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Author Archives: megan

It’s been nearly two weeks since returning to the current work-in-progress, A Hero’s Return, and I had the conundrum that the action was set in the wrong place.

It’s taken me this long to figure out the right place to put the action, which makes 100 pages of the doc not useable in its current iteration. I can reset the action, but of course that means adding in characters, and motivations, and different events.

Thankfully, I’m kind of a talking head writer, so the characters and their conversation, rather than where they are, is the focus of my writing, so it won’t be too onerous.

Working on that, and happy that fall is finally here, and VERY MUCH looking forward to seeing Skyfall, the next James Bond film.

What are you working on? What are you most looking forward to this fall?

Megan

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Apologies, all; I have been horribly remiss in updating the Riskies here. I’ve been busy, overwhelmed, overworked, etc.

As some of you know, I live in Brooklyn, NY, and of course we were hard hit by Hurricane Sandy. Thankfully, my area emerged almost unscathed, but public transportation shutdown meant all three Framptons spent four whole days together.

We’ve been going through things to donate to those people who need help, and being grateful we have so much. My husband even had time to cook, since he wasn’t working 12+ hour days at the office!

Anyway. I’ve been reading, of course, and writing a Regency-set historical, which has been a lot of fun to do (honestly!). I like my hero and heroine a lot, the stubborn things, and hope they can get together in a reasonable, believable way. Right now I have no clue how that’s going to happen (I am a pantser, meaning I write by the seat of my pants, so I kind of write and plot as I go).

My December release, Vanity Fare, was just chosen to be featured as a title in Target’s Emerging Authors spotlight, which is very exciting. That means they’ll stock the book in their stores, which is awesome.

I hope everyone is doing well, and thank you to all of you who worried about us in the Northeast, and helped out where you could, and sent good thoughts. All much appreciated.

Megan

PS: The pic here is just because I always need a spot of cheering up, and no-one can cheer me as well as David Gandy.

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Hello from the midwest! My son and I are on our annual two-week visit to Minnesota, on the shores of Lake Minnetonka, to be exact, so he can attend sailing school.

(Whenever I say that, I am hit by liberal PC guilt, as though it’s entitled and all for me to talk about sailing school. Which is run by the Minnetonka Yacht Club, fer chrissakes. And it is all entitled and stuff, but it’s a great opportunity for him, so I gotta just feel guilty and move on).

So I’ve been without son for at least seven hours every day, sometimes longer, depending. Bliss!

But, as I know better than anyone, I can procrastinate like nobody’s business. So today, my friend Liz Maverick and I had a virtual writing date: We got onto IM, I set a timer for 20 minutes, IMed “20 minutes–GO!” and we both wrote, not letting distractions like email or random cups of tea get in the way. It was an amazing way to work, and we were both stunned by our productivity. I wrote 1800 words, good words, too, which is almost twice what a ‘good’ writing day is for me.

When we are in the same state, Liz and I do the same thing at one of our houses; we set our laptops opposite each other, set a timer in-between (mine is painted like a ladybug, and I try not to set the ladybug butt opposite Liz, ’cause that bothers her), and we write for designated periods.

I think this method works for us because we are both competitive (as in, “I don’t want that bitch to have written more than me/I can sit in this chair pounding at the keyboard for longer than her”), both like companionship and if one of us is stuck on a plot point or something, we can just wave a hand and take a time-out. It’s really great, especially if you work alone most of the time, wich most writers do.

Today, actually, Liz and I brainstormed on IM about my hero’s backstory, and just a few minutes of back and forth conversation really helped me understand him. And hey, surprise, he looks like a cross between Clive Owen and Richard Armitage. Seriously, if I were any more predictable I’d be a Barbara Cartland novel.

I am back to writing a Regency-set historical, and I am loving it. It’s got the most “me” voice I’ve ever tried, besides my first book, which took three tries to get the voice right. Here’s a peek, as it stands now:

This was quite possibly the most boring evening he’d spent since he’d had his first drink, James thought as he walked into the room. The same dull people gossiping about other dull people, the same petty intrigues and scandals only obfuscating the inevitable ennui that enveloped every member of Society within a few years.

No wonder he’d bought a commission so many years ago. Yes, there was the threat of dying, but at least he wasn’t bored.

My hero, in case you couldn’t tell, has a dark soul. My favorite kind.

So how do you combat procrastination? If you’re a writer, do you have a writing buddy? And where are you going/did you go on vacation?

 

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Hello!

By now, you’ve no doubt noticed that the remarkable Myretta Robens is posting here on Saturdays when I do not. Myretta knows far more about titles, Jane Austen, and ignoring cats to write than I do, so please bug her for advice (as I do).

Fassbender-in-Jane-Eyre

My romantic women’s fiction title Vanity Fare came out this week, and it was cool to see it in Target stores, as well as track it online (“only 16 copies left!”). The response has been mostly positive, and even the negative critiques have been helpful.

I currently working on a very light historical, and been reading some light historicals to motivate my brain; unlike most writers, I love reading in the same genre in which I’m writing. So to ask you:

What’s your favorite light historical book or author? Julia Quinn is the Queen, of course, but which of hers are particular favorites? Or anybody else?

And hope everyone had, and is having, a lovely holiday season.

 

Megan

 

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Rupert-Friend-Wickham

This week, we’re examining what Jane Austen has meant to us–and to say that Austen has informed every aspect of my subsequent reading and writing would not be an overstatement. In fact, Austen’s themes and style is present in my own writing even when I don’t realize it.

My romantic women’s fiction title, Vanity Fare, comes out in less than two weeks (Dec. 26), and some early reviewers are pointing out the similarities to Pride and Prejudice–more similarities than I even realized I had! I knew that I had put in a very Mr. Darcy moment when one of the characters rescues another from a bad financial situation. But there’s more Austen in there, as a review from Book Lovers, Inc. points out:

“In fact, it was clear to see many connections with Pride and Prejudice in the book, from the portrayal of Nick and Simon, to the financial mess Molly’s mother was going through. It was a modern take on the classic, albeit one that could stand on its own merits too.

As much as the story was about Molly finding a way to pay the bills and maybe find love, it was equally about Molly finding herself. Jane Austen’s generation might have tsk’d at the idea of this, but it was very cool to see Molly go from being dependent on her ex-husband to being able to speak for herself and find the strength within to become self-sufficient.”

While this example is both self-serving and timely, my Austen experience covers more than just my latest release. Austen embedded human truths within a deceptively simple read, and each reading, or viewing of the screen interpretations of her work reveals some new facet to the truths.

Thanks, Jane. You rock.

Megan

 

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