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Author Archives: diane

About diane

Diane Gaston is the RITA award-winning author of Historical Romance for Harlequin Historical and Mills and Boon, with books that feature the darker side of the Regency. Formerly a mental health social worker, she is happiest now when deep in the psyches of soldiers, rakes and women who don’t always act like ladies.

Today we are delighted to have Rose Lerner as our guest author. Rose burst onto the scene last year with her debut book, In For A Penny (Amanda listed this book as one of her 2010 favorites). Today Rose will talk about her second book, A Lily Among Thorns.

Praise for A Lily Among Thorns:
“I loved it, even more than I loved In For A Penny…most of all for a heroine who is independent, prickly, and wonderful all at the same time.” — Courtney Milan, author of Unveiled.

“Rose Lerner is masterful at bringing out the details that make characters human, in a way that reminds me of Judith Ivory and Meredith Duran. I highly recommend this novel and can’t wait for her next novel.” — Kat Latham, Reader I created him.
Rose is giving away one signed copy of A Lily Among Thorns to one lucky commenter chosen at random.
A Big Risky Regencies welcome to Rose Lerner!
Tell us about A Lily Among Thorns.

My heroine Serena has been fighting for the past five years to build her hotel’s business and to be safe as a woman alone who’s known to have once worked as a courtesan. Then Solomon walks back into her life. She’s had a secret crush on him for years, ever since he gave her the money she needed to buy back her contract at a brothel, and walked away without touching her. But love, and the vulnerability it brings, terrifies Serena at the best of times–and these are definitely the worst of times. On the heels of Solomon’s arrival, she faces a close friend’s betrayal, the threat of losing her hotel, French spies, and a whole mess of other things that could bring her carefully constructed life crashing down around her ears.

What inspired this story?

Traditional Regencies, actually. There was a certain type of alpha hero who was very popular for a while: he never ever expressed his emotions. He barely had facial expressions. And sometimes, he had a deep, broad, and often unexplained knowledge of the criminal underworld. He was generally saved from his own self-hatred and isolation by the unconditional acceptance of an innocent but unconventional young woman. And I wanted to see what that would look like with the genders flipped.

The book grew from there, of course, but that was the seed.

What is risky about A Lily Among Thorns?

Three things. First, Serena is an embittered ex-courtesan. Remember that conversation last year about “unlikeable heroines”? (If not, my post on the subject is here, about how difficult it is as a woman to express anger and not feel guilty about it, and it’s got links to the original Dear Author post and another post at History Hoydens that I loved.)

Plus, Solomon, my hero, is a beta. He’s socially awkward, geeky, doesn’t have a ton of experience with women, and he works as a chemist for his uncle’s men’s tailoring shop. He’s got no problem standing up to Serena when it matters (and since she’s got some issues, that’s more often than you’d think), but he’s perfectly content to stand back and let her run the show in the general course of things.

The third thing is that the secondary romance is between two men, but I don’t want to say too much about that because there are some major spoilers involved.

Did you come across any interesting research when you were writing A Lily Among Thorns?

Oh, tons! I researched the London criminal world, gay clubs, annulments, chemistry, ethnic diversity in London, women’s property rights, who exactly is entitled to be beheaded instead of hanged, drawn, and quartered when convicted of treason, food and kitchens, the Battle of Waterloo…I could go on. If anyone has any questions about any of those things, I’d love to talk about them with you! Here’s two interesting things I discovered:

British people in the Regency did eat plenty of foreign-inspired food, especially French food. But it was much rarer than it would be a little later, or now, to refer to them by their foreign names. So when Solomon says he knows how to make crème brûlée, he calls it “burnt cream.”

And that story about Nathan Rothschild getting news of Waterloo in advance, tricking everyone at the ‘Change into thinking he knew Wellington lost, and then buying up all the consols and seizing control of England’s finances? Totally false. Also, when I was researching that, you would not believe how many scary anti-Semitic websites I found that used it as an example of how Jews control the world. Anyway, if you want to hear more, I’ve got a blog post about it here with lengthy quotes from a Rothschild biography.

