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Author Archives: Janet Mullany

In haste today since I have a visitor, and we’re going out for fun very soon. Here are some terrific things I’ve found online recently which are great for research or, as it is known, wasting time online:

The Metropolitan Museum of Art has opened up its archives of images from the collection. Great stuff!

Here’s the VADS (Visual Arts Data Service) collection which takes some wading through since you can’t search by century. I particularly liked this collection of trades and services material.

clotheshorseoldandinteresting.com is a wonderful resource for the history of household items like Mrs. Tiggywinkle’s clotheshorse.

Want to make a Regency bonnet? Here’s a free tutorial.

And here are step by step instructions for making a Regency cap, which I may try in the next week for an event at which I have to put on the Regency drag. I haven’t sewed anything in years. It should be interesting. If it’s successful I may post about it. If you’re in the Washington DC area, check out the Afternoon of Austen Fashion on November 15 at Riversdale House Museum. Registration is still open.

Have you found any interesting sites online recently? Or, like me and the sewing, are you planning to revive any lost skills?

castYes, I enjoyed it but let me quibble. Because what else is blogging for? I loved Anna Maxwell Martin in The Bletchley Circle where she played a smart woman trapped by domesticity who brought her formidable intelligence to solving a mystery … oh. I see what they did there. Never mind. But Lizzie? Fine eyes and all that? There was some sweet lovie-dovey stuff with Darcy in the beginning (were they really planning an afternoon bedroom tryst or just planning to meet for a nice cup of tea?). After that she seemed to treat him like a large, unpredictable dog, lots of pats on the shoulder and consolatory treats for the Great Darcy.

No, really, the cast were all fine, although Sir Selwyn Hardcastle’s (Trevor Eve) facial hair scared me a little but I’ll get over it. The trouble is, that the depiction of  well-meaning people doing their best to behave well can be rather tedious TV, which is why Lydia (Jenna Coleman, and OMG that military hat and jacket) stole the show: all that screaming and swooning and deshabille made for a lot of fun. She even upstaged Mrs. Bennet.

castle-howard-antiquepassageBut this is a series where everyone is upstaged by the settings. Ooh boy. Pemberley is depicted by Castle Howard and Chatsworth House. Here is the Antiques Passage at Howard, where various characters stride. It is a space that demands striding. And here are Lizzy and Darcy in Chatsworth House:

chatsworthQuite a lot of the interiors were from Chatsworth, including the Turquoise Room:

turqturquouise

 

 

 

 

hcragsHardcastle Crags in Yorkshire were used for the woodland and waterfall. In real life, the stepping stones across the stream lead to somewhere completely different, Stang End Cottage at the Ryedale Folk Museum in Yorkshire, a reconstructed early eighteenth century moor cottage. And I cannot Ryedale_CruckCottageresist pointing out that the Museum is at a place called Hutton-le-Hole.

Altogether I thought it was an excellent example of better TV from an indifferent book, and the producers certainly worked hard to make it entertaining and, I think, historically correct. What did you think of Episode I?

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Filming at Chatsworth

L+DWho else is planning to watch Death Comes to Pemberley next Sunday? I thought the book was not one of PD James’s best, but quite often not so good books make good tv, so I’m cautiously optimistic. Here’s the preview. What do you think of Matthew Rhys/Anna Maxwell Martin as the dynamic duo?

More Austen news–I attended the JASNA (Jane Austen Society of North America) AGM in Montreal a couple of weekends ago and here are a few pics:

An amazing bonnet, with a booklet on how it was made, being offered at silent auction. It would be the sort of item that, if you could afford it, would have to be placed reverently under glass and gazed upon:

DSCN1796The view from my hotel room, early in the morning:

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We gather, most of us all dressed up, for a banquet and ball (there were French officers [!!!] with very interesting headgear in attendance, but you’ll have to take my word for it because naturally I didn’t get any pics of them):

DSCN1813Old Montreal on a lovely sunny day:

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And back to the topic of tv, did you see the amazing edition of NOVA this evening, Ben Franklin’s Balloons, in which French people, some of whom were descended from the Montgolfier brothers, and most of whom wore very stylish scarves, successfully duplicated early balloons and flights. You can view the preview here.

And now for the mystery household purchase:

Class Five Flushing Technology Provides Tremendous Bulk Waste Flushing Performance And Best-In-Class Bowl Cleanliness

Pure poetry.

And can you explain why not so good books make the best tv?

