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Author Archives: diane

About diane

Diane Gaston is the RITA award-winning author of Historical Romance for Harlequin Historical and Mills and Boon, with books that feature the darker side of the Regency. Formerly a mental health social worker, she is happiest now when deep in the psyches of soldiers, rakes and women who don’t always act like ladies.

The Risky Regencies welcome New York Times bestselling and two time RITA-winning author, Julia Quinn. On Oct 19, Julia’s latest, Mr. Cavendish, I Presume, was number one on the New York Times bestseller list and this week remains in the top ten. Today Julia will be talking about Mr. Cavendish, I Presume and its simultaneous story, The Lost Duke of Wyndham.

Julia’s journey to number one has included stops at Harvard and a brief stint in medical school before she decided writing Regency Historical Romance was what she was meant to do. Her books have been lauded for their wit and humor, and none other than Time Magazine said she has “a smart, funny touch.” We are so happy to have Julia here, especially because she’s been traveling a lot this month and spent yesterday traveling back home.

Listen to this! To one lucky commenter chosen at random, Julia is going to give away a set of The Lost Duke of Wyndham AND Mr. Cavendish, I Presume!

Heeeeerrrrree’s Julia!

1. Tell us about Mr. Cavendish, I Presume? How it is connected to The Lost Duke of Wyndham?

Some time ago I was humming an old Dire Straits song called “Industrial Disease,” and I got to the line: “Two men say they’re Jesus. One of them must be wrong.” Being the historical romance writer I am, I immediately change that to: “Two men say they’re the Duke of Something. One of them must be wrong.” The trick there, though, was to figure out how on earth the succession to a Dukedom could be in doubt, because that sort of thing was generally well-documented.

Once I came up with a way to make the plot work, I started thinking about the characters. Which would be the bad guy–the current duke or the long-lost duke? Then I thought–wouldn’t it be so much more interesting if they were both good guys?

At that point I realized I’d need two books, since if both were hero material, both would need to their own love stories. At first I thought I would write them sequentially, with one picking up where the other ended, but as I delved into the plotting, I realized that there were so many scenes that were crucial to both sets of characters. I couldn’t bear, for example, to show the big reveal scene (when the characters learn who is the real duke) from only one hero’s point of view. So I ended up with two novels that took place at the same time.

2. We’re all about taking risks here at Risky Regencies. What do you think is the greatest creative risk you’ve taken in this book?

Running the stories simultaneously. This meant I was going to have to write them simultaneously as well. It was a tremendous creative challenge for me–and one that I found very exciting and energizing. I loved weaving two separate and distinct love stories through one set of external events. But at the same time, I risked alienating some readers, who might not like this approach. If you’ve read Lost Duke, for example, you know who the real duke is before you start Cavendish. I personally don’t think this detracts from the novel in any way; the real heart of the story is in the characters and how they adjust to and learn from the events. But some readers didn’t like this; they felt they’d started the story already “spoiled.”

3. With Mr. Cavendish and The Lost Duke so intertwined, did you have to do anything different than your usual plotting process?

Absolutely! In fact, this was the hardest part of the process. I wrote a joint outline for the two books, which was far more daunting than I’d envisioned. Normally when I’m plotting I can make my secondary characters do whatever is best for the main story, but this time I had to consider the other book as well. It took forever. I’m not kidding when I say I went through seventeen versions. (Okay, many of the versions were somewhat truncated, but still.) And I kept switching who would end up with whom!

4. What is it about the Regency that keeps you writing in that time period?

I’m not sure exactly. It just seems to work for me. The witty repartee, probably.

5. You’ve won the RITA two years in a row, 2008 for The Secret Diaries of Miss Miranda Cheever, and 2007 for On the Way to the Wedding. Can you tell us what this has meant to you?
It’s indescribable. There is something so special about validation and praise from one’s peers. And I had reached the finals so many times that when I finally won, I couldn’t stop laughing. I was giddy, absolutely giddy.

6. I’ve heard your excellent workshop on writing dialogue. What is your greatest weakness in writing dialogue, the one thing you find yourself having to fix before turning in that final draft? (Mine is overuse of dialogue tags)

I find myself deleting dialogue tags, too. But weirdly, I also find that I have to add action tags and emotional tags to flesh things out.

7. What is next for you?

I’m writing a spin-off of The Secret Diaries of Miss Miranda Cheever. It’s about Lady Olivia Bevelstoke. I’ve paired her up with an all-new character named Harry Valentine. Olivia is such a great character. I think it’ll be a lot of fun!
♥♥♥♥♥
What is your favorite Julia Quinn book and why? Do you have any questions for Julia? Now’s your chance.
Remember, if you comment, you have a chance to win the set of The Lost Duke of Wyndham AND Mr. Cavendish, I Presume.

