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Author Archives: Elena Greene

About Elena Greene

Elena Greene grew up reading anything she could lay her hands on, including her mother's Georgette Heyer novels. She also enjoyed writing but decided to pursue a more practical career in software engineering. Fate intervened when she was sent on a three year international assignment to England, where she was inspired to start writing romances set in the Regency. Her books have won the National Readers' Choice Award, the Desert Rose Golden Quill and the Colorado Romance Writers' Award of Excellence. Her Super Regency, LADY DEARING'S MASQUERADE, won RT Book Club's award for Best Regency Romance of 2005 and made the Kindle Top 100 list in 2011. When not writing, Elena enjoys swimming, cooking, meditation, playing the piano, volunteer work and craft projects. She lives in upstate New York with her two daughters and more yarn, wire and beads than she would like to admit.

Greetings!

It is I, everyone’s favourite Regency time-traveler, Bertram St. James.

(I am also known by a certain name which some of my intimates insist on using for me, Bertie the Beau. Of course, I have never encouraged this habit. After all, I am modesty personified!)

(Or…do I mean humility? I can never remember which is which. Though, come to think of it, what have I to be humble about? So perhaps I do mean modesty.)

Ahem.

Today, I am going to talk about what holiday gifts are certain to please any true gentleman of your acquaintance, and which would be destined only to be passed off immediately to the servants.

If you are on a tight budget, these gloves are a thrifty yet delightful gift. They are lined with cashmere, of course, because no real gentleman has skin that can withstand anything rougher. And how delightful — they only cost $200! So you can buy several pairs to “stuff” (as modern folks so vulgarly put it) the silk stockings of your favorite gentleman.

(I confess, I have not yet quite grasped the need to ruin a good pair of stockings every year by filling them with presents, but as you see, I am trying to adapt myself to the customs of the year 2007.)

Here is what not to get for a gentleman, or, indeed, anyone with any claim to elegance.

Is this not the ugliest thing you have ever seen?

What grace? What beauty? What possible redeeming feature does this “watch” have?

Of course, all “wrist-watches” are inherently repellant, when it comes to aesthetic considerations. I have no idea why they were created.

If you must give a gentleman a watch, it should look like this. Graceful, pleasing, and made of precious metals.

Of course, no watch can have true elegance.

After all, why in the world would one need to know the time?

Very well, one might if one had agree to meet one’s fellows at one’s club at a certain time. But one could always rely on one’s man to send one off in time for that.

(Unless one’s man is a hedgehog, but that’s another matter entirely.)

Think about it. Whenever you see a man with a watch, you immediately know that he is some kind of clerk, rushing off to do things with papers and money and other tedious and decidedly middle-class inventions.

This is by far the best thing to give to any gentleman.

A gigantic-screened TeleVision Device.

Heavenly.

And, yes, it is rather distasteful to look at. But only when it is not turned on!

This, by the way, is what a certain Beau of your acquaintance would prefer to be given this year.

And if I receive multiple copies of this “item” — then all the better! I can watch several of my favourite “shows” at once.

Here is another example of what not to give a gentleman of elegance — the most recent “cinema” version of Miss Austen’s novel.

(Do I hear some shocked murmuring out there? Very well, I admit that there are rumours floating about here and there that Keira Knightley and I are secretly pledged to each other.

But let me assure you — those stories were all put about by my eternally embarrassing aunt, and have no relation to earthly reality. For, as much as I respect Mlle. Knightley’s dramatic talents, and envy her cheekbones, I must confess there have been no promises made between us. And if I have even met the young lady, I refuse to either confirm or deny.)

No, my prejudices against this Movie are all because of the disgraceful coiffures displayed therein.

Of which this is but one example. (Private note to K.K.: what were you thinking? The next time we see each other, I shall insist you buy yourself a comb.)

There you have it! Your shopping made simple. Yes on cashmere gloves and enormous TeleVision Screens, perhaps on gold pocket watches, and an emphatic no to wristwatches and Mlle Knightley’s tangled mane.

Yours in elegance,

Bertram St. James, Exquisite

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National Novel Writing Month ended last Friday, with a total of 1187,931,929 words being written worldwide. All over the internet people are blogging about their experiences. My friend Kathleen Bolton at Writer Unboxed is happy she created some good prose even though she didn’t reach the 50,000 word NaNoWriMo goal. I’m happy too but in a different way. I did reach 50K though I’ll admit most of the scenes will require heavy duty revisions.

