Using random.com, Caroline Warfield has selected the winner of her giveaway from her visit with us on Sept 30. A-n-d the winner is: JUDY!! Caroline tells me Judy has already received her choice of either Dangerous Works or Dangerous Secrets, from Caroline’s “Dangerous”series. Congratulations, Judy!! Thanks for visiting us at Risky Regencies!
Did you know that in Britain, the second Sunday in October is “National Conkers Day”?? Yes, yesterday you should have pulled out your best hardened-up horse chestnut on a string and challenged some other conker player to a match. What, you didn’t know? Well, I confess I didn’t either until I ran across this factoid while doing research for my current revisions.
So, this time it started because my heroine needed to climb a tree. Not just any tree, but a big old one, tall with spreading branches that would be stout enough for the job –not to mention that earlier in the story a cheetah needed to perch on one of said stout branches of the same tree. 
(I do know that cheetahs don’t climb trees. You’ll need to read the story –The Magnificent Marquess wasn’t originally and in the new version still won’t be your standard Regency romance.)
I thought a horse chestnut ought to do the trick, and they are common in Great Britain in modern times, but –I was pretty sure they aren’t native to Britain. So first thing to check: when were they introduced? Second thing to check: how big can they grow?
I’ve learned that in doing research, assumptions are the biggest stumbling-block (and often the hardest thing to recognize!). That’s where the conkers come back in. I found the info I needed (trees introduced from Persia/Turkey/the Balkans in the 16th century, can grow to 100 feet high). I thought about having children in the story engage in playing conkers since the tree was there.
Have you ever played conkers? I haven’t –but my husband says he did in his youth. I was aware of it as a thing people (mostly boys) used to do, and I assumed that conkers was a game well-venerated through the ages, human nature being what it is. And actually, it is. Just not with horse chestnuts.
2014 World Conkers, photo courtesy Jez Shimell
It seems, at least according to the sources I saw, that in earlier times conkers was played with snail shells, cobnuts, even stones, but conkers with horse chestnuts (they claim) is 20th century. I also saw the date 1848 given in several sources as the year of the first recorded conkers game, on the Isle of Wight. Victorian, and not with horse chestnuts, apparently. Now the World Conker Championships are held in Northamptonshire on the second Sunday in October every year.
It would take some more digging to verify if the sources I saw were actually correct. I did not take the time to look further. Too many rabbit holes out there, and time is always short. Who could prove they were the first person ever to put a horse chestnut on a string? I am not convinced that it was not being done during the Regency, or earlier, but it was also not important for my story. The point is the surprise. So often things I assume are old enough to be Regency turn out not to be. This is just one example.
I love doing research, and I do a lot of it. I like to think my stories “could have happened” even though I made them up. But the hardest part of doing story research isn’t finding the information –it’s figuring out what bits you need to check!
Of course, in the end, the story is what matters most. And all of us story-tellers hope that when the reader is engaged deeply enough, any glitches we missed won’t matter. What research pitfalls have you encountered, as a writer or a reader? If I had tripped over this one, would you have known, or cared?
Today at Risky Regencies, we are delighted to have Caroline Warfield as our guest! Caroline has a book giveaway for you and a fascinating glimpse of a Canadian setting used in her new release, The Renegade Wife. Her new post-Regency series follows the children of characters introduced in her first series. To learn more, please read on!
Traveler, would-be adventurer, librarian, technology manager—Caroline Warfield has been many things, but above all a romantic. 
She is now a writer of historical romance, enamored of owls, books, history, and beautiful gardens, who sits in an office surrounded by windows and lets her characters lead her to adventures in England and the far flung corners of the British Empire. She nudges them to explore the riskiest territory of all, the human heart.
Children of Empire
Raised with all the privilege of the English aristocracy, forged on the edges of the British Empire, men and woman of the early Victorian age seek their own destiny and make their mark on history. The heroes and heroines of Caroline’s Dangerous Series overcame challenges even after their happy ending. Their children seek their own happiness in distant lands in Children of Empire.
Caroline will give a Kindle copy of the winner’s choice of Dangerous Works or Dangerous Secrets to one randomly selected person who comments.
Book 1 in the new series is The Renegade Wife, which releases on October 12. Betrayed by his cousin and the woman he loved, Rand Wheatly fled England, his dreams of a loving family shattered. He clings to his solitude in an isolated cabin in Upper Canada. Returning from a business trip, he finds a widow and two children squatting in his house. He wants them gone, but his heart is not as hard as he likes to pretend. Meggy Blair harbors a secret, and she’ll do whatever it takes to keep her children safe. She doesn’t expect to find shelter with a quiet, solitary man, a man who lowers his defensive walls enough to let Meggy and her children in.
Their idyllic interlude is shattered when Meggy’s brutal husband appears to claim his children. She isn’t a widow, but a wife, a woman who betrayed the man she was supposed to love, just as Rand’s sweetheart betrayed him. He soon discovers why Meggy is on the run, but time is running out. To save them all, Rand must return and face his demons.