Since I’m going to be messing around on planes and stuff today (off to the JASNA AGM in Montreal, which I’ll tell you Carol Roddy - Author  all about next time) I invited debut author Caroline Warfield to visit. You’ve gotta love a writer whose tagline is “love is worth the risk.” Caroline will be giving away a kindle copy of her book Dangerous Risks (many choices of entering below) and I’ll announce a winner on Monday.

Find out more about Caroline on Twitter @carowarfield, Facebook, and Pinterest.

coverHere’s a snippet of what the book is about:

Lady Georgiana Hayden has struggled for years to do scholarly work in the face of constant opposition and even outright derision from the scholarly community at Cambridge. Her family ignores her as long as she doesn’t draw attention to herself.

A little Greek is one thing; the art of love is another…

What brought you to writing romance?
Like most writers, I read. I read omnivorously, but I usually have a non-fiction (almost always history or biography) and a romance in process. What you read finds its way to what you write, and historical romance became inevitable.

What was the idea behind Dangerous Works?
I began with a “what if.” Women’s history and women’s literature have been much studied in recent years. I wondered what would have happened if a woman had tried that line of study in 1815. I pushed the year forward to give the hero, Andrew, some time after Waterloo. He is weary, wounded, and looking for meaningful scholarly work.

Your storyline is obviously influenced by Persuasion. What are your other inspirations?
It tickles me when people make that comparison. I had no thought of that when I was writing, but Persuasion has always been my favorite of the Austen books. My big influences are writers that explore the emotional growth of mature, complex, but damaged or imperfect characters: Mary Balogh, Carla Kelly, Mary Blayney.  Can I brag a little? When Ms. Balogh read the book she said. “Bravo! …a day of happily absorbed entertainment.”  That was super affirming.

Tell us about something interesting you turned up in your research.
From locri Pinax_with_Persephone_and_Hades_Enthroned,_500-450_BC,_Greek,_Locri_Epizephirii,_Mannella_district,_Sanctuary_of_Persephone,_terracotta_-_Cleveland_Museum_of_Art_-_DSC08242Of course I spent some time looking for women poets in ancient Greece. In the midst of it I was very intrigued to learn about Locri, a Greek colony in what later became Italy. It was the center of a women’s cult around a temple to Aphrodite and also Persephone. In Dangerous Works, The heroine, Georgiana, struggles to translate epigrams by Nossis of Locri for two reasons. One is her lack of an understanding of some of the names and images. The other is her inexperience in love. Faced with a choice between ‘love’ and ‘eros’ to translate a particular word, she chooses ‘desire’ instead.

Nothing is sweeter than desire
All other pleasure is second to it.
Even honey I spit from my mouth.

800px-Favourite_PoetImages in the rest of the poem about Aphrodite and those whom she does not or has not loved are full of possible double meanings and improper implications she has to puzzle out.

Tell us about the Dangerous Series. How are they linked, other than by title?
The heroes of the books grew up together, went to war together, and are all now trying to make a life for themselves. Dangerous Works will be followed by Dangerous Secrets, scheduled for Winter 2015. It tells the story of Andrew’s good friend Jamie Heyworth, a down on his luck former major. He longs to please and worships his friends, but a huge mistake fills him with shame so great he has run off to Rome to hide from them. Dangerous Weakness, still in process, covers Georgiana’s brother and Andrew’s good friend, the arrogant, interfering Marquess of Glenaire who thinks he can control everything. He is Mr. Perfect and I’m having fun tripping him up and leading him into folly. He will chase the heroine across the Mediterranean to Constantinople. Those two stories will be followed by a Christmas novella about their cheerful friend Will, an earl who would rather be a farmer.

What’s the last great book you read?
So many books; so little time! The last great book I read was probably The Island in the Center of the World, a history of New York. I’m hesitant to list the fun books I’ve read recently (aka historical romance) for fear of leaving someone off.

What do you do when you’re not writing?
My husband and I recently moved to the Philadelphia area to be near our grandson. We’re able to indulge the things we love most: time with the grandbuddy, history, and genealogy. We have along list of houses, museums and battlefields to tour that keeps us anchored, but Europe and more exotic locales are calling.

What’s risky about your book?
Love is risky! In the case of Dangerous Works, the heroine Georgiana has to overcome her fear of losing her independence and learn to trust a man who hurt her in the past.  The hero, Andrew, risks his hope of a scholarly career by helping a despised amateur; he also risks his heart, trampled once before when he dared to love Georgiana. Family interference looms over them both. She is the daughter of a duke; he is a schoolmaster’s son.

Wow! Scholar heroines, exotic settings (in future books, not Cambridge!)–tell us what you like about those tropes.

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