Critics of the NaNoWriMo process question the point in writing madly to meet a quota. For me, it’s not a matter of quantity versus quality because during my early drafts my goal isn’t really to generate words so much as ideas. Quantitative goals keep me tackling scene after scene, concentrating on characterization and plotting and leaving stylistic issues for the rewrites.

I’ve been known to call my rough drafts primordial ooze. But they can also be likened to an artist’s sketches. Consider this Da Vinci study for “Virgin and Child with Cat”. Note the different positioning of head, limbs. The fluidity, the testing of ideas. OK, maybe it’s pretentious to compare my scribblings to efforts of creative minds like Da Vinci. But I find it reassuring that their work went through messy phases–though sketches like this (unlike my rough drafts) have a beauty of their own.

Another artistic genius whose process fascinates me is Beethoven. A few years ago a librarian found the lost manuscript for a piano version of Beethoven’s Grosse Fugue (the last movement in the string quartet in B flat major, Op 130). According to article in the Guardian the manuscript “shows the extent of Beethoven’s reworkings and includes deletions, corrections and deep erasures – occasionally the paper is rubbed right through leaving small holes – smudged alterations and several pages pasted over the original or affixed with sealing wax.” It even looks like there’s blood on the page–don’t we all know that feeling?! (The articles says it’s red crayon.)

The Grosse Fugue is one of Beethoven’s most innovative compositions, challenging to performers and listeners. Originally given a cool reception, it’s still the sort of piece that requires concentration and reveals more each time one hears it. I took my budding violinist to a performance by the Guarneri Quartet and we were both blown away.

I personally find it reassuring to know that even great creative works sometimes go through an ugly birthing process. But I suppose it could be scary as well. What do you think? Or would you rather enjoy the final result without knowing about the messy bits? Are there any artists (of any sort) whose methods or process inspire you?

Elena
www.elenagreene.com

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Welcome to the Jane Austen Movie Club, where like-minded people get together (virtually, if not always virtuously) to chat about, cheer for, or chastise a different Jane Austen movie or television adaptation on the first Tuesday of every month. Newcomers always welcome!

This month: the 2005 feature film of PRIDE AND PREJUDICE! Also known as:

(1) the one with Keira Knightley;

(2) the one with Matthew however-he-spells-his-last-name- oh-I-love-that-brooding-picture-of-him;

(3) the one with, you know, the, um, pig;

(4) the most-ranted-about Austen pic since Rozema’s MANSFIELD PARK…

(Yes, I know we talked about this P&P when it came out, but that was SO long ago!) 🙂

To make discussion easier, here are some names to help jog memories:

CAST LIST:

Keira Knightley — Elizabeth Bennet

Rosamund Pike — Jane Bennet

Talulah Riley — Mary Bennet

Jena Malone — Lydia Bennet

Carey Mulligan — Kitty Bennet

Donald Sutherland — Mr. Bennet

Brenda Blethyn — Mrs. Bennet

Claudie Blakley — Charlotte Lucas

Sylvester Morand — Sir William Lucas

Simon Woods — Mr. Bingley

Kelly Reilly — Caroline Bingley

Matthew Macfadyen — Mr. Darcy

Rupert Friend — Mr. Wickham

Tom Hollander — Mr. Collins

Judi Dench — Lady Catherine de Bourgh

Rosamund Stephen — Miss de Bourgh

Penelope Wilton — Mrs. Gardiner

Peter Wight — Mr. Gardiner

The DIRECTOR is JOE WRIGHT, who also directed the upcoming film “Atonement” (also starring Knightley), plus a TV miniseries about Charles II (starring Rufus Sewell — wish I’d seen that!)

DEBORAH MOGGACH is the SCREENWRITER, and as far as I can tell it was her first screenplay for a feature (she has multiple television credits, including the 2002 version of “Love in a Cold Climate,” in which Rosamund Pike [Jane Bennet] co-starred.)

In the past, I’ve often put some questions here to help start the discussion, but somehow I suspect that there is absolutely no need for them this time. 🙂

So, what do you think?

Casting, costumes, screenplay, anachronisms, scenery, houses, bonnets, gloves, hair, accessibility, humor, etc?

Let the discussion begin!

Next month, we’ll be discussing the BBC NORTHANGER ABBEY from 1986!