Caroline says: “When my Dangerous Series came to an end, and I looked around for my next project, I realized that I had populated my earlier books with young people who would grow up and need to search for their own happiness. A quick look at timelines of English history showed me that I would be moving into a really rich period of social upheaval and empire building. With it came exotic locations, something I particularly value. One wearies of the London drawing room after a while. The result was not just one book, but a whole new series. I named it Children of Empire.
The first books take place during the reign of William IV, the time in between the Georgian and Victorian eras. The Reform Crisis, social upheaval, growing interest in the Canadian timber industry, the expansion of the East India company, and the seeds of the First Opium War all lurk in the background of the first three books.
One major treat in researching The Renegade Wife was learning about the building of Rideau Canal. The story takes place months after the completion of the canal, certainly a wonder when it was built, and now a UNESCO World Heritage Site. My characters travel the Rideau watershed and visit Bytown, now called Ottawa.
The untamed river and the lock 100 feet away.
I took the opportunity to go take a look, and the locks at Ottawa—still functioning after 180 years—astounded me. So did the whole length of locks, dams, and blockhouses, all built to defend the Canadas (as the provinces were known in 1832) from those pesky Americans down south. ” 
(1827 Commissariat Building, shown behind me in the photo, is now the Bytown museum.)
Do you enjoy following characters into the post-Regency era and more exotic locations of the British Empire? Have you ever been to Ottawa, or visited the Rideau Canal or the Bytown museum? Post a comment to be entered into the drawing for Caroline’s giveaway!
A brief excerpt from The Renegade Wife:
She pushed away from the door. “If you’re finished, I’ll clear up your dishes.
“Damn it woman, I fend for myself here.” He looked her up and down. He noticed her deep blue eyes, midnight black hair, and dusky skin. “What are you? Gypsy? Is that where you learned how to diddle a man out of his belongings?”
She drew her back up straight and squared her shoulders. The gesture pulled her dress tight across obviously ample breasts.
There’s a practiced enticement. She’s in for a surprise if she thinks that trick will work on me.
Chin high, she met his eyes without flinching. “My grandmother is Ojibwa, my father was French, and my husband was a Scot. You can despise whichever one of those your English heart chooses, or all of them, but I am not a thief.”
She grabbed her skirt and took a step toward the door. “Do fend for yourself. We’ll leave as soon as we can.”
“I’ll decide when you’re a thief,” he snarled, bringing her to a halt. “It’s my house.”
For (pre-order) purchase on Amazon. https://www.amazon.com/Renegade-Wife-Children-Empire-Book-ebook/dp/B01LY7IRT6/
Also check out Caroline online:
Website and Blog http://www.carolinewarfield.com/
Facebook https://www.facebook.com/carolinewarfield7
Twitter @CaroWarfield
There’s also a Pinterest Board for The Renegade Wife! http://bit.ly/2aHWOr6
Please leave a comment, to be entered in the giveaway.
Thanks for visiting with us today, Caroline!
On Friday (Sept 30) at Risky Regencies, we’ll have Caroline Warfield as our guest! Caroline has a book giveaway for you and a fascinating glimpse of a Canadian setting used in her new release, The Renegade Wife. Her new “post-Regency” series follows the children of characters introduced in her first series. To learn more, please drop in to visit her with us on Friday!
Revisiting an old story intent on revising it can be a scary journey full of rocks and potholes. I’m deep in the throes of revising my old Signet Regency, The Magnificent Marquess, and I have to tell you, the process isn’t pretty! It’s not just the mess of annotated pages scattered over my dining room table and all the handwritten notes that are keyed to them, but also my precarious state of mind.
What do you think about “new and improved” versions of older books? Have you ever picked up a new version of an old favorite and read it to see if you liked it better? And did you? If you write, have you gone back to previously published work and significantly changed it? I’m not talking about just a minor tweak or correction here or there. Were you pleased with the result? Please let me know in the comments!
While I am firmly convinced this original book can be greatly improved, I am also terrified I may make it worse rather than better.
There seem to be two schools of thought about reissuing backlist books. One is that old books are like old friends and should just be sent back out again in the same lovable form they originally presented to the world. The other is that reissuing them offers an opportunity to improve them –to fix mistakes, enliven the writing, or even indulge in the deeper surgeries (or expansions) required to improve plot, character, or motivations. What’s your experience with this, as a reader, or a writer, or both?
Most of my old Signets packed a lot of plot into a relatively short book format –the length was a requirement of the publisher’s line. I believe that by expanding The Magnificent Marquess, I can tell the story more effectively. Too much had to be left out of the original version. But one of many dangers then becomes losing the pacing, not to mention the challenge of keeping the writing tight. All the same problems of writing any original version!
I just keep reminding myself that even though these characters and their story are old friends of mine, for readers who never read the first version, this revised one will be brand new. I’ll let you know when it’s ready!! 