No, I didn’t “duke” it out with Julia over cover models. I did a nice thing. It turns out Julia is traveling today and would have had to come online to comment late and after she just returned home. So I gave her my Monday.
Wasn’t that nice of me?
So tell everyone to stop by tomorrow, October 27, for the interview with Julia Quinn!

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Well, not really.

But she did sorta steal my model. As far as I know A Reputable Rake was the first romance cover to use model Ben Whitaker, so naturally I thought he was my model. But Julia says she picked him–picked him–for the cover of her newest release, Mr. Cavendish, I Presume.

Look at this!!!!!!

See? He looks happy to be on my cover and a bit surly on Julia’s. What conclusion would you make comparing the two?

If these are not enough for you, here are more images of Ben Whitaker

And here is more discussion of him.

I tell you, this Julia is really something. She also stole my model from The Vanishing Viscountess; took him for The Lost Duke of Wyndham.

Check this out:

Of course, this model is the popular Nathan Kamp. And he’s been around, so I guess neither Julia nor I can claim him.

But, Ben? That’s another story.

Watch Julia and me duke it out over dukes and other cover heroes next Sunday. New York Times best-selling author and double RITA winner, Julia Quinn will be our Risky Regencies guest Sunday Oct 26, and she’s answering my interview questions, and discussing The Lost Duke of Wyndham and Mr. Cavendish, I Presume, two very connected books. She’ll also be giving away one signed JQ book, maybe one with a hunky hero. So don’t forget to stop by.

I actually think Julia’s and my covers are terrific. All of them. Which one is your favorite and why?

(Aren’t you proud of me? I got through the whole blog without once reminding you that Scandalizing the Ton is still in bookstores and available online….Oops. Well, I almost made it.)

My contest is still running on my website. Win my backlist book of your choice!

It is Columbus Day, a federal holiday here, but one lots of employers trade for the day after Thanksgiving.

Did you know that Christopher Columbus asked King Henry VII of England for the money to fund his search for a shorter route to the Far East? King Henry said no.

He also was the first to bring cocoa beans to Europe, only he didn’t really appreciate this finding.
After he robbed the cargo of a Mayan trader, he made this comment:
“They seemed to hold these almonds (the cocoa beans) at a great price; for when they were brought on board ship together with their goods, I observed that when any of these almonds fell, they all stooped to pick it up, as if an eye had fallen”

We, of course, understand that extreme need for chocolate.

Take this Christopher Columbus multiple choice quiz
My favorite:
Why were his crew extremely nervous?
A. Columbus had a drinking problem so he was a bit odd at times
(Did I tell you this quiz was intended for children?)

But Columbus has not much to do with the Regency…

So, I thought you might be interested in the legalities that formed the basis of Scandalizing the Ton. These came from Nancy Mayer of the Beau Monde Chapter of RWA, who helped with this part of the story.

It has to do with a posthumous child, the unborn child of a deceased earl, in this case.

The title and inheritance cannot pass until ten months after the father’s death so that, should the man be married, his wife has time to produce the baby. If this baby is a boy he will inherit.

The wife was not allowed to say whether or not she had intercourse; the paternity of the child could only be contested if it could be proved the wife had not been in proximity of her husband. In Scandalizing the Ton, I had to be sure that Lydia’s deceased husband had been with her within a month of her encounter with Adrian. (The time sequence of Scandalizing was another thing that took some careful thinking)

Here’s a real kicker. If a widow marries again and bears a child within the ten months, she can decide whose child it is; that is, she can say it is her deceased husband’s child or her new husband’s child. The child is the legal child of whichever husband she selects.

Of course, this is not true today, but there weren’t any paternity tests in the Regency.

And speaking of Scandalizing the Ton (do I talk about anything else these days?), our sometimes commenter here, the lovely Mallory Pickerloy, went on a search for Scandalizing the Ton at her local Wallmart and she took photos.

Here’s the display of Harlequin Historicals

And here is a photo of a whole shelf. Can you see Scandalizing the Ton in there? (this is a little like Where’s Waldo?)

Here’s the photo of the whole book department there, which is a large one.

Thank you, Mallory! I am very tickled that you took the photos!!

Any other Scandalizing the Ton sightings?

Thanks to everyone who visited me yesterday. I’ll announce a winner a little later today.

(I’m also blogging about sprucing up your Golden Heart entry at Wet Noodle Posse today)

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