Cara
Cara King, author of My Lady Gamester and frequent hat wearer

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Our special guest today started out writing traditional Regencies under one name, but has now made quite a different name for herself — Celia May Hart, to be exact — writing Regency-set erotic romance. Her third novel with Kensington Aphrodisia, One More Time, debuts this month. Romantic Times Magazine named it one of their Top Picks, raving: This scorching roller-coaster of a read is an erotic page-turner. It has romance, intrigue, licentious nobility, a Greek god come to life and an unexpected ending. Feisty Abby and sensual Myles are the perfect couple to surmount the obstacles in their way. This may have been the first book I’ve read by Hart, but it certainly won’t be the last!

Welcome, Celia May! Tell us about One More Time. What inspired this book? And was it an easy or a difficult book to write?

One More Time is about a modern-day heroine, Abby, who is flying herself to her new job as a hotel manager in the English countryside. She ends up landing in Regency-era England instead. She meets our hero, Myles, who is looking for a fabled statue that will get him entrance into the Dilettanti Society. Given that they have no clue how to get back to her own time, she helps him look for the statue, and shares the goodies she brought with her from the future (specifically, sex toys)

As for inspiration, I was pitching ideas for my next contract and nothing was grabbing my editor so I started getting outlandish. I sent off the idea of a time traveling heroine who hooks up with a charming adventurer and oh, by the way, a Greek god comes to life, and sent it off, thinking she’d never go for it.

She went for it. So I had to figure out in a little more detail how it was going to work. I had the beginning sorted out (I usually do) but figuring out what to do with Greek god was the hardest thing about this book to write. It ended up being a hard book to write, despite the easy start!

What advantages did writing a modern heroine in Regency times give you, as an author? And what new things did it let you play with?

I love time travel. I love the whole fish out of water aspect. And for the majority of the book, Abby has to conceal her true self in order to fit in. Although, she’s not particularly good at it. I loved doing the mix of modern and Regency-speak, and I think one of my favorite scenes is early on when Myles is trying to figure out the zipper.

What do you think is the greatest creative risk you’ve taken in this book?

Throwing in so many different elements. I spent most of the time writing the book calling it “The Kitchen Sink” because it seemed to me it had everything but the kitchen sink in there. And it was the first time I’d done more than a simple time travel story. This has some big paranormal elements in it, and working them in and describing them without, you know, data dumping, was a challenge.

One More Time includes an appearance by some characters from one of your earlier books. Did you find it easy to blend them into the new story? Or did you find that some scolding was necessary?

They wanted to come to the party. I checked with my editor if that was okay, and it was, so I let them loose and we had a lot of fun. I gained a better understanding of the Duke too. The Wintertons first appear in Show Me, and this is set after that.

Is there anything you wanted to include in the book that you (or your CPs or editor) felt was too controversial and left out?

Nope. Did I mention it was the Kitchen Sink book? Aphrodisia has some guidelines (similar to those of Ellora’s Cave), but other than that, we can do whatever we want.

Is there anything that any of the above wanted you to cut, that you decided to keep instead?

I don’t have a critique group and I never heard bo-peep from my editor when she got the book. I did restore some things from the copy-editor, but that’s par for the course and is minor stuff. (And actually, I think the copy-editor might’ve been right about something… Too late now!)

What is it about the Regency that makes it such a great setting?

It’s a time of transition — between racy Georgian to repressed Victorians; everybody looked good in their clothing (well, at least until the 1820’s) and there’s just this sense of adventure — a sense I picked up from Georgette Heyer and the characters of Horatio Hornblower and Sharpe.

Did you come across anything new or interesting when you were researching the book?

My editor recommended that I read “The Pleasure of the Imagination: English Culture in the Eighteenth Century” by John Brewer, and it’s a fascinating read. I learned about the Dilettanti Society in there, but I also learned how folks viewed art of all kinds. A mention of the Dilettanti Society got into the book. The rest, well, I love history, so it’s currently living in my subconscious somewhere, I’m sure.

What’s next for you?

That, as they say, is an open book. I’m playing with lots of different ideas: some of them are erotic, some of them are not. The idea I’m playing with now seems “different” to my previous ideas. I think I’m heading into new writerly territory and I sure hope I don’t screw it up. (Word to the aspiring authors out there — we never stop learning!)

Is there anything else you’d like the Risky Regencies readers to know about you?

I am doing a booksigning this Friday (December 7). If anyone’s in the SoCal area,
you’re more than welcome to come visit! (click here for info)

Thanks for having me!

Be sure to comment for a chance to win a copy of Celia’s earlier release, Show Me!