I’ve also got a post on Regency chemistry up over at History Hoydens.

This is your second book, but we at Risky Regencies always love a debut author story. Your debut received some wonderful buzz. Tell us about your journey to publication?

Thank you! I was actually having a really tough time with writing romance when I sold that book. I was having a tough time, period. When I was about a hundred pages into my first draft of In for a Penny, I found out my mom’s cancer was back and that she was going to die. I found out she would never get to read the book, and I didn’t write a word for about six months. My mom introduced me to romance novels and she was always the person I wrote for, the person I knew would love my books.

Eventually I forced myself to finish a draft but it was like pulling teeth, and once I was done, I couldn’t bring myself to edit it. I couldn’t even bring myself to reread it. I had a revised first three chapters, though. I promised myself I’d pitch it at the Emerald City Writers Conference, but if I didn’t get any requests for a full, I didn’t have to look at it ever again.

Well, Leah Hultenschmidt requested the partial, and I sent it to her, and I didn’t hear back. I figured, okay, that’s it then. I didn’t revise it, I didn’t send it out, and I didn’t start my next book, either. I thought maybe it was the end of the line for me and historical romance. Maybe the spark was gone. Heck, it wasn’t like anyone would ever want to publish me anyway.

Then about six months later, Leah requested the full. For a minute there, I was actually kind of mad. I still didn’t believe she was going to buy it, and now I had to go through this whole grueling process and it would all be for nothing, right? But when I read the book again, I kind of liked it. Yeah, it needed a lot of work, but I could fix it. So I dived in, cleaned it up, sent it off, even got my groove back enough to start a new book…and it turned out the spark wasn’t gone at all. I just needed to believe that someone might someday read what I was writing. I just needed to believe that someone might love it.

And then Leah called and said she wanted to buy In for a Penny, and the rest is history!

What is next for you?

I’m not sure. I’m almost done with a draft of a book about the 1812 Parliamentary general election. By the local rules of her town, the middle-class heroine’s husband would be eligible for a vote…if she were married. The younger-son-of-an-earl hero is sent to the town to find the heroine a husband, but of course he falls in love with her himself! But it’s not sold yet so I don’t actually know yet if it will be my next book out or when it will be available. I’ll keep you posted!

There’s plenty to comment about from this interview. Rose’s emotional debut story. The risks she took in this book. The research, especially about the Rothschilds. The whole issue of unlikeable heroines. So there’s no excuse not to leave a comment and earn a chance to win a copy of A Lily Among Thorns.

Or ask Rose a question! She’s coming back from a conference today, but will check in during the evening.
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Last week I wrote a version of this blog for my Harlequin Historical Authors Blog, but I thought some of our readers here might have missed it. I wrote about a book I thought so wonderful, I wanted to be sure everyone interested in the Regency heard about it. My thanks to the Beau Monde member who mentioned it first (Isobel Carr/Kalen Hughes, perhaps?).

The book is a new research book, Vauxhall Gardens: A History by David Coke and Alan Borg, a coffee-table sized volume brimming with everything you’d want to know about these historical pleasure gardens. It was worth every penny I spend on it and I spent a lot of pennies!

I think of Vauxhall Gardens as the Disneyland of its time, a place people of all walks of life and social classes flock to for recreation, to see wonders that thrill, amaze, or simply entertain them. Things like fireworks and tightrope walkers, musical performances, frescos made so real you felt transported to a different land, spooky dark walks featuring a hermit at the end. There was food special to the place, just like the special foods we find at amusement parks or State Fairs. Paper-thin slices of ham, tiny whole chickens, orgeat (the soft drink of the day), poor quality wines, cider and ale.

Jonathan Tyers opened Vauxhall Gardens in 1729 and from the first made no distinctions between the classes. Everyone paid the same price of admission, so from the first, the classes mixed in the various entertainments like a Venetian Carnival. Throughout the years Vauxhall Gardens entertained visitors with music, a mix of performances from serious styles of music to light-hearted popular tunes of the day. A grand organ was included. Handel was featured. Popular vocalists appeared.

Artwork was always a part of the gardens, including paintings by Hogarth and sculpture. A statue of Handel came to personify Vauxhall and remained in the gardens most of its almost 200 years.

Other entertainments appeared, some from the beginning and some as years went on. Fireworks. Fountains. Lamps which were lit all at once. A rope dancer named Madame Saqui. I once mentioned Madame Saqui in one of my books and received a letter from a reader in the UK whose last name was Saqui. She’d not known of this possible ancestor until reading of her in my book

I love using Vauxhall Gardens as a setting in my books. Flynn, my hero in Innocence and Impropriety became smitten with Rose as she sang at Vauxhall Gardens. In A Reputable Rake, Morgana brought her courtesan students to Vauxhall Gardens to practice their lessons. A masked Graham Veall chose Vauxhall Gardens as a place to meet Margaret and hire her as a temporary mistress in my homage to Phantom of the Opera, The Unlacing of Miss Leigh.

I’m using Vauxhall Gardens again in Leo’s story, the last of the Welbourne Manor books, due to be released in 2012. This book is set in 1828 and I was delighted that my new research tome could give me detailed information of what happened at Vauxhall Gardens that year.

New was the Grand Hydropyric Exhibition, consisting of cascades of colored fire and water. A new vaudeville called The Statue Lover was introduced, as well as a short comic ballet called The Carnival of Venice. Even though there had been complaints of excessive noise the previous year, a reenactment of the Battle of Waterloo took place on the battle’s anniversary. They also introduced a lottery with dozens of different prizes.

I may not use any of those new entertainments in the book, but I did learn that Vauxhall Gardens did not open until June 4 of 1828. I’d set my story in May of that year, but now have moved it to the end of the London Season (because I like to be as faithful to history as I can be)

We’re all probably thinking of fall holidays instead of summer amusement parks like Vauxhall, but Vauxhall’s Dark Walk to visit the hermit could be akin to a ghost ride on Halloween. Or a Hay Ride, because a lot of hanky-panky went on on the Dark Walk.

Are you planning any Fall holiday outings? This Friday I’m going to the Library of Congress to hear my friend Carol Brown talk about costuming for places such as Dragoncon or the Renaissance Fair (12 noon in the Pickford Theatre and open to the public for any of you in Washington, DC)

On Halloween, Risky friend Michelle Willingham has gotten a bunch of us to have a Trick or Treat contest. Deb Marlowe is one of the “houses” for Trick or Treat, and my friend Darlene Gardner who writes for Superromance. We’ll all have prizes. Hey, Halloween is my next blogging day! I’ll have to try to find a Regency connection to Halloween. Check my website soon for complete details.

I also have a new contest going on my website. My September book, Valiant Soldier, Beautiful Enemy, is still available online, and don’t miss my October 2011 Undone short estory, The Liberation of Miss Finch.

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This weekend I attended my husband’s family reunion in New Jersey near the Jersey shore, about 25 members in all, some from up and down the east coast, some from the west coast. On Saturday some of us drove into NYC and toured the Cloisters, the Metropolitan Museum of Art’s Medieval museum.

The park and building that houses the medieval collection were donated by Rockefeller and opened in 1938. The building was inspired by medieval architecture and covers collections from 1000 AD to the 1500s.
It was a real step back into that time period and all I could think of was how I wished my medieval author friends could see this place!
Here is some of what I saw:
A French Chapter House from the twelfth century –
The monks sat on the stone benches around the room for business meetings.

A Spanish fresco, ca. 1200s

My husband taking photos on the West Terrace overlooking the water.
Look what a beautiful day it was!

A painted box, ca 1200s, depicting the capture of Orange

The Unicorn in Captivity, ca. 1500s
A familiar image!

It was a wonderful day!

Have you ever discovered history when you least expected it?

Look for a new contest from me this week at my website. The current contest ends today! Enter now!!
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In honor of Columbus Day, I thought I’d celebrate all the Regency era explorers I could find. Problem was, I couldn’t find many!

The Nineteenth Century is touted as history’s most active period of Earth exploration. Its accomplishments are described as “amazing.” Read this quote from BookRags.com:

Never before or since has so much of Earth been discovered in such a brief period of its history. In all, man’s compulsion to discover, describe, and catalog his world—as well as conquer it—resulted in a flood of exploration in the 1800s.

Most of this remarkable exploration and discovery took place before or after the Regency (1811 −1820). The first deep sea explorations, voyages and explorations of South America (including Darwin’s), exploration of Antarctica, Siberia and Australia.

So what exploration occurred in the Regency?

1811 – Two Portuguese explorers completed the first crossing of the African continent. Of course, their venture started nine years earlier. Golovnin, a Russian naval officer, explored the Kuril Islands, but he was captured by the Japanese.

1812 – Scottish settlers establish Red River Colony in what is now Manitoba, a colony started by the Earl of Selkirk to relieve Scotland’s Highland poverty. Selkirk spent his whole fortune in his effort to help his Canadian settlement. He died in 1820.

1813 – Surveyor George W. Evans leads an expedition into the interior of New South Wales, becoming the first European to cross the Great Dividing Range.

1816 – Captain James Tuckey, Royal Navy, is sent on an expedition to discover the end point of the Niger River, but he and his party die from yellow fever.

1817 – The Russian Golovnin, now freed by the Japanese, completes his charting of the Kuril Islands.

1818 – Scottish explorer John Ross discovers red snow cliffs overlooking Baffin Bay, now called the Ross Ice shelf.

1819 – British explorer John Franklin undertakes a new expedition to locate a Northwest Passage but is poorly prepared. His party, devoid of sufficient supplies, resort to cannibalism, and Ross becomes known as “the man who ate his boots.”

1820 – The first British settlement of South Africa is established in a place called Grahamtown. Several attempts are made to penetrate the Antarctic Circle.

1821 – A Russian explorer, von Bellingshausen, makes the first sighting of land within the Antarctic Circle.

That’s about it!

I get cold just thinking about exploring Antactica. And I can’t imagine writing a hero who spent nine years trudging across Africa, although I’ll bet someone could make a great story about such a man.

I suppose one of the reasons there wasn’t more exploration during the years of the Regency was because lots of countries were fighting wars. The Napoleonic War, the War of 1812, even wars of Independence for Venezuela, Chile, Paraguay, and Columbia. War isn’t very conducive to exploration.

Do you have a favorite time of exploration? A favorite explorer?

Check in at Diane’s Blog for the announcement of my Sept. 30 website contest winner and last Thursday’s winner of a copy of Regency Improprieties.

Today (or tomorrow) I’m the Take Ten With guest at Cover Cafe, talking about the bookcovers in my life.

We’ve addressed the topic of bookcovers a few times at Risky Regencies, most recently by Elena. It’s a topic I never tire of. I love how romance covers follow trends, like clinch covers and decapitated people. I thought I’d see what the current trends seem to be.
I peeked into Amazon, Barnes & Noble, and some Romance review sites and looked at the romance covers for October.
In Regency and Victorian historical romances the trend seems to be toward featuring the heroine on the cover, usually in a beautiful dress that might be half-off. Here’s a sample:

Interestingly enough, Scottish Historicals did feature the hero. And Westerns.

There were still a few traditional covers:
Funny, my recent covers show all the trends. Traditional. Hero-featured. Heroine-featured:

Do you agree with my conclusions? What trends do you see? What kind of covers do you prefer?
Speaking of covers….October 1 was the release for my new Undone short eStory. The Liberation of Miss Finch tells the story of what happened to Claude, the boy my three soldiers rescued at Badajoz. Check my website to see what else is new and to enter my contest.
Leave a comment on my blog on Thursday for a chance to win a signed copy of Regency Improprieties.