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Author Archives: Janet Mullany

Still on hideous deadline and finally taking a day off from the dayjob to write, I found it difficult to pick a topic today. There’s so much going on–an historical general election in the UK, RWA’s national conference change of location to Orlando, FL and why I’m the only person supremely uninterested in the culture of The Mouse, and an announcement.

Oh, okay. The announcement first. I’m taking part in an anthology of Austen-inspired short stories edited by Laurel Ann Nattress of Austenprose with a bunch of Big Names. It will be published some time in 2011 and that’s about all I know. Exciting!

But now let’s talk about pencils. Yes, pencils. I am supremely grateful to pencils because they are about the only way I can plot, as much as I can plot anything. Pens don’t work, computers definitely don’t, but there’s something about a pencil and paper that just do it for me in terms of working things out, creating schedules or lists–it’s pencils all the way for me, baby. Maybe it has its origins in learning to read and write and draw. Does anyone else suffer from this pencil affliction?

So, pencils in the Regency. England had been a major producer of graphite since the sixteenth century, when the mineral was discovered in England in Borrowdale in the Lake District, and used first to mark sheep. The Borrowdale mine produced the purist graphite in Europe. But graphite was valuable for more than pencils: it was used to line molds to make cannon balls. Graphite was mined under great secrecy and sold under strict conditions in London. There’s a great article at The Regency Redingote, a site I only just discovered today.

At some point in the eighteenth century, the pencil was “invented”–that is, graphite secured between two pieces of wood (cedar), and produced as a cottage industry until the first pencil factory was founded in 1832.

If you’re in Keswick in the Lake District and it’s raining (which it usually is) you can drop into the Cumberland Pencil Museum to learn more and see the biggest pencil in the world.

Does anyone else experience the pencil-creativity phenomenon?
Do you have a favorite writing instrument?

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Mistress by Mistake sizzles off the page. A marvelously sexy romp.
Anna Campbell

… sexy chemistry and wry humor … I really enjoy those books where the characters take real joy in their pleasure and this is one of them. It’s a steamy historical that I enjoyed re-reading for the sake of the review.
Dear Author

A great big Risky welcome to Maggie Robinson who’s here today to give us the inside scoop on her book Mistress by Mistake, Book I of the Courtesan Court Trilogy, and give away a signed copy. So please ask a question or make a comment to be entered into the drawing.

How did the idea for this book/series evolve?

Although it will be published first, Mistress by Mistake is actually the second book I wrote that takes place on Jane Street, AKA “Courtesan Court,” my fictional address for London’s most exclusive mistresses. In Mistress by Midnight (which comes out next January), I had my heroine reflect that there really should be some sort of Mistresses Union for bored courtesans waiting for their gentleman, and I realized I had a series. It was all entirely accidental and providential.



Tell us about your hero/heroine. Who would you cast if the book was a movie?

Charlotte Fallon is a straight-laced, lace-making spinster whose heart was broken once. Sir Michael Bayard is a straight-up rake whose heart was not only broken but stomped on, skewered and seared. They’re both wary with good reason, but of course they are absolutely right for each other and ripe to fall in love. Catherine Zeta Jones might make a good Charlie with blue contact lenses (and she’d have to gain some weight, too). Bay was inspired by the yummy nameless model for Lord and Taylor’s Black Brown ad.



(Did I get the right guy, Maggie?) What bit of this book do you love?

Oh, there are so many parts. People seem to love the raspberry fool scene. And there are not too many heroines who use such an unusual weapon to save the hero like Charlie does. I don’t want to spoil the surprise, but Charlie is quite creative.



Which part gave you the most trouble?

I wasn’t certain if a man could be forced to engage in sex. Upon serious research, I was assured that they could.



Ahem. Moving on … What do you like about the Regency period?

The corsets, of course. Seriously, there’s war, royal hijinx, scientific and social advancements—there’s just so much for an author to mine.



What do you dislike about the Regency period?

The obvious disparity between the rich and the poor—but we still have that today. And I don’t think I could deal with the hygiene difficulties.



It seems there are lots of mistress-themed books on the shelves at the moment. What makes yours risky/pushes the envelope?

Well, to be honest I guess my women are more-or-less faux mistresses. Charlie is mistaken for her sister, Laurette is installed on Jane Street by the man who wants to marry her (Mistress by Midnight), and Caroline is unhappily married to the man who bought her her house after the requisite misunderstanding (Mistress by Marriage). I use the setting for two upcoming novellas too. I think my biggest risk is choosing to write about older heroes and heroines (yeah, like thirty to forty is old to me, but in the Regency you’re more than half-dead at that point. *g*)



What’s next for you?

I also write erotic historical romance as Margaret Rowe, and she has a debut of her own with Tempting Eden, which comes out in June. It’s kind of fun to be a double-debutante at my age. Thrilling, actually.

….

Anything else you’d like to be asked about?

Huge announcement! Mistress by Mistake has been selected by Kensington to be a free e-book download from May 3 through May 6. For the details, visit www.maggierobinson.net/blog tomorrow. One commenter below will get a signed dead-tree book, too!

Greetings. I am having a tremendously busy time at the dayjob and I’m also on deadline, aargh. So this will be a quick post, sorry!

Here’s the cover for Bespelling Jane Austen, the anthology headlined by Mary Balogh that’s coming out in October. Isn’t it cute! And yes, there will be textual interest–embossing on the red. I’m very excited about it.

We all picked a favorite Austen novel and “bespelled” it. Mary’s Almost Persuaded is a version of Persuasion with reincarnation; Susan Krinard‘s Blood and Prejudice (I think you know what that’s based on!) is set in modern day New York (with vampires); and Colleen Gleason takes the Gardella vampire hunters out for another spin in Northanger Castle. Mine, based on Emma, is Little To Hex Her, set in the gossipy village of contemporary Washington, DC. The title is based on the opening lines of Emma:

Emma Woodhouse, handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.

I’m very pleased that this book is being released at the same time as Jane and the Damned (HarperCollins) about Jane Austen and the sexy, amoral, decadent vampires of Georgian England. Oh, and there’s a French invasion too. I have a killer cover for that but it’s still under wraps…

I’m managing to do some reading on my commute, when I’m not falling asleep. I’m reading The Taste of Sorrow by Jude Morgan, a novel about the Brontes, which is phenomenal. It has already caused me to miss my stop. It’s released in the US as Charlotte and Emily: A Novel of the Brontes (dumb title, but a better cover than the UK version which is the one I have. And what about Anne?).

What are YOU reading this week?