of this book, my villain was a general in the British army and his son, the mini-villain, was his cowardly aide de camp. I thought I was so lucky because I put him in charge of a regiment, the Royal Scots (1st Regiment of Foot), while my hero was in the East Essex (44th Regiment) and they both fought at the battles I needed them to, including Waterloo.

A couple of days ago I also discovered that these two regiments fought at Quatre Bras as well as Waterloo AND they were in the same brigade. This fit perfectly with some changes I’d decided to make.

Then last night I noticed something. The real commanders of the regiments were all colonels. After about two hours of searching the internet and my dozens of Napoleonic War books, I verified that, indeed, colonels commanded regiments, not generals, and colonels do not have aids de camp. (I also phoned my friend Eugene Ossa who knew all this stuff off the top of his head)

So I had to revamp a few things and go through the whole manuscript to make sure I fixed everything.

Needless to say, I didn’t get much sleep last night….

This is what I learned.
Armies were made up of Divisions (and Artillery, but that’s a whole different ballgame)
Divisions were made up of Brigades
Brigades were made up of Regiments
Regiments were made up of Companies.

Armies were led by important people, like Wellington, called Field Marshall Wellington in this battle.
Divisions were commanded by Lieutenant Generals
Brigades were commanded by Major Generals (inferior in rank to Lt. Generals)
Regiments were commanded by Colonels, assisted by Majors.
Companies were commanded by Captains, assisted by Lieutenants.

Of course, each regiment had surgeons, bandsmen, clergy, a paymaster, but I didn’t need to know that to solve my problem.

I sent my manuscript on time, then got permission to go through it one more time, just to polish the prose (and hope that I don’t discover another ERROR)

But first I’m going to sleep…..

So…has this ever happened to you?
Do you understand the British Army in 1815???

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This quote from E.L. Doctorow seemed appropriate. I’m into my final week of revising my next book, which now has an early release date of early 2010.

Oddly enough my editor never mentioned a word about adjectives and adverbs. I kinda like adjectives and adverbs, and I’ve never had an editor, reviewer or reader complain about my use of them.

Revising has me thinking about–revising. How do we go about it, whether it be at our editor’s request or our own polishing of a finished manuscript?

Here’s how I do it.

First, I fix the easy things. These are often:

Repeated Words – I used “flamed” an awful lot and this story is not about fire.
Spelling and Grammar mistakes – although I often find these as I read through the manuscript
Factual Errors – mixing up names, mixing up dates, historical errors (my English editors are good at catching historical errors)

Then I really just plod through the manuscript, starting at page one.

Here are things that often need fixing in my manuscript:

Character – one or more characters need tweaking, for example, in this book, my hero needed to show his strength sooner; my heroine needed to be not so jaded; my villain needed to be more villanous.
Story threads – some work but some don’t. I sometimes have to delete whole scenes that involve a story thread that isn’t working and add scenes from elements of the story that I didn’t focus on enough.
Telling vs Showing – we all have a tendency to explain our stories rather than to use words that show what the POV character is experiencing. I always find places in the ms where I’ve done this.
Awkward phrases – Some of those word gems I thought were so clever just don’t work when reading with a critical mind-set.
Dialogue tags – how many “he saids” and “she saids” can I eliminate by inserting some action or thought instead?

I have done a little skipping around during this revision process. I’ve needed to add or change some scenes, so I’m constantly going back and forth to be sure I’m not adding more inconsistencies. (Do you ever find that you can’t remember what you wrote before or what comes next?)

My friend MJ Frederick (whose Samhain book Hot Shot is available in paperback this month) told me about a book, Revision and Self-Editing by James Scott Bell. Naturally I had to buy it.

The Bell book looks very good! Take a look at the Table of Contents including that great 34 page checklist!
Trouble is, I don’t have time to make the best use of it.

How do you go about revising? Are you systematic? Or do you just plod through, starting with page one? Any good tips out there? (Before it is too late?)

Diane’s website has been updated. Take a look! Diane’s contest ends Feb 10. Hurry and enter to win one of her backlist